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Monthly Archives: July 2023

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1830s_MansDouble-BreastedFrock-Coat-English.-Double-breasted-frock-coat-with-a-nipped-in-waist.-The-broad-lapels-are-faced-with-silk-velvet_VAM

1830s Man’s Double-Breasted  Frock Coat, English. #RomanticEra #England #coat

Suzi Love Posted on July 31, 2023 by Suzi LoveJuly 30, 2023

1830s Man’s Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman’s frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.

The waisted frock coat came into fashion in about 1816 and became an enduring style. Typically it had a narrow waist and full skirts hanging vertically in front. The frock coat was worn for everyday purposes such as morning dress, usually with a top hat, cane and trousers. By 1830 frock coats were made in a variety of designs according to taste, fashion or type of activity. This example has an out-breast pocket, a feature which appeared on coats during the 1830s. This coat was given by Messrs Harrods Ltd. Victoria and Albert Museum, London, UK. collections.vam.ac.uk.  

1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. #RomanticEra #England #coat https://books2read.com/suzilovePelisse Share on X
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Posted in 1800s, 1800s Mens Fashions, Coat or Pelisse Or Redingote, England, Romantic Era, Suzi Love Images | Tagged 1800s men fashion, England, Redingote Or Pelisse Or Coat, Romantic Era Fashion, Victoria and Albert Museum
1795-1810 ca. Gown, English, 1810 ca. Sewing of Gown. 1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk

1795-1810 ca. Roller Printed Dress. Jane Austen style Regency Fashion. 

Suzi Love Posted on July 31, 2023 by Suzi LoveJuly 30, 2023

1795-1810 ca. Roller Printed Dress, English. Empire style, high-waisted, roller printed dress with skirt gathered at the back to create a full skirt and with simple V-necked bodice and long sleeves.  Sleeves are closed with a narrow band of fabric which fastens with a hook and eye. via Victoria and Albert Museum, London, UK.  1810 ca. Sewing of Gown. 1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century.

The pattern of floral trails seen on the printed fabric of this gown exhibits a blend of influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of the 18th century. The sleeves of this gown are closed with a narrow band of fabric, which fastens with a hook and eye.

The dress is styled with a high-waisted , fitted bodice, which fastens centrally. The neck, which is trimmed with a 1″ frill of matching material, is rounded a the back and V-shaped at the front. The bodice is lined with white cotton which extends 1/3 of the way down the full length tapered sleeves. A trimming decorations is attached to the wrist of the right sleeve (made from the same material and lined with white cotton), which fastens with a metal hook and eye at the hip. The skirt has an ‘apron’ style front with fastening tapes attached to either side, in addition to this there are vertical pocket slits situated at either side of the skirt measuring 11″. The front and rear sides of the skirt are constructed from one width of fabric – 39.5″ wide. The waistline at the back of the skirt is gathered a the centre and is constructed from two pieces of material measuring 46″ wide.

The cotton has blue threads in the selvedges denoting English origin, and is block printed in a polychrome palette with pencilled blue on a white ground. The design consists of an all-over pattern of delicate floral trails of carnations, pinks an other stylised flowers interspersed by vertical arborescent meanders bearing exotic fruits and stylised flowers. The pattern repeat measures 10.5″ by 10″.

1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca. Roller Printed Dress. Jane Austen style Regency Fashion. #RegencyFashion #georgianfashion #janeausten https://books2read.com/SuziLoveFashionWomen1800 Share on X
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Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, Dress Or Robe, England, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, 1800s women's fashion, Dress Or Gown, fabrics, Georgian Fashion, Jane Austen, Regency Fashion, sewing, Victoria and Albert Museum

18th Century Early.  Silk, Leather, and Linen Mules (shoes), European, and embroidered in Florentine Style. #shoes #georgianfashion #europe

Suzi Love Posted on July 29, 2023 by Suzi LoveJuly 29, 2023

18th  Century  Early.  Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via  Metropolitan Museum, NYC, U.S.A.

shoes_18th Century Early. Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via Metropolitan Museum, NYC, U.S.A.
shoes_18th Century Early. Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via Metropolitan Museum, NYC, U.S.A.

18th Century Early.  Silk, Leather, and Linen Mules (shoes), European, and embroidered in Florentine Style. #shoes #georgianfashion #europe https://books2read.com/suziloveFashWomen1700s Share on X
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s
Posted in 1700s, 1700s Womens Fashion, Europe, Georgian Era, Georgian Fashion, shoes, Suzi Love Images | Tagged 1700s Or Georgian Era, 1700s Women's Fashion, Georgian era, Georgian Fashion, Metropolitan Museum NYC, sewing, Shoes
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.

What shoes did the Bridgertons and Jane Austen wear? Gray Slippers, American, with long ankle ties. #JaneAusten #Bridgerton #shoes #regencyfashion

Suzi Love Posted on July 29, 2023 by Suzi LoveJuly 29, 2023

What shoes did the Bridgertons and Jane Austen wear? Gray Slippers, American, with long ankle ties.

Typical Regency Era women’s footwear as worn by Jane Austen and her contemporaries and by the Bridgerton family were shoes that had low heels, slightly rounded toes, embellished with a bow and with ribbon ties for the ankles. Shoe styles and shapes were generally very plain but then shoes began to be made in bright colors to match the colorful Empire style, or high-waisted, gowns. Plus, as gowns were lighter and floatier, glimpses could be had of these new pretty shoes. Ribbons, rosettes and other decorative. embellishments allowed ladies to personalize shoes.

shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
shoes_19th Century Early. Flat Slippers, American. Gray silk with long ankle ties. via Metropolitan Museum New York City, U.S.A.
What shoes did the Bridgertons and Jane Austen wear? 19th Century early Gray Slippers, American, with long ankle ties. #JaneAusten #Bridgerton #shoes #regencyfashion https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
Posted in 1800s, 1800s women's fashion, Bridgerton, Jane Austen, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Jane Austen, Metropolitan Museum NYC, Regency Fashion, Shoes, USA

1800s White Evening Dress With Long Train As Jane Austen Would Have Worn. #RegencyFashion #BritishHistory #JaneAusten

Suzi Love Posted on July 29, 2023 by Suzi LoveJuly 29, 2023

1800s White Evening Dress. Long train on the dress, gold sash, evening hair style, and carrying a fan. via The Museum of Fine Arts, Boston.

Definition Empire Style Dress:  Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.

1800s White Evening Dress. Long train on the dress, gold sash, evening hair style, and carrying a fan. The Museum of Fine Arts, Boston.
1800s White Evening Dress. Long train on the dress, gold sash, evening hair style, and carrying a fan. The Museum of Fine Arts, Boston.

1800s White Evening Dress With Long Train As Jane Austen Would Have Worn. #RegencyFashion #BritishHistory #JaneAusten https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
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Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, fashion accessories, Jane Austen, Regency Era, Regency Fashion, Suzi Love Images, U.S.A | Tagged 1800s women's fashion, Bridgerton, British history, Dress Or Gown, fans, fashion accessories, Fashion Plate, Jane Austen, Museum Of Fine Arts, Regency Fashion, shawls, Suzi Love Images

1790-1820 ca. Embroidered Cream Net Fichus, Or Shoulder Shawls. #Regency #Fashion #JaneAusten

Suzi Love Posted on July 25, 2023 by Suzi LoveJuly 25, 2023

1790-1820 ca. Fichus, Or Shoulder Shawls. Short and Long. Embroidered Cream Net Fichus as worn by ladies in the times of Jane Austen. via Whitaker Auction whitakerauction.smugmug.com

Definition Fichu: Triangular piece of lace, muslin, or other cloth worn about the neck and cleavage to fill in a low bodice or neckline and preserve a lady’s modesty. From the French ‘thrown over’. The Bridgerton family and Jane Austen and her female family and friends would have worn a Fichu over a light muslin dress for both warmth and modesty.

1790-1820 ca. Embroidered Cream Net Fichus, Or Shoulder Shawls. #Regency #Fashion
1790-1820 ca. Embroidered Cream Net Fichus, Or Shoulder Shawls. #Regency #Fashion #JaneAusten. https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
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Posted in 1700s Womens Fashion, 1800s women's fashion, Bridgerton, England, Europe, fashion accessories, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, fashion accessories, fichu, Jane Austen, Regency Fashion, sewing, Whitaker Auctions | Leave a reply

1808 Blue Redingote Over A White Dress. Green turban and lace veils. #RegencyEra #JaneAusten #Hats #Fashion

Suzi Love Posted on July 25, 2023 by Suzi LoveJuly 25, 2023

1808 Two Bodi1808 Blue Redingote Over A White Dress. Green turban and lace veils. Bodice. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

French fashions like this were copied by English magazines so these styles of hats would have been worn by Jane Austen and her contemporaries.

1808 Blue Redingote Over A White Dress. Green turban and lace veils. Bodice. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1808 Blue Redingote Over A White Dress. Green turban and lace veils. Bodice. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1808 Blue Redingote Over A White Dress. Green turban and lace veils. #RegencyEra #JaneAusten #Hats #Fashion. https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
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Posted in 1800s women's fashion, Coat or Pelisse Or Redingote, Dress Or Robe, England, Europe, fashion accessories, France, hats, Jane Austen, London, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fashion accessories, Fashion Plate, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Redingote Or Pelisse Or Coat, Regency Fashion

1809 Wedgwood and Byerley China Showrooms, York Street, London. #RegencyEra #London #JaneAusten #shopping

Suzi Love Posted on July 19, 2023 by Suzi LoveJuly 19, 2023

1809 Wedgwood and Byerley showrooms for Wedgewood china, York Street, London, UK. Plate via Rudolph Ackermann’s Repository of Arts. The premises of master potter Josiah Wedgwood in York Street, St James’ Square, London, U.K. Wedgwood china was known for its high quality, beautiful glazes and Wedgwood trademark printed on the back of each item. The London show-room was managed by Thomas Byerley, who also held a quarter share of the business. From 1790 to 1810 the firm was known as Wedgwood and Byerley.

1809 Wedgwood and Byerley showrooms, York Street, London, UK. Plate via Rudolph Ackermann's Repository of Arts.
1809 Wedgwood and Byerley China Showrooms, York Street, London. #RegencyEra #London #JaneAusten #shopping books2read.com:suziloveYLD Share on X
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD
Posted in 1800s, Decorative Item, England, furniture, History, household, Jane Austen, London, Regency Era, Suzi Love Images | Tagged Jane Austen, Regency Era, Regency Fashion, Regency London, Rudolph Ackermann, shopping, trades

1813 October White At-Home Dress, Lace Cap and Red Shawl As Worn by Jane Austen. #Regency #JaneAusten #Fashion

Suzi Love Posted on July 18, 2023 by Suzi LoveJuly 18, 2023

1813 October Morning Dress, English. Jane Austen and her family and friends would have worn this style of relaxed dress and cap. White At-Home dress with morning lace cap and a red shawl. Plain cambric underdress, three-quartered muslin or Chinese silk robe trimmed round the bottom and up the front with Indian border, or needle-work, and finished with a deep flounce of lace. Convent hood and pelerine of white net lace, confined under the chin with a silk cord and tassel. Hair in irregular curls with a fancy flower in the front. Short rosary and cross, plus bracelets, of coquilla beads. Buff or lemon kid slippers and pale tan gloves. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’. 

This is a typical outfit worn at home in the morning in the house, to be seen only by family or close friends. A lady might wear this while writing having breakfast, writing letters, or reading. Called by the various names of Undress, to At-Home dress, or Morning dress, it is the most relaxed ensemble a lady will wear all day. The sort of outfit Jane Austen would have worn when writing her books.

1813 October White At-Home Dress, Lace Cap and Red Shawl.  #Regency #JaneAusten #Fashion
1812 Red Dress, French. High-waisted red Merino wool dress with short puffed sleeves, high Chako hat with a plume long white gloves and white shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1813 October White At-Home Dress, Lace Cap and Red Shawl As Worn by Jane Austen. #Regency #JaneAusten #Fashion. https://books2read.com/SuziLoveFashion1810-1814 Share on X
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, fashion accessories, Google Books, hats, Jane Austen, London, Pastimes, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, jewelry, Regency Fashion, sewing, shawls, Shoes, The Repository Of Arts

Empire Silhouette in Regency Era Women’s Fashion #RegencyEra #JaneAusten #Fashion

Suzi Love Posted on July 16, 2023 by Suzi LoveJuly 13, 2023

After the French Revolution, the fussy styles previously affordable only by the very wealthy were replaced with ideas of simplicity in dress, behavior, and decorating.  The neoclassic style was adopted and carried through the Napoleonic War years, partly because of Napoleon Bonaparte’s love of anything Greco-Roman. The Empire silhouette copied the chiton worn by the Greeks and Romans. The chiton was a tubular garment draped from the shoulders and sometimes belted beneath the bust and this style of garment was completely different to the rectangular panniered skirts of the 18th century.

1802 Mother and Child, French. Mother wears a long green cape over a loose and flowing white dress. The child wears a similarly flowing pink dress. Both wear fitted hats. Fashion Plate via Journal des Modes et des Dames, or Costume Parisienne. suzilove.com

The Empire style of clothing began as children’s wear made from fine white cotton. Women adopted the same fabrics in England and turned them into light and airy tubular dressed with skirts gathered under the bust and often with more fullness at the back to allow women to walk and move freely.

1807 Empire style, or high-waisted, white walking dress, French. Worn with a red draping shawl and long white gloves. Fashion Plate via Journal des Modes et des Dames, or Costume Parisienne. suzilove.com

Empire style dresses were high waisted and were worn almost exclusively by women from 1800 until around 1820.

In the 1820’s, waists began to drop from under the bust and skirts went from tubular to bell shaped by flattening the front and adding fullness at the centre back.

By the 1830s, waists were almost back down to their natural waistline and they stayed at a woman’s natural waist as skirts widened even more until they became the conical hoop skirts of the later 19th century.

During the Empire years in France, fine Indian muslin was manufactured and embroidered in India and then exported to Europe and America. French women wore the finest and most sheer cottons and dresses became more an more daring as bodices were cut lower and lower and gowns became transparent.

1805-1815 ca. Three Women’s Empire Style Dresses. landeskunde-online.de suzilove.com

Naturally, English women copied this French trend. Some supposedly ‘damped down’ the skirts of their gowns with water to make them even more see through, and therefor even more enticing to the gentlemen. As the Prince Regent, George IV, was a known connoisseur of women, the boldest of ladies wanted to catch his eye, and perhaps become of one of his mistresses.

1805-1810 ca. Lemon Dress, Regency style, Light and Floaty Dress. via Manchester Galleries manchestergalleries.org suzilove.com

This trend to sheer fabrics, which would have been freezing in winter in England or Europe, also led to the creation of other fashion items that women needed to stay warm.

Long draping shawls were worn over these sheer Empire style gowns, as were Spencers and Pelisses, or Redingotes. Tunics were often added to give gowns an appearance of decency, especially from the back.

Posted in 1800s, Suzi Love

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