18th Century Late – 19th Century Early Gloves as worn by women in Jane Austen’s and Bridgerton’s years, French. Silk embroidered with silk. via Museum of Fine Arts, Boston. mfa.org


18th Century Late – 19th Century Early Gloves as worn by women in Jane Austen’s and Bridgerton’s years, French. Silk embroidered with silk. via Museum of Fine Arts, Boston. mfa.org


Early 1800’s Three Dresses, German. Three dresses showing the new simplistic and relaxed Grecian look. Soft floating fabrics, high- waisted, or Empire style, waist lines with wrist length or short puffed sleeves. Via landeskunde-online.de.
Definition Empire Style: Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.


What shoes did the Bridgertons and Jane Austen wear? Gray Slippers, American, with long ankle ties.
Typical Regency Era women’s footwear as worn by Jane Austen and her contemporaries and by the Bridgerton family were shoes that had low heels, slightly rounded toes, embellished with a bow and with ribbon ties for the ankles. Shoe styles and shapes were generally very plain but then shoes began to be made in bright colors to match the colorful Empire style, or high-waisted, gowns. Plus, as gowns were lighter and floatier, glimpses could be had of these new pretty shoes. Ribbons, rosettes and other decorative. embellishments allowed ladies to personalize shoes.




1880’s Corset, French, silk satin, steel busk, and bone. Women used corsets to get closer to an ‘ideal physical form’. Until the beginning of the 20th century, women’s waists were tightened by corsets. via Kyoto Institute, Japan.
Corsets 1880-1900 History Notes Book 20 This book shows how a fashionable silhouette became of paramount importance and how a well-fitted corset became a fashion essential. As well as a decorative fashion item, tight lacing gave a narrow waist and the desired feminine form under clothing. https://books2read.com/SuziLoveCorsetBook20


“Happiness in marriage is entirely a matter of chance.” #JaneAusten #Regency
Jane Austen’s Pride and Prejudice (1813)


1806 Short-Sleeved White Muslin Dress With Train. Bodice and sleeves have ribbon decoration, evening flowered headdress, half parure of necklace and ear bobs, and gorgeous Indian hand-loomed green shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Half Parure: A Parure is a matched set of jewelry, including a necklace, bracelet, earrings, pin etc. A half Parure didn’t include a jewelled headdress, or tiara.
Definition Shawls: The shawl started off in India as a fine wool garment for men that could be worn as a scarf, turban or as a mantle: the word comes from the Persian shäl. Originally imported from the East, European Kashmir shawls were made first in Norwich and Edinburgh in Britain in the late 18th century. Shawls were an essential item in the early 1800s to cover the thin gowns women wore. They were made of muslin, gauze, silk, wool, and velvet, though cashmere shawls were the softest and most prized.


1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket. Gift of Mary S. Belden. Corset About 1820-1830 ca. CHS Collection. Pocket About 1820-1840 ca. Chemise About 1839-1850 ca. via Chicago History Museum, U.S.A.
Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name shift was replaced by ‘Chemise’.
Corset: French term for stays. Structured bust supporting or body shaping foundation garment. Tightened by laces and often with reinforcing e.g. boning, cording and flossing.
From the Curator Victoria and Albert Museum, London: Quilting was a popular form of decoration for a variety of garments including pockets. However, hand-quilting was a time-consuming method of decoration. The increased demand for quilted petticoats, waistcoats and pockets led to the invention of woven quilting.




1802 Two Bodices, French. Two bonnets, one with a veil. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. https://books2read.com/SuziLoveFashionWomen1801-1804


1826 Silk and Linen Riding Habit, American. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org


1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. via Los Angeles County Museum of Art. via Los Angeles County Museum of Art, California, USA.










