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Tag Archives: 1700s Or Georgian Era

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1715-1775 ca. Flat Drawstring Bag, French. Strung glass beads held together by looping stitches. #Reticule #GeorgianFashion #GeorgianEra

Suzi Love Posted on January 14, 2025 by Suzi LoveJanuary 8, 2025

1715-1775 ca. Flat Drawstring Bag, French. Strung glass beads, or sablé, held together by looping stitches. Polychrome Rococo design on white ground, shepherd, shepherdess, four sheep around orange tree center, border with cornucopias and flowers. Ecru silk cord drawstrings with floral bead-covered wood tassels. Blue silk lining. via Museum of Fine Arts, Boston.

bag_1715-1775 ca. Flat Drawstring Bag, French. Strung glass beads, or sablé, held together by looping stitches. Polychrome Rococo design on white ground, shepherd, shepherdess, four sheep around orange tree center, border with cornucopias and flowers. Ecru silk cord drawstrings with floral bead-covered wood tassels. Blue silk lining. via Museum of Fine Arts, Boston.
1715-1775 ca. Flat Drawstring Bag, French. Strung glass beads held together by looping stitches. #Reticule #GeorgianFashion #GeorgianEra http://books2read.com/suziloveReticules Share on X
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Posted in 1700s, 1700s Mens fashion, 1700s Womens Fashion, Decorative Item, fashion accessories, Reticule or Bag | Tagged 1700s Or Georgian Era, fashion accessories, Georgian Fashion, Museum Of Fine Arts, reticule or bag, sewing

1745-1750 ca. Small Decorative Box, Or Necessaire, With Watch, Probably German. #GeorgianEra #Sewing #Antiques

Suzi Love Posted on January 14, 2025 by Suzi LoveJanuary 14, 2025

1745-1750 ca. Necessaire, or small decorative box, with watch, probably German. Fitted with sewing and writing implements as well as a watch, this unmarked nécessaire shows delightful chinoiserie decoration in the Rococo style, echoing the work of the influential Munich designer François Cuvilliés (1695–1768). via Metropolitan Museum New York City, U.S.A. metmuseum.org

Small toiletry, writing, or sewing containers were called Necessaire or Etui: Tiny boxes or containers were carried in large castles or sprawling manor houses so a lady or gentleman had their essentials with them all day. They were also important when traveling by coach, trains, or ships where space was always limited. A necessaire or Etui was easily carried in a bag, reticule, or pocket so essentials were on hand for personal grooming, to repair a ripped hem, replace a button, to embroider, or to write a note or letter.  

1745-1750 ca. Necessaire With Watch. Probably German. via Suzi Love suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1745-1750 ca. Necessaire With Watch. Probably German. via Suzi Love suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1745-1750 ca. Small Decorative Box, Or Necessaire, With Watch, Probably German. #GeorgianEra #Sewing #Antiques books2read.com/SuziLoveWritingTools Share on X
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Posted in 1700s, Box Or Container, Decorative Item, Europe, Georgian Era, Georgian Fashion, History, household, sewing, Suzi Love Images, travel, Writing Tools | Tagged 1700s Or Georgian Era, antiques, decorative, europe, fashion accessories, Georgian era, Germany, Metropolitan Museum NYC, Necessaire or Etui, sewing, watch, Writing Tools

1790-1810 ca. Jane Austen Style Woman’s Black Wool Shoes, American. #JaneAusten #RegencyEra #Shoes

Suzi Love Posted on January 7, 2025 by Suzi LoveJanuary 7, 2025

1790-1810 ca. Woman’s Black Wool Shoes. Pointed toe and low wedge heel covered in same fabric, black tape binding, leather straight or symmetrical sole, linen insole and lining. Wool satin with wool twill tape binding, plain weave linen lining, and leather sole.  Place of Use: Lexington, Massachusetts, United States. Place of Manufacture: possibly Massachusetts, United States Provenance: Worn by a member of the Robbins family; inherited by Ellen A. Stone; gift to MFA, 1899. Credit Line  Gift of Miss Ellen A. Stone via Museum of Fine Arts, Boston, U. S.A.

In Jane Austen’s years, she and her contemporaries spent a lot of time outdoors. Fragile slippers were worn for balls and evening events but for walking sturdier shoes were needed, In the early 1800s, these were typically made of leather and were flat or had a very small heel.

shoes_1790-1810 ca. Woman's Black Wool Shoes, American. Pointed toe, low wedge heel covered in same fabric, black tape binding, leather straight or symmetrical sole, linen insole and lining. Worn by a member of the Robbins family and inherited by Ellen A. Stone. via Museum of Fine Arts, Boston, U.S.A. mfa.org
1790-1810 ca. Jane Austen Style Woman's Black Wool Shoes, American. #JaneAusten #RegencyEra #Shoes https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
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Posted in 1700s Womens Fashion, 1800s women's fashion, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, shoes, U.S.A | Tagged 1700s Or Georgian Era, 1700s Women's Fashion, 1800s women's fashion, fashion accessories, Jane Austen, Museum Of Fine Arts, Regency Fashion, Shoes, USA
guitar_1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.

1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. #Music #Guitar #Portugal #GeorgianEra

Suzi Love Posted on September 12, 2024 by Suzi LoveAugust 28, 2024

1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. Pine back, sides and soundboards, with pine and wood purfling or bordering, brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.  History Notes Book 6 Music General https://www.suzilove.com/wp-admin/books2read.com/suziloveMusicGeneral \

1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
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1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. #Music #Guitar #Portugal #GeorgianEra. https://www.books2read.com/suziloveMusicGeneral Share on X
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Posted in 1700s, Decorative Item, Europe, Georgian Era, History, Music, Pastimes, Suzi Love Images | Tagged 1700s Or Georgian Era, europe, Georgian era, guitar, music, Victoria and Albert Museum | Leave a reply

What was fashionable for women in late 1700s? Extravagant colors, outrageous styles and flamboyant fashions. #GeorgianEra #Fashion #nonfiction #amwriting

Suzi Love Posted on September 9, 2024 by Suzi LoveSeptember 7, 2024

What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. #Georgian #nonfiction #amwriting books2read.com/suziloveFashWomen1700s

What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. #Georgian #nonfiction #amwriting books2read.com/suziloveFashWomen1700s
What was fashionable for women in late 1700s? Extravagant colors, outrageous styles and flamboyant fashions. #GeorgianEra #Fashion #nonfiction #amwriting books2read.com/suziloveFashWomen1700s Share on X
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s
Posted in 1700s, 1700s Womens Fashion, cartoon, Coat or Pelisse Or Redingote, Corset, Dress Or Robe, England, Europe, fashion accessories, Georgian Era, Georgian Fashion, hats, History Notes, London, Reticule or Bag, riding, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A | Tagged 1700s Or Georgian Era, 1700s Women's Fashion, Book 1, Dress Or Gown, fashion accessories, Fashion Plate, Georgian era, gloves, Hats And Hair, History Notes, reticule or bag, Shoes, Suzi Love Books | Leave a reply

1700s Late Pair of Pattens, Or Strap On Undershoes, As Used On Rainy Days in Jane Austen and Bridgerton Times. #Bridgerton #JaneAusten #Shoes #BritishHistory #History

Suzi Love Posted on September 8, 2024 by Suzi LoveSeptember 8, 2024

1700s Late Pair of Pattens, English. Iron supports underneath leather and wood. Pattens: Under shoes that strapped onto shoes and worn outdoors and to lift shoes and dresses out the mud. People in Jane Austen’s lifetime would have used these to protect the hems of dresses and legs of men’s pants, plus protect delicate shoes. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1700s Late Pair of Pattens, English. Iron supports underneath leather and wood. Pattens: Under shoes that strapped onto shoes and worn outdoors and to lift shoes and dresses out the mud. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1700s Late Pair of Pattens, Or Strap On Undershoes, As Used On Rainy Days in Jane Austen and Bridgerton Times. #Bridgerton #JaneAusten #Shoes #BritishHistory #History https://www.books2read.com/suziloveFashWomen1700s Share on X
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s
Posted in 1700s, 1700s Mens fashion, 1700s Womens Fashion, Bridgerton, Customs & Manners, England, Georgian Era, History, Jane Austen, Regency Era, shoes, Suzi Love Images | Tagged 1700s Mens Fashion, 1700s Or Georgian Era, 1700s Women's Fashion, Bridgerton, British history, Georgian era, Georgian Fashion, Jane Austen, Shoes, Victoria and Albert Museum | Leave a reply

18th Century Mid. Gentleman’s Toiletry Nécessaire Of Shagreen and Tortoiseshell, England. #GeorgianEra #Travel #Antiques

Suzi Love Posted on September 6, 2024 by Suzi LoveSeptember 2, 2024

18th Century Mid. Nécessaire, London, England. Wood, shagreen, silk, tortoiseshell with gold mounts, steel. Includes: pen knife, beard trimmer, scissors, bottles, paper cutter, 6 razors, hone, strop. via Metropolitan Museum New York City, U.S.A. metmuseum.org

Definition Shagreen: A type of rawhide, or rough untanned skin, originally made from the back of a horse or a wild donkey. In the 18th century, the skin of a shark or stingray also began to be called shagreen.

18th Century Mid. Nécessaire, London, England. Wood, shagreen, silk, tortoiseshell with gold mounts, steel. Includes: pen knife, beard trimmer, scissors, bottles, paper cutter, 6 razors, hone, strop. via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org

 

18th Century Mid. Gentleman's Toiletry Nécessaire Of Shagreen and Tortoiseshell, England. #GeorgianEra #Travel #Antiques books2read.com/SuziLoveTravel Share on X
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Posted in 1700s Mens fashion, Box Or Container, Decorative Item, England, fashion accessories, Grand Tour, History, Regency Era, Suzi Love Images, travel, Writing Tools | Tagged 1700s Mens Fashion, 1700s Or Georgian Era, antiques, Box Or Container, Georgian era, Grand Tour, Metropolitan Museum NYC, Necessaire or Etui, Suzi Love Images, travel, Writing Tools | Leave a reply

What Sort Of Pianoforte Or Piano Was Played By the Bridgertons and Jane Austen? #Bridgerton #Music #JaneAusten #RegencyEra #GeorgianEra

Suzi Love Posted on September 2, 2024 by Suzi LoveSeptember 1, 2024

What Sort Of Pianoforte or Piano Was Played By Jane Austen and Contemporaries? Pianos, pianofortes and more. History Notes Book 7 Music Pianos books2read.com/suziloveMusicPiano

Definition Pianoforte or Piano: ‘Stringed keyboard instrument with a hammer action, as opposed to the jack and quill action of the harpsichord.  Capable of gradations of soft and loud, the piano became the central instrument of music pedagogy and amateur study. By the end of the nineteenth century, no middle-class household of any stature in Europe or North America was without one.’  Definition via the Metropolitan Museum, NYC.

Around 1700, the Pianoforte, or Piano,  was invented in Italy by Bartolomeo Cristofori, who created a hammer action keyboard instrument on which a musician could make changes in loudness by changing the force with which the keys were struck. He called his instrument “gravicembalo col piano e forte”, or,  (harpsichord with soft and loud). Cristofori’s  long name was later shortened to fortepiano or pianoforte, and finally just piano.

Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music.  Pianos, pianofortes, harpsichords, and organs were found everywhere and were often the focus of a family gathering. By the end of the 18th Century, the pianoforte, or piano, was the leading instrument of Western music.

What sort of pianos did Jane Austen and the Bridgerton family play? Pianos, pianofortes etc in 17th, 18th, and 19th Centuries. Music Piano. History Notes Book 7 By Suzi Love. Pianos, pianofortes, harpsichord, organs in 17th, 18th, and 19th Centuries, as used by Jane Austen and her family.  books2read.com/suziloveMusicPiano
HN_7_Music Piano. History Notes Book 7 By Suzi Love. Pianos, pianofortes, harpsichord, organs in 17th, 18th, and 19th Centuries. #music #history #nonfiction books2read.com_suziloveMusicPiano
What sort of pianos did Jane Austen and the Bridgerton family play? Pianos, pianofortes etc in 17th, 18th, and 19th Centuries. #Bridgerton #music #JaneAusten #RegencyEra books2read.com/suziloveMusicPiano Share on X
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Posted in 1700s, 1800s, 1900s, art, Australia, Bridgerton, Canada, Edwardian Era, England, Europe, furniture, Georgian Era, History Notes, household, Jane Austen, Music, Regency Era, Romantic Era, Suzi Love Books, Suzi Love Images, U.S.A, Victorian Era | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, Book 7, Bridgerton, Georgian era, History Notes, Jane Austen, music, piano, Regency Era, Suzi Love Books, Victorian Era | Leave a reply

Quote “There is nothing on this earth more to be prized than true friendship.” By Thomas Aquinas. #Quote

Suzi Love Posted on August 31, 2024 by Suzi LoveAugust 28, 2024

“There is nothing on this earth more to be prized than true friendship.” By Thomas Aquinas.

"There is nothing on this earth more to be prized than true friendship." By Thomas Aquinas.
Quote "There is nothing on this earth more to be prized than true friendship." By Thomas Aquinas. #Quote Share on X
Posted in Georgian Era, Quotations, Suzi Love Images | Tagged 1700s Or Georgian Era, Quotations, Suzi Love Images | Leave a reply

1790 British Consul’s Tan Buckskin Pants, Boston. #GeorgianEra #men #breeches

Suzi Love Posted on July 30, 2024 by Suzi LoveJune 4, 2024

1790 British Consul’s Tan Leather Pants, Boston. Tan buckskin, fall front, brass and self covered buttons, breeches have leather ties at waist and at leg hems. via Augusta Auction ~ augusta-auction.com

1790 Closed Front Flap. British Consul's Tan Leather Pants, Boston. Tan buckskin, fall front, brass and self covered buttons, breeches have leather ties at waist and at leg hems. via Augusta Auction
1790 Closed Front Flap.
1790 Open Front Flap. British Consul's Tan Leather Pants, Boston. Tan buckskin, fall front, brass and self covered buttons, breeches have leather ties at waist and at leg hems. via Augusta Auction
1790 Open Front Flap.
1790 Side View. British Consul's Tan Leather Pants, Boston. Tan buckskin, fall front, brass and self covered buttons, breeches have leather ties at waist and at leg hems. via Augusta Auction
1790 Side View.
1790 Back Waist View. British Consul's Tan Leather Pants, Boston. Tan buckskin, fall front, brass and self covered buttons, breeches have leather ties at waist and at leg hems. via Augusta Auction
1790 Back Waist View.
1790 Front Waist View. British Consul's Tan Leather Pants, Boston. Tan buckskin, fall front, brass and self covered buttons, breeches have leather ties at waist and at leg hems. via Augusta Auction
1790 Front Waist View.
1790 British Consul's Tan Leather Pants, Boston. #GeorgianEra #men #breeches https://books2read.com/suziloveFashMen1700s Share on X
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Posted in 1700s Mens fashion, Georgian Era, Georgian Fashion, pants, U.S.A | Tagged 1700s Mens Fashion, 1700s Or Georgian Era, Augusta Auctions, breeches, pants, Suzi Love Images

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