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Category Archives: 1700s Womens Fashion

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18th Century Early.  Silk, Leather, and Linen Mules (shoes), European, and embroidered in Florentine Style. #shoes #georgianfashion #europe

Suzi Love Posted on August 12, 2026 by Suzi LoveAugust 2, 2026

18th  Century  Early.  Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via  Metropolitan Museum, NYC, U.S.A.

shoes_18th Century Early. Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via Metropolitan Museum, NYC, U.S.A.
shoes_18th Century Early. Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via Metropolitan Museum, NYC, U.S.A.
18th Century Early.  Silk, Leather, and Linen Mules (shoes), European, and embroidered in Florentine Style. #shoes #georgianfashion #europe https://books2read.com/suziloveFashWomen1700s
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s
Posted in 1700s, 1700s Womens Fashion, Europe, Georgian Era, Georgian Fashion, shoes, Suzi Love Images | Tagged 1700s Or Georgian Era, 1700s Women's Fashion, Georgian era, Georgian Fashion, Metropolitan Museum NYC, sewing, Shoes
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com

1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion

Suzi Love Posted on August 10, 2026 by Suzi LoveAugust 6, 2026

1799-1810 ca. Cotton Muslin Gown, Probably American. White cotton embroidered muslin, probably Bengal, all over sprigged broderie anglaise decoration,short sleeve with three pairs of inside ties to adjust the double-puff, ruffled edge, back tie at neckline and waist, ruched band above the slightly trained hem with scalloped sawtooth border and with cotton bodice lining. via whitakerauction.smugmug.com

These lightweight white cotton dresses were fashionable in Jane Austen’s times, but they were certainly not warm when a lady was out walking or when riding in a carriage. Numerous outer layers could be added for warmth and to brighten and personalize an outfit. These might be an overdress, pelisse or redingote, hat, shawl, gloves, or large fur muff.

The Empire dress which evolved in the late 1790s began as a chemise shift gathered under the breasts and at the neck. Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.

1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion books2read.com/SuziLoveFashionWomen1800
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Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, Dress Or Robe, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images, U.S.A | Tagged 1700s Women's Fashion, 1800s Or 19th Century, 1800s women's fashion, Dress Or Gown, fabrics, Georgian Fashion, Jane Austen, Regency Fashion, sewing, USA, Whitaker Auctions

What was fashionable for outer wear in Bridgerton and Jane Austen’s times? Spencers, short jackets, or Regency jackets. #Bridgerton #JaneAusten #RegencyFashion #FashionHistory #GeorgianHistory

Suzi Love Posted on August 10, 2026 by Suzi LoveAugust 8, 2026

Spencers Or Regency Jackets By Suzi Love. History Notes Book 4. What was fashionable for outer wear in past centuries? Call them what you like: Spencers, short jackets, or Regency jackets were very popular. Take a look at the jackets being worn by women in the early 1800s or the times of Jane Austen. books2read.com/suziloveSpencers

  • Definition: Spencer – Short, bodice hugging, usually long sleeved, outer jacket. For warmth and for fashion.
  • Definition Caroline Spencer: Worn during the Directoire and First Empire (1790-1815 C.E.). Spencer with pelerine cape that was made of white kerseymere and trimmed with light blue satin cut on bias.
  • Spencers were short jackets cut to match the high waistlines of Empire dresses. They often copied military styling, such as braiding, shoulder decoration, buttons and loop fasteners, and wrist adornments. They were generally of complex construction, often with a diamond shaped piece in the back.
HN_4_Spencers Or Regency Jackets By Suzi Loved. History Notes Book 4. #Regency #Fashion #History What was fashionable for outer wear in past centuries? Call them what you like: Spencers, short jackets, or Regency jackets. books2read.com/suziloveSpencers
Take a Look at Spencers, or Jackets Worn By Women In Bridgerton and Jane Austen’s Times, or Early 1800s. #Bridgerton#RegencyFashion #HistoricalFashion #History books2read.com/suziloveSpencers
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HN_4_Spencers, Or Jackets. #Regency #Georgian #Victorian #Fashion History Notes Book 4 By Suzi Love. books2read.com/suziloveSpencers
HN_4_Spencers, Or Jackets. #Regency #Georgian #Victorian #Fashion History Notes Book 4 By Suzi Love.
Posted in 1700s, 1700s Mens fashion, 1700s Womens Fashion, 1800s, 1800s Mens Fashions, 1800s women's fashion, 1900s, Australia, Bridgerton, Canada, Edwardian Era, England, Europe, fashion accessories, France, Georgian Era, Georgian Fashion, History Notes, Jane Austen, military, Regency Era, Regency Fashion, Romantic Era, sewing, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, Victorian Era | Tagged 1700s Mens Fashion, 1700s Women's Fashion, 1800s women's fashion, Book 4, Bridgerton, fashion accessories, Fashion Plate, History Notes, Jane Austen, Regency Era, Regency Fashion, Romantic Era, Spencer, Suzi Love Books, Victorian Era

Do you read or write Historical Romance? Want a glimpse under dresses worn during the Bridgerton and Jane Austen years? Overview of corsets. #Bridgerton #JaneAusten #GeorgianFashion #RegencyFashion #Corset

Suzi Love Posted on July 28, 2026 by Suzi LoveJuly 19, 2026

This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime.  Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. History Notes Book 14.

https://books2read.com/SuziLoveCorsetBook14

HN_14_Corsets Overview History Notes Nonfiction Book 14 This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen's lifetime. Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen's lifetime. https://books2read.com/SuziLoveCorsetBook14
Do you read or write Historical Romance? Want a glimpse under dresses worn during the Bridgerton and Jane Austen years? Overview of corsets. #Bridgerton #JaneAusten #GeorgianFashion #RegencyFashion #Corset https://books2read.com/SuziLoveCorsetBook14
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D2D Corsets Overview Book 14
https://books2read.com/SuziLoveCorsetBook14
Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, 1900s, Australia, Bridgerton, Canada, Corset, Edwardian Era, England, Europe, France, Georgian Era, Georgian Fashion, History Notes, Jane Austen, London, Regency Era, Regency Fashion, Romantic Era, Suzi Love Books, Suzi Love Images, U.S.A, underclothing, Victorian Era | Tagged 1800s men fashion, 1800s women's fashion, Book 14, Bridgerton, Corset, Edwardian Era, fashion accessories, Fashion Plate, Georgian Fashion, History Notes, Jane Austen, Regency Fashion, Romantic Era, Suzi Love Books, Victorian fashion

Do you read or write Historical Romance? Want a glimpse under dresses worn during the Bridgerton and Jane Austen years? Overview of corsets. #Bridgerton #JaneAusten #GeorgianFashion #RegencyFashion #Corset

Suzi Love Posted on July 8, 2026 by Suzi LoveJuly 8, 2026

This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime.  Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. History Notes Book 14.

https://books2read.com/SuziLoveCorsetBook14

HN_14_Corsets Overview History Notes Nonfiction Book 14 This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen's lifetime. Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen's lifetime. https://books2read.com/SuziLoveCorsetBook14
D2D Corsets Overview Book 14
https://books2read.com/SuziLoveCorsetBook14
Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, 1900s, Australia, Bridgerton, Canada, Corset, Edwardian Era, England, Europe, France, Georgian Era, Georgian Fashion, History Notes, Jane Austen, London, Regency Era, Regency Fashion, Romantic Era, Suzi Love Books, Suzi Love Images, U.S.A, underclothing, Victorian Era | Tagged 1800s men fashion, 1800s women's fashion, Book 14, Bridgerton, Corset, Edwardian Era, fashion accessories, Fashion Plate, Georgian Fashion, History Notes, Jane Austen, Regency Fashion, Romantic Era, Suzi Love Books, Victorian fashion

1780 Red Wool Stays, Or Corset, and Panniers, British. #Georgian #Corset #Underclothing

Suzi Love Posted on June 26, 2026 by Suzi LoveJune 26, 2026

1780 Red Wool Stays, or corset, and Panniers, British. Wool backed with linen or canvas, stitched with linen thread reinforced with strips of whalebone, lined with glazed linen, bound with linen twill tape, fastened with plain weave linen tapes and decorated with silk braid and silk ribbon. Phalanges, or fingers, spread over the hips to give support. Side panniers, or hoops, are made of cane. via Victoria and Albert Museum, London, U.K.

via Victoria and Albert Museum, London, UK. collections.vam.ac.uk. Credit: Given by the family of the late Mrs Jane Robinson. Museum number:T.192-1929

Back-lacing stays with a high narrow back with a wide curving decolletage and V-point in front, about 5 cm below the waistline. Decorative white lacing and white silk braids on centre front which is wide at the top and narrow at the bottom. Below the waist there are 19 tabs, or phalanges, or fingers. Laced through 13 eyelets at back. Compartments for the strips of whalebone are 4 – 5 mm wide, running vertically and diagonally. Centre busk of whalebone about 2 cm wide. Shoulder straps have an eyelet and extend from the front and fasten with tape at each shoulder back.

Stays were an essential item of underwear for women during the 18th century. By the 1780s, the fashionable torso consisted of an inverted cone shape. Achieving smoothness of profile and firmness of contour were the primary function of 18th-century stays, rather than emphasising the bust or constricting the waist. Although custom-made and very intricately designed, stays were usually very plain. On these stays a simple silk ribbon and linen tape serve as decoration and functional finishings.

The narrow rows of very fine, even hand stitching form the compartments into which thin strips of whalebone were inserted. Although the stays appear very rigid, whalebone was quite flexible. It had the added advantage of softening with the heat of the wearer’s body, allowing the stays to mold to her shape. When worn, the shaped and boned tabs at the lower edge would splay over the wearer’s hips, giving further fullness to the petticoat tied at the waist over the stays.

1780 Red Wool Stays, or corset, and Panniers, British. Wool backed with linen or canvas, stitched with linen thread reinforced with strips of whalebone, lined with glazed linen, bound with linen twill tape, fastened with plain weave linen tapes and decorated with silk braid and silk ribbon. Phalanges, or fingers, spread over the hips to give support. Side panniers, or hoops, are made of cane. via Victoria and Albert Museum, London, U.K.
1780 Red Wool Stays, or corset, and Panniers, British. Wool backed with linen or canvas, stitched with linen thread reinforced with strips of whalebone, lined with glazed linen, bound with linen twill tape, fastened with plain weave linen tapes and decorated with silk braid and silk ribbon. Phalanges, or fingers, spread over the hips to give support. Side panniers, or hoops, are made of cane. via Victoria and Albert Museum, London, U.K.
1780 Red Wool Stays, or corset, and Panniers, British. Wool backed with linen or canvas, stitched with linen thread reinforced with strips of whalebone, lined with glazed linen, bound with linen twill tape, fastened with plain weave linen tapes and decorated with silk braid and silk ribbon. Phalanges, or fingers, spread over the hips to give support. Side panniers, or hoops, are made of cane. via Victoria and Albert Museum, London, U.K.
HN_15_D2D_Corsets 1700-1790

Posted in 1700s, 1700s Womens Fashion, Corset, England, Georgian Era, Georgian Fashion, Suzi Love Images, underclothing | Tagged 1700s Or Georgian Era, 1700s Women's Fashion, Corset, Georgian Fashion, underclothing, Victoria and Albert Museum

Love the charming chatelaines and chains women wore in Jane Austen’s and Bridgerton’s times? Check out this fascinating read! #bridgerton #janeausten #chatelaine #suzilovebooks

Suzi Love Posted on June 4, 2026 by Suzi LoveMay 15, 2026

Love the charming chatelaines and chains women wore in Jane Austen’s and Bridgerton’s times? Check out this fascinating read! #bridgerton #janeausten #chatelaine #suzilovebooks books2read.com:SuziLoveChatelaines

The Bridgerton women and Jane Austen and contemporaries carried keys, writing tools, sewing items and other personal necessities on their person by long chains, or a chatelaine, that hung from their waist. Early chatelaines were simple essentials but later chatelaines were decorative and expensive. http://books2read.com/SuziLoveChatelaines

HN_9 Chatelaines and Chains History Notes Book 9 books2read.com:SuziLoveChatelaines

Definition Chatelaine: The word Chatelaine is French and means the keeper of the keys. Chatelaine” derives from the Latin word for castle. In Medieval times, the chatelaine was in charge of the day-to-day running of the castle. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. books2read.com/SuziLoveChatelaines

What did a chatelaine do? Most important task was keeper of the keys. Also ordered supplies, did bookkeeping, supervised servants, taught castle children, and organized guests.

What were chatelaines used for?

  • Castle keepers needed keys safe, yet easily accessible.
  • By 1700’s, a metal jeweled ornament hung from pockets, attached to belts, or by hooks into skirt waistbands
  • During 1800’s, women wore large collections of tools hung from chains
  • Young girls sewed and did needlework and needed to carry sewing notions eg scissors, thimbles
  • Worn by women of all classes, from workers to nobility
  • Varied depending on class and finances.
  • Made of silver, brass, steel, leather, or fabric
  • During 19th century, fashionable dresses often had no waist and nowhere to hang chatelaines
  • Chatelaines became decorative brooches
  • Often given as a wedding present from a husband to bride
  • Later became fashion accessories
HN_9_D2D_Chatelaines and Chains
D2D_RetailerBuyLink_HN_9. Chatelaines and Chains History Notes Book 9 books2read.com/SuziLoveChatelaines

Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, 1900s, Australia, Box Or Container, Bridgerton, Chatelaine, Decorative Item, Edwardian Era, England, Europe, fashion accessories, Georgian Era, Georgian Fashion, History Notes, household, Jane Austen, money, Regency Era, Regency Fashion, Romantic Era, sewing, Suzi Love Books, Suzi Love Images, travel, U.S.A, Victorian Era, Writing Tools | Tagged 1700s Women's Fashion, 1800s women's fashion, Book 9, Bridgerton, chatelaines, decorative, Edwardian Era, England, fashion accessories, Fashion Plate, History Notes, Jane Austen, Regency Fashion, Romantic Era Fashion, sewing, Suzi Love Books, travel, Victorian fashion, Writing Tools

1795 August Mother and Child Walking In The Country Wearing Morning Dress in Jane Austen style. #JaneAusten #GeorgianFashion #HistoricalFashion

Suzi Love Posted on June 1, 2026 by Suzi LoveJune 1, 2026

1795 August Mother and Daughter walking in the country wearing white morning dresses and matching hats. Mother wears short blue gloves, aqua blue ribbons and a shoulder shawl, or fichu. Daughter wears long yellow gloves, a straw hat with pink ribbons and carries a fan. via Nikolaus Heideloff’s Gallery of Fashion.

1795 August Mother and Daughter walking in the country wearing white morning dresses and matching hats. Mother wears short blue gloves, aqua blue ribbons and a shoulder shawl, or fichu. Daughter wears long yellow gloves, a straw hat with pink ribbons and carries a fan. via Nikolaus Heideloff's Gallery of Fashion.
HN_1_D2D_Fashion Women 1700s
books2read.com/suziloveFashWomen1700s
HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s
Posted in 1700s, 1700s Womens Fashion, children, Dress Or Robe, Europe, fashion accessories, Georgian Era, Georgian Fashion, Group, hats, Jane Austen, Regency Fashion | Tagged 1700s Women's Fashion, children, Dress Or Gown, europe, fashion accessories, Fashion Plate, fichu, Georgian Fashion, gloves, Hats And Hair, Jane Austen
1795-1810 ca. Gown, English, 1810 ca. Sewing of Gown. 1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk

1795-1810 ca. Roller Printed High-Waisted Dress in Jane Austen style. #JaneAusten #RegencyFashion #historicalfashion

Suzi Love Posted on May 31, 2026 by Suzi LoveMay 17, 2026

1795-1810 ca. Roller Printed Dress, English. Empire style, high-waisted, roller printed dress with skirt gathered at the back to create a full skirt and with simple V-necked bodice and long sleeves.  Sleeves are closed with a narrow band of fabric which fastens with a hook and eye. via Victoria and Albert Museum, London, UK.  1810 ca. Sewing of Gown. 1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century.

The pattern of floral trails seen on the printed fabric of this gown exhibits a blend of influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of the 18th century. The sleeves of this gown are closed with a narrow band of fabric, which fastens with a hook and eye.

The dress is styled with a high-waisted , fitted bodice, which fastens centrally. The neck, which is trimmed with a 1″ frill of matching material, is rounded a the back and V-shaped at the front. The bodice is lined with white cotton which extends 1/3 of the way down the full length tapered sleeves. A trimming decorations is attached to the wrist of the right sleeve (made from the same material and lined with white cotton), which fastens with a metal hook and eye at the hip. The skirt has an ‘apron’ style front with fastening tapes attached to either side, in addition to this there are vertical pocket slits situated at either side of the skirt measuring 11″. The front and rear sides of the skirt are constructed from one width of fabric – 39.5″ wide. The waistline at the back of the skirt is gathered a the centre and is constructed from two pieces of material measuring 46″ wide.

The cotton has blue threads in the selvedges denoting English origin, and is block printed in a polychrome palette with pencilled blue on a white ground. The design consists of an all-over pattern of delicate floral trails of carnations, pinks an other stylised flowers interspersed by vertical arborescent meanders bearing exotic fruits and stylised flowers. The pattern repeat measures 10.5″ by 10″.

1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
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Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, Dress Or Robe, England, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, 1800s women's fashion, Dress Or Gown, fabrics, Georgian Fashion, Jane Austen, Regency Fashion, sewing, Victoria and Albert Museum

Why Did Women Wear Chatelaines Dangling From Chains In Bridgerton and Jane Austen’s Times? Women carried essential items on them. #Bridgerton #JaneAusten #RegencyFashion #GeorgianFashion #VictorianFashion

Suzi Love Posted on May 21, 2026 by Suzi LoveMay 15, 2026

Jane Austen’s and the Bridgerton ladies personal necessities, keys, or chatelaines was a set of useful items hung from waist by decorative chain. Chatelaines and Chains. History Notes Book 9 By Suzi Love. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive.  http://books2read.com/SuziLoveChatelaines

Definition Chatelaine: The word Chatelaine is French and means the keeper of the keys. Chatelaine” derives from the Latin word for castle. In Medieval times, the chatelaine was in charge of the day-to-day running of the castle. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. books2read.com/SuziLoveChatelaines

What did a chatelaine do? Most important task was keeper of the keys. Also ordered supplies, did bookkeeping, supervised servants, taught castle children, and organized guests.

hat were chatelaines used for?

  • Castle keepers needed keys safe, yet easily accessible.
  • By 1700’s, a metal jeweled ornament hung from pockets, attached to belts, or by hooks into skirt waistbands
  • During 1800’s, women wore large collections of tools hung from chains
  • Young girls sewed and did needlework and needed to carry sewing notions eg scissors, thimbles
  • Worn by women of all classes, from workers to nobility
  • Varied depending on class and finances.
  • Made of silver, brass, steel, leather, or fabric
  • During 19th century, fashionable dresses often had no waist and nowhere to hang chatelaines
  • Chatelaines became decorative brooches
  • Often given as a wedding present from a husband to bride
  • Later became fashion accessories
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Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, 1900s, Australia, Box Or Container, Bridgerton, Chatelaine, Decorative Item, Edwardian Era, England, Europe, fashion accessories, Georgian Era, Georgian Fashion, History Notes, household, Jane Austen, money, Regency Era, Regency Fashion, Romantic Era, sewing, Suzi Love Books, Suzi Love Images, travel, U.S.A, Victorian Era, Writing Tools | Tagged 1700s Women's Fashion, 1800s women's fashion, Book 9, Bridgerton, chatelaines, decorative, Edwardian Era, England, fashion accessories, Fashion Plate, History Notes, Jane Austen, Regency Fashion, Romantic Era Fashion, sewing, Suzi Love Books, travel, Victorian fashion, Writing Tools

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