What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Wars were being fought so women adopted military looks in support of soldiers. https://books2read.com/SuziLoveFashion1810-1814 History Notes Book 27 Women’s Fashions 1810-1814.
What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Fashion Women 1810-1814 History Notes Book 27 This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
The Lady’s Magazine said of the basis of women’s fashion that was popular for the first twenty years of the 1800s, ‘White is still the prevailing color for robes. For morning dresses, linen gowns, in large diamonds or squares, are fashionable. Indian muslins, plain or embroidered, are preferred to Florence and satins. The designs of embroidery for shawls are of infinite variety. Long gloves, which reach above the elbow, are not yet laid aside. Medallions are hung around the neck from crossed chains and some of these medallions are shaped like the bags, called ridicules. These reticules are of the lozenge or hexagon shape, with a small tassel at each angle. Reticules, or ridicules, are in lozenge or hexagon shapes with a small tassel at each angle. In capotes, or hats, and ribbands, the violet and dark green prevail over jonquil. Bracelets in hair, pear-shaped ear-rings, medallions on square plates, saltiers of colored stones, are still in fashion.’
1817 June Morning Dress as worn in Jane Austen’s times in England. A round dress composed of jaconet muslin; the bottom of the skirt is trimmed with an intermixture of tucks and embroidery. The body is perfectly novel, it is a three-quarter height, and displays the whole of the throat and a little of the neck: it is composed of the same material as the dress, and is formed to the shape, in a manner at once singular and becoming, by bands of letting-in lace; it is also profusely ornamented with lace, which is set on very full. Long full sleeve, the fullness confined by a tasteful cuff, which is finished by a lace ruffle. Head-dress the Marlborough cap, composed of white lace, ornamented with full-blown roses and blush-coloured satin ribbon. For the form of this elegant cap, which is perfectly in the English style, we refer our readers to our print. The hair is parted in front so as to display a little of the forehead, and curled lightly over the temples. Necklace and ear-rings white cornelian mixed with gold. White kid slippers and gloves. We are indebted to the elegant taste of Mrs. Marchant of 40, Gerrard-street, Soho, for both our dresses this month. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Morning or At-Home Dress: Loose and comfortable dress and soft lace cap to be worn at home for reading, painting, sewing or for walking in the garden. To be seen by family, servants and close friends. Not accessorized enough to be out in the wider public, although the pretty pink roses and trim on the cap suggest this outfit may have been worn for receiving visitors at home.
1817 February Pelisse, or Redingote, English. Carriage dress of white poplin with a deep blond flounce. Blue levantine pelisse or walking dress, or Redingote in France, edged with floss silk, blonde lace neck ruff, ermine ruff and a pink shawl. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
1817 June Lady Reading Wearing Morning Dress and Marlborough Cap, English. #Regency #JaneAusten #Fashion https://books2read.com/SuziLoveFashionWomen1815-1819 Click To Tweet Fashion Women 1815-1819 History Notes Book 28
What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories.
D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
In Jane Austen’s times craftsmen created boxes and containers of precious metals, leather, silks, and decorated them with jewels. Boxes, Cases, Etui, Necessaire and everything else that was used to carry essential items for travel, sewing, medicine, writing, and toiletries. Containers were engraved to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
In Jane Austen’s times craftsmen created boxes and containers of precious metals, leather, silks, and decorated them with jewels. Boxes, Cases, Etui, Necessaire and everything else that was used to carry essential items for travel, sewing, medicine, writing, and toiletries. Containers were engraved to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28.
What was fashionable for women in Bridgertons and Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Fashion Women 1810-1814 History Notes Book 27 This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
The Lady’s Magazine said of the basis of women’s fashion that was popular for the first twenty years of the 1800s, ‘White is still the prevailing color for robes. For morning dresses, linen gowns, in large diamonds or squares, are fashionable. Indian muslins, plain or embroidered, are preferred to Florence and satins. The designs of embroidery for shawls are of infinite variety. Long gloves, which reach above the elbow, are not yet laid aside. Medallions are hung around the neck from crossed chains and some of these medallions are shaped like the bags, called ridicules. These reticules are of the lozenge or hexagon shape, with a small tassel at each angle. Reticules, or ridicules, are in lozenge or hexagon shapes with a small tassel at each angle. In capotes, or hats, and ribbands, the violet and dark green prevail over jonquil. Bracelets in hair, pear-shaped ear-rings, medallions on square plates, saltiers of colored stones, are still in fashion.’
1804 January London Full Evening Dresses, English. White evening dress has a white tunic overlay and worn with long white gloves, a long necklace, and with an evening hairstyle that leaves dangling curls around her neck. Other evening dress has a tunic trimmed with orange cord, short sleeves, and worn with long gloves, and upswept evening hairstyle with a matching feather. Fashion Plate via Fashions of London and Paris. https://books2read.com/SuziLoveFashionWomen1801-1804
1806 April Two Ladies In Full Dress, English. Loose pink robe of undressed crepe over a dress of white satin, or sarsnet, embroidered with silver, sleeves plain and embroidered to correspond with dress. Round dress of fine muslin over white sarsnet. Broad lace let in down front and bottom. Bosom plain, trimmed with quilling of lace, ornamented with medallion or brooch. Long silk shawl, ends embroidered in colors. Tiara of silver or steel, adorned with gems. Fashion Plate via Fashions of London and Paris, Published By Richard Phillips, St. Paul’s Church Yard, London, UK.
Full Dress: The most formal and complete ensemble, worn for day or night events, and includes the fullest range of accessories that could be added to the outfit to make the most impressive display.
Fabric Sarsnet: Also spelled ‘sarcenet’, is a lightweight silk that was often woven with small-scale decorative designs.
1806 April Two Ladies In Full Dress. Loose robe of undressed crepe over a dress of white satin, or sarsnet, embroidered with silver, sleeves plain and embroidered to correspond with dress. Round dress of fine muslin over white sarsnet. Broad lace let in down front and bottom. Bosom plain, trimmed with quilling of lace, ornamented with medallion or brooch. Long silk shawl, ends embroidered in colors. Fashion Plate via Fashions of London and Paris, Published By Richard Phillips, St. Paul’s Church Yard, London, UK.1806 April Two Ladies In Full Dress, English. #RegencyEra #JaneAusten #HistoricalFashion. https://books2read.com/SuziLoveFashionWomen1805-1809 Click To Tweet Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
1809 July Opera Dress Round convent robe of Egyptian brown tissue worn over white satin underdress, ornamented at feet, bosom and sleeves with broad Antique lace, out on full, and narrowing in front, white satin appliqued stomacher embellished with gold lattice work and continued in a straight line down to the hem. Headdress is a gold net caul, enclosing the hair at the back and finished in front with a Mechlin veil displaying the hair on the forehead and falling over the left shoulder. Necklace and armlets are a single row of Bohemian pearl with topaz or diamond snaps. Grecian scarf of rich Andalusian silk, contrasted with the robe and wrought at the ends in a deep Tuscan border of gold or colored silks. White satin slippers, trimmed with brown foil or gold, French kid gloves, opera fan of white crepe with a border of jessamine. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’. I can picture aristocratic women wearing this sort of gorgeous outfit to the opera or an evening event.