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1780 Linen Stays and Panier, or Hoop Petticoat, England. #corset #Georgian #Fashion #underclothing

Suzi Love Posted on September 24, 2024 by Suzi LoveSeptember 22, 2024

1780 Stays and Panier, or Hoop Petticoat, England. via suzilove.com and Los Angeles County Museum of Art, California, USA. Stays: Brown linen twill and baleen. Panier: Woman’s hoop petticoat, or pannier, of linen plain weave and cane 1750-1780. via Los Angeles County Museum of Art, California, USA. collections.lacma.org

1780 Stays and Panier, or Hoop Petticoat, England. via suzilove.com and Los Angeles County Museum of Art, California, USA. collections.lacma.org
1780 Stays and Panier, or Hoop Petticoat, England. via suzilove.com and Los Angeles County Museum of Art, California, USA. collections.lacma.org
1780 Linen Stays and Panier, or Hoop Petticoat, England. #corset #GeorgianEra #HistoricalFashion #underclothing. https://books2read.com/SuziLoveCorsetBook15  Share on X
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Posted in 1700s, 1700s Womens Fashion, Corset, England, Georgian Era, Georgian Fashion, underclothing | Tagged 1700s Women's Fashion, Corset, Georgian era, Georgian Fashion, Los Angeles County Museum, petticoat, Suzi Love Images, underclothing | Leave a reply
guitar_1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.

1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. #Music #Guitar #Portugal #GeorgianEra

Suzi Love Posted on September 12, 2024 by Suzi LoveAugust 28, 2024

1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. Pine back, sides and soundboards, with pine and wood purfling or bordering, brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.  History Notes Book 6 Music General https://www.suzilove.com/wp-admin/books2read.com/suziloveMusicGeneral \

1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
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1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. #Music #Guitar #Portugal #GeorgianEra. https://www.books2read.com/suziloveMusicGeneral Share on X
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Posted in 1700s, Decorative Item, Europe, Georgian Era, History, Music, Pastimes, Suzi Love Images | Tagged 1700s Or Georgian Era, europe, Georgian era, guitar, music, Victoria and Albert Museum | Leave a reply

What was fashionable for women in late 1700s? Extravagant colors, outrageous styles and flamboyant fashions. #GeorgianEra #Fashion #nonfiction #amwriting

Suzi Love Posted on September 9, 2024 by Suzi LoveSeptember 7, 2024

What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. #Georgian #nonfiction #amwriting books2read.com/suziloveFashWomen1700s

What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. #Georgian #nonfiction #amwriting books2read.com/suziloveFashWomen1700s
What was fashionable for women in late 1700s? Extravagant colors, outrageous styles and flamboyant fashions. #GeorgianEra #Fashion #nonfiction #amwriting books2read.com/suziloveFashWomen1700s Share on X
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s
Posted in 1700s, 1700s Womens Fashion, cartoon, Coat or Pelisse Or Redingote, Corset, Dress Or Robe, England, Europe, fashion accessories, Georgian Era, Georgian Fashion, hats, History Notes, London, Reticule or Bag, riding, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A | Tagged 1700s Or Georgian Era, 1700s Women's Fashion, Book 1, Dress Or Gown, fashion accessories, Fashion Plate, Georgian era, gloves, Hats And Hair, History Notes, reticule or bag, Shoes, Suzi Love Books | Leave a reply

1700s Late Pair of Pattens, Or Strap On Undershoes, As Used On Rainy Days in Jane Austen and Bridgerton Times. #Bridgerton #JaneAusten #Shoes #BritishHistory #History

Suzi Love Posted on September 8, 2024 by Suzi LoveSeptember 8, 2024

1700s Late Pair of Pattens, English. Iron supports underneath leather and wood. Pattens: Under shoes that strapped onto shoes and worn outdoors and to lift shoes and dresses out the mud. People in Jane Austen’s lifetime would have used these to protect the hems of dresses and legs of men’s pants, plus protect delicate shoes. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1700s Late Pair of Pattens, English. Iron supports underneath leather and wood. Pattens: Under shoes that strapped onto shoes and worn outdoors and to lift shoes and dresses out the mud. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1700s Late Pair of Pattens, Or Strap On Undershoes, As Used On Rainy Days in Jane Austen and Bridgerton Times. #Bridgerton #JaneAusten #Shoes #BritishHistory #History https://www.books2read.com/suziloveFashWomen1700s Share on X
HN_1_D2D_Fashion Women 1700s
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s
Posted in 1700s, 1700s Mens fashion, 1700s Womens Fashion, Bridgerton, Customs & Manners, England, Georgian Era, History, Jane Austen, Regency Era, shoes, Suzi Love Images | Tagged 1700s Mens Fashion, 1700s Or Georgian Era, 1700s Women's Fashion, Bridgerton, British history, Georgian era, Georgian Fashion, Jane Austen, Shoes, Victoria and Albert Museum | Leave a reply

18th Century Mid. Gentleman’s Toiletry Nécessaire Of Shagreen and Tortoiseshell, England. #GeorgianEra #Travel #Antiques

Suzi Love Posted on September 6, 2024 by Suzi LoveSeptember 2, 2024

18th Century Mid. Nécessaire, London, England. Wood, shagreen, silk, tortoiseshell with gold mounts, steel. Includes: pen knife, beard trimmer, scissors, bottles, paper cutter, 6 razors, hone, strop. via Metropolitan Museum New York City, U.S.A. metmuseum.org

Definition Shagreen: A type of rawhide, or rough untanned skin, originally made from the back of a horse or a wild donkey. In the 18th century, the skin of a shark or stingray also began to be called shagreen.

18th Century Mid. Nécessaire, London, England. Wood, shagreen, silk, tortoiseshell with gold mounts, steel. Includes: pen knife, beard trimmer, scissors, bottles, paper cutter, 6 razors, hone, strop. via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org

 

18th Century Mid. Gentleman's Toiletry Nécessaire Of Shagreen and Tortoiseshell, England. #GeorgianEra #Travel #Antiques books2read.com/SuziLoveTravel Share on X
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Posted in 1700s Mens fashion, Box Or Container, Decorative Item, England, fashion accessories, Grand Tour, History, Regency Era, Suzi Love Images, travel, Writing Tools | Tagged 1700s Mens Fashion, 1700s Or Georgian Era, antiques, Box Or Container, Georgian era, Grand Tour, Metropolitan Museum NYC, Necessaire or Etui, Suzi Love Images, travel, Writing Tools | Leave a reply

What Sort Of Pianoforte Or Piano Was Played By the Bridgertons and Jane Austen? #Bridgerton #Music #JaneAusten #RegencyEra #GeorgianEra

Suzi Love Posted on September 2, 2024 by Suzi LoveSeptember 1, 2024

What Sort Of Pianoforte or Piano Was Played By Jane Austen and Contemporaries? Pianos, pianofortes and more. History Notes Book 7 Music Pianos books2read.com/suziloveMusicPiano

Definition Pianoforte or Piano: ‘Stringed keyboard instrument with a hammer action, as opposed to the jack and quill action of the harpsichord.  Capable of gradations of soft and loud, the piano became the central instrument of music pedagogy and amateur study. By the end of the nineteenth century, no middle-class household of any stature in Europe or North America was without one.’  Definition via the Metropolitan Museum, NYC.

Around 1700, the Pianoforte, or Piano,  was invented in Italy by Bartolomeo Cristofori, who created a hammer action keyboard instrument on which a musician could make changes in loudness by changing the force with which the keys were struck. He called his instrument “gravicembalo col piano e forte”, or,  (harpsichord with soft and loud). Cristofori’s  long name was later shortened to fortepiano or pianoforte, and finally just piano.

Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music.  Pianos, pianofortes, harpsichords, and organs were found everywhere and were often the focus of a family gathering. By the end of the 18th Century, the pianoforte, or piano, was the leading instrument of Western music.

What sort of pianos did Jane Austen and the Bridgerton family play? Pianos, pianofortes etc in 17th, 18th, and 19th Centuries. Music Piano. History Notes Book 7 By Suzi Love. Pianos, pianofortes, harpsichord, organs in 17th, 18th, and 19th Centuries, as used by Jane Austen and her family.  books2read.com/suziloveMusicPiano
HN_7_Music Piano. History Notes Book 7 By Suzi Love. Pianos, pianofortes, harpsichord, organs in 17th, 18th, and 19th Centuries. #music #history #nonfiction books2read.com_suziloveMusicPiano
What sort of pianos did Jane Austen and the Bridgerton family play? Pianos, pianofortes etc in 17th, 18th, and 19th Centuries. #Bridgerton #music #JaneAusten #RegencyEra books2read.com/suziloveMusicPiano Share on X
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Posted in 1700s, 1800s, 1900s, art, Australia, Bridgerton, Canada, Edwardian Era, England, Europe, furniture, Georgian Era, History Notes, household, Jane Austen, Music, Regency Era, Romantic Era, Suzi Love Books, Suzi Love Images, U.S.A, Victorian Era | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, Book 7, Bridgerton, Georgian era, History Notes, Jane Austen, music, piano, Regency Era, Suzi Love Books, Victorian Era | Leave a reply

1787 St. George’s Church, Hanover Square, London, known for Regency aristocracy weddings in Bridgerton and Jane Austen times, and for pickpockets. #Bridgerton #JaneAusten #London #regencyera #GeorgianEra

Suzi Love Posted on August 24, 2024 by Suzi LoveJanuary 18, 2026

1787 St. George’s Church, Hanover Square, London, U.K. By T. Malton. A favorite place to be married for the Regency aristocracy during Bridgerton and Jane Austen times, but also a haunt of pickpockets.

From the Edinburgh Annual Register 1810: Complaints have been made of numerous robberies, by daring gangs of pickpockets in the daytime, in the public streets, also at churches, chapels, and meetings, particularly at St. George’s church, Hanover-square. The Countess of Aylesford, and several other ladies of distinction, having been robbed there, mentioned the circumstances to Townsend, the officer. The Countess of Aylesford said, she had no doubt but she was robbed by a short fat woman. Townsend went to the church and observed Mary Blakeman, alias Hills, a well-known female pickpocket, genteelly dressed in a black velvet pelisse and a cottage straw bonnet. When he called her outside, no stolen property was found on her person, despite him knowing her to be a thief for 25 years.

London_church_1787_St_George's_Hanover_Square_by_T_Malton.
1787_St_George’s_Hanover_Square_by_T_Malton
1787 St. George’s Church, Hanover Square, London, known for Regency aristocracy weddings in Bridgerton and Jane Austen times, and for pickpockets. #Bridgerton #JaneAusten #London #regencyera #GeorgianEra… Share on X
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Posted in 1700s, 1800s, Bridgerton, Customs & Manners, Jane Austen, London, weddings | Tagged Bridgerton, church, Georgian era, Jane Austen, London, Regency Era, Regency London | Leave a reply

What did travelers take with them to make long journeys easier in Bridgerton and Jane Austen times? #Bridgerton #JaneAusten #RegencyEra #HistoricTravel

Suzi Love Posted on August 20, 2024 by Suzi LoveAugust 20, 2024

How did people travel in past centuries? What did they take with them to make their long journeys easier?  Travel by road, ship, canal, or railway all took a long time and had dangers so people learned to prepare. And then, in the nineteenth century, road improvements, inventions, and scientific developments made travel more pleasurable. Travel and Luggage By Suzi Love History Notes Book 10 books2read.com/SuziLoveTravel

Horse Power To Steam. Various alternatives to horse power were tested in London’s streets during the 19th century. Steam powered road engines and trams proved too heavy and damaged the roads. Stationary steam engines were used to haul trams attached to a cable but these were only really effective on hills that we too steep for horses. There were also experiments with trams driven gas engines and battery electric power. but was successfully developed. Petrol engines were still primitive and unreliable in the 1890s. In 1900 the reliable horse still dominated the streets of London but new technology was to revolutionize road transport.

How did people travel in past centuries? What did they take with them to make their long journeys easier?  Travel by road, ship, canal, or railway all took a long time and had dangers so people learned to prepare. And then, in the nineteenth century, road improvements, inventions, and scientific developments made travel more pleasurable.  Travel and Luggage By Suzi Love History Notes Book 10 books2read.com/SuziLoveTravel
Travel and Luggage By Suzi Love History Notes Book 10 #History #travel How did people travel in past centuries? What did they take with them to make their long journeys easier? books2read.com/SuziLoveTravel
What did travelers take with them to make long journeys easier in Bridgerton and Jane Austen times? #Bridgerton #JaneAusten #RegencyEra #HistoricTravel books2read.com/SuziLoveTravel Share on X
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HN_10_D2D_RetailerBuyLink_Travel and Luggage By Suzi Love History Notes Book 10 #History #travel How did people travel in past centuries? What did they take with them to make their long journeys easier? books2read.com/SuziLoveTravel
Posted in 1700s, 1800s, Australia, Box Or Container, Bridgerton, Canada, Carriage, cartoon, Decorative Item, Edwardian Era, England, Europe, Food and Drink, France, Georgian Era, Google Books, Grand Tour, History, History Notes, household, Jane Austen, London, medical, money, postal, Regency Era, Romantic Era, Russia, Suzi Love Books, Suzi Love Images, Suzi Love Writing, travel, U.S.A, Victorian Era, Writing Tools | Tagged Book 10, Bridgerton, carriages, decorative, Edwardian Era, Food, furniture, Georgian era, google books, History Notes, Jane Austen, medical, Regency Era, Romantic Era, sewing, Suzi Love Books, travel, Victorian Era, Writing Tools

1809 The King Of Great Britain and His Powers In the Bridgerton and Jane Austen Years. #Bridgerton #JaneAusten #RegencyEra #BritishRoyalty

Suzi Love Posted on August 18, 2024 by Suzi LoveAugust 17, 2024

1809 The King Of Great Britain. From: 1809 A Book Explaining The Ranks and Dignities Of British Society. via Google Books. (PD-180) BRITISH RANKS,  The King Of Great Britain and His Or Her Powers during Jane Austen’s lifetime.

1809 The King Of Great Britain 1809 The King Of Great Britain. From: 1809 A Book Explaining The Ranks and Dignities Of British Society. via Google Books. (PD-180)

BRITISH RANKS,  THE KING . 

The supreme executive power of these kingdoms is vested by our laws in a single person, the King or Queen, for it matters not to which sex the crown descends, but the person entitled to it, whether male or female, is immediately invested with all the ensigns, rights, and prerogatives of sovereign  power . 

In the earliest periods of our his tory the crown appears to have been elective. But hereditary succession has now been long established , and has proved a good preservative against that periodical bloodshed and misery, which both history and experience have long shewn are the consequences of elective kingdoms. The crown descends lineally to the issue of the reigning monarch , and not till the failure of the male issue  is it allowed to be taken by the female. 

Lawyers say the King of England is a mixed person, a priest as well as a prince and at his coronation he is anointed with oil, as the priests and  kings of Israel were, to intimate that his person is sacred. The principal duty of the king is to govern his people according to law and these are the terms of the oath administered usually by the Archbishop of 

Canterbury at his coronation, in the presence of the people, who on their parts do reciprocally take the oath of allegiance to the crown : 

“ The archbishop, or bishop, shall say, Will you solemnly promise and swear to govern the people of this kingdom of England , and the dominions thereto belonging, 

according to the statutes in parliament agreed on and the laws and customs of the 

same? 

The king or queen shall say , I solemnly promise so to do . 

Archbishop , or bishop .– Will you to your power cause law and jus tice , in mercy , to be executed in all your judgments? 

King or queen, I will, 

Archbishop , or bishop – Will you to the utmost of your power maintain the laws of God , the true profession of the gospel and the protestant reformed religion 

established by the law? And will you preserve unto the bishops and clergy of this realm, and to the churches com mitted to their charge, all such rights and privileges as by law do or shall appertain unto them or any of them ? 

King or queen, All this I promise to do .

After this , the king or queen , laying his or her hand upon the holy gospels , shall say , The things which I have here before promised , I will perform and keep : so help me God . And then shall kiss the book . 

One of the principal bulwarks of our liberty is the certain and definite limitation of the king’s prerogative, the extent and 

restrictions of which are marked out with the greatest clearness. But in the exertion 

of those powers which the LAW has given him , the king is irresistible and absolute. He is considered by the laws of England as the head and supreme governor of the national church and, in virtue of this authority, he convenes , prorogues 

rogues , restrains , regulates , and dis solves all ecclesiastical synods or 

convocations. He has the supreme right of patronage over all ecclesiastical benefices and if they are not presented to within the time prescribed , their lapse becomes the 

advantage of the crown. In regard to foreign concerns, the king is the delegate or 

representative of his people. He has power, by his prerogative, with out any act of 

parliament, to make war or peace, conclude treaties, grant safe conducts, give 

commissions for raising and regulating fleets and armies, as well as for erecting, 

manning, and governing forts, and other places of strength. He can prohibit the 

exportation of arms and ammunition out of the kingdom, can dispose of magazines, castles, ships, public moneys, etc. and all that is done in 

regard to foreign powers by the royal authority, is the act of the whole nation. He has the sole power of sending ambassadors to foreign states, and receiving ambassadors at home. He convokes, adjourns, prorogues, and dissolves parliaments  and may 

refuse his assent to any bill passed by both houses, without giving his reason for it . 

He may increase the number of members of either house at plea sure, by creating 

new peers and bestowing privileges on other towns for sending burgesses to 

Parliament, but the last has by late kings been given up. 

The sole power of conferring dignities and honors is entrusted to him so that all 

degrees of nobility and knighthood, and other titles, are received by immediate grant from the crown. And the king has also the prerogative of conferring privileges upon private persons  such as granting place or precedence to any of his subjects such is also the power to enfranchise an alien and make him a denizen, and the prerogative of 

erecting corporations. The coining of money too, as well as the settling the 

denomination or value for which it shall pass current, is the act of the sovereign 

power. 

But to take all the characters into view in which the king is considered in domestic 

affairs would be almost endless for from thence an abundant number of prerogatives arise. All lands re covered from the sea , gold and silver mines, royal fishes etc. 

be long to him. He can unite, separate, enlarge, or contract the limits of ecclastical 

benefices and, by his letters, erect new bishoprics, colleges etc. He can dispense with the rigor of ecclesiastical laws except those which have been con firmed by act of 

parliament, or declared by the bill of rights. He has also power to moderate the

 rigor of the law to pardon a man condemned by law except in appeals of murder, 

and in case of impeachment by the house of commons, and to interpret by his 

judges in statutes and cases which are not defined by law. 

But though he be entrusted with the whole executive power of the law, yet he cannot sit in judgment in any court for justice must be administered according to the powers committed and distributed to the several courts. 

As the king is declared to be the supreme head in matters both civil and ecclesiastical so no suit can be brought against him even in civil matters because no court can 

have jurisdiction over him. The law also ascribes to the king in his political capacity  absolute perfection. The king can do no wrong, by  which ancient and fundamental maxim we are not to understand that every transaction of government is of course just and lawful but that whatever is exceptionable in the conduct of public affairs is not to be 

imputed to the king nor is he answerable for it personally to his people and farther that the prerogative of the crown extends not to do any injury. It is

 created for the benefit of the people and therefore cannot be exerted to their 

prejudice. In the king there can be no negligence and therefore no delay will bar his 

right. In the king also there can be no infamy, stain, or corruption of blood. And the 

law ascribes a kind of perpetuity, or immortality to him. His death is termed his 

demise , because the crown is thereby demised to another. He is not in law liable to 

Death, being a corporation of him self that lives for ever. There is no interregnum but the 

moment one king dies, his heir is king, fully and absolutely, without any coronation , ceremony etc. To these it may be added that by the law the king is said in a manner 

to be every where in all courts of judicature , which he alone has the right of erecting and therefore cannot be nonsuited. 

The power of issuing proclamations is vested in the king alone, considered as the fountain of justice. The laws make it high treason barely to imagine or intend the death of the king, and because the destruction of the king may ensue 

that of his great counsellors or officers, it is felony in any of the king’s subjects to 

conspire even that. Some things the king cannot do. 

He cannot divest himself or successor of any part of the regal prerogative or 

authority and there are two things which he cannot do without the consent of 

Parliament: the making of new laws and the raising of new taxes. 

The king cannot dispense with the laws nor do any thing contrary to law. In England the law is as much superior to the king , as to any of his subjects and the obedience

of the king of England to the laws is his greatest glory while it is the security of the 

rights and liberties of his people who are the greatest as well as the freest people on the face of the earth , merely because their sovereigns are obliged to live in

 subjection to the written laws of the land. 

The title of grace was first given to our kings about the time of Henry IV and that of majesty first to Henry VIII. The title of his present Majesty is , GEORGE the Third , King of the United Kingdom of Great Britain and Ireland, Defender of the Faith, 

Sovereign of the Orders of the Garter, Thistle, Bath and St. Patrick, Duke and Elector of Brunswick Lunenburg, Bishop of Osnaburg and Arch Treasurer of the Holy Roman Empire.

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