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Monthly Archives: July 2023

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1830s_MansDouble-BreastedFrock-Coat-English.-Double-breasted-frock-coat-with-a-nipped-in-waist.-The-broad-lapels-are-faced-with-silk-velvet_VAM

1830s Man’s Double-Breasted  Frock Coat, English. #RomanticEra #England #coat

Suzi Love Posted on July 31, 2023 by Suzi LoveJuly 30, 2023

1830s Man’s Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman’s frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.

The waisted frock coat came into fashion in about 1816 and became an enduring style. Typically it had a narrow waist and full skirts hanging vertically in front. The frock coat was worn for everyday purposes such as morning dress, usually with a top hat, cane and trousers. By 1830 frock coats were made in a variety of designs according to taste, fashion or type of activity. This example has an out-breast pocket, a feature which appeared on coats during the 1830s. This coat was given by Messrs Harrods Ltd. Victoria and Albert Museum, London, UK. collections.vam.ac.uk.  

1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. #RomanticEra #England #coat https://books2read.com/suzilovePelisse Share on X
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Posted in 1800s, 1800s Mens Fashions, Coat or Pelisse Or Redingote, England, Romantic Era, Suzi Love Images | Tagged 1800s men fashion, England, Redingote Or Pelisse Or Coat, Romantic Era Fashion, Victoria and Albert Museum

1820 July 6th View Of London Bridge and Custom House With Margate Steam Yachts. #London #BritishHistory #Art

Suzi Love Posted on July 31, 2023 by Suzi LoveJuly 31, 2023

1820 July 6th View of London Bridge and Custom House with Margate steam yachts, London, U.K. Hand colored By artists and Engravers, P. and D. Colnaghi and Co Ltd and Co (publishers) and R. Havell and Son. via Royal Museums Greenwich. collections.rmg.co.uk

1820 July 6th View of London Bridge and Custom House with Margate steam yachts, London, U.K. Hand colored By artists and Engravers, P. and D. Colnaghi and Co Ltd and Co (publishers) and R. Havell and Son. via Royal Museums Greenwich. collections.rmg.co.uk
1820 July 6th View of London Bridge and Custom House with Margate steam yachts, London, U.K. Hand colored By artists and Engravers, P. and D. Colnaghi and Co Ltd and Co (publishers) and R. Havell and Son. via Royal Museums Greenwich. collections.rmg.co.uk
1820 July 6th View Of London Bridge and Custom House With Margate Steam Yachts. #London #BritishHistory #Art https://books2read.com/suziloveROver Share on X
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Posted in 1800s, art, England, History, London, Regency Era, Suzi Love Images, travel | Tagged 1800s Or 19th Century, art, British history, London, Regency Era, Regency London, trades, travel
1795-1810 ca. Gown, English, 1810 ca. Sewing of Gown. 1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk

1795-1810 ca. Roller Printed Dress. Jane Austen style Regency Fashion. 

Suzi Love Posted on July 31, 2023 by Suzi LoveJuly 30, 2023

1795-1810 ca. Roller Printed Dress, English. Empire style, high-waisted, roller printed dress with skirt gathered at the back to create a full skirt and with simple V-necked bodice and long sleeves.  Sleeves are closed with a narrow band of fabric which fastens with a hook and eye. via Victoria and Albert Museum, London, UK.  1810 ca. Sewing of Gown. 1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century.

The pattern of floral trails seen on the printed fabric of this gown exhibits a blend of influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of the 18th century. The sleeves of this gown are closed with a narrow band of fabric, which fastens with a hook and eye.

The dress is styled with a high-waisted , fitted bodice, which fastens centrally. The neck, which is trimmed with a 1″ frill of matching material, is rounded a the back and V-shaped at the front. The bodice is lined with white cotton which extends 1/3 of the way down the full length tapered sleeves. A trimming decorations is attached to the wrist of the right sleeve (made from the same material and lined with white cotton), which fastens with a metal hook and eye at the hip. The skirt has an ‘apron’ style front with fastening tapes attached to either side, in addition to this there are vertical pocket slits situated at either side of the skirt measuring 11″. The front and rear sides of the skirt are constructed from one width of fabric – 39.5″ wide. The waistline at the back of the skirt is gathered a the centre and is constructed from two pieces of material measuring 46″ wide.

The cotton has blue threads in the selvedges denoting English origin, and is block printed in a polychrome palette with pencilled blue on a white ground. The design consists of an all-over pattern of delicate floral trails of carnations, pinks an other stylised flowers interspersed by vertical arborescent meanders bearing exotic fruits and stylised flowers. The pattern repeat measures 10.5″ by 10″.

1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca. Roller Printed Dress. Jane Austen style Regency Fashion. #RegencyFashion #georgianfashion #janeausten https://books2read.com/SuziLoveFashionWomen1800 Share on X
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Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, Dress Or Robe, England, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, 1800s women's fashion, Dress Or Gown, fabrics, Georgian Fashion, Jane Austen, Regency Fashion, sewing, Victoria and Albert Museum

1816 Two Women Crossing The Pont Des Arts, Paris. #regencyera #regencyfashion #bridgerton

Suzi Love Posted on July 30, 2023 by Suzi LoveJuly 29, 2023

1816 Crossing The Pont des Arts, Paris. Illustrations by Francis Courboin. via Les Modes de Paris. (PD-Art) suzilove.comThis plate depicts two women crossing the Pont des Arts, which is also known as the Passerelle des Arts. The women wear very high-waisted dresses. Both women wear a large white feather in their hats, symbolic of the white plume of Henri IV’s famous battle cry, “Ralliez-vous à mon panache blanc!” and made popular by the 1814 restoration of Louis XVIII on the throne. Restoration also brought back various styles, especially those denoting luxury, from the Ancien Regime. The woman on the left wears an ‘old-fashioned’ lace collar and the resurgence of luxury materials, such as fur are indicative of feminine styles of the Restoration period. (PD-Art) Illustrations by François Courboin from Octave Uzanne’s Les Modes de Paris. Variations du goût et de l’esthétique de la femme, 1797-1897, L. Henry May, Paris, 1898, or from the English translation of the same work: Fashion in Paris : the various phases of feminine taste and aesthetics from 1797 to 1897, William Heinemann, London, 1898. Modes De Paris

1816 Crossing the Pont des Arts, Paris. Two women cross Pont des Arts, known as Passerelle des Arts, built from 1802 to 1804, first Parisian bridge of iron, and first bridge in Paris exclusively reserved for pedestrians. Women wear Redingotes or coats, one with 'old-fashioned' lace collar and fur indicating resurgence of luxury and feminine styles. From: Illustrations by François Courboin from Octave Uzanne's Les Modes de Paris. (PD-Art)
1816 Two Women Crossing The Pont Des Arts, Paris. #regencyera #regencyfashion #bridgerton https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, art, Bridgerton, Coat or Pelisse Or Redingote, Dress Or Robe, fashion accessories, France, hats, Jane Austen, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1800s women's fashion, art, Dress Or Gown, fashion accessories, feathers or aigrette, France, gloves, Hats And Hair, Jane Austen, Modes de Paris, Paris, Redingote Or Pelisse Or Coat, Regency Fashion, Regency Life, shawls

1840s Woman’s Square Toed Silk Satin Shoes or Slippers, Probably United States. #Shoes #RomanticEra #Fashion

Suzi Love Posted on July 30, 2023 by Suzi LoveJuly 13, 2023

1840s Woman’s Shoes or Slippers, Probably United States. Square toes, silk satin, sueded leather, linen, and kid leather. via Los Angeles County Museum of Art, California, USA. collections.lacma.org Shoes in the early 1800s were flat or low heeled and occasionally decorated with a bow or floral embellishments. From the 1820s onwards, square toes became fashionable. 

1840s Woman's Shoes or Slippers, Probably United States. Square toes, silk satin, sueded leather, linen, and kid leather. via Suzi Love suzilove.com & Los Angeles County Museum of Art, California, USA. collections.lacma.org
1840s Woman’s Shoes or Slippers, Probably United States. Square toes, silk satin, sueded leather, linen, and kid leather. via Suzi Love suzilove.com & Los Angeles County Museum of Art, California, USA. collections.lacma.org
1840s Woman's Square Toed Silk Satin Shoes or Slippers, Probably United States. #Shoes #RomanticEra #Fashion Share on X
Posted in 1800s, 1800s women's fashion, Romantic Era, shoes, Suzi Love Images, U.S.A | Tagged 1800s women's fashion, Los Angeles County Museum, Romantic Era Fashion, Shoes, USA

18th Century Early.  Silk, Leather, and Linen Mules (shoes), European, and embroidered in Florentine Style. #shoes #georgianfashion #europe

Suzi Love Posted on July 29, 2023 by Suzi LoveJuly 29, 2023

18th  Century  Early.  Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via  Metropolitan Museum, NYC, U.S.A.

shoes_18th Century Early. Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via Metropolitan Museum, NYC, U.S.A.
shoes_18th Century Early. Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via Metropolitan Museum, NYC, U.S.A.

18th Century Early.  Silk, Leather, and Linen Mules (shoes), European, and embroidered in Florentine Style. #shoes #georgianfashion #europe https://books2read.com/suziloveFashWomen1700s Share on X
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s
Posted in 1700s, 1700s Womens Fashion, Europe, Georgian Era, Georgian Fashion, shoes, Suzi Love Images | Tagged 1700s Or Georgian Era, 1700s Women's Fashion, Georgian era, Georgian Fashion, Metropolitan Museum NYC, sewing, Shoes
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.

What shoes did the Bridgertons and Jane Austen wear? Gray Slippers, American, with long ankle ties. #JaneAusten #Bridgerton #shoes #regencyfashion

Suzi Love Posted on July 29, 2023 by Suzi LoveJuly 29, 2023

What shoes did the Bridgertons and Jane Austen wear? Gray Slippers, American, with long ankle ties.

Typical Regency Era women’s footwear as worn by Jane Austen and her contemporaries and by the Bridgerton family were shoes that had low heels, slightly rounded toes, embellished with a bow and with ribbon ties for the ankles. Shoe styles and shapes were generally very plain but then shoes began to be made in bright colors to match the colorful Empire style, or high-waisted, gowns. Plus, as gowns were lighter and floatier, glimpses could be had of these new pretty shoes. Ribbons, rosettes and other decorative. embellishments allowed ladies to personalize shoes.

shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
What shoes did the Bridgertons and Jane Austen wear? 19th Century early Gray Slippers, American, with long ankle ties. #JaneAusten #Bridgerton #shoes #regencyfashion https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
Posted in 1800s, 1800s women's fashion, Bridgerton, Jane Austen, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Jane Austen, Metropolitan Museum NYC, Regency Fashion, Shoes, USA

1809 October Muslin Walking Dress With Appliquéd Lace and Dangling Opera Glass, English. #RegencyFashion #JaneAusten #FashionHistory

Suzi Love Posted on July 29, 2023 by Suzi LoveJuly 13, 2023

1809 October A fine cambric or Indian muslin high-gown, with long sleeves and falling collar, ornamented at the feet and around the neck with appliquéd lace or needle work. Deep amber broach or gold filigree buckle, confining the dress at the throat and waist, with bracelets to match. Gold chain and opera glass. The woodland hat of fine plaited straw or chip, with ostrich feather falling on one side. A French cloak of bright purple sarsnet or velvet, lined with amber or rose, and trimmed entirely round with black lace and beading. Parasol, with deep amber awning. Shoes and gloves of buff kid. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.

1809 October A fine cambric or Indian muslin high-gown, with long sleeves and falling collar, ornamented at the feet and around the neck with appliqued lace or needle work. Deep amber broach or gold filagree buckle, confining the dress at the throat and waist, with bracelets to match. Gold chain and opera glass. The woodland hat of fine plaited straw or chip, with ostrich feather falling on one side. A French cloak of bright purple sarsnet or velvet, lined with amber or rose, and trimmed entirely round with black lace and beading. Parasol, with deep amber awning. Shoes and gloves of buff kid. Fashion Plate via Rudolph Ackermann's 'The Repository of Arts'.
https://books2read.com/SuziLoveFashionWomen1805-1809
1809 October A fine cambric or Indian muslin high-gown, with long sleeves and falling collar, ornamented at the feet and around the neck with appliqued lace or needle work. Parasol, with deep amber awning. Shoes and gloves of buff kid. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
1809 October Muslin Walking Dress With Appliqued Lace and Dangling Opera Glass. #RegencyFashion #JaneAusten #FashionHistory https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
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Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, fashion accessories, hats, Jane Austen, London, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1800s women's fashion, British history, Dress Or Gown, fashion accessories, Fashion Plate, glasses, Hats And Hair, Jane Austen, London, parasol, Regency Fashion, Shoes, The Repository Of Arts

1800s White Evening Dress With Long Train As Jane Austen Would Have Worn. #RegencyFashion #BritishHistory #JaneAusten

Suzi Love Posted on July 29, 2023 by Suzi LoveJuly 29, 2023

1800s White Evening Dress. Long train on the dress, gold sash, evening hair style, and carrying a fan. via The Museum of Fine Arts, Boston.

Definition Empire Style Dress:  Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.

1800s White Evening Dress. Long train on the dress, gold sash, evening hair style, and carrying a fan. The Museum of Fine Arts, Boston.
1800s White Evening Dress. Long train on the dress, gold sash, evening hair style, and carrying a fan. The Museum of Fine Arts, Boston.

1800s White Evening Dress With Long Train As Jane Austen Would Have Worn. #RegencyFashion #BritishHistory #JaneAusten https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
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Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, fashion accessories, Jane Austen, Regency Era, Regency Fashion, Suzi Love Images, U.S.A | Tagged 1800s women's fashion, Bridgerton, British history, Dress Or Gown, fans, fashion accessories, Fashion Plate, Jane Austen, Museum Of Fine Arts, Regency Fashion, shawls, Suzi Love Images
1826–1829 ca. Dress, British. Neckline View. Pale gold cotton with tiny red flowers and matching embroidered band around wide neckline and wrists, billowing upper sleeves and gathered to tight lower sleeves. metmuseum.org

1826–1829 ca. Pale Gold Dress, British.

Suzi Love Posted on July 27, 2023 by Suzi LoveJuly 13, 2023

1826–1829 ca. Pale gold cotton dress with tiny red embroidered flowers, British. Matching embroidered band around wide neckline and wrists, billowing upper sleeves and gathered to tight lower sleeves. via Metropolitan Museum, New York City, U.S.A.

1826–1829 ca. Pale gold cotton dress with tiny red embroidered flowers, British. Matching embroidered band around wide neckline and wrists, billowing upper sleeves and gathered to tight lower sleeves. via Metropolitan Museum, New York City, U.S.A.
1826–1829 ca. Pale gold cotton dress with tiny red embroidered flowers, British. Matching embroidered band around wide neckline and wrists, billowing upper sleeves and gathered to tight lower sleeves. via Metropolitan Museum, New York City, U.S.A.
1826–1829 ca. Pale gold cotton dress with tiny red embroidered flowers, British. Matching embroidered band around wide neckline and wrists, billowing upper sleeves and gathered to tight lower sleeves. via Metropolitan Museum, New York City, U.S.A.
1826–1829 ca. Pale gold cotton dress with tiny red embroidered flowers, British. Matching embroidered band around wide neckline and wrists, billowing upper sleeves and gathered to tight lower sleeves. via Metropolitan Museum, New York City, U.S.A.
1826–1829 ca. Pale gold cotton dress with tiny red embroidered flowers, British. Matching embroidered band around wide neckline and wrists, billowing upper sleeves and gathered to tight lower sleeves. via Metropolitan Museum, New York City, U.S.A.
1826–1829 ca. Pale gold cotton dress with tiny red embroidered flowers, British. Matching embroidered band around wide neckline and wrists, billowing upper sleeves and gathered to tight lower sleeves. via Metropolitan Museum, New York City, U.S.A.
1826–1829 ca. Pale Gold Cotton Dress With Red Floral Embroidery, British. #RomanticEra #BritishHistory #HistoricalFashion https://books2read.com/suziloveOLD Share on X

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  • 19th Century Early Jane Austen and Bridgerton Style Gold Silk Spencer With Puffed Shoulder. #Bridgerton #JaneAusten #RegencyFashion #HistoricalFashion
  • 1805-1815 ca. Black Quilted Bonnet In Jane Austen and Bridgerton Style. #RegencyFashion #JaneAusten #Bridgerton #HistoricalFashion
  • What did Jane Austen use to carry her personal items? Ridicule, Reticule, Or Handbag? 19th Century Silk Reticule With Embroidered Flowers. #JaneAusten #Regency #Reticule
  • 1800-1810 ca. Flat Silk Slippers With Ankle Ties Worn By Empress Josephine Bonaparte and As Worn By Jane Austen And friends. #Regency #Shoes #JaneAusten #France
  • London in Bridgerton and Jane Austen Years. via 1820 The English Metropolis By John Corry. #Bridgerton #JaneAusten #RegencyEra #London #GoogleBooks

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