1819 January ‘Going to White’s’. By Richard Dighton. Lord Alvanley walks on the pavement going to White’s Club for gentlemen in London wearing a top-hat, double-breasted coat, strapped trousers, and the high collar of a dandy. Via British Museum, London, UK. britishmuseum.org (PD-Art)
White’s was an exclusive Gentlemen’s Club on St. James Street, London, U.K where well-dressed men, or Dandies, gathered at a special table in front of the large bow window looking out at the street. This became known as a seat of privilege and was used by London’s most famous Dandy, Beau Brummell. Other well-known dandies were William Arden, Joshua Allen, Thomas Raikes and Ball Hughes. Cartoonists loved to ridicule these high-in-the-instep gentlemen who wore the most fashionable clothes and set the fashion trends for the Regency years, and the years when Jane Austen was writing her famous novels.
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1812 March 1st Boxing Match between Ward and Quirk for 100 Guineas a side. By Thomas Rowlandson, British. via The Metropolitan Museum, New York City, U.S.A. metmuseum.org
1807 Healthful Dipping. Lady in her white linen chemise, or shift, preparing to take a dip in the spa waters. Scenes of Spa life. By F. Eginton, New Bath Guide. ‘How the ladies did giggle and set up their clacks, All the while an old lady was rubbing their backs.’ From Anstey’s ‘The New Bath Guide’. In Jane Austen’s novels, the resorts of Brighton, Scarborough, Cromer, Lyme and the fictional Sandy ton or Sanditon all get mentions. Women bathed in the sea, via bathing machines pulled down to the water’s edge, or promenaded along beautiful walkways, such as in Cheltenham, near Bat in Britain. Visiting seaside resorts became very popular during the Regency years. Le Beau Monde, or fashionable society, went to spa and beach towns to ‘take the waters’ or to holiday in a fashionable town. To see and be seen. Ladies dressed in light muslin gowns but added colorful accessories to make outfits more interesting.
Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name replaced by ‘Chemise’.
1815 The First Quadrille at Almack’s Assembly Rooms, London. Left to Right: Marquis of Worcester, Lady Jersey, Clanronald MacDonald and Lady Worcester. “It was not until 1815 that Lady Jersey introduced from Paris the favourite quadrille, which has so long remained popular. I recollect the persons who formed the very first quadrille that was ever danced at Almack’s: they were Lady Jersey, Lady Harriett Butler, Lady Susan Ryde, and Miss Montgomery; the men being the Count St Aldegonde, Mr Montgomery, Mr Montague, and Charles Standish.” From The Reminiscences of Captain Gronow 1810-1860.
The patronesses of Almack’s controlled a lot of a young lady’s acceptance into English society in Jane Austen’s times. To be given a voucher and admitted to an assembly, there was an introduction into London’s polite society.
1812 Woman wearing an extraordinary hat, flounced dress and a cashmere shawl. 1801-1818 Le Bon Genre Fashion Series Plate 50. Published by: Pierre La Mésangère. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1802-1812 ca. Dancing Or La Dansomanie Series. Four women being instructed in dancing before a mirror by a master playing a violin. Le Bon Genre Description Plate 12. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1800 Un salon, or public Room, at Frascati, Paris. This plate depicts a group of people at Frascati’s. The man in the foreground is plainly dressed in dark colors while pastels are favored by the women. From: Illustrations by Francois Courboin from Octave Uzanne’s Les Modes de Paris. (PD-Art) Although this is in Paris, there were similar places in England where Jane Austen and her contemporaries would meet to eat, drink and play games.
Frascati’s was a cafe in Paris, described by the text as “‘A stream of human beauty’, as the expression of the period has it, was still to be seen flowing through the galleries of Greek and Roman antiquities, spreading through the porticos, into the saloons, and smaller chambers, pouring and winding along the garden alleys, and disappearing at last into the kiosks where it was lost to sight. The great mirror at the end of the garden reflected, as in a wonderful prismatic vision, the surging crowd of veiled or turbaned heads of ever-changing couples, each whispering and fondly clasped. While farther off seated at tables in the open air, thirsty nymphs called for creams and tutti frutti and all the various iced compounds then so eagerly consumed.”
1800 Un Salon, or Public Room, at Frascati, Paris. Frascati’s was a popular cafe in Paris where people walked through the galleries of Greek and Roman antiquities, past the porticos, into saloons and smaller chambers, winding along the garden alleys and disappearing into kiosks. The man wears darker clothing while the women are in colorful dresses. via Suzi Love ~ suzilove.com
& Illustrations by François Courboin, French librarian (1865-1926)
From Octave Uzanne’s ‘Les Modes de Paris, or Fashion in Paris,’ the various phases of feminine taste and aesthetics from 1797 to 1897.
(PD-Art) via Brown University Library, U.S.A. 1800 Un Salon, Or Public Room, At Frascati, Paris. Regency #Paris #Art https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
1799 November 24th ‘Parisian Ladies in Their Full Winter Dress for 1800’. By Isaac Cruikshank. Ridiculing excesses of late 1790s Parisian high-waisted Greek look gowns of transparent fabrics and extremely low cut bodices.Full Dress meant every possible accessory was added to outfits.g. elaborate hats, reticules or bags, anklets and jewels. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1799 November 24th ‘Parisian Ladies in Their Full Winter Dress for 1800’. By Isaac Cruikshank. Ridiculing excesses of late 1790s Parisian high-waisted Greek look gowns of transparent fabrics and extremely low cut bodices.Full Dress meant every possible accessory was added to outfits.g. elaborate hats, reticules or bags, anklets and jewels. Via Suzi Love – suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)1799 November 24th 'Parisian Ladies in Their Full Winter Dress for 1800'. Caricature By Isaac Cruikshank. #GeorgianEra #Cartoon #BritishHistory books2read.com/suziloveFashWomen1700s Share on XHN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love.
What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions.
books2read.com/suziloveFashWomen1700s
