Tag Archives: British history

1810 King George William Frederick III Biography. #RegencyEra #Royalty #BritishHistory

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1810 Stockdale’s Peerage King George William Frederick III. From Stockdale’s Peerage of England, Scotland and Wales. Containing an Account of All the Peers of the United Kingdom . via Google Books Printed for John Stockdale, Piccadilly, London, U.K.

1804 King George III. via Kearsley's Complete Peerage. Google Books (PD-180)
1804 King George III. via Kearsley’s Complete Peerage. Google Books (PD-180)

Our present Most Gracious Sovereign, was born May 24, 1738 and baptized June, 1738, at Norfolk House. Succeeded his father in the titles of Prince of Great Britain, Electoral Prince of Brunswick-Lunenburg, Duke of Edinburgh, Marquis of the Isle of Ely, Earl of Carrick and Eltham, Viscount Launceston, Baron of Renfrew and Snowdon, Lord of the Isles, and Steward of Scotland ; but the Duchy ot Cornwall was merged in the crown. He was, by letters patent, April zr, 1751, created Prince of Wales ; and on the death of his royal grandfather, George II. the crown of Great Britain devolved on his Royal Highness, Oct. z$, 1760, and he was proclaimed the next day with the usual solemnities. His Majesty married, Sept. 8, 1 76 1 , Sophia-Charlotte, Princess of Mecklenburg-Strelit, sister to the present and late Duke, and their Majesties were crowned the 22d of the same month.

By his royal Consort, who was born May 19, 174.4, his Majesty has issue :

1. GEORGE- AUGUSTUS- FREDERICK, Prince of Wales. See Prince of Wales.

2. Frederick, Bishop of Osnaburg, Duke of York ; see Duke of York.

3. William-Henry, Duke of Clarence; see Duke of Clarence,

4. Charlotte-Augusta- Matilda, born Sept. 29, 1766, Lady of the Russian Imperial Order of St. Catherine ; married, May 18, 1797, Frederick-Charles-William, King of Wirtemburg, brother to the Empress of Russia, and relict of the eldest daughter of the Duke of Brunswick, by Augusta, his Majesty King George the third’s eldest sister.

5. Edward, Duke of Kent and Strathern; see Duke of Kent. 

6. Sophia-Augusta, born Nov. 8, 1768.

7. Elizabeth, born May 22, 1770.

8. Ernest-Augustus, Duke of Cumberland ; see Duke of Cumberland.

9. Augustus-Frederick, Duke of Sussex ; see Duke of Sussex.

10. Adolphus-Frederick, Duke of Cambridge; sec Duke of Cambridge.

11. Mary, born April 25, 177*.

I2. Sophia, born Nov. 3, 1777. 1

13. Octavius, born Feb. 23, 1779, and died May 3, 1783.

14 Alfred, born Sept 22, 1780, and died Aug. zo, 1782. .

15. Amelia, born Aug. 7, 1783.

PRINCE OF WALES.

GEORGE- AUGUSTUS -FREDERICK, Prince of Great Britain, Prince of Wales, Electoral Prince of Brunswick- Lunenburg, Duke of Cornwall and Rothesay, Earl of Chester and Carrick, Baron of Renfrew, Lord of the Isles, Hereditary Great Steward of Scotland, a Colonel in the Army, and Colonel ef the 10th Regiment of Light Dragoons, Captain-General of the Royal Artillery Company, High Steward o! Plymouth, Knight of the Garter, and F. R. S. Born Aug. 12,1762; and, on the 17th of the same month, his Majesty ordered letters patent for creating him Prince of Wales and Earl of Chester ; and Nov. 1783, his Royal Highness took his seat in the House of Peers ; in 1765, elected a Knight Companion of the Most Noble Order of the Garter, and installed at Windsor, July 25, 1771. Married, April 8, 1795, Caroline-Amelia- Elizabeth, second daughter of the late Duke of Brunswick (born May 17, 1768), by whom he has a daughter, Charlotte-Caroline-Augusta- born Jan 7, 1796. Edward, the Black Prince, was the first Duke of Cornwall, created 1337, in perpetuity to his heirs; by virtue of which the eldest son of the King of England is Duke of Cornwall. The Earldom of Chester is by creation by letters patent 3 1 Henry III. 1247, and has been invariably annexed to the eldest son of the King of England. The titles of Hereditary Steward of Scotland, Duke of Rothesay, Earl of Carrick, and Baron of Renfrew, were titles annexed by B’ belt III. King of Scotland, 1399, to the eldest to the eldest Prince of Scotland, on his birth, and have continued from that period. The title of Prince of Wales was first conferred on the infant son of Edward I 1284, and has never been bestowed but on the heir to the Throne.

DUKE OF YORK. PRINCE FREDERICK, Duka of YORK and ALBANY in Great Britain, and Earl of Ulster in Ireland, Bishop of Osnaburg, Knight of the Garter and Bath, D. C L. F. R. S. and a Field-Marshal, Colonel of trie First Regiment of Foot Guards, Colonel in Chief of the sixtieth (or. Royal American) Regiment of Foot, and of the Royal Dublin Regiment of in.fantiry, Lord Warden of Windsor Forest and Great Park, and Warden and Keeper of the New Forest, Hampshire ; second son of his Majesty. Born Aug. 16, 1763. Created as above Nov. 27, 1784. Married, Sept. 29, 1791, Frederica Charlotte- Ulrica-Catharina, Princess Royal of Prussia (born May 7, 1767), eldest daughter to the late King of Prussia, by his first consort, Elizabeth-Ulrica-Christiana, Princess of Brunswick- Wolfen- buttel, sister to the late Duke.

DUKE OF CLARENCE.

PRINCE-WILLIAM-HENRY, Duke of CLARENCE and x ST. ANDREWS in Great Britain, and Earl of Munster in Ireland, Knight of the Garter and Thistle, Admiral of the Red, and Ranger of Bushy Park ; third son of his Majesty. Born Aug. 21, 1765. Created as above, May 16, 1785. 

DUKE OF KENT.

PRINCE EDWARD, Duke of KENT and STRATHERN Great Britain, Earl of Dublin in Ireland, fourth son of his Majesty, Knight of the Garter and of St. Patrick, Field-Marshal of the Forces, Governor of Gibraltar, Colonel of the First Regiment of Foot, Keeper and Paler 0/ Hampton Court Park. Born Nov. 2, 1767. Created as above, April 23, 1790. Arms.

DUKE OF CUMBERLAND. PRINCE ERNEST-AUGUSTUS, Duke of CUMBERLAND and TlVIOTDALE in Great Britain, Earl of Armagh in Ireland, fifth son of his Majesty, a Knight of the Garter, and D. C. L. Chancellor of the University of Dublin, a General in the Army, and Colonel of the 15th Regiment of Dragoons. Born June 5, 1771. Created as above, April 43, 1799. Arms.

DUKE OF SUSSEX.

PRINCE AUGUSTUS-FREDERICK, Duke of SUSSEX, Earl of Inverness in North Britain, Baron Arklow in Ireland, Knight of the Garter. Born Jan. 27, 1773, sixth son of his Majesty. Created as above, Nov. 7, 1801. His Royal Highness married, April 3, 1793, Augusta Murray, second daughter of John Earl of Dunmore, by whom he had Augustus-Frederick, born Jan. 13, 1794; and was re-married Dec 5, 1793, at St. George’s church, Hanover Square, London. This marriage was declared null and void, being in violation of stat. 12 Geo. III. c. 11. which enacts that no descendant of the body of King George II. (other than the issue of princesses married into foreign countries) is capable of contracting. matrimony without the previous consent of the King, signified under the great seal ; and any marriage contracted without such consent is void. And the marriage was accordingly dissolved in August 1794. Arms. — See plate 3.

DUKE OF CAMBRIDGE. PRINCE ADOLPHUS- FREDERICK, Duke of CAMBRIDGE, Earl of Tipperary in Ireland, and Baron of Culloden in North Britain, seventh son of his Majesty. Born Feb. 24, 1 774. Knight of the Garter, a General in the Army, Colonel of the id or Coldstream Regiment of Foot Guards. Created as above, Nov. 27, 1801.

DUKE OF GLOUCESTER.

PRINCE WILLIAM-FREDERICK, DUKE of GLOUCESTER  and EDINBURGH in Great Britain, Earl of Connaught in Ireland, Knight of the Garter, a General in the Army, Colonel of the third- Regiment of Foot Guards, and Ranger of Bagshot Park and Walk. Born at Rome, Jan.-J5, 1776. Succeeded his father, Prince William-Henry, the, late Duke, Aug. 25,. 1805. His Royal Highness’s father, Prince William-Henry, Duke of Gloucester, was third son of his Royal Highness Frederick- Lewis, Prince of Wales, and brother to his Majesty ; born, Nov. 25, 1743, and by patent Nov. 14, 1764, created Duke of Gloucester and Edinburgh in Great Britain, Earl 0/ Connaught In Ireland, Knight of the Garter, Senior Field-Marshal of his Majesty’s Forces, Colonel of the first Regiment of Foot Guards, Chancellor of the University of Dublin, Ranger and Keeper of Cranbourne Chase, Ranger of Hampton Court Park, Lord Warden and Keeper of the New Forest, Hampshire. His Royal Highness married, Sept. 6, 1766, Maria, Countess Dowager of Waldegrave, widow of James, second Earl of Waldegrave, and daughter of Sir Edward Walpole, Knight of the Bath, and by her (who died Aug. 23, 1807) had issue: (• Sophia-Matilda, born May 29, 1773-; 2. Caroline- Augusta- Maria, born June 24, 1774, died March 14, 1775; 3.Wil liam-Frederick, the present Duke. His Royal Highness died Aug. 25, 1805, and was succeeded by his only son, Prince William-Frederick, the present and second Duke. Anms.

The King’s sons, brothers, uncles, and nephews are Styled Princes of the Blood Royal, and have precedency of all other Dukes, with the title of Royal Highness.   

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1810 Gentleman’s Daily Outfit Of Green Tailcoat and Double-breasted White Waistcoat. #Regency #JaneAusten #Fashion

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1810 Gentleman’s Relaxed Daily Outfit. Green tailcoat, double-breasted white waistcoat, knotted white cravat, striped Nankin trousers with straps under the foot and red fob at the waist, holding a top hat and a walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.

1810 Gentleman's Relaxed Daily Outfit. Green tailcoat, double-breasted white waistcoat, knotted white cravat, striped Nankin trousers with red fob at the waist, holding a top hat and a walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1810 Gentleman’s Relaxed Daily Outfit. Green tailcoat, double-breasted white waistcoat, knotted white cravat, striped Nankin trousers with red fob at the waist, holding a top hat and a walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1810 Gentleman's Daily Outfit Of Green Tailcoat and Double-breasted White Waistcoat. #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionMen1800-1819 Share on X

From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass. 

Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. 

1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
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1804 Caricature Of Dandies In Morning and Evening Dress By Isaac Robert Cruikshank. #Regency #Cartoon #JaneAusten

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1804 Dandies In Morning and Evening Dress. By Isaac Robert Cruikshank. ‘Dandies In A Morning Dress’. Man in morning suit with hat and umbrella, woman with large hat and shawl. ‘Dandies In A Evening Dress’. Man in short evening jacket with handkerchief, woman with large feather headpiece. Via British Museum, London, UK. britishmuseum.org (PD-Art)

1804 Dandies In Morning and Evening Dress. By Isaac Robert Cruikshank. 'Dandies In A Morning Dress'. Man in morning suit with hat and umbrella, woman with large hat and shawl. 'Dandies In A Evening Dress'. Man in short evening jacket with handkerchief, woman with large feather headpiece. Via Suzi Love - suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)
1804 Dandies In Morning and Evening Dress. By Isaac Robert Cruikshank. ‘Dandies In A Morning Dress’. Man in morning suit with hat and umbrella, woman with large hat and shawl. ‘Dandies In A Evening Dress’. Man in short evening jacket with handkerchief, woman with large feather headpiece. Via Suzi Love – suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)
1804 Caricature Of Dandies In Morning and Evening Dress By Isaac Robert Cruikshank. #RegencyEra #Cartoon #JaneAusten https://books2read.com/SuziLoveFashionMen1800-1819 Share on X

From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass. 

Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. 

1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
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1826 Regency Lady’s Life By Robert Cruikshank. #Cartoon #BritishHistory #RegencyEra

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1826 Regency Lady’s Life By Robert Cruikshank. #Cartoon #BritishHistory #RegencyEra

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1828 Posting Letters In London From Leigh’s New Picture #RegencyEra #Postal #BritishHistory

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Postal. The mode of conveying the letters suggested by Mr. Palmer in 1784. By the adoption of this plan, the letters are conveyed by strong and well-guarded coaches, -each drawn by four excellent horses, which proceed with the utmost regularity between seven and eight miles an hour, stoppages, included. In allusion to their employment, they are called Mail Coaches. Formerly the mails were sent by carts or by post-boys on horseback, a mode attended with “danger and delay. The first mail coach was established to Bristol in 1784. In 1829, the principal Post-office was moved to St. Martin’s-le-Grand, with three Branch offices at Lombard-street, Charingcross, and Vere-street, Oxford-street. The receiving houses are open every day except Sunday, till five o’clock and by 1828, Omnibuses were taking postmen to their various stations every morning.

  • Postage of a Single Letter.
  • From any post-office in England or Wales, to any place not exceeding 15 miles from such office . . .4
  • Between 15 and 20 miles ….. 5
  • Between 20 and 30 mil’s …  6
  • Between 30 and 50 miles ….. 7
  • Between 50 and 80 miles ……. 8
  • Between 80 and 120 miles ……. 9
  • Between 120 and 170 miles ……. 10
  • Between 170 and 230 miles … 11
  • Between 230 and 300 miles … 12
  • Between 300 and 400 miles … 13
  • Between 400 and 500 miles …  14
  • And so on in proportion, the postage increasing progressively one penny for a single letter for every like excess of distance of 100 miles.
  • All double, treble, and other letters and packets whatever (except by the twopenny post) pay in proportion to the respective rates of single letters before specified.
  • Single letters to soldiers and sailors are chargeable with one penny only. Newspapers are sent free from any charge.
  • Foreign letters must be paid at the office where they are put in, otherwise there will be a necessity for such letters being opened, and returned for the postage.
  • Mails for France are made up daily
  • Money Orders can be sent at the cost of 8 pence per pound.
  • Persons in the country may avail themselves of the same arrangement to send money to London.
  • Regulations of the Twopenny Post-Office.

Principal post offices:

  • General post-office in St. Martin’s-le-Grand
  • Gerrard-street, Soho.
  • Upwards of 140 receiving houses both in town and country.

There are six collections and deliveries of letters in town daily (Sundays excepted), and there are two despatches from, and three deliveries at most places in the country, within the limits of this office.

Hours by which letters should be put into receiving houses in town :—

For Delivery in Town.

  • Over night, by eight o’clock, for the first delivery.
  • Morning, by eight o’clock, for the second delivery.
  • Morning, by ten o’clock, fur the third delivery.
  • Morning, by twelve o’clock, for the fourth delivery.
  • Afternoon, by two o’clock, for the fifth delivery.
  • Afternoon, by five o’clock, for the sixth delivery.

For Delivery in Country.

  • Preceding evening by five o’clock for first delivery.
  • Morning by eight o’clock for second delivery.
  • Afternoon by two o’clock for third delivery.

But letters, whether for town or country, may be put in at either of the two principal offices an hour later for each despatch, letters put in on Saturday evening arc delivered in the country on Sunday morning. The date stamp, or, if there are two, that having the latest hour, shows also the time of the day by which the letters were despatched for delivery from the principal offices. The postage of a letter from one part of the town to another, both being within the delivery of the general post, which extends three miles from the office in St. Martin’s-lc-Grand, is two-pence: and to and from parts beyond that delivery within twelve miles, three pence; and the postage of this office on each letter passing to or from the general or foreign post offices is twopence.

The twopenny postage of all letters, such as are for parts out of his majesty’s dominions excepted, may or may not be paid at putting in, at the option of the senders. No twopenny post letter must weigh more than four ounces, unless it be intended to pass or shall have passed by the general post. Every newspaper forwarded by the twopenny post is charged one penny. Cash, in gold or silver, or other articles of value, enclosed in loiters, (notes or drafts for money excepted,) to be mentioned to the office-keeper at putting in; but ,t is recommended that bank-notes, or others payable lo bearer, be cut in half, and sent at twice; the second part not to be sent till the receipt of the first is acknowledged. This office, however, is not liable to make good the loss of any property sent by post.

From: 1828 Leigh’s New Picture of London via Google Books (PD-150) 

1828 Posting Letters In London From Leigh's New Picture #RegencyEra #Postal #BritishHistory books2read.com/suziloveROver Share on X
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1840 Group Of Two Men, Woman and Child In Outdoor and Riding Clothes, French. #RomanticEra #HistoricalFashion #France #Riding

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1840 Group In An Outdoor Setting, French. Two men in top hats. Modes de Longchamps’. Men’s outfits, a woman’s riding habit and a small boy, all tailored by Robin of 21 Rue Saint Marc, Paris. via Le Bon Ton. via  Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1840 Group In An Outdoor Setting, French. Two men in top hats. Modes de Longchamps'. Men's outfits, a woman's riding habit and a small boy, all tailored by Robin of 21 Rue Saint Marc, Paris. via Le Bon Ton. via Suzi Love suzilove.com Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1840 Group in top hats and riding habit in an outdoor setting, French. #Fashion #RomanticEra #Riding https://books2read.com/suziloveROver Share on X
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1552 Onwards Covent Garden, London, England. #BritishHistory #London #CoventGarden

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Covent  Garden is within the London boroughs of Westminster and Camden, and the parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal’s Yard and Seven Dials, while the south contains the central square with its street performers and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum.

In 1552, the land was seized by Henry VIII and granted to the Earls of Bedford. The 4th Earl  commissioned Inigo Jones to build fine houses to attract wealthy tenants. It was the first modern square in London, with Italian arcades and a flat, open space or piazza with low railings. This layout was copied in other new estates in London.

1555 John Russell, 1st Earl Of Bedford. By a follower of John Bettes. Given land of Covent Garden by Herny VIII after the dissolution of the Monasteries.
1555 John Russell, 1st Earl Of Bedford. By a follower of John Bettes. Given land of Covent Garden by Herny VIII after the dissolution of the Monasteries.
1650 The piazza of Covent Garden about 1650, as engraved by Wenceslaus Hollar. Courtesy University of Toronto.
1650 The piazza of Covent Garden about 1650, as engraved by Wenceslaus Hollar. Courtesy University of Toronto.
1721-1789 ca. St. Paul's Church, Covent Garden, London, U.K. From between two arches of the plaza. Watercolor with grey wash. By Thomas Sandy. Via Suzi Love suzilove.com & British Museum, London, UK. britishmuseum.org
1721-1789 ca. St. Paul’s Church, Covent Garden, London, U.K. From between two arches of the plaza. Watercolor with grey wash. By Thomas Sandy. Via British Museum, London, UK. britishmuseum.org
1800s Early Covent Garden Market, London, U.K.
1800s Early Covent Garden Market, London, U.K.

In 1654, an open-air fruit and vegetable market grew on the south side of the fashionable square but over time the market and the surrounding area fell into disrepute. Taverns, theatres, coffee-houses and brothels opened up, the gentry moved away, and rakes, wits and playwrights moved in.

By the 18th century Covent Garden had become a well-known red-light district, attracting notable prostitutes such as Betty Careless and Jane Douglas. Descriptions of the prostitutes and where to find them were provided by Harris’s List of Covent Garden Ladies, the “essential guide and accessory for any serious gentleman of pleasure”. 

Covent Garden’s market was always disorderly, the buildings in bad shape, and overcrowded with stalls, donkeys, carts, and peddlers. The small number of passageways into the piazza were small and with bottle necks of carts moving goods and market sellers fighting for right of way. The markets supplied fruits and vegetables, mostly homegrown but with imported goods increasing. Many sellers missed paying tolls for selling in the piazza or refused to pay them so the owner, the Earl of Bedford, took many people to court for not paying tolls. He realized the markets were in such poor condition that he couldn’t charge sellers until he improved them. In 1830, a new market hall was built with sections dividing the kind of goods sold which did improve things, but the markets remained chaotic. By 1890, people were again complaining about the narrow streets and congestion.

Covent Garden’s flower girls attracted attention by shouting:

“Two bundles a penny, primroses!”

“Sweet violets, penny a bunch!”

In 1851, Henry Mayhew wrote London Labour and the London Poor describing two types of flower girl. The young girls, or waifs, sold flowers to feed the family. The other type of flower girl stayed out late, doubled as prostitutes, and had bad reputations.

In 1913, Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000.

1809 View Of the New Covent Garden Theatre, London. From Hart Street, showing the King's entrance. Watercolor drawn by James Winston. via British Museum.
1809 View Of the New Covent Garden Theatre, London. From Hart Street, showing the King’s entrance. Watercolor drawn by James Winston. via British Museum.
1811 Bird’s Eye View of Covent Garden Market, London, UK. Main fruit, flower and vegetable market in London in early 19th century. Began here in 1656 with few temporary stalls in back garden of home of Earl of Bedford. Charles II granted market lease and in 1678 bought by Adam Piggot and others who built permanent stalls. By 1811, smelly, dirty, and overcrowded. Engraver J. Bluck. After Augustus Charles Pugin and Thomas Rowlandson published by Ackermann. Via Suzi Love suzilove.com & British Museum, London, UK. britishmuseum.org
1811 Bird’s Eye View of Covent Garden Market, London, UK. Main fruit, flower and vegetable market in London in early 19th century. Began here in 1656 with few temporary stalls in back garden of home of Earl of Bedford. Charles II granted market lease and in 1678 bought by Adam Piggot and others who built permanent stalls. By 1811, smelly, dirty, and overcrowded. Engraver J. Bluck. After Augustus Charles Pugin and Thomas Rowlandson published by Ackermann. Via British Museum, London, UK. britishmuseum.org
1827 Covent Garden Market, Westminster, London, U.K. By Frederick James Havell.
1827 Covent Garden Market, Westminster, London, U.K. By Frederick James Havell.

In 1830, Charles Fowler’s neo-classical building was erected to cover the market and as the market grew, the prostitutes moved on. The Floral Hall and Charter Market were added and the Jubilee Market in 1904.

1835 Covent Garden Watch House, London, UK. Next to the church of St. Paul's Church, Covent Garden. Two story white building with 'Watch House' painted on its upper floor is shown with a lively street scene in the foreground. via Museum of London.
1835 Covent Garden Watch House, London, UK. Next to the church of St. Paul’s Church, Covent Garden. Two story white building with ‘Watch House’ painted on its upper floor is shown with a lively street scene in the foreground. via Museum of London.
1852 J.M.W. Turner’s birthplace in Maiden Lane, Covent Garden. Brick terraced house at night with a figure in top hat walking past and two figures with a candlelight in the doorway_Watercolour with body color over graphite. Drawn by John Wykeham Archer.
1852 J.M.W. Turner’s birthplace in Maiden Lane, Covent Garden. Brick terraced house at night with a figure in top hat walking past and two figures with a candlelight in the doorway_Watercolour with body color over graphite. Drawn by John Wykeham Archer.

In 1913,Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000. By the end of the 1960s, traffic had become congested until in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. In 1980, the central building re-opened as a shopping centre and then became a tourist location with cafes, pubs, small shops, a craft market called the Apple Market, and another market in the Jubilee Hall.

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1818 November 6th Caricature: ‘A Dandy Cock In Stays’. By Isaac Robert Cruikshank. #Regency #Cartoon #London

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1818 November 6th A Dandy Cock in stays or- A new thing for the ladies.By Isaac Robert Cruikshank A dandy, much burlesqued, stands full-face, his head, which has a bird-like profile, turned to the left; his hair is brushed up at the back behind his hat to resemble the tail-feathers of a cock. He wears puffed-out breeches and top-boots with enormous spurs, and holds an umbrella. Via British Museum, London, UK. britishmuseum.org (PD-Art)

1818 November 6th A Dandy Cock in stays or- A new thing for the ladies.By Isaac Robert Cruikshank.A dandy, much burlesqued, stands full-face, his head, which has a bird-like profile, turned to the left; his hair is brushed up at the back behind his hat to resemble the tail-feathers of a cock. He wears puffed-out breeches and top-boots with enormous spurs, and holds an umbrella. Via Suzi Love - suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)
1818 November 6th A Dandy Cock in stays or- A new thing for the ladies.By Isaac Robert Cruikshank.A dandy, much burlesqued, stands full-face, his head, which has a bird-like profile, turned to the left; his hair is brushed up at the back behind his hat to resemble the tail-feathers of a cock. He wears puffed-out breeches and top-boots with enormous spurs, and holds an umbrella. Via Suzi Love – suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)

1818 November 6th Caricature: ‘A Dandy Cock In Stays’. By Isaac Robert Cruikshank. #Regency #Cartoon #London

1819 January Caricature Of Dandy Being Laced Into His Corset By Two Servants. #Regency #Cartoon #Corset

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1819 January ‘Laceing a Dandy.’ Dandy in underwear, laces of his corset pulled by two servants, left young black page, right French valet with high collar. Dandy, “Fore Gad ye wretches you’l never get my Stays tight enough go brute and call John James & Thomas, To help you take care you don’t Spoil by Breasts”. Published by: Thomas Tegg. Hand colored etching. Via British Museum, London, UK. britishmuseum.org (PD-Art)

1819 January 'Laceing a Dandy.' Dandy in underwear, laces of his corset pulled by two servants, left young black page, right French valet with high collar. Dandy, "Fore Gad ye wretches you'l never get my Stays tight enough go brute and call John James & Thomas To help you take care you don't Spoil by Breasts". Published by: Thomas Tegg. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1819 January ‘Laceing a Dandy.’ Dandy in underwear, laces of his corset pulled by two servants, left young black page, right French valet with high collar. Dandy, “Fore Gad ye wretches you’l never get my Stays tight enough go brute and call John James & Thomas To help you take care you don’t Spoil by Breasts”. Published by: Thomas Tegg. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1819 January Caricature Of Dandy Being Laced Into His Corset By Two Servants. #Regency #Cartoon #Corset. https://books2read.com/SuziLoveCorsetBook17 Share on X

19th Century Early Women’s Cotton Caps With Hanging Tails, Or Flirtation Ribbons. #Regency #JaneAusten #Fashion

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19th Century Early Women’s Cotton Caps. Worn as morning caps, night caps, or under other hats. With lappets, hanging ties, or tails, which were also called ‘follow me lads’, or ‘flirtation ribbons’. via Museum of Fine Arts, Boston, U.S.A. mfa.org. via Museum of Fine Arts, Boston, U.S.A. mfa.org

Definition Caps: Worn as morning caps, night caps, or under other hats. Jane Austen and her family and female friends would have worn caps like these, sometimes during the morning at home, to bed to keep their long hair from becoming knotted, or under a bonnet to hold a hairstyle in place.
Caps sometimes had hanging ties, or tails, were also called ‘follow me lads’, or ‘flirtation ribbons’.

Definition Lappets: Two long strips of material, often lace, hanging from top of head down back or over  shoulders. Sometimes extensions of a headdress and a requirement for court dress.

19th Century Early Women's Cotton Caps. Worn as morning caps, night caps, or under other hats. Hanging ties, or tails, also called 'follow me lads', or 'flirtation ribbon's. via Museum of Fine Arts, Boston, U.S.A. mfa.org
19th Century Early Women’s Cotton Caps. Worn as morning caps, night caps, or under other hats. Hanging ties, or tails, also called ‘follow me lads’, or ‘flirtation ribbon’s. via Museum of Fine Arts, Boston, U.S.A. mfa.org

19th Century Early Women’s Cotton Caps With Hanging Tails, Or Flirtation Ribbons. #Regency #JaneAusten #Fashion