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Home » Georgian era » Page 6 << 1 2 … 4 5 6

Tag Archives: Georgian era

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1802 Pale Mahogany Pianoforte Made By John Broadwood, London. #Regency #music #JaneAusten #piano

Suzi Love Posted on September 14, 2023 by Suzi LoveAugust 8, 2023

1802 Pianoforte By John Broadwood. Square form, pale mahogany case with ebony wood stringing throughout. Inscribed ‘1802 John Broadwood and Sons, Makers to his Majesty and the Princesses,  Great Pulteney Street, Golden Square, London.’ via Sotheby’s Auctions.  ~  sothebys.com

Definition Piano- Forte: Well-known stringed and keyed instrument of German origin, so called from its equal command both of softness and strength. Its principal advantage over the   harpsichord is its capacity of obeying the touch so the performer can vary the expressions and strike lights and shades. Jane Austen and her contemporaries played the pianoforte to entertain family and guests.

1802 Pianoforte By John Broadwood. Square form, pale mahogany case with ebonywood stringing throughout. Inscribed '1802 John Broadwood and Sons, Makers to his Majesty and the Princesses, Great Pulteney Street, Golden Square, London.' via Sotheby's Auctions. ~ sothebys.com
1802 Pianoforte By John Broadwood. Square form, pale mahogany case with ebonywood stringing throughout. Inscribed ‘1802 John Broadwood and Sons, Makers to his Majesty and the Princesses, Great Pulteney Street, Golden Square, London.’ via Sotheby’s Auctions. ~ sothebys.com
1802 Pale Mahogany Pianoforte Made By John Broadwood, London. #RegencyEra #music #JaneAusten #piano books2read.com/suziloveMusicPiano Share on X
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Posted in England, History, Music, Suzi Love Images | Tagged 1700s Or Georgian Era, Book 7, Georgian era, History Notes, London, music, piano, Sothebys Auctions

1792 Mahogany Grand Piano Made By John Broadwood, London. #Georgian #music #piano

Suzi Love Posted on August 24, 2023 by Suzi LoveAugust 19, 2023

1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org books2read.com/suziloveMusicPiano

1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Mahogany Grand Piano Made By John Broadwood, London. #Georgian #music #piano books2read.com/suziloveMusicPiano Share on X
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Posted in 1700s, furniture, Georgian Era, History, household, London, Music, Suzi Love Images | Tagged 1700s Or Georgian Era, Book 7, Georgian era, History Notes, London, Metropolitan Museum NYC, music, piano, Suzi Love Images

1802 Rates Of Postage Of Single Letters In Pence. #Regency #Postal #BritishHistory

Suzi Love Posted on August 10, 2023 by Suzi LoveAugust 8, 2023
  • Rates of Postage of single Letters in Pence In Great Britain.
  • From any post-office in England or Wales, to any place not exceeding 15 miles from such office – – – 3
  • For any distance above 15, and not exceeding 30 miles — — 4
  • For any distance above 30, and not exceeding 50 miles — 5
  • For any distance above 50, and not exceeding 80 miles –  6
  • For any distance above 80, and not exceeding 12O miles — 7
  • For any distance above 120, and not exceeding 170 miles –  8
  • For any distance above 170, and not exceeding 230 miles — 9
  • For my distance above 230, and not exceeding 300 miles — — 10
  • For any distance above 300, and not exceeding 400 miles –  11
  • For any distance above 400, and nut exceeding 500 mites — 12
  • 1802 Picture of London Printed for R. Phillips via Google Books (PD-180)
1802 Rates Of Postage Of Single Letters In Pence.  From: 1802 Picture of London  Printed for R. Phillips via Google Books (PD-180)) © SuziLove.com
1802 Rates Of Postage Of Single Letters In Pence. From: 1802 Picture of London Printed for R. Phillips via Google Books (PD-180))
1802 Rates Of Postage Of Single Letters In Pence. #Regency #Postal #BritishHistory https://books2read.com/suziloveROver Share on X
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Posted in England, History, household, London, Regency Era, Suzi Love Images | Tagged British history, Georgian era, google books, Jane Austen, postal

18th Century Early.  Silk, Leather, and Linen Mules (shoes), European, and embroidered in Florentine Style. #shoes #georgianfashion #europe

Suzi Love Posted on July 29, 2023 by Suzi LoveJuly 29, 2023

18th  Century  Early.  Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via  Metropolitan Museum, NYC, U.S.A.

shoes_18th Century Early. Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via Metropolitan Museum, NYC, U.S.A.
shoes_18th Century Early. Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via Metropolitan Museum, NYC, U.S.A.

18th Century Early.  Silk, Leather, and Linen Mules (shoes), European, and embroidered in Florentine Style. #shoes #georgianfashion #europe https://books2read.com/suziloveFashWomen1700s Share on X
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s
Posted in 1700s, 1700s Womens Fashion, Europe, Georgian Era, Georgian Fashion, shoes, Suzi Love Images | Tagged 1700s Or Georgian Era, 1700s Women's Fashion, Georgian era, Georgian Fashion, Metropolitan Museum NYC, sewing, Shoes

1756-1762 ca. Gold and Enamel Étui, French. #GeorgianEra #France #Antiques #WritingToools

Suzi Love avatarPosted on February 22, 2023 by Suzi LoveJanuary 13, 2023

1756-1762 ca. Gold and Enamel Étui, French. Probably by Jean Ducrollay, 1756-62, Paris. via Metropolitan Museum New York City, U.S.A. metmuseum.org
books2read.com/SuziLoveWritingTools

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Posted in 1700s, Box Or Container, Decorative Item, Europe, France, Georgian Era, History, household, Suzi Love Images, travel, Writing Tools | Tagged antiques, Box Or Container, Etui Or Necessaire, France, Georgian era, Suzi Love Images, Writing Tools

Wedding ring customs that originated in long ago history. #weddings #Customs #history

Suzi Love Posted on June 2, 2022 by Suzi LoveMay 15, 2022

Wedding ring customs that originated in long ago history.

The first wedding rings can be traced back to the Ancient Egyptians when they exchanged rings made from braided reeds and hemp. The tradition of exchanging rings dates back 3,000 years. The first diamond wedding ring was recorded in the will of a widow who died in 1417. The ancient Egyptians believed in the vena amoris, literally the “vein of love” that runs directly from the heart to the fourth finger on the left hand. For the Ancient Greeks, the engagement ring was symbolized with a plain gold band worn on the left hand and at the marriage the same band was shifted to the right hand.

An engagement ring is given at a proposal or when a couple decides to get married whereas a wedding ring is exchanged at the wedding ceremony and represents the official bond of marriage and the binding pledge between spouses. Wedding rings symbolise eternal love and commitment within a relationship and are worn to show the world they are married. During the wedding service, the couple will say their vows to each other while exchanging rings.

Is a wedding ring biblical? : The use of wedding ring is not commanded in the Bible, and there is no indication that it was ever practised in the New Testament. The use of finger ring in the Bible was as a symbol of authority.

Betrothal ring: An old Roman custom confirming that the marriage contract would be carried out. It was the first part of a dowry given, and meant the woman was no longer for sale as the first part of the monetary settlement had been paid. The first betrothal, or engagement, rings were given because there was often a long time between betrothals and weddings. These were usually simple bands of gold, silver, or iron as on royalty or very wealthy people could afford gemstones and diamonds. In 1477, Archduke Maximillian of Austria commissioned the very first diamond engagement ring for his betrothed, Mary of Burgundy, and many of the European aristocracy and nobility followed his lead.

Wedding ring: Many primitive peoples who believed in magic used a rope around the waist or the hand and feet, and later  a ring, to symbolise that the bride was captured and spoken for, and also to ward off any evil spirits hovering around the bride and ensure marital bliss.

The ring hand: A symbol of the humiliating tradition of the man as the master – the right hand of the family –  and the woman being the slave .  The right hand stood for power and authority while the left hand expressed submission and serfdom.

The ring finger : Ancient Greek and Roman anatomists  believed a vein, the vena amoris or the “vein of love”, or a nerve led from the heart to the third finger, the healing finger , so they romantically linked this finger to the heart. Now we know that this is not true and there is no vein that runs from our ring fingers to our hearts. There are also some more practical reasons the third finger continues to be used. It’s the most prominent for displaying a ring and it cannot be extended to its full length on its own and usually remains slightly bent, preventing the ring slipping off.

The Wedding Ring: Also goes on the left ring finger because it is the only finger with a vein that connects to the heart although some countries, such as India, Germany, Spain, Norway, and Russia traditionally wear their wedding rings on their right hand.

Viking Wedding Rings: These were mostly made of silver and bronze and rarely of gold with the designs inspired by Norse Gods, geometric shapes, runes, and animal totems

Gimmel Rings: In the 16th and 17th centuries, European husbands gave their bride a gimmel ring with two interlocking bands. The bride and groom both wore one after their engagement and during the wedding ceremony the rings were joined and the wife wore the ring.

World Wars: During the first World War, many men on the front began wearing wedding rings as a remembrance of their wives and families at home. That custom carried through to World War Two so in the 1950s wedding rings for men became common practice.

Tri-Gold Rings: Gold is the traditional ring metal but some people prefer a mix of colors. Yellow gold represents fidelity, rose gold romantic love, and white gold friendship, so a tri-gold ring symbolizes your shared past, present, and future path. ding ring to symbolize all three, as well as your shared past, present, and future path.

Black Wedding Rings: Some couples choose black wedding bands because they represent everlasting commitment and the color can also mean power, strength and sophistication.

Anniversary or Push Ring: Given on the birth of a first child or an anniversary, usually an important one such as the first, five-year or 10-year anniversary.

Wedding ring customs that originated in long ago history. #weddings #Customs #history Share on X
Posted in 1700s, 1800s, 1900s, Australia, Canada, Customs & Manners, Decorative Item, Edwardian Era, England, Europe, Georgian Era, Regency Era, Romantic Era, South Pacific, Suzi Love Images, U.S.A, Victorian Era, weddings | Tagged British history, Customs and Traditions, Georgian era, Regency Era, Regency Life, Romantic Era, Suzi Love Research, Victorian Era, weddings | Leave a reply

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