1895 Nursing Corset, French. via Montgomery Ward and co. Catalogue. Boned, soft and pliable busts, French sateen covered strips.
Definition Montgomery Ward: World first American mail order business and later a department store chain that operated between 1872 and 2001.
Corsets 1880-1900 History Notes Book 20 This book shows how a fashionable silhouette became of paramount importance and how a well-fitted corset became a fashion essential. As well as a decorative fashion item, tight lacing gave a narrow waist and the desired feminine form under clothing. https://books2read.com/SuziLoveCorsetBook20
1820-1840 ca. Reticule, Or Purse, France. Bag of plain weave white moiré silk embroidered in colored silks using satin, stem, knot and couching stitches. Shape is five-sided, flat, with a scalloped top. Borders of flower wreaths. Embroidered on one side with a greyhound and with a long-tailed bird on the other. Worked as two separate panels, joined. Lined in pale blue taffeta. Blue and white silk cord. via Cooper Hewitt, New York City, USA. collection.cooperhewitt.org
Definition Reticule: Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring. http://books2read.com/suziloveReticules
1815 Typical English Dinner In Jane Austen and Bridgerton Times. Two Courses and a Desert. From- 1815 Journal of Tour of Great Britain by a French Tourist via Google Books (PD-180)
Typical food served during the early 1800s, or Regency Era. ‘Removes‘ were the dishes removed from the table during a meal, usually the soup and fish, and then replaced by other dishes. After all diners have had a chance to eat all the dishes on the table, the table is cleared and another set of dishes put on the table. This is the second course.
1805-1810 ca. Red Shoes With Laces. via Museum of Fine Arts, Boston. mfa.org
In Jane Austen’s years, she and her contemporaries spent a lot of time walking outdoors. People were encouraged to partake in outdoor pursuits to maintain good health. Fragile slippers were worn for balls and evening events but for walking sturdier shoes were needed, In the early 1800s, these were typically made of leather, had a very small heel, slightly rounded toes and were laced up on the top.
1805-1810 ca. High-Waisted White Muslin Evening Dress, Possibly Made in France. Embroidered in white cotton in French knots, with collars, border, and vertical stripe in chain stitch with a design down the front of vine tendrils and acorns. Low square neck with draw-cord, ‘stomacher’ front closing over inner lining flaps. Straight cut skirt gathers at back and fastens with tape tie. Long oval train, short sleeves with ‘vandyke’ trimming. An evening ensemble typical of the early 19th century love of Neo-classical where this high-waisted dress with short sleeves copies Greek and Roman shape and dress as seen in sculptures from the time. White muslin fabric was usually imported from India but in the case, made in Europe to imitate Indian materials. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk. https://books2read.com/SuziLoveFashionWomen1805-1809
Definition Van Dyke Points: V-shaped lace and trims named after a 17th Century Flemish painter, Sir Anthony Van Dyck, known for painting V-shaped lace collars and scalloped edges on sitters.
Definition Empire Style: Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.
1800 ca. White Silk Reticule. Gathered into square top with filigree edge, piped with green satin. Embroidered with green velvet ivy sprays applied with gold couching. Lined with white silk. Handmade. bowesmuseum.org.uk http://books2read.com/suziloveReticules
1800 ca. White Silk Reticule. Gathered into square top with filigree edge, piped with green satin. Embroidered with green velvet ivy sprays applied with gold couching. Lined with white silk. Handmade. bowesmuseum.org.uk
The term ‘ridicule’ derived from the Latin ‘ridiculum’ and first used in France during the 17th century and meant subjecting something or someone to mockery. As women’s tiny bags were mocked, or ridiculed, for being a useless fashion accessory carried outside when they were first used in the late 1700s, it’s likely this is how the name ‘ridicule’ started. The later term ‘reticule’ derived from the Latin reticulum, meaning ‘netted bag’ and was applied when bags became larger and often made from netting. In the late 1700s and early 1800s, they were also known as indispensables as they carried all the personal items a lady needed upon her person every day. They were easily made by ladies, easy to carry and became an indispensable fashion accessory.
In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded mâché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.
1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.
1807 Gentleman’s Blue Tailcoat, French. White breeches, black boots topped with large tan strip, black hat and a cane. Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is what men wore in the times of Jane Austen for city and country life.
1800-1815 ca. Vest, Or Waistcoat, French. Embroidery with spangles and a standing collar. Vests gave a layer of protection from the elements and a fashion arena, as early 1800s coats were either cutaway or designed to be left open in the front. Typical Style of Early 1800s Vest: Standing collar, straight cut, front pockets, heavily embroidered and with tiny spangles to accentuate. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
Typical of a gentleman’s waistcoat, or vest, worn during the early 1800s, or Regency Era, or Jane Austen’s times with a standing collar, straight cut, front pockets, and heavily embroidered with tiny spangles to accentuate.
1795-1805 ca. Green Silk and Metal Vest, Or Waistcoat, Probably French. The style of waistcoat worn by men in Jane Austen’s times. Interesting cross-over front and tasteful embroidery, standing collar, back has ties to adjust the fit. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1908 Silk and Rubber Corset, French. Front fastening, front suspenders, and back lacing. Made For C. F. Hovey & Co., Boston. Label: The Paris. Marking: label “7.50, Made in France, Véritable Baleine, Brévété S.G.D.G., Best Whalebone THE PARIS, Made in France, expressly or C.F. Hovey and Co., Boston.” stamped on bone lining of corset]; “Corset de Paris” paper label via Metropolitan Museum, NYC, USA Credit Line: Gift of Mrs. Earl Rowe, 1951 Accession Number: C.I.51.15.25a, b
1908 Front Fastening View Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org1908 Front Fastening View Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org1908 Back Lacing Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Metropolitan Museum, NYC, U.S.A. metmuseum.org1908 Label For Front Fastening and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.1908 Front Suspenders and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.1908 Front Suspenders and Fastenings and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.1908 Silk and Rubber Corset, Front Fastenings and Suspenders and Back Lacing, French. #Edwardianera #Corset #HistoricalFashion #France #Boston books2read.com/SuziLoveCorsetBook21 Share on XCorsets 1900s History Notes Book 21
Corsets during early 1900s when a fashionable
silhouette became of paramount importance
and a well-fitted corset a fashion essential.
books2read.com/SuziLoveCorsetBook21