1836-1840 ca. Floral Print Cotton Dress With Silk Satin Piping, English. Cotton printed in soft pink, red, white, and green floral motif on light brown, edged with green silk satin piping and lined with linen and cotton. Sleeves tightly gathered, loose at elbow, skirt gathered from tight fitting bodice edged with green satin piping. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.From the Museum: Soft colours and floral patterns are a distinctive feature of many 1830s day dresses. Here, pink, red and white flowers harmonise with the brown ground and green piping. The construction of the sleeves is also interesting as they are tightly gathered at the top and loose around the elbow. This accentuates the slope of the shoulder and the tightness of the wrist.
“As the Duke of Sherwyn, you’ve entree into the best houses and social events.”
After a scowl towards the ceiling, he muttered, “Thanks to my stepmother, I’m forced into it. But what does my recent social popularity have to do with your current predicament?”
“In daylight, with other ladies, I can stroll about the streets. Visit shops, sometimes slip unnoticed into the twice-weekly stock auctions at the Hall of Commerce in Threadneedle Street. And I’ve already searched the desks of many of the mere misters and lesser peers of the lower orders of the consortium, as their houses aren’t guarded like fortresses.”
“Do you mean to say you entered these men’s homes and rifled their papers?”
“Well yes, but–”
“Are you mad?”
“I risked little, because those sort of houses cannot afford a footman guarding every passageway. Especially not on occasions such as those I attended, where every footman is needed to fetch drinks for belligerent guests. Slipping into those libraries was child’s play.” She sighed. “What I cannot do is visit the homes of the highest ranking peers to scour their correspondence for any that bears the special seal of the consortium. Nor secure enough privacy to copy any incriminating letters I may find. Someone always hovers, and watches, at those type of houses.”
He paced before her like a restless panther, an angry scowl pulling his face taut. His fine looks had always turned heads, but this brooding beast carried a lethal combination of strength and menacing masculinity. She shivered. His newly acquired arrogance of bearing enhanced, rather than detracted from, his magnetism, although this time, she knew to avoid his magnetic pull.
“You intend searching the houses of every peer in the city who is making money from stock shares?”
“No, no, not all of them. We’ve done a lot of research–”
“We?”
“My family have become quite adept at research. We’ve narrowed our search to gentlemen known to invest in railway expansions in a large way. Our final list is of those we consider to be involved in the inner, and most secret, tier of the syndicate. It contains eighteen names, the majority of whom are high-ranking peers.
“Bloody hell, Becca.” He ground the expletive out through clenched teeth. “You’re out of your depth. I’ve been involved in similar commercial groups. They’ll stop at nothing for the sake of money.”
“Nevertheless, we need certain details you may overhear at clubs about certain gentlemen having sudden windfalls. Or things gleaned at certain balls and soirees.
“Unbelievable.” Both hands went up in the air. “That’s certainly as clear as muddy water.”
“Clear or not, I’m asking you to trust me. To help me.”
She held out both hands, palms up, and hoped he wouldn’t notice their tremors. “With your assistance, I can verify more names. Collect proof of each one’s involvement and hand it over to Scotland Yard. Time is of the essence, as we’ve now less than two weeks.”
She watched him absorb, assess, decide. In under a minute, he guided her to his desk and seated her before it.
“Make a start. List the names of every man you suspect to be a member.” He placed writing materials before her. “Then list those you consider inner tier, and include their ranking.”
1815-1825 ca. Dark Green Leather Woman’s Slippers, French. The type of shoes worn by Jane Austen and her female friends and family. Made in France and worn in Boston, Massachusetts, USA. Worn by Mehetable Stoddard Sumner (Welles), American, 1784-1826. Green silk bows, lapped side seams, green silk bindings, black silk ribbon ties, plain linen drawstring at fronts, white leather insoles, white linen vamp linings; leather soles. Written in ink on insole was ‘Droit’, meaning right side, although both shoes may have been the same. via Museum of Fine Arts, Boston. mfa.org.
Shoes in the early 1800s were flat or low heeled and occasionally decorated with a bow or floral embellishments and it wasn’t until the 1820s that square, rather than rounded, toes became fashionable. Typical Regency Era women’s footwear were shoes that had low heels, slightly rounded toes, embellished with a bow and with ribbon ties for the ankles. Made of soft kid or cloth, these delicate shoes were flimsy and wore out quickly. Slippers were often bought in multiples at a time and with no difference between left or right foot so when one slipper had a hole it was easily replaced.
“Two nights ago,” Lady Rebecca Jamison said, “the woman we engaged at the Women’s Betterment Society to tally the Stock Exchange ledgers — our friend — was murdered. The killer was still inside Peggy’s house when I arrived. Her slayer stopped at the back door and stared directly at me, memorizing my features.”
Her pronouncement was flat-voiced, deadly calm.
“Thankfully, his immediate concern was escaping with our two accounting books. But when the cache identifies me as the woman who saw their lackey’s face, I am certain they will send him to dispose of me as well. They are peers, titled and wealthy, and cannot risk being exposed as members of an illegal group. If we cannot stop these men, brutes who employ cold-blooded assassins to do their dirty work, I will certainly be the next to die.”
The Duke of Sherwyn’s chilled blood turned to ice.
Embracing Scandal (Scandalous Siblings) by Suzi Love. Lady Rebecca Jamison saves her family from financial ruin by investing in railways, but when a greedy syndicate murders her friend, Becca is forced to beg assistance from Cayle St. Martin, the new Duke of Sherwyn. https://books2read.com/suziloveES
1800-1830 ca. Drawstring Bag, German. Basket-shaped, Ecru cotton knit embroidered with colored glass beads in design of grapevine on upper half, open work embroidered with weaving motif on lower half. Wired at center, cardboard at base. Green silk cord drawstring. The Elizabeth Day McCormick Collection via Museum of Fine Arts, Boston, U.S.A. mfa.org
Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
What was fashionable for outer wear in past centuries? Different names in different countries: Pelisse, Redingote, Coat, Or Walking Dress. The Bridgertons and Jane Austen and her contemporaries wore long coats like these to keep warm when out and about, visiting, shopping etc. The thin muslin dresses worn in the early 1800s were little protection against European winters. http://books2read.com/suzilovePelisse
1830 ca. Quilted Buff Canvas Corset, English. Quilted canvas, wood, boning, and brass. Self lined, quilted with back stitch.
Front fastening, shoulder straps, and brass eyelets for back. The wide centre front busk may be of wood and these stays are boned from the waist through the centre of the bust gussets, with three bones at each side and on each side of the back lacing. The rest is quilted, the top is over a cord foundation, and there are gussets at the hips. Eyelets in the back and strap lacing are of brass and machine inserted. On the left of the centre busk at hip level, is a tape stretched so that it ties horizontally. The top and straps are bound with tape. Self lined, quilted in back stitch, the waist is herringboned, and the bases of the bust and hip gores are button-holed. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk
The finger prodded her chest again. Gently yet insistently. But his voice softened. “And I, the man, and the duke, choose you. You, Lady Rebecca. Do you think I can’t decide for myself, for my family, for you and me, what’s best?”
“But that’s what I’ve always done. It’s always been up to me to work out the best plan for everyone and then make it happen.” “In the past, that’s what happened.”
“But even now, it’s up to me to keep everyone safe. You said yourself that neither my family, nor the society, could go on without my making these types of decisions. I’m always the one with the clear head. In time, you’ll see that I’m right to walk away from you when this is finished.”
“No, no. This isn’t finished by a long shot, sweetheart. There has to be some consolation in my life for taking on control of Julia and my brothers, for assuming the family titles and topping up our coffers.”
“I know how hard you’re working to succeed. But it’ll never work if you have someone like me in your life.” “I don’t want someone like you, Becca. I want you.” This time his kiss was tinged with desperation. “Answer me one thing.” Her eyes widened. “Do you love me, minx? Do I still hold your heart?”
“Stop! It’s unfair to ask me that. Leave, please, just leave.” Turning away, Becca wished him gone before he glimpsed the fat tears collecting in her eyes. It was crucial that she remain strong. Even if it broke her heart to do so.As he reached the door, Becca heard Cayle mutter, “I will have you, Rebecca Jamison. I will not stop until I find a way.” She didn’t know whether it made her happy, or if it simply terrified her.
Reticule Or Bag: Purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. Carried by a woman during the Regency period to carry all their daily necessities. in the place of pockets.
Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
Pelisse Or redingote Or Walking Dress: Coat worn over clothing of both sexes for warmth and protection from the elements.
