Category Archives: furniture

1809 Josiah Wedgwood and Thomas Byerley China Showrooms in Jane Austen’s times in York Street, London. #JaneAusten #RegencyEra #London #trade

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1809 Wedgwood and Byerley showrooms for Wedgwood china, York Street, London, UK. Plate via Rudolph Ackermann’s Repository of Arts. The premises of master potter Josiah Wedgwood in York Street, St James’ Square, London, U.K. Wedgwood china was known for its high quality, beautiful glazes and Wedgwood trademark printed on the back of each item. The London show-room was managed by Thomas Byerley, who also held a quarter share of the business. From 1790 to 1810 the firm was known as Wedgwood and Byerley. Josiah Wedgwood had smallpox as a child with left him with a weakened knee so he couldn’t work the foot pedal of a potter’s wheel. Instead, he concentrated on designing pottery and unique glazes. By 1763, he was commissioned by high ranking British people, including Queen Charlotte.

In 1780, his longtime partner died and Wedgwood’s left leg had been amputated so he asked Erasmus Darwin to help run the business and their children married. The Wedgwood inheritance allowed Charles Darwin to pay for being a naturalist. From 1786 to 1789, Wedgwood took on the project of duplicating the Portland Vase from the 1st century BD. His two sons took over the business and Josiah died at home in 1795. During his life, he helped invent modern marketing and direct mail, money-back guarantees, traveling salesmen, self-service, free deliver, buy one get one free and illustrated catalogs.

1809 Wedgwood and Byerley showrooms, York Street, London, UK. Plate via Rudolph Ackermann's Repository of Arts.
1809 Josiah Wedgwood and Thomas Byerley China Showrooms in Jane Austen’s times in York Street, London. #JaneAusten #RegencyEra #London #trade https://books2read.com/suziloveYLD
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D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD

Want to know about music in the households of Jane Austen and the Bridgertons? Music history from the 17th, 18th, and 19th Centuries. #Music #Bridgerton #RegencyEra #JaneAusten #GeorgianEra

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Music history from the 17th, 18th, and 19th Centuries. Pianos, pianofortes, harps, viols, violins played during Jane Austen’s times. Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Musical instruction and encouragement could be found everywhere and both young ladies and gentlemen were encouraged to have musical appreciation. And of course, playing music was on the list of social requirements for all young ladies desirous of becoming a wife and homemaker.

London became Europe’s leading centre for the manufacture of scientific instruments and this led to the manufacture of more musical instruments as well as factories developed and rail transport helped the faster distribution of goods to regional areas. One of the first places that music was used to tell stories and to share enjoyment was in Christmas music. Because music was such an integral part of households, music was always a feature in Magazines. There were advertisements everywhere for musical instruments for sale, for sheet music, and for music lessons.  And of course, of most interest to the ladies were the hundreds of fashion plates included in magazines where people were depicted with their musical instruments.

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HN_6-7-8 Music General History Notes
HN_6-7-8 Music General History NotesHN_6 Music General History Notes,
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Love music? Love Jane Austen and the Bridgerton family? Treat yourself to a nonfiction book on music history. #Bridgerton #Music #History #JaneAusten https://books2read.com/suziloveMusicGeneral
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Want to know about music in the households of Jane Austen and the Bridgertons? Music history from the 17th, 18th, and 19th Centuries. #Music #Bridgerton #RegencyEra #JaneAusten #GeorgianEra

Suzi Love Posted on by

Music history from the 17th, 18th, and 19th Centuries. Pianos, pianofortes, harps, viols, violins played during Jane Austen’s times. Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Musical instruction and encouragement could be found everywhere and both young ladies and gentlemen were encouraged to have musical appreciation. And of course, playing music was on the list of social requirements for all young ladies desirous of becoming a wife and homemaker.

London became Europe’s leading centre for the manufacture of scientific instruments and this led to the manufacture of more musical instruments as well as factories developed and rail transport helped the faster distribution of goods to regional areas. One of the first places that music was used to tell stories and to share enjoyment was in Christmas music. Because music was such an integral part of households, music was always a feature in Magazines. There were advertisements everywhere for musical instruments for sale, for sheet music, and for music lessons.  And of course, of most interest to the ladies were the hundreds of fashion plates included in magazines where people were depicted with their musical instruments.

books2read.com/suziloveMusicGeneral

books2read.com/suziloveMusicPiano

books2read.com/suziloveMusicViolins

HN_6-7-8 Music General History Notes
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1802 Pale Mahogany Pianoforte Made By John Broadwood, London. #Regency #music #JaneAusten #piano

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1802 Pianoforte By John Broadwood. Square form, pale mahogany case with ebony wood stringing throughout. Inscribed ‘1802 John Broadwood and Sons, Makers to his Majesty and the Princesses,  Great Pulteney Street, Golden Square, London.’ via Sotheby’s Auctions.  ~  sothebys.com

Definition Piano- Forte: Well-known stringed and keyed instrument of German origin, so called from its equal command both of softness and strength. Its principal advantage over the   harpsichord is its capacity of obeying the touch so the performer can vary the expressions and strike lights and shades. Jane Austen and her contemporaries played the pianoforte to entertain family and guests.

1802 Pianoforte By John Broadwood. Square form, pale mahogany case with ebonywood stringing throughout. Inscribed '1802 John Broadwood and Sons, Makers to his Majesty and the Princesses, Great Pulteney Street, Golden Square, London.' via Sotheby's Auctions. ~ sothebys.com
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1809 Messrs. Harding Howell and Co., Draper on Pall Mall, London, in Jane Austen’s times. #JaneAusten #RegencyEra #London #shopping

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1809 Messrs. Harding Howell and Co., London, UK. View of interior of Harding Howell and Co., draper’s shop on Pall Mall. Ladies examine latest fashions and fabrics which they could then request of their dressmakers. This house extended 150 feet from front to back and was divided by glass petitions into four departments, furs and fans, haberdashery, jewellery, ornaments and perfumes, and millinery. bl.uk

1809 Interior of Messrs. Harding Howell and Co. Draper's Shop, Pall Mall, London, U.K.
1809 Interior of Messrs. Harding Howell and Co. Draper’s Shop, Pall Mall, London, U.K.

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1792 Mahogany Grand Piano Made By John Broadwood, London. #GeorgianEra #music #piano

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1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org books2read.com/suziloveMusicPiano

1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
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1788 Set Of Furniture For Marie Antoinette by Jean-Baptiste-Claude Sené. #Furniture #GeorgianEra #Europe

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1788 Armchair or bergère en cabriolet. Part of a set by Jean-Baptiste-Claude Sené (French, 1748–1803). Made for Marie Antoinette, Queen of France, for her Cabinet de Toilette in Palace of Saint-Cloud, France. Carved, painted and gilded walnut; modern cotton twill embroidered in silk. Made for Marie-Antoinette’s dressing room at the château de Saint Cloud. The queen’s initials are carved on the top rail.

The Palace of St. Cloud belongs to the Duke of Orleans, is situated on the declivity of a mountain washed by the Seine. . . . The view from the house is delightful. By Harry Peckham, A Tour through Holland and Part of France

Louis XVI purchased the country residence of the duc d’Orléans a few miles west of Paris for Marie-Antoinette in 1785. Being in need of renovation, the palace was enlarged and altered for the queen, and many pieces of furniture were commissioned from Jean-Baptiste-Claude Sené. A member of an important dynasty of Parisian chairmakers, Sené had been appointed menuisier to the Crown in 1784.

A 1788 description of this set, four matching armchairs and a stool, shows that it was for one of Marie-Antoinette’s private rooms at Saint-Cloud, her Cabinet Particulier. Frame of the daybed embellished with carving of ivy and garlands of roses, ionic capitals on the short legs and Egyptian female half-figures on tapering supports. These figures express the queen’s taste for ornaments from ancient Egyptian art, well before Napoléon’s North African campaign made it fashionable. The bergère, or armchairs, has a medallion on top with Marie-Antoinette’s initials framed by myrtle branches and roses. The matching screen has classical female figures on its feet and top rail.

The 1789 inventory of Saint-Cloud records the entire suite in the queen’s Cabinet de Toilette, or dressing room. The set is upholstered in white cotton twill, embroidered with a small floral ornament in silk. Known to have worked on needlepoint projects all her life, Marie-Antoinette did the embroidery herself. The colorful floral embroidery on the light cotton ground conveys a sense of summer, the season Marie-Antoinette preferred to spend at Saint-Cloud. via Epigraph. Peckham 1788, p. 199.

1788_WhiteDaybedParisFrance_White
1788_WhiteCouchParisFrance_White
1788_WhiteArmchairParisFrance_White
1788_WhiteArmchair Back Paris France
1788 Green Daybed Paris France
1788 Green Daybed Leg Paris France
1788 Green Daybed End Paris France
1788 Green Armchair Paris France
1788 Green Armchair Arm View Paris France
1788 Room View Paris France.1788 Set Of Furniture Made For Marie Antoinette, Paris, by Jean-Baptiste-Claude Sené.
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s

1818-1831 Roller Printed Cotton Furnishing Fabrics, English. #RomanticEra #Fabric #RegencyEngland

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1818-1831 Roller Printed Cotton Furnishing Fabrics, English.

Between 1820 and 1840 textile printers began to produce designs that were based on the woven silk dress fabrics of the 1750’s. Designs showing curving trails of lace or ribbons between bouquets of flowers became as popular in the 1830s as they had been in the 18th century.

Roller Printed Cotton.

The pattern on printed cotton was made with an engraved metal roller and additional colors were built up by wooden surface roller. Roller printing on textiles was introduced in the late 18th century and at first used mainly for small-patterned dress fabrics. By the 1830s, roller printing was highly mechanized process and had largely replaced block printing for fashionable furnishings.

Materials and Making
The development of roller printing coincided with a radical transformation in the dyestuffs available for printing on cotton. Until the beginning of the 19th century printing had been based on the use of vegetable dyes. In Britain, France and Germany new chemical processes were developed and mineral colors produced that transformed the palette of colors available to the printer and made combinations such as shades of pink and orange possible.

Design and Designing
The false trails of lace and bouquets of flowers in the fabric are inspired by the patterns of woven silks from nearly a century earlier. Changing taste made this design suitable for furnishing a room in the 1830s, while the 18th-century silk that was its inspiration would have been intended for a woman’s gown.

Time
The styles considered fashionable in 1830s furnishings were widely diverse. Among the more recognisable historical references were Rococo, Elizabethan and Gothic. A design such as this seems to be relying on novelty of effect for its success.

Information via Curator of Victoria and Albert Museum, London, UK. collections.vam.ac.u Victoria and Albert Museum, London, UK. 

Household_1831 Furnishing Fabric, English. Roller-printed cotton in red and purple_pink background_VAM__sml

1831 Furnishing Fabric Of Roller-Printed Cotton. Green, red and pinks and Includes acanthus scrolls with stars. Curving lines, naturalistic motifs, leaves and fronds of seaweed based on designs of 1750s. Developments in dyes in 19th century meant designs more intensely decorated than in 18th century. via Suzi Love - suzilove.com & Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1831 Furnishing Fabric, English. Roller-printed cotton in green, red and pink. Pattern includes design of acanthus scrolls with stars. collections.vam.ac.uk suzilove.com
1831 Furnishing Fabric Of Roller-Printed Cotton, Lancashire, U.K. Purple, orange, yellow and drab. Pattern includes design of zig-zag chintz and additional colors added by surface roller. Pattern on printed cotton was made with engraved metal roller and additional colors were built up by wooden surface roller. via Suzi Love - suzilove.com & Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
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1750-1755 Ca. Writing Cabinet Veneered In Kingwood With Marquetry Of Mother-Of-Pearl, Germany. #GeorgianEra #History #Antiques #Germany

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1750-155 ca. Writing Cabinet, Probably by Michael Kimmel, Germany. Veneered in kingwood, marquetry of mother-of-pearl, ivory and brass on pine, stained alder or birch. Mounted in gilt brass and with giltwood, carving of cypher of Augustus III. via suzilove.com Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools