Are you a Bridgertons fan? Love Jane Austen? Love history? Take a look at a Young Gentleman’s Day in early 1800s. Young Gentleman’s Day Regency Life Series Books 2 by Suzi Love. Easy to read books on what a gentleman did, wore, and lived during the early 1800s, or the Regency Era when King George 3rd was mad and his son, Prince George, was the Regent in Britain. #Regency #JaneAusten #amwriting books2read.com/suziloveYGD
1807 Two Ladies and a Gentleman, English. Lady in lavender walking dress, or Pelisse, with fur trim, holding a blue reticule or bag, fitted lavender bonnet with tassel and yellow gloves. Lady in white evening dress with salmon tunic caught up at one side and evening turban. Man in long blue overcoat, or Redingote, with contrasting collar, high white cravat, yellow gloves, tall Hessian boots with tassels, and wearing a top hat. via Le Beau Monde, or Literary and Fashionable Magazine, London, U.K.
These are the types of outfits worn by Jane Austen and contemporaries in England and shown in their English magazines.The same designs had probably already been seen in France, because English publishers obsessively copied French fashions despite the two countries being at war for many years.
1800 ca. Brown Striped Trousers, American or European. Button front waistband, small drop down flap, or fall, pockets, and with extra fullness in the back for ease of movement. via Metropolitan Museum, N.Y.C., U.S.A. The style of men’s pants that replaced breeches as the fashionable pants item for men in Jane Austen’ times.
19th Century Cross Letter or Cross Writing or Cross Hatching. The writer reached the bottom of the page, turned the paper sideways and continued writing. During the 19th century, paper was expensive and postal delivery was charged per page, or by the size of the paper. A way to save paper and postage.
Rates of Postage of single Letters in Pence.
From any post-office in England or Wales, to any place not exceeding 15 miles from such office – – – 3
For any distance above 15, and not exceeding 30 miles — — 4
For any distance above 30, and not exceeding 50 miles — 5
For any distance above 50, and not exceeding 80 miles – 6
For any distance above 80, and not exceeding 12O miles — 7
For any distance above 120, and not exceeding 170 miles – 8
For any distance above 170, and not exceeding 230 miles — 9
For my distance above 230, and not exceeding 300 miles — — 10
For any distance above 300, and not exceeding 400 miles – 11
For any distance above 400, and nut exceeding 500 mites — 12
1802 Picture of London Printed for R. Phillips via Google Books (PD-180)
And so in proportion; the postage increasing progressively one penny for a single letter for every like excess ok distance of 100 miles. 1802 Picture of London Printed for R. Phillips via Google Books (PD-180)
The Twopenny Post- Office.
There are two principal offices, one in the General Post—office yard, Lombard—street and the other in Gerrard-street, Soho. There are also numerous receiving houses in both the town and country.
There are SI X collections and deliveries of letters in town daily, (Sundays excepted) and there are two dispatches from, and three deliveries at, most places in the country, within the limits of this office.
1802 Picture of London Printed for R. Phillips via Google Books (PD-180)
1840 Group In An Outdoor Setting, French. Two men in top hats. Modes de Longchamps’. Men’s outfits, a woman’s riding habit and a small boy, all tailored by Robin of 21 Rue Saint Marc, Paris. via Le Bon Ton. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1810-1820 ca. Red Hunting Coat, English. Hunting was both a popular sport and an essential part of social success. Double-breasted tailcoat of woolen superfine, lined with sateen and cotton, M-notch lapels, nine gold buttons with heraldic crest, cuffs with three smaller matching buttons. via Collection from Castle Howard, Yorkshire, U.K. Victoria and Albert Museum, London, UK. Hunting coats, or colors, often red coats called pinks, were worn by hunt masters and hunters. In Bridgerton and Jane Austen times, or the early 1800s, gentlemen wore red coats like this while riding to the hounds.
Historically, hunt members wore ‘colors’ to distinguish between types of hunters and their level of experience. Traditional red coats were worn by huntsmen, masters, former masters, whippers-in, regardless of sex, while other hunt staff members and male members invited by masters wore colors and hunt buttons as a mark of appreciation for their involvement in the organization and running of the hunt. After the Hunting Act in England and Wales, only Masters and Hunt Servants wore red coats or hunt livery. Gentleman subscribers usually wore black coats, with or without hunt buttons and in some countries, women wore colored collars on their black or navy coats to help them stand out from the rest of the field. Some hunts, including most harrier and beagle packs, wear green rather than red jackets, and some hunts wear other colors such as mustard.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
1818 September ‘A Nice Gentleman’ By George Cruikshank. A grotesque dandy walks outdoors sucking a cane. Inscribed with names of food, e.g. red carbuncled rose is ‘Currant Jelly’, shallow broad-brimmed hat is ‘Calves Head Jelly’ and ‘Pancake’, cravat which covers neck, cheek and chin is ‘Puff Paste’, loose short trousers are ‘White Sugar Bags’, handkerchief ‘Blow Monge’ and long spurs ‘Gilt Gingerbread’. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1810 Man’s Suit and Girl’s Dress, Portugal. Man’s purple pleated silk jacket, vest and breeches. via National Costume Museum, Portugal. The sort of men’s formal clothing worn for court and typical girl’s dress as worn in Jane Austen’s times.
1810 Man’s Suit and Girl’s Dress, Portugal. Man’s purple pleated silk jacket, vest and breeches. via National Costume Museum, Portugal.
1818 November 6th A Dandy Cock in stays or- A new thing for the ladies.By Isaac Robert Cruikshank A dandy, much burlesqued, stands full-face, his head, which has a bird-like profile, turned to the left; his hair is brushed up at the back behind his hat to resemble the tail-feathers of a cock. He wears puffed-out breeches and top-boots with enormous spurs, and holds an umbrella. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1818 November 6th A Dandy Cock in stays or- A new thing for the ladies.By Isaac Robert Cruikshank.A dandy, much burlesqued, stands full-face, his head, which has a bird-like profile, turned to the left; his hair is brushed up at the back behind his hat to resemble the tail-feathers of a cock. He wears puffed-out breeches and top-boots with enormous spurs, and holds an umbrella. Via Suzi Love – suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)
1818 November 6th Caricature: ‘A Dandy Cock In Stays’. By Isaac Robert Cruikshank. #Regency #Cartoon #London
1819 January ‘Laceing a Dandy.’ Dandy in underwear, laces of his corset pulled by two servants, left young black page, right French valet with high collar. Dandy, “Fore Gad ye wretches you’l never get my Stays tight enough go brute and call John James & Thomas, To help you take care you don’t Spoil by Breasts”. Published by: Thomas Tegg. Hand colored etching. Via British Museum, London, UK. britishmuseum.org (PD-Art)