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Category Archives: Bridgerton

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19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com

19th Century First Half. Gentleman’s Black Wool Tailcoat With Embroidered Buttons as Worn in Bridgerton and Jane Austen times. #Bridgerton #JaneAusten #RegencyFashion

Suzi Love Posted on October 5, 2026 by Suzi LoveSeptember 24, 2026

19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. Via Augusta Auctions – augusta-auction.com

Tailcoat: A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. The men in Jane Austen’s life would have worn a black tailcoat like this for everyday wear. https://books2read.com/SuziLoveFashionMen1800-1819

19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half Front View.
19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half Back View.
19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half. Side View.
19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered & uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half Collar View.
19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half Monogram View.
19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half Lining View.
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819
23_d2d_fashionmen1800-1819 https://books2read.com/SuziLoveFashionMen1800-1819
Posted in 1800s, 1800s Mens Fashions, Bridgerton, Coat or Pelisse Or Redingote, Jane Austen, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s men fashion, Augusta Auctions, Bridgerton, Jane Austen, Redingote Or Pelisse Or Coat, Regency Fashion, Suzi Love Images, Tailcoat

Do you love Jane Austen and Bridgerton fashions? Corsets Or Stays Worn During the Early 1800s, or Regency Era, Book 17 History Notes #Bridgerton #JaneAusten #RegencyFashion #Corsets

Suzi Love Posted on October 5, 2026 by Suzi LoveOctober 5, 2026

This book shows how corsets changed to fit well under clothing, give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. Jane Austen and her female and friends wore these corsets. Corsets or stays worn during the early 1800s, or Jane Austen’s lifetime. https://books2read.com/SuziLoveCorsetBook17

The main purpose of corsets was to support and shape the breasts. Though they still slimmed the midriff, this was not the prime purpose of a corset between 1810 and 1830. The waistlines of dresses were lowering to below the bust line but nearer to the true waist, so corsets were longer and were given added shaping by stitching and cording and by shaping the breasts with pleated or gathered cups.

HN_17_Corsets 1810-1830 History Notes Book 17 This book shows how corsets changed to fit well under clothing, give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. Jane Austen and her female and friends wore these corsets. Corsets or stays worn during the early 1800s, or Jane Austen's lifetime. https://books2read.com/SuziLoveCorsetBook17
HN_17_D2D_Corset_1810-1830
https://books2read.com/SuziLoveCorsetBook17
HN_17_D2D_Corset_1810-1830
Posted in 1800s, 1800s women's fashion, Australia, Bridgerton, Canada, Corset, England, Europe, France, Google Books, History Notes, Jane Austen, London, Regency Era, Regency Fashion, Suzi Love Books, Suzi Love Images, U.S.A, underclothing | Tagged 1800s women's fashion, Book 17, Bridgerton, Corset, Fashion Plate, History Notes, Jane Austen, Regency Fashion, Romantic Era, Romantic Era Fashion, Suzi Love Books, underclothing

1816 November. Bridgerton and Jane Austen High-waisted, Striped Evening Dress With Short Puffed Sleeves. #bridgerton #RegencyFashion #JaneAusten

Suzi Love Posted on October 4, 2026 by Suzi LoveOctober 4, 2026

1816 November. A lilac and white striped gauze dress over a white satin slip; the bottom of the skirt is ornamented with five rows of white silk trimming, of a very light and elegant description: it has just been introduced, and the patterns has more novelty than any thing we have seen for some time; a single flounce of deep blond lace completes the trimming. The body is also very novel; the upper part is formed of lace, and the lower of gauze, to correspond with the dress; the latter is quite tight to the shape, but the former has an easy fullness, which forms the shape in a manner extremely advantageous to the figure. The sleeve is short and very full; it is composed of lace, looped high, and finished by a trimming to correspond with that of the skirt. The hair is full dressed, without any ornament. Necklace, cross, armlets, and bracelets of rubies. White satin slippers, and white kid gloves.Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.

Gorgeous Regency Era clothing came in a wide range of styles to suit every season and occasion. Ladies in Jane Austen’s times wore Empire style dresses which were usually of light fabric and floaty in style. By the later 1810s, stripes were very popular and lace and frills were added to make the dress more individual.

1816 November. High-waisted, Striped Evening Dress, English. Short puffed sleeves, shawl, long gloves, slippers, cross on a necklace and an upswept hair style. Fashion Plate via Rudolph Ackermann's 'The Repository of Arts'.
HN_28_D2D_Fashion Women 1815-1819
https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, fashion accessories, Jane Austen, London, Regency Era, Regency Fashion, shoes | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Jane Austen, Regency Fashion, Shoes, The Repository Of Arts

1820-1835 ca. Bridgerton and Jane Austen Style Woman’s Underwear Combination, English. #JaneAusten #RegencyFashion #Bridgerton #Underwear. #HistoricalFashion

Suzi Love Posted on October 2, 2026 by Suzi LoveOctober 1, 2026

1820-1835 ca. Woman’s Underwear Combination, English. This style of underwear was worn during the Jabe Austen and Bridgerton years. Petticoat: 1820-1829 ca. Cotton with double row of piping round hem. Frontless with looped shoulder pieces. Corset: 1835: Cotton reinforced with whalebone and cording, hand-sewn. Shift Or Chemise:1830s Worn under corset. Drawers: Sheer clinging fabrics needed drawers underneath for modesty. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.

1820-1835 ca. Woman's Underwear Combination, English. Petticoat: 1820-1829 ca. Cotton with double row of piping round hem. Frontless with looped shoulder pieces. Corset: 1835: Cotton reinforced with whalebone and cording, hand-sewn. Shift Or Chemise:1830s Worn under corset. Drawers: Sheer clinging fabrics needed drawers underneath for modesty. via Suzi Love suzilove.com Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
HN_28_D2D_Fashion Women 1815-1819
https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Bridgerton, Corset, Jane Austen, Suzi Love, underclothing | Tagged 1800s women's fashion, British history, chemise, Corset, petticoat, Regency Fashion, Romantic Era Fashion, Suzi Love Images, underclothing, Victoria and Albert Museum
1818 Typical Women's Daily Outfits. Collage By Suzi Love.

1818 Descriptions for types of ‘DRESS’ during Bridgerton’s and Jane Austen’s years. #Bridgerton #RegencyFashion #JaneAusten #HistoricalFashion

Suzi Love Posted on October 2, 2026 by Suzi LoveOctober 2, 2026

1818 Descriptions for types of ‘DRESS’ during Bridgerton’s and Jane Austen’s years. Dresses, coats or Redingotes, Spencers, shawls, fichu or shoulder cape, shoes, hats and headdresses, gloves, and Reticules or bags were displayed in various fashion magazines and copied by ladies and their modistes.

  • Morning Dress:  Worn either at home, out shopping, or for walking in the park or country. Presentable but not overly accessorized. 
  • Afternoon Dress: Dress made from the best fabric and beautifully decorated to see and be seen in when visiting friends, going to a museum or attending a daytime public event.
  • Walking Dress: Worn out shopping, walking in a city park or the country estate. Presentable and warm, more fashionable than Morning Dress but accessorized for sun protection and warmth, rather than display.
  • Promenade Dress: Includes gown, hat, and other accessories and more styled and fashionable than morning or walking dress. An ensemble designed to see and be seen in. 
  • Evening Dress:  Minute distinctions between ball, dinner, evening and opera gowns meant different quality of fabrics, designs, and embellishments.
  • Ball Dress:  Gown of expensive silk fabrics, light or heavy, decorated with lace, embroidery or beading, with low-cut bodice, short or barely-there sleeves, and full skirts. Often shorter length skirt for dancing.
  • Mourning Dress: Mourning dress wasn’t as strict during the Regency as in Victorian era but periods of wearing black, white and grey were observed, especially for Royal deaths.
  • Empire Dress: Light and flowing dresses with waists just under bust worn during French Empire Period, or early 1800s.

Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? What was fashionable for women in Regency Era? Mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing and fashion accessories. books2read.com/SuziLoveFashionWomen1815-1819

1818 March Yellow Walking Dress, Or Pelisse, Or Redingote, English. Yellow pelisse with elaborately decorated hem, red draping shawl, red reticule or bag, high yellow bonnet trimmed with flowers and yellow shoes. Fashion Plate via Rudolph Ackermann's 'The Repository of Arts', London, U.K.
1818 March Yellow Walking Dress, Or Pelisse, Or Redingote, English.
Yellow pelisse with elaborately decorated hem, red draping shawl,
red reticule or bag, high yellow bonnet trimmed with flowers and yellow shoes. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’, London, U.K.
1818 Red Evening Dress, French. Low cut bodice with white short sleeves, long white gloves, black velvet torque, or hat, with white plumes, necklace and a handkerchief. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1818 Red Evening Dress, French. Low cut bodice with white short sleeves, long white gloves, black velvet torque, or hat, with white plumes, necklace and a handkerchief. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1818 January Walking and Evening Dress, English. Probably for Mourning. Long black coat with waist length cape and fur at neck, high black hat with feathers. White dress with black trim, white shawl, upswept evening hairstyle and black jewelry. Via Dean & Munday, Threadneedle Street, London, UK.
1818 January Walking and Evening Dress, English. Probably for Mourning. Long black coat with waist length cape and fur at neck, high black hat with feathers. White dress with black trim, white shawl, upswept evening hairstyle and black jewelry. Via Dean & Munday, Threadneedle Street, London, UK.
1818 White Morning Dress, English. Puffed capped sleeves, lace shawl like neckline, ornate bodice cording around a scalloped hem, small white hat with blue flowers, and yellow gloves. Fashion Plate via John Belle's 'La Belle Assemblee', London.
1818 White Morning Dress, English. Puffed capped sleeves, lace shawl like neckline, ornate bodice cording around a scalloped hem, small white hat with blue flowers, and yellow gloves. Fashion Plate via John Belle’s ‘La Belle Assemblee’, London.
1818 Promenade Dress, English. White dress with multiple layers of lace from hem upwards. Narrow striped scarf of bright colors, large brimmed hat decorated with flowers and a pink parasol. Fashion Plate via John Belle's La Belle Assemblée or, Bell's Court and Fashionable Magazine, London.
1818 Promenade Dress, English. White dress with multiple layers of lace from hem upwards. Narrow striped scarf of bright colors, large brimmed hat decorated with flowers and a pink parasol. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
1818 March White Opera Dress, England. Very low cut bodice and sleeves, green sleeve and hem decoration, green paisley shawl, interesting scholar's hat, long white gloves and evening shoes. Fashion Plate via Lady’s Magazine.
1818 March White Opera Dress, England. Very low cut bodice and sleeves, green sleeve and hem decoration, green paisley shawl, interesting scholar’s hat, long white gloves and evening shoes. Fashion Plate via Lady’s Magazine.
HN_28_D2D_Fashion Women 1815-1819
https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Australia, Bridgerton, Canada, Coat or Pelisse Or Redingote, Dress Or Robe, England, Europe, fashion accessories, hats, History Notes, Jane Austen, Regency Fashion, Reticule or Bag, shoes, South Pacific, U.S.A | Tagged 1800s women's fashion, Bridgerton, Dean and Mundy London, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, Journal des Dames et des Modes, La Belle Assemblee, Regency Fashion, shawls, Shoes, The Lady's Magazine, The Repository Of Arts
19th Century Early Cotton Trousers, British. Buttons at waist, drop down front flap with buttons. and cut with excess material to allow easy movement. via Metropolitan Museum New York City, U.S.A. metmuseum.org

19th Century Early Bridgerton and Jane Austen Men’s Trousers With Front Fall, British. #JaneAusten #Bridgerton #RegencyEra #HistoricalFashion

Suzi Love Posted on October 1, 2026 by Suzi LoveSeptember 18, 2026

19th Century Early Cotton Trousers, British. Buttons at waist, drop down front flap with buttons and cut with excess material to allow easy movement. via Metropolitan Museum New York City, U.S.A. metmuseum.org.

Trousers: In the early 19th century, trousers were sewn with a flap in front called a fall front and was held in place by two or three buttons. Trousers were held up by tight-fitting waists which were adjusted by gusset ties in back of the waist. Seats were baggy to allow a man to rise comfortably from a sitting position.

19th Century Early Cotton Trousers, British. Buttons at waist, drop down front flap with buttons. and cut with excess material to allow easy movement
19th Century Early Cotton Trousers, British. Buttons at waist, drop down front flap with buttons. and cut with excess material to allow easy movement. via Metropolitan Museum New York City, U.S.A. metmuseum.org
19th Century Early Cotton Trousers, British. Buttons at waist, drop down front flap with buttons. and cut with excess material to allow easy movement. via Metropolitan Museum New York City, U.S.A. metmuseum.org
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819
Posted in 1800s, 1800s Mens Fashions, Bridgerton, England, Jane Austen, London, pants, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s men fashion, Bridgerton, Jane Austen, Metropolitan Museum NYC, pants, Regency Fashion, Suzi Love Images, trousers

Love the fashions worn by the Bridgerton ladies and Jane Austen? Reticule, Spencer, Pelisse. #Bridgerton #RegencyFashion #JaneAusten

Suzi Love Posted on September 29, 2026 by Suzi LoveSeptember 26, 2026
What was fashionable outdoor wear for the Bridgerton ladis, Jane Austen, and their contemporaries? Reticules, Spencers, and Pelisses, or Walking Dresses, Or Redingotes. History Notes Books 3, 4, and 5 By Suzi Love.

What was fashionable for purses in past centuries? Call them what you like: purses, bags, handbags, reticules, ridicules, clutches, or pocket replacements. They all did the same job and they changed greatly with the prevailing fashions of time. books2read.com/suziloveReticules

What was fashionable in women’s jackets in the Regency Era? Call them what you like: Spencers, short jackets, or Regency jackets. They provided modesty and warmth and they changed greatly with the prevailing fashions of the time. Take a look at the jackets being worn by women in the early 1800s. books2read.com/suziloveSpencers

What sort of coats did women wear during the Regency years? them what you like: Coat, Pelisse, Redingote, Walking Dress, Promenade Dress. Take a look at what was being worn by women, men, and children. books2read.com/suzilovePelisse

Fashion Accessories: Reticules, Spencers, Redingotes. History Notes Books 3, 4, and 5 By Suzi Love. #Regency #Fashion #History books2read.com/suziloveReticules books2read.com/suziloveSpencers books2read.com/suzilovePelisse
HN_4_Spencers, Or Jackets. #Regency #Georgian #Victorian #Fashion History Notes Book 4 By Suzi Love. books2read.com/suziloveSpencers
HN_4_Spencers, Or Jackets. #Regency #Georgian #Victorian #Fashion History Notes Book 4 By Suzi Love.
Posted in 1700s, 1700s Mens fashion, 1700s Womens Fashion, 1800s, 1800s Mens Fashions, 1800s women's fashion, 1900s, Australia, Bridgerton, Canada, Coat or Pelisse Or Redingote, Decorative Item, Edwardian Era, England, Europe, fashion accessories, France, Georgian Era, Georgian Fashion, History Notes, Jane Austen, military, Regency Era, Regency Fashion, Reticule or Bag, Romantic Era, sewing, Spencer, Suzi Love Books, Suzi Love Images, travel, U.S.A, Victorian Era | Tagged 1700s Mens Fashion, 1700s Women's Fashion, 1800s women's fashion, Book 3, Book 4, Book 5, Bridgerton, Edwardian Era, fashion accessories, Fashion Plate, History Notes, Jane Austen, Redingote Or Pelisse Or Coat, Regency Era, Regency Fashion, Regency Life, reticule or bag, Romantic Era, Spencer, Suzi Love Books, Victorian Era

1809 The King Of Great Britain and His Powers In the Bridgerton and Jane Austen Years. #Bridgerton #JaneAusten #RegencyEra #BritishRoyalty

Suzi Love Posted on September 28, 2026 by Suzi LoveSeptember 18, 2026

1809 The King Of Great Britain. From: 1809 A Book Explaining The Ranks and Dignities Of British Society. via Google Books. (PD-180) BRITISH RANKS,  The King Of Great Britain and His Or Her Powers during Jane Austen’s lifetime.

1809 The King Of Great Britain 1809 The King Of Great Britain. From: 1809 A Book Explaining The Ranks and Dignities Of British Society. via Google Books. (PD-180)

BRITISH RANKS,  THE KING . 

The supreme executive power of these kingdoms is vested by our laws in a single person, the King or Queen, for it matters not to which sex the crown descends, but the person entitled to it, whether male or female, is immediately invested with all the ensigns, rights, and prerogatives of sovereign  power . 

In the earliest periods of our his tory the crown appears to have been elective. But hereditary succession has now been long established , and has proved a good preservative against that periodical bloodshed and misery, which both history and experience have long shewn are the consequences of elective kingdoms. The crown descends lineally to the issue of the reigning monarch , and not till the failure of the male issue  is it allowed to be taken by the female. 

Lawyers say the King of England is a mixed person, a priest as well as a prince and at his coronation he is anointed with oil, as the priests and  kings of Israel were, to intimate that his person is sacred. The principal duty of the king is to govern his people according to law and these are the terms of the oath administered usually by the Archbishop of Canterbury at his coronation, in the presence of the people, who on their parts do reciprocally take the oath of allegiance to the crown : “ The archbishop, or bishop, shall say, Will you solemnly promise and swear to govern the people of this kingdom of England , and the dominions thereto belonging, according to the statutes in parliament agreed on and the laws and customs of the  same? 

The king or queen shall say , I solemnly promise so to do . Archbishop , or bishop .Will you to your power cause law and jus tice , in mercy , to be executed in all your  judgments? 

King or queen, I will, Archbishop , or bishop – Will you to the utmost of your power maintain the laws of God , the true profession of the gospel and the protestant reformed religion established by the law? And will you preserve unto the bishops and clergy of this realm, and to the churches com mitted to their charge, all such rights and privileges as by law do or shall appertain unto them or any of them ? 

King or queen, All this I promise to do .

After this , the king or queen , laying his or her hand upon the holy gospels , shall say , The things which I have here before promised , I will perform and keep : so help me God . And then shall kiss the book . 

One of the principal bulwarks of our liberty is the certain and definite limitation of the king’s prerogative, the extent and restrictions of which are marked out with the greatest clearness. But in the exertion of those powers which the LAW has given him , the king is irresistible and absolute. He is considered by the laws of England as the head and supreme governor of the national church and, in virtue of this authority, he convenes , prorogues , rogues , restrains , regulates , and dis solves all ecclesiastical synods or convocations. He has the supreme right of patronage over all ecclesiastical benefices and if they are not presented to within the time prescribed , their lapse becomes the advantage of the crown. In regard to foreign concerns, the king is the delegate or representative of his people. He has power, by his prerogative, with out any act of parliament, to make war or peace, conclude treaties, grant safe conducts, give  commissions for raising and regulating fleets and armies, as well as for erecting, manning, and governing forts, and other places of strength. He can prohibit the  exportation of arms and ammunition out of the kingdom, can dispose of  magazines, castles, ships, public moneys, etc.  and all that is done in regard to foreign powers by the royal authority, is the act of the whole nation. He has the sole power of sending ambassadors to foreign states, and receiving ambassadors at home. He convokes, adjourns, prorogues, and dissolves parliaments  and may refuse his assent to any bill passed by both houses, without giving his reason for it . 

He may increase the number of members of either house at plea sure, by creating new peers and bestowing privileges on other towns for sending burgesses to  Parliament, but the last has by late kings been given up. 

The sole power of conferring dignities and honors is entrusted to him so that all degrees of nobility and knighthood, and other titles, are received by immediate grant from the crown. And the king has also the prerogative of conferring privileges upon private persons  such as granting place or precedence to any of his subjects such is also the power to enfranchise an alien and make him a denizen, and the prerogative of erecting  corporations. The coining of money too, as well as the settling thedenomination or value for which it shall pass current, is the act of the sovereign power. 

But to take all the characters into view in which the king is considered in domestic affairs would be almost endless for from thence an abundant number of prerogatives arise. All lands re covered from the sea , gold and silver mines, royal fishes etc. be long to him. He can unite, separate, enlarge, or contract the limits of  ecclastical benefices and, by his letters, erect new bishoprics, colleges etc. He can dispense with the rigor of ecclesiastical laws except those which have been con firmed by act of parliament, or declared by the bill of rights. He has also power to moderate the rigor of the law to pardon a man condemned by law except in appeals of murder, and in case of impeachment by the house of commons, and to interpret by his judges in statutes and cases which are not defined by law. 

But though he be entrusted with the whole executive power of the law, yet he cannot sit in judgment in any court for justice must be administered according to the powers committed and distributed to the several courts. 

As the king is declared to be the supreme head in matters both civil and ecclesiastical so no suit can be brought against him even in civil matters because no court can have jurisdiction over him. The law also ascribes to the king in his political capacity  absolute perfection. The king can do no wrong, by  which ancient and fundamental maxim we are not to understand that every transaction of government is of course just and lawful but that whatever is exceptionable in the conduct of public affairs is not to be imputed to the king nor is he answerable for it personally to his people and farther that the prerogative of the crown extends not to do any injury. It is created for the benefit of the people and therefore cannot be exerted to their prejudice. In the king there can be no negligence and therefore no delay will bar his right. In the king also there can be no infamy, stain, or corruption of blood. And the law ascribes a kind of perpetuity, or immortality to him. His death is termed his demise , because the crown is thereby demised to another. He is not in law liable to Death, being a corporation of him self that lives for ever. There is no interregnum but the moment one king dies, his heir is king, fully and absolutely, without any coronation , ceremony etc. To these it may be added that by the law the king is said in a manner to be every where in all courts of judicature , which he alone has the right of erecting and therefore cannot be nonsuited. 

The power of issuing proclamations is vested in the king alone, considered as the fountain of justice. The laws make it high treason barely to imagine or intend the death of the king, and because the destruction of the king may ensue that of his great counsellors or officers, it is felony in any of the king’s subjects to conspire even that. Some things the king cannot do. He cannot divest himself or successor of any part of the regal prerogative or authority and there are two things which he cannot do without the  consent of Parliament:the making of new laws and the raising of new taxes. The king cannot dispense with the laws nor do any thing contrary to law. In England the law is as much superior to the king , as to any of his subjects and the obedienceof the king of England to the laws is his greatest glory while it is the security of the rights and liberties of his people who are the greatest as well as the freest people on the face of the earth , merely because their sovereigns are obliged to live insubjection to the written laws of the land. 

The title of grace was first given to our kings about the time of Henry IV and that of majesty first to Henry VIII. The title of his present Majesty is , GEORGE the Third , King of the United Kingdom of Great Britain and Ireland, Defender of the Faith, Sovereign of the Orders of the Garter, Thistle, Bath and St. Patrick, Duke and Elector of Brunswick Lunenburg, Bishop of Osnaburg and Arch Treasurer of the Holy Roman Empire.

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Posted in 1800s, Bridgerton, England, Google Books, History, Jane Austen, peerage, Regency Era, Royalty | Tagged Bridgerton, Georgian era, google books, Jane Austen, peerage, Regency Era, Regency Life, Regency Overview, Regency Royalty

1826 ‘Cits’ Dining At The Grand House. From A Regency Gentleman’s Life. #RegencyEra #Cartoon #England

Suzi Love Posted on September 27, 2026 by Suzi LoveSeptember 16, 2026

1826 The Cyprian’s Ball At the Argyll Rooms. A Regency Gentleman’s Life. From The English Spy By Robert Cruikshank.

1826  'Cits' Dining At The Grand House. From A Regency Gentleman's Life. #Regency #Cartoon #England
1826 The Cyprian’s Ball At the Argyll Rooms. A Regency Gentleman’s Life. From The English Spy By Robert Cruikshank.
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Posted in 1800s, 1800s Mens Fashions, 1800s women's fashion, Bridgerton, cartoon, Customs & Manners, Food and Drink, Google Books, household, London, Pastimes, peerage, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s men fashion, Cartoons, drinks, England, Food, google books, London, pastimes, Regency Fashion, Regency London, Regency Men

What Sort Of Pianoforte Or Piano Was Played By the Bridgertons and Jane Austen? #Bridgerton #Music #JaneAusten #RegencyEra #GeorgianEra

Suzi Love Posted on September 26, 2026 by Suzi LoveSeptember 22, 2026

What Sort Of Pianoforte or Piano Was Played By Jane Austen and Contemporaries? Pianos, pianofortes and more. History Notes Book 7 Music Pianos books2read.com/suziloveMusicPiano

Definition Pianoforte or Piano: ‘Stringed keyboard instrument with a hammer action, as opposed to the jack and quill action of the harpsichord.  Capable of gradations of soft and loud, the piano became the central instrument of music pedagogy and amateur study. By the end of the nineteenth century, no middle-class household of any stature in Europe or North America was without one.’  Definition via the Metropolitan Museum, NYC.

Around 1700, the Pianoforte, or Piano,  was invented in Italy by Bartolomeo Cristofori, who created a hammer action keyboard instrument on which a musician could make changes in loudness by changing the force with which the keys were struck. He called his instrument “gravicembalo col piano e forte”, or,  (harpsichord with soft and loud). Cristofori’s  long name was later shortened to fortepiano or pianoforte, and finally just piano.

Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music.  Pianos, pianofortes, harpsichords, and organs were found everywhere and were often the focus of a family gathering. By the end of the 18th Century, the pianoforte, or piano, was the leading instrument of Western music.

What sort of pianos did Jane Austen and the Bridgerton family play? Pianos, pianofortes etc in 17th, 18th, and 19th Centuries. Music Piano. History Notes Book 7 By Suzi Love. Pianos, pianofortes, harpsichord, organs in 17th, 18th, and 19th Centuries, as used by Jane Austen and her family.  books2read.com/suziloveMusicPiano
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Posted in 1700s, 1800s, 1900s, art, Australia, Bridgerton, Canada, Edwardian Era, England, Europe, furniture, Georgian Era, History Notes, household, Jane Austen, Music, Regency Era, Romantic Era, Suzi Love Books, Suzi Love Images, U.S.A, Victorian Era | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, Book 7, Bridgerton, Georgian era, History Notes, Jane Austen, music, piano, Regency Era, Suzi Love Books, Victorian Era

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