1770 ca. Corset, Europe. Back lacing, blue and cream silk with cream silk bows.
Corsets 1700-1790 History Notes Book 15 This book shows how body wraps, stomachers and stays were worn during the 1700s. They created a variety of fashionable silhouettes to suit the elaborate fashions worn for court and daily life during the 18th Century. Wearing the correct underclothing was essential for keeping garments in place and giving the best fashion display. Corsets, stays, body wraps, and stomachers worn during the 1700s, or the Georgian Era. https://books2read.com/SuziLoveCorsetBook15
1810-1815 ca. Salmon Pink Empire Style Dress, Norway. Typical Regency high-waisted dress. Long sleeves with puckered sleeve cap. Deep neckline with short shirred bodice. Long full skirt. via Digital Museum, Norway. digitalmuseum.no Regency fashion at its prettiest. The style of Empire style, or high-waisted, dress worn by Jane Austen and her contemporaries and the ladies in the Bridgerton family.
The Empire waist gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given in France to the period when Napoleon built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s. Jean-Jaques Rousseau advocated copying peasants and returning to a simpler life and more natural fashions. Unrestricting clothing was part of the new Democracy in France and these simpler and flowing fashions were adopted all over Europe, including Britain and despite the continual wars being fought against France during the early 1800s. Not even war stopped fashions from being copied everywhere.
This book looks at what was fashionable for women in Jane Austen’s or the Bridgerton family’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top.
1804-1829 ca. Two Gentlemen and A Lady, Italian. Dressed as ladies and gentlemen would be in the times of the Bridgerton family and Jane Austen and friends. Gentleman in a caped overcoat with black top hat and red umbrella. Lady in walking costume of lavender cape over red dress, red shawl, white bonnet and black walking shoes. Gentleman in blue opera cloak with red lining, black top hat and black shoes. Men And Women In Costumes, 1804-1829 The Miriam and Ira D. Wallach Division, The New York Public Library. nypl.org The sort of fashionable outfit and items worn or carried by Jane Austen and her contemporaries when out walking. Outfits were always heavily accessorized with coats, shawls, hats and parasols.
1801 White Dress With Train, French. Empire style high-waisted dress under a green Spencer and carrying a gorgeous reticule,or bag, with the additional accessories of gloves and red slippers. I can picture Jane Austen and her female friends and family wearing a white Empire style dress and Spencer like this for shopping or paying visits. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Reticule Or Bag: Purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. Carried by a woman during the Regency period to carry all their daily necessities. in the place of pockets. Definition Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
HN_4_Spencers, Or Jackets. #Regency #Georgian #Victorian #Fashion History Notes Book 4 By Suzi Love.
1800 Young Dandy’s Morning Outfit, French. Brown, doublebreated, cutaway coat, striped trousers tucked into high black boots with tassels, gloves, small jaunty hat and a walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Dandy: The author of The Hermit in London, a series of sketches published in 1819—1820 observed: ‘A distinguished Exquisite is padded all over to-day; and all the other foplings are, on the morrow, mere walking pin-cushions. A fat prince, or a fat dandy, requires confinement in his limbs; and all his subjects are immediately restrained within the same limits. One day, the back is to be as broad as an Irish chairman’s, and the shoulders to be bolstered up to imitate a hod-man; and the next, the shoulders are to be flat, and a man is to be pinched in and laced up until he resembles an earwig. All these are Master Snip’s maneuvers, who continues to make his bill equally long, whether the spencer or the box-coat be in vogue.
In Jane Austen’s times craftsmen created boxes and containers of precious metals, leather, silks, and decorated them with jewels. Boxes, Cases, Etui, Necessaire and everything else that was used to carry essential items for travel, sewing, medicine, writing, and toiletries. Containers were engraved to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
A sedan chair is a portable enclosed chair for a single passenger. It was generally carried by two “chairmen” holding poles attached to either side of the chair. Sedan chairs were fashionable in England and Europe during the 17th, 18th and early 19th centuries and were an important part of the social life of the times. They were very useful for negotiating crowded, unsafe, narrow, winding and often filthy streets and were particularly used by “invalids, ladies and party goers”. Sedan chairs had the advantage of being able to be carried up and down stairs and could deliver the passenger from inside their own home to inside their destination without having to step outside.
1784 Sedan Chair. ‘The return from a masquerade. A morning scene.’ A young lady dressed as shepherdess with staff slumps in a sedan chair. Asleep or drunk her head and shoulders hang outside window. Two porters smile and dwarf chimney sweep carries a mask.’ By Robert Dighton and Cari.
1784 Sedan Chair. ‘The return from a masquerade. A morning scene.’ A young lady dressed as shepherdess with staff slumps in a sedan chair. Asleep or drunk her head and shoulders hang outside window. Two porters smile and dwarf chimney sweep carries a mask.’ By Robert Dighton and Cari.
The 19th century English author, Elizabeth Gaskell, described the use and function of the sedan perfectly in her novel “Wives and Daughters” when she reminisced how the Browning sisters chose to be transported to a ball by sedan chair, which ‘came into the parlor, and got full of the warm air, and nipped you up, and carried you tight and cosy into another warm room, where you could walk out without having to show your legs by going up steps, or down steps.’
The Bath Chair was invented in Bath, England, in the mid 18th Century to transport the wealthy and the sick around the city. It could be steered by the passenger and rivaled and then outdid the Sedan Chair as only one chairman was needed to operate it. The last Bath Chairman retired in 1949.
Typical 1700s, or Eighteenth Century Sedan Chair. Portable enclosed chair for single passenger usually carried by two chairmen holding poles attached to either side of chair. Fashionable during 17th, 18th and early 19th centuries when needed to negotiate crowded, unsafe, narrow, and dirty streets. Used by invalids, ladies and party goers. The sedan chair comprises a small kiosk with a curved timber roof which is covered with leather and studded with brass nails. The front and side panels are painted in green with floral decorations of cherubs and flowers. The back panel is of plain timber. Access to the chair was via a hinged door at the front. Inside, the chair is upholstered in silk and features padded upholstered arm rests. The windows have raw silk curtains which are gathered with tassels. The present brackets and poles are reproductions made in 1986 prior to display in the Transport exhibition. The total length of the new poles are 80 inches. The sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”. Via Powerhouse Museum, Sydney, Australia.
Typical 1700s, or Eighteenth Century Sedan Chair. Portable enclosed chair for single passenger usually carried by two chairmen holding poles attached to either side of chair. Fashionable during 17th, 18th and early 19th centuries when needed to negotiate crowded, unsafe, narrow, and dirty streets. Used by invalids, ladies and party goers. The sedan chair comprises a small kiosk with a curved timber roof which is covered with leather and studded with brass nails. The front and side panels are painted in green with floral decorations of cherubs and flowers. The back panel is of plain timber. Access to the chair was via a hinged door at the front. Inside, the chair is upholstered in silk and features padded upholstered arm rests. The windows have raw silk curtains which are gathered with tassels. The present brackets and poles are reproductions made in 1986 prior to display in the Transport exhibition. The total length of the new poles are 80 inches. The sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”. Via Powerhouse Museum, Sydney, Australia.
The longest journey recorded in a sedan chair was made by Princess Amelia, youngest daughter of King George III, who in 1728 was carried by 8 chairmen working in reliefs from London to Bath, a distance of 172 kms (107 miles). This sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”.
HN_10_D2D_RetailerBuyLink_ History Notes Book 10 books2read.com/SuziLoveTravel
1875-1899 ca. Side Lacing Maternity Corset, Possibly England Or Germany. Embroidered cotton with metal and boning, possibly used as a maternity corset. This corset is made of cream cotton with red machine-embroidered trim and trimmed with a scallop edged tape. The corset is made in four parts and fastens at the front with a busk and with five white metal loops and studs. At the back are seventeen sets of white metal bound eyelets for threading through a lace. At each side, there are twelves sets of metal bound eyelets to fasten with elasticated laces. There is a vertical opening at the bust which fastens with three bronze gilt press studs, clamped into the fabric, and a diamond pattern impressed on the head which shows on the face of the fabric. On the reverse of the stud is a mark.
The corsets reach from the bust to the middle of the hip descending to a point at about the middle of the belly in the centre front. They are machine-stitched and seem lightly boned, encased and sewn to the face of the fabric. Bound at the top and bottom with grey tape. The breast gussets and side lacing suggest this is a maternity corset. Corsets designed for pregnancy and nursing were advertised throughout the 19th century. This maternity corset is a typical example. It is constructed like a fashionable corset, with boning and a central busk. It has side laces, to enable the wearer to adjust the corset to her changing figure. The cups can be opened for breastfeeding by releasing the press studs. via Victoria and Albert Museum, London, UK.
1875-1899 ca. Side Lacing Maternity Corset, Possibly England Or Germany. via collections.vam.ac.uk1875-1899 ca. Side Lacing Maternity Corset, Possibly England Or Germany. via collections.vam.ac.uk1875-1899 ca. Side Lacing Maternity Corset, Possibly England Or Germany. SideView. via collections.vam.ac.uk
1875-1899 ca. Side Lacing Maternity Corset, Possibly England Or Germany. #corset #maternity #victorianfashion https://books2read.com/SuziLoveCorsetBook19
1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. Pine back, sides and soundboards, with pine and wood purfling or bordering, brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K. History Notes Book 6 Music General https://www.suzilove.com/wp-admin/books2read.com/suziloveMusicGeneral \
Blurb: Love After Waterloo: Lady Melton and her son are forced to join antagonistic Captain Belling and the last group of wounded British soldiers evacuating Waterloo and traveling back to London. https://books2read.com/suziloveLAW
Book Hook: Lady Melton’s hand flew to her mouth. “Oh, dear. I’ve taken your bed. I’ve forced you to use a mattress on the floor.”
The Captain laughed. “Believe me, that’s far better than propping against a tree and trying to snatch an hour’s sleep before battle. Or squeezing between a sea of horses and men so you stay warm and don’t expire from frostbite.”
“How long have you been with Wellesley?”
He leaned forward and rested his arms on his knees. “Too damn long.”
“So you’re pleased to be going home?”
“Pleased? No. Resigned, yes. My friends, my fellow officers, were ordered back to Brussels. I feel guilty that I’m not with them.”
“But surely they will return home soon, now that we’ve defeated Napoleon?”
“We’ve thought the war finished several times before, and I fear this time may prove the same. Nobody can predict what the Corsican will do next.”
She squeezed his thigh. “You’re worn out, Gabe. Things will be better when you’re in London once again.”
“Will they? Too much has changed there as well. I doubt I’ll fit back into society very easily.”
“Won’t your family be pleased to have you home?”
“Perhaps, but the only important one, my uncle, died three months ago. No one cares how many thousand British men have been slaughtered, or that there will be hundreds of injured soldiers in London soon who will have no homes and no employment.”
“Some people care, Gabe.”
Book Hooks: Book Hooks: “Oh, dear. I’ve taken your bed. I’ve forced you to use a mattress on the floor.” #Waterloo #regencyromance #militaryromance #BookHook #MFRW https://books2read.com/suziloveLAW
