Historic images, historical information, and funny anecdotes give an overview of life in the early 1800s. Information for history readers and writers of the Regency Years, for Jane Austen fans and all history buffs. Pictures help visualize the people and places of the long Regency period. https://books2read.com/suziloveROver Regency Overview Regency Life Series Book 1 by Suzi Love.
The Regency Life Series By Suzi Love depicts the ups and downs of life in the early 1800’s, or Jane Austen’s years, or the Regency Era. Fun pictures, historical information, and funny anecdotes show how people fill their days, where they go and with whom they spend their time. These light-hearted looks at the longer Regency years are an easy to read overview of what people did and wore, and where they worked and played. Plenty of information for history buffs and lots of pictures help readers and writers of historical fiction visualize the last years of the 18th Century until Queen Victoria took the throne.
What did ladies do and wear in Jane Austen’s time, or early 1800s? #Regency #History #nonfiction Books 4 and 5 Regency Life Series. Young Lady’s Day and Older Lady’s Day in Books 4 and 5 in the Regency Life Series. These books depict the often-frivolous life and fashions of ladies in the early 1800’s, or during the lifetime of Jane Austen, but also gives a glimpse into the more serious occupations ladies may undertake. Through historic images, historical information, and funny anecdotes, they show how a lady fills her day, where she is permitted to go, and who she spends time with. These light-hearted looks at the longer Regency years are an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne. Young Lady’s Day ~ Older Lady’s Day
1810-1850 ca. Cotton Corset With Whalebone Busk, American. Straps tie at the front. Center front has a busk Chanel to insert a whalebone to keep the corset stiff and in place. There is extra stitching on the corset to give more shape and extra reinforcing to keep the corset upright and the dress worn over it smooth and flat. Marking stamped on the lining, ‘Jane Laney’ and Mrs. Bishop, Corset Maker, 108 Hudson St., New. York, USA. via Metropolitan Museum New York City, U.S.A. metmuseum.org
Surviving stays, or corsets as they became to be called in the nineteenth century, show that both longline and shorter corsets were worn and that they were made of cotton, silk and sateen. A lot of these corsets were front fastening, plus many were laced at both the front and the back so our aristocratic fictional heroines could indeed dress and undress themselves without the assistance of a maid.
Definition Busk: Central panel in a corset to give it extra shape. Made from wood, bone which was usually whalebone, ivory, and in the latter 1800s from metal.
1830s Lady In A Corset At Her Dressing Table. Fashion Plate via Modes de Paris.
Romantic Era women’s corsets supported plus fitted well to give a fashionable silhouette. Becoming a fashion item, rather than simply hidden underclothing. https://books2read.com/SuziLoveCorsetBook18
1819 January ‘Laceing a Dandy.’ Dandy in underwear, laces of his corset pulled by two servants, left young black page, right French valet with high collar. Dandy, “Fore Gad ye wretches you’ll never get my Stays tight enough go brute and call John James & Thomas, To help you take care you don’t Spoil by Breasts”. Published by: Thomas Tegg. Hand colored etching. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1864 Silk corset, made to be worn over a chemise. Made in France or Britain. Aqua blue silk lined with linen, edged with machine-made lace, reinforced with whalebone, metal, lined with cotton twill. The front has fastenings and the back has lacings. The wearer of this corset could dress without help because the steel ‘split busk’ fastens in front. The front fastening was invented in 1829 but did not become common until the 1850s. The whalebones press into the waist to shape the hipline into an extravagant curve, to flatter and support the fashionable cage crinoline. In the 1860s women relied on voluminous skirts, in addition to corsets, to make their waists appear small.
Flossing, or embroidery, to stop bones poking through fabric, edged with machine-made lace, reinforced with whalebone, metal fasteners, V-shaped front for better fit & extra shaping. The front has fastenings and the back has lacings. There are fewer bones in the back of the corset than the front and none over the hips. Trimmed at the top edge with a narrow band of machine-made lace. Stiffened with whalebone and machine-stitched with an incised swivel latch to lock the busk fastening. Boned at the centre front, back and diagonally from the side to back and sides to front. The boning is hand-stitched into place. Metal eyelets. Lined with cotton twill. The corset reaches the top of the hips and is gored at the bust and hips.
During the 19th century, corsets were made from a variety of materials and shapes changed often. Sometimes breasts were pushed up and almost over the top and waists could be tiny and other curves were emphasized. By the end of the 19th century, corsets weren’t laced so tightly because wide crinolines created the illusion of tiny waists. There are fewer bones in the back of the corset than the front and none over the hips. From the late 1840s to the 1860s skirts were full and bell-shaped, at which point corsets were relatively short and not particularly tightly laced, since the massive skirts made all waists look proportionally small.
The corset was worn over the chemise and it moulded the figure of the wearer into the fashionable shape of the day. These shapes ranged from slender to curvaceous and everything in between during the 19th century. Like the chemise, the corset in the 19th century was made of a wider variety of materials, in this case blue silk lined with linen. It did not need to be very tightly laced, for the illusion of a small waist was created by the very wide circumference of the crinoline.
Credit : Given by the Burrows family. Museum number:T.169-1961. The donors of this corset linked it to a 1864 marriage in the family. Victoria and Albert Museum, London, U.K.
Want a glimpse into the life of a young lady in Jane Austen and the Bridgerton years? #bridgerton #RegencyEra #JaneAusten
Young Lady’s Day is Book 4 in the Regency Life Series. This book depicts the often-frivolous life and fashions of a young lady in the early 1800’s, but also gives a glimpse into the more serious occupations a young lady may undertake. Through historic images, historical information, and funny anecdotes, it shows how a young lady fills her day, where she is permitted to go, and who she is allowed spend time with. These light-hearted looks at the longer Regency years are an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne. https://books2read.com/suziloveYLD
There has been some discussion on the names for Corset Makers. I’ve seen lots of names, including Stay Maker, Stay Manufacturer, Corset Maker, Body Tailor and Milliner. It was mainly men who were Stay Makers, but there were also some women who included stay making with their millinery.
Corsets Overview History Notes Nonfiction Book 14. This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime.
1776 April 28th John McQueen, Stay Maker., New York. At the sign of the White Stays in Smith Street,near the Mayor’s baths, New York. Making all sorts of stays in the newest fashion that is worn by the ladies of Great Britain or France. Packthread stays for babies from one month to seven years, stays for children of Tabby, Ruffled Canvas, Or Buckram, and for older girls an assortment of thin boned stays of different sorts and sizes.1835 Milliner, Dress and Corset Maker to the Royal Family. Mrs. Langdon. 37 Milson Street, Bath, U.K. Local Trade Advertisements. From 1835 The Historical and Local New Bath Guide By C. Duffield. via Google Books (PD- 150)18th Century Interior of the shop of a body tailor, or corset maker. From 1893 The Art of the Tailor of the Bodies of Women and Children.1835 Fashionable Long and Short Stay Manufacturer. Robert Drew & Co. Local Trade Advertisements. From- 1835 The Historical and Local New Bath Guide. Published by C. Duffield via Google Books (PD-150)18th Century Corset Maker From 1893 Le Corset, A Travers Les Ages.18th Century Corsetieres cutting out and fitting. From Saint-Elme Gautier, Le Corset a Travers les Ages. en.wikipedia.orgNames For Corset Makers in Jane Austen and Bridgerton times? Lots of them including Stay Maker, Corset Maker, Body Tailor and Milliner. #janeausten #bridgerton #Corset https://books2read.com/SuziLoveCorsetBook14 Share on X
Do you need more factual and visual information for your historical fiction? Try History Notes Books 1-28. Non-fiction Series: Fashion, corsets, Regency Era, music and social manners in the 18th and 19th centuries e.g.
