1810 ca. Spencer, Or Short Jacket, Of Printed Cotton, Europe. White base with rose and zigzag motifs in pink, red, yellow and green. via Mode Muze, Netherlands ~ modemuze.nl. Spencers were needed to cover the flimsy dresses made of lightweight fabrics of the Regency years, to provide warmth and some protection from windy conditions when the transparency of gowns might cause modesty issues. Jane Austen and her contemporaries often walked to places and so would have needed the warmth of a Spencer over her dress in the cold British winters.
Definition Spencer: Short body-hugging jacket worn for warmth and modesty. Said to have originated in an accident to Lord Spencer while hunting when his coat tails were torn off and he wore it as a short jacket.
1810 Green Wool Coat With Metal Buttons, European. Velvet collar, lined, cutaway front and two rows of metal buttons. Back has horizontal pockets and gusset and flap with buttons. The sort of coat worn by gentlemen in Britain and Europe in the times of Jane Austen via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1800 ca. Brown Striped Trousers, American or European. Button front waistband, small drop down flap, or fall, pockets, and with extra fullness in the back for ease of movement. via Metropolitan Museum, N.Y.C., U.S.A. The style of men’s pants that replaced breeches as the fashionable pants item for men in Jane Austen’ times.
1750-1770 ca. Back Lacing Linen Corset, European. Made of linen, lining of natural linen, chamois leather to strengthen, straps of linen, stiffening of whalebone. Corset: deep point, hip flaps, lacing at the back, Netherlands.
Description: Quilted linen corset with vertical tunnels and with ribs. Whalebone stiffening, point on front, hip flaps, front shoulder straps of fabric plus long narrow linen strips to tie. Lined and has chamois leather at armpits, front point and waist. Linen corset with a deep thickened point at the front, hip flaps, and lacing at the back. Fully quilted with vertical tunnels, with ribs. Thickened tip at the front is slightly triangular. Above for round shape due to wide horizontal rib. Flares from the waist into hip phlangers, or fingers. Lacing eyelets and criss-crossed lacing at the back. Front shoulder straps are of the fabric with very long linen straps with narrower linen strap, total 110 cm, and two horizontal linen loops on top of the backs. There is a narrow linen strip on all seams and along all edges. Armpits and the front point are reinforced with chamois leather and chamois leather is at the waist with straps attached. Via Mode Museum Province of Antwerp
Corsets 1700-1790 History Notes Book 15 This book shows how body wraps, stomachers and stays were worn during the 1700s. They created a variety of fashionable silhouettes to suit the elaborate fashions worn for court and daily life during the 18th Century. Wearing the correct underclothing was essential for keeping garments in place and giving the best fashion display.
1775-1825 ca. Bridgerton and Jane Austen Style Black Silk Breeches, American or European. #Bridgerton #JaneAusten #GeorgianEra #RegencyFashion books2read.com/SuziLoveFashionMen1800-1819
Captain Belling cleared his throat and turned to face Lady Melton. “I owe you an apology for not personally seeing to your comfort. I’ve not been at my most amicable recently. Our evacuation plans have changed five times in the past three days, because each messenger has brought worse news about conditions of the roads. Wellesley probably pictured us rounding up a fleet of comfortable carriages to transport the wounded to the coast, after which boats would magically whisk us across the Channel until, within a few days, the wounded would be under the care of a staff of competent physicians. Apparently, the first and largest batches of wounded soldiers managed that scenario and are, I hope, being loaded into the boats as we speak. Word is that the second group ran afoul of deserters on three separate occasions.”
“British or French?”
He shrugged. “Who knows? Men probably went rogue from many forces as soon as the battle turned and we became the winners. Napoleon was so confident of victory that he didn’t plan for retreat. So, retreating regiments were bottlenecked at the bridge at Sambre and soldiers ran away, rather than die during the chaos. Disenchanted soldiers from every country meet, form alliances, and will then kill without compunction, to stay free, or to appease their hunger for food and women. And every day, more will be on the roads.” When she stiffened, he said, “Don’t worry. Our messengers reported where they’d seen large groups, and we’ll avoid those roads.” She sat still as a statue and listened. “I’d like to get to London without killing anyone else, because I’m tired of the fighting, tired of wars.”
She shuffled a few inches back towards him and laid her hand on his knee. “I’m sorry that I’ve added to your problems.”
1805-1815 ca. Capote, Or Bonnet, Netherlands. Black quilted bonnet with black ribbon chin ties. Jane Austen and her family and friends would have worn this style of bonnet. via Rijks Museum, Amsterdam, Netherlands. rijksmuseum.nl
1800-1815 ca. Unusual Skirt and Over Gown As Worn In Europe In Jane Austen’s Lifetime. From Holland. Gathered underdress and overdress with short puffed sleeves. via Dutch Museum – Gemeentemuseum Den Haag
The dresses worn in Holland and other parts of Europe were the same style as dresses worn by Jane Austen and her contemporaries. Empire waist gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the loose gowns adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s in France to the period when Napoleon built his French Empire.
Ordinary people began to celebrate Easter by sending postcards as gifts. At first, mainly religious pictures appeared on postcards. Then postcards images became more about real life and people. In the early 1900s, postcards became more fanciful and pretty for young children. Religious images were gradually replaced by images that children could understand and relate to about Easter
. Postcards then concentrated on images of chickens and eggs, symbolic of birth and rebirth such as chickens emerging from cracked shells as Christ emerged from the tomb. Children were then added to the images so cards became for something for the whole family. Children with chickens and eggs became very popular on postcards. Bunny rabbits became associated with Easter and children could relate to these as it fitted with their idea of the Easter bunny.
Ellen Clapsaddle (1865 – 1934). An American illustrator from the late 19th and early 20th centuries and recognized as the most prolific postcard and greeting card artist of her time. Her greatest success was single-faced cards that could be kept as souvenirs or mailed as postcards. These cards were highly prized particularly during the peak of the golden age of souvenir postcards from 1898 to 1915. She is credited with over 1000 designs in post cards and souvenir cards. Cards in the mid 1900s were created to send personal Easter messages to loved ones such as mothers and fathers, grandparents, aunts and uncles and siblings. Artists from around the world began creating beautiful cards to share at Easter. Jenny Eugenia Nyström (1854 – 1946) was a Swedish painter and illustrator who illustrated Easter postcards for, and about, children and happy images.
Vintage Easter Egg Cards. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEaster Egg Vintage Cards. #Easter #Vintage #Cards. https://books2read.com/suziloveEaster Share on X
Jenny Nystrom (1884-1946) Vintage Easter Cards. Jenny Eugenia Nyström (1854 – 1946) was a Swedish painter and illustrator who illustrated Easter postcards for, and about, children and happy images.