1826–1829 ca. Pale gold cotton dress with tiny red embroidered flowers, British. Matching embroidered band around wide neckline and wrists, billowing upper sleeves and gathered to tight lower sleeves. via Metropolitan Museum, New York City, U.S.A.
1811-1820 Regency Era Overview. The British Regency was the period from 1811-1820. King George III was deemed mad and unfit to rule so his son became his proxy, the Prince Regent, or Prinny to his close friends. This was the era during which Jane Austen wrote her books. Books that are still read and discussed today.
As a period in Britain’s official history, the Regency lasted less than ten years, although scholars apply the term Regency to a much longer period. It began in 1811, when George Ill was declared mad and the Prince of Wales was appointed Regent. It ended in 1820 when the King finally died and the Regent was crowned George IV. However, the Regency was a period in Britain’s history that had an effect on the social and cultural life for four decades, from the start of the French Revolution in 1789 to the passing of Britain’s Great Reform Act in 1832.
The decision to make George IV the Regent took a lot of political debate. After nearly two and a half months of political wrangling, the British government agreed to grant the title of Prince Regent on George. The Act of Parliament was finally passed by a commission in the House of Lords on February 5th 1811 and the Prince was formally sworn in as Regent at Carlton House the next day. He continued to rule as Regent until 1820 when, on his father’s death, he assumed the title George IV and reigned until his own death in 1830.
During the Regency, royalty and upper class ladies and lords, or the Beau Monde, lived elegant and extravagant lives that also allowed excesses and depravity. Britain was united behind exceptional heroes in long wars against France, but internally divided by class distinction and political agitation. The foundations of a modem industrial nation were laid by engineers, inventors and scientists. while Romantic poets and visionary artists dreamt of escape to earlier times and more ideal worlds. From: Queen’s Gallery, London, U.K.
1811 Green Dress French. High waist with bow under the bust, Mamaluke sleeves as “a long full sleeve partitioned into five sections, each section being drawn and seamed to fit around the arm up sleeves, white collar lining, fashionable blue bonnet tied under the chin and wearing yellow shoes. The sort of fashionable outfit worn by women in Jane Austen’s times, or 1800s, or Regency Era. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Mamaluke Sleeves: Long full sleeves partitioned into five sections, each section being drawn and seamed to fit around the arm up.
1790-1820 ca. Fichus, Or Shoulder Shawls. Short and Long. Embroidered Cream Net Fichus as worn by ladies in the times of Jane Austen. via Whitaker Auction whitakerauction.smugmug.com
Definition Fichu: Triangular piece of lace, muslin, or other cloth worn about the neck and cleavage to fill in a low bodice or neckline and preserve a lady’s modesty. From the French ‘thrown over’. The Bridgerton family and Jane Austen and her female family and friends would have worn a Fichu over a light muslin dress for both warmth and modesty.
1808 Two Bodi1808 Blue Redingote Over A White Dress. Green turban and lace veils. Bodice. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions like this were copied by English magazines so these styles of hats would have been worn by Jane Austen and her contemporaries.
1815 Blue Dress Bodice, French. Layers of frills on dress back. Hairstyle and Various Bonnets as Jane Austen would have worn. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1815 June 15th ‘Behold at Brook’s Club, London. By George Cruikshank. Sir Thomas Stepney standing under the porch of Brooks’s Club in St. James’s Street, London. Double door with glass panels is behind him. Right hand in his breeches pocket, round hat with low crown, double-breasted tail-coat, double-breasted waistcoat, small stock, knee-breeches, and striped stockings with pumps. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1815 June 15th ‘Behold at Brook’s Club, London, Cartoon By George Cruikshank. #Regency #Caricature #London
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1725-1730 ca. Gold Double-Opening Snuffbox, France. Two tortoiseshell pique panels and two miniatures inside, of Louis XV of France and his wife Marie Leczinska. Made by Jean Baptiste Massé, painter.
Varicolored gold seascape of dolphin and ship with beach littered with shells and rocks, plus ruins, birds,
and an island. Inside the box are miniature portraits of Louis XV of France and his wife Marie Leczinska. It has been suggested that the box commemorates the birth of the ‘dauphin’ Louis in 1729, the royal couple’s fourth child, and first son, heir to the throne. A few elements contradict this suggestion: the dolphin does not bear any regal symbol such as a crown, the marks that date the box indicate that it was initiated before the birth of Louis, when the arrival of a son was unknown.
It is most probable that these delicate panels, together with the miniature of Louis XV, date from 1725-1730 and have been associated later into this gold snuffbox, and a later miniature of Queen Marie Leczinska.The miniature of the king may have been painted by Jean-Baptiste Massé – he is recorded as supplying miniatures of the king for boxes intended as diplomatic gifts from 1720-26-, or by his lesser known contemporary Jean-Baptiste Ducanel.
The lid is hinged to reveal a miniature, under glass, of Marie Leczinska, queen of France, probably 19th century or heavily restored, wearing a cloak of blue embroidered with gold fleurs-de-lis and lined with ermine overa lace-trimmed dress of red embroidered with gold. In the base is a panel of tortoiseshell pique with a cornucopia of small shells, also hinged to reveal a contemporary miniature of Louis XV of France in armour, wearing a whitestock and the sash of the Order of the Holy Ghost. The gold box, probably early 19th century or later, has plain walls, reeded borders, and a double thumbpiece.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
Snuff Boxes: Decorative boxes of all types were prized, especially in the 18th Century when everything decorative and extravagant was in vogue and taking a pinch of snuff was fashionable. Snuff is made from ground or pulverized tobacco leaves, flavorings added, and then a pinch of snuff is placed on the back of the hand and sniffed.
1725-1730 ca. Gold Double-Opening Snuffbox With Miniature Portraits, France. #antiques #snuffbox #GeorgianEra #France. https://books2read.com/suziloveBoxesCases Share on X
1750 Hyde Park Corner, London, U.K. From Mr. Crace’s Collection from Old and New London By E. Walford, 1878.
1750 Hyde Park Corner, London, U.K. #London #BritishHistory #Art
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1860 Corset, American. Cotton, metal, and bone. Manufacturer: Langdon Batcheller and Company, A1851-1860 ca. Blue Ribbed Silk Corset, English. Front and Back. Front hooks and back lacing. via Museum of London, UK. museumoflondon.org.uk
