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Covent Garden Markets and Theatres, London, in the Years of Jane Austen and Bridgerton family. #Bridgerton #JaneAusten #London #CoventGarden

Suzi Love Posted on April 12, 2026 by Suzi LoveFebruary 27, 2026

Covent  Garden is within the London boroughs of Westminster and Camden, and the parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal’s Yard and Seven Dials, while the south contains the central square with its street performers and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum.

In 1552, the land was seized by Henry VIII and granted to the Earls of Bedford. The 4th Earl  commissioned Inigo Jones to build fine houses to attract wealthy tenants. It was the first modern square in London, with Italian arcades and a flat, open space or piazza with low railings. This layout was copied in other new estates in London.

1555 John Russell, 1st Earl Of Bedford. By a follower of John Bettes. Given land of Covent Garden by Herny VIII after the dissolution of the Monasteries.
1555 John Russell, 1st Earl Of Bedford. By a follower of John Bettes. Given land of Covent Garden by Herny VIII after the dissolution of the Monasteries.
1650 The piazza of Covent Garden about 1650, as engraved by Wenceslaus Hollar. Courtesy University of Toronto.

1650 The piazza of Covent Garden about 1650, as engraved by Wenceslaus Hollar. Courtesy University of Toronto.

1721-1789 ca. St. Paul's Church, Covent Garden, London, U.K. From between two arches of the plaza. Watercolor with grey wash. By Thomas Sandy. Via Suzi Love suzilove.com & British Museum, London, UK. britishmuseum.org

1721-1789 ca. St. Paul’s Church, Covent Garden, London, U.K. From between two arches of the plaza. Watercolor with grey wash. By Thomas Sandy. Via British Museum, London, UK. britishmuseum.org

1800s Early Covent Garden Market, London, U.K.

1800s Early Covent Garden Market, London, U.K.

In 1654, an open-air fruit and vegetable market grew on the south side of the fashionable square but over time the market and the surrounding area fell into disrepute. Taverns, theatres, coffee-houses and brothels opened up, the gentry moved away, and rakes, wits and playwrights moved in.

By the 18th century Covent Garden had become a well-known red-light district, attracting notable prostitutes such as Betty Careless and Jane Douglas. Descriptions of the prostitutes and where to find them were provided by Harris’s List of Covent Garden Ladies, the “essential guide and accessory for any serious gentleman of pleasure”. 

Covent Garden’s market was always disorderly, the buildings in bad shape, and overcrowded with stalls, donkeys, carts, and peddlers. The small number of passageways into the piazza were small and with bottle necks of carts moving goods and market sellers fighting for right of way. The markets supplied fruits and vegetables, mostly homegrown but with imported goods increasing. Many sellers missed paying tolls for selling in the piazza or refused to pay them so the owner, the Earl of Bedford, took many people to court for not paying tolls. He realized the markets were in such poor condition that he couldn’t charge sellers until he improved them. In 1830, a new market hall was built with sections dividing the kind of goods sold which did improve things, but the markets remained chaotic. By 1890, people were again complaining about the narrow streets and congestion. The market hall provided a more permanent trading centre and Charles Fowler’s neo-classical building was erected to cover the market. As the market grew, the prostitutes moved on. The Houses of Parliament were the centre of Britain’s political world. But there was also an abundance of grand mansions and other buildings of interest in the City.

Covent Garden’s flower girls attracted attention by shouting:

“Two bundles a penny, primroses!”

“Sweet violets, penny a bunch!”

In 1851, Henry Mayhew wrote London Labour and the London Poor describing two types of flower girl. The young girls, or waifs, sold flowers to feed the family. The other type of flower girl stayed out late, doubled as prostitutes, and had bad reputations.

In 1913, Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000.

1809 View Of the New Covent Garden Theatre, London. From Hart Street, showing the King's entrance. Watercolor drawn by James Winston. via British Museum.

1809 View Of the New Covent Garden Theatre, London. From Hart Street, showing the King’s entrance. Watercolor drawn by James Winston. via British Museum.

1811 Bird’s Eye View of Covent Garden Market, London, UK. Main fruit, flower and vegetable market in London in early 19th century. Began here in 1656 with few temporary stalls in back garden of home of Earl of Bedford. Charles II granted market lease and in 1678 bought by Adam Piggot and others who built permanent stalls. By 1811, smelly, dirty, and overcrowded. Engraver J. Bluck. After Augustus Charles Pugin and Thomas Rowlandson published by Ackermann. Via Suzi Love suzilove.com & British Museum, London, UK. britishmuseum.org

1811 Bird’s Eye View of Covent Garden Market, London, UK. Main fruit, flower and vegetable market in London in early 19th century. Began here in 1656 with few temporary stalls in back garden of home of Earl of Bedford. Charles II granted market lease and in 1678 bought by Adam Piggot and others who built permanent stalls. By 1811, smelly, dirty, and overcrowded. Engraver J. Bluck. After Augustus Charles Pugin and Thomas Rowlandson published by Ackermann. Via British Museum, London, UK. britishmuseum.org

1827 Covent Garden Market, Westminster, London, U.K.  By Frederick James Havell.

1827 Covent Garden Market, Westminster, London, U.K. By Frederick James Havell.

1835 Covent Garden Watch House, London, UK. Next to the church of St. Paul's Church, Covent Garden. Two story white building with 'Watch House' painted on its upper floor is shown with a lively street scene in the foreground. via Museum of London.

1835 Covent Garden Watch House, London, UK. Next to the church of St. Paul’s Church, Covent Garden. Two story white building with ‘Watch House’ painted on its upper floor is shown with a lively street scene in the foreground. via Museum of London.

1852 J.M.W. Turner’s birthplace in Maiden Lane, Covent Garden. Brick terraced house at night with a figure in top hat walking past and two figures with a candlelight in the doorway_Watercolour with body color over graphite. Drawn by John Wykeham Archer.

1852 J.M.W. Turner’s birthplace in Maiden Lane, Covent Garden. Brick terraced house at night with a figure in top hat walking past and two figures with a candlelight in the doorway. Watercolour with body color over graphite. Drawn by John Wykeham Archer.

In 1913,Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000. By the end of the 1960s, traffic had become congested until in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. In 1980, the central building re-opened as a shopping centre and then became a tourist location with cafes, pubs, small shops, a craft market called the Apple Market, and another market in the Jubilee Hall.

Covent Garden Markets and Theatres, London, in the Years of Jane Austen and Bridgerton family. #Bridgerton #JaneAusten #London #CoventGarden https://www.books2read.com/suziloveROver Share on X
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Posted in Suzi Love | Tagged 1700s Or Georgian Era, art, Bridgerton, British history, Covent Garden, Food, google books, Jane Austen, London, London Places, Museum Of London, pastimes, Regency Era, theatre, Victorian Era

1851-1860 ca. Blue Ribbed Silk Corset, English. Front hooks and back lacing. #corset #VictorianEra #HistoricalFashion

1860 Corset, American. Cotton, metal, and bone. Manufacturer: Langdon Batcheller and Company, A1851-1860 ca. Blue Ribbed Silk Corset, English. Front and Back. Front hooks and back lacing. via Museum of London, UK. museumoflondon.org.uk

1851-1860 ca. Blue Ribbed Silk Corset, English. Front and Back. Front hooks and back lacing. via Museum of London, UK. museumoflondon.org.uk
1851-1860 ca. Blue Ribbed Silk Corset, English. Front hooks and back lacing. #corset #VictorianEra #HistoricalFashion https://books2read.com/SuziLoveCorsetBook19 Share on X
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HN_19_D2D_Corsets 1850-1880. https://books2read.com/SuziLoveCorsetBook19
March 20, 2026 by Suzi Love Posted in 1800s, 1800s women's fashion, Corset, England, History Notes, London, sewing, Suzi Love Books, U.S.A, Victorian Era Tagged 1800s women's fashion, Book 19, Corset, England, History Notes, Museum Of London, sewing, Suzi Love Images, Victorian fashion

1552 Onwards Covent Garden, London, England. #BritishHistory #London #CoventGarden

Suzi Love Posted on February 12, 2026 by Suzi LoveJanuary 30, 2026

Covent  Garden is within the London boroughs of Westminster and Camden, and the parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal’s Yard and Seven Dials, while the south contains the central square with its street performers and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum.

In 1552, the land was seized by Henry VIII and granted to the Earls of Bedford. The 4th Earl  commissioned Inigo Jones to build fine houses to attract wealthy tenants. It was the first modern square in London, with Italian arcades and a flat, open space or piazza with low railings. This layout was copied in other new estates in London.

1555 John Russell, 1st Earl Of Bedford. By a follower of John Bettes. Given land of Covent Garden by Herny VIII after the dissolution of the Monasteries.
1555 John Russell, 1st Earl Of Bedford. By a follower of John Bettes. Given land of Covent Garden by Herny VIII after the dissolution of the Monasteries.
1650 The piazza of Covent Garden about 1650, as engraved by Wenceslaus Hollar. Courtesy University of Toronto.
1650 The piazza of Covent Garden about 1650, as engraved by Wenceslaus Hollar. Courtesy University of Toronto.
1721-1789 ca. St. Paul's Church, Covent Garden, London, U.K. From between two arches of the plaza. Watercolor with grey wash. By Thomas Sandy. Via Suzi Love suzilove.com & British Museum, London, UK. britishmuseum.org
1721-1789 ca. St. Paul’s Church, Covent Garden, London, U.K. From between two arches of the plaza. Watercolor with grey wash. By Thomas Sandy. Via British Museum, London, UK. britishmuseum.org
1800s Early Covent Garden Market, London, U.K.
1800s Early Covent Garden Market, London, U.K.

In 1654, an open-air fruit and vegetable market grew on the south side of the fashionable square but over time the market and the surrounding area fell into disrepute. Taverns, theatres, coffee-houses and brothels opened up, the gentry moved away, and rakes, wits and playwrights moved in.

By the 18th century Covent Garden had become a well-known red-light district, attracting notable prostitutes such as Betty Careless and Jane Douglas. Descriptions of the prostitutes and where to find them were provided by Harris’s List of Covent Garden Ladies, the “essential guide and accessory for any serious gentleman of pleasure”. 

Covent Garden’s market was always disorderly, the buildings in bad shape, and overcrowded with stalls, donkeys, carts, and peddlers. The small number of passageways into the piazza were small and with bottle necks of carts moving goods and market sellers fighting for right of way. The markets supplied fruits and vegetables, mostly homegrown but with imported goods increasing. Many sellers missed paying tolls for selling in the piazza or refused to pay them so the owner, the Earl of Bedford, took many people to court for not paying tolls. He realized the markets were in such poor condition that he couldn’t charge sellers until he improved them. In 1830, a new market hall was built with sections dividing the kind of goods sold which did improve things, but the markets remained chaotic. By 1890, people were again complaining about the narrow streets and congestion.

Covent Garden’s flower girls attracted attention by shouting:

“Two bundles a penny, primroses!”

“Sweet violets, penny a bunch!”

In 1851, Henry Mayhew wrote London Labour and the London Poor describing two types of flower girl. The young girls, or waifs, sold flowers to feed the family. The other type of flower girl stayed out late, doubled as prostitutes, and had bad reputations.

In 1913, Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000.

1809 View Of the New Covent Garden Theatre, London. From Hart Street, showing the King's entrance. Watercolor drawn by James Winston. via British Museum.
1809 View Of the New Covent Garden Theatre, London. From Hart Street, showing the King’s entrance. Watercolor drawn by James Winston. via British Museum.
1811 Bird’s Eye View of Covent Garden Market, London, UK. Main fruit, flower and vegetable market in London in early 19th century. Began here in 1656 with few temporary stalls in back garden of home of Earl of Bedford. Charles II granted market lease and in 1678 bought by Adam Piggot and others who built permanent stalls. By 1811, smelly, dirty, and overcrowded. Engraver J. Bluck. After Augustus Charles Pugin and Thomas Rowlandson published by Ackermann. Via Suzi Love suzilove.com & British Museum, London, UK. britishmuseum.org
1811 Bird’s Eye View of Covent Garden Market, London, UK. Main fruit, flower and vegetable market in London in early 19th century. Began here in 1656 with few temporary stalls in back garden of home of Earl of Bedford. Charles II granted market lease and in 1678 bought by Adam Piggot and others who built permanent stalls. By 1811, smelly, dirty, and overcrowded. Engraver J. Bluck. After Augustus Charles Pugin and Thomas Rowlandson published by Ackermann. Via British Museum, London, UK. britishmuseum.org
1827 Covent Garden Market, Westminster, London, U.K.  By Frederick James Havell.
1827 Covent Garden Market, Westminster, London, U.K. By Frederick James Havell.

In 1830, Charles Fowler’s neo-classical building was erected to cover the market and as the market grew, the prostitutes moved on. The Floral Hall and Charter Market were added and the Jubilee Market in 1904.

1835 Covent Garden Watch House, London, UK. Next to the church of St. Paul's Church, Covent Garden. Two story white building with 'Watch House' painted on its upper floor is shown with a lively street scene in the foreground. via Museum of London.
1835 Covent Garden Watch House, London, UK. Next to the church of St. Paul’s Church, Covent Garden. Two story white building with ‘Watch House’ painted on its upper floor is shown with a lively street scene in the foreground. via Museum of London.
1852 J.M.W. Turner’s birthplace in Maiden Lane, Covent Garden. Brick terraced house at night with a figure in top hat walking past and two figures with a candlelight in the doorway_Watercolour with body color over graphite. Drawn by John Wykeham Archer.
1852 J.M.W. Turner’s birthplace in Maiden Lane, Covent Garden. Brick terraced house at night with a figure in top hat walking past and two figures with a candlelight in the doorway_Watercolour with body color over graphite. Drawn by John Wykeham Archer.

In 1913,Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000. By the end of the 1960s, traffic had become congested until in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. In 1980, the central building re-opened as a shopping centre and then became a tourist location with cafes, pubs, small shops, a craft market called the Apple Market, and another market in the Jubilee Hall.

1552 Onwards Covent Garden, London, England. #BritishHistory #London #CoventGarden https://www.books2read.com/suziloveROver Share on X
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Posted in 1700s, 1800s, England, Food and Drink, Georgian Era, History, London, Regency Era, Romantic Era, Suzi Love Images, Victorian Era | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, British history, British Museum, Covent Garden, Food, Georgian era, google books, London, Museum Of London, Regency London, Suzi Love Images, theatre, WikiMedia Commons | Leave a reply

1816 May. Wedding Dress of Princess Charlotte as Worn in Bridgerton and Jane Austen Years. #Bridgerton #JaneAusten #Royalty #WeddingDress

Suzi Love Posted on August 3, 2025 by Suzi LoveJuly 12, 2025

1816 May Wedding Dress Of Princess Charlotte of Wales (1796-1817). Worn at her wedding to Prince Leopold Saxe-Coburg. Silk satin high-waisted bodice with short puffed sleeves, dipping neckline, underskirt, overskirt, train and apron. Created by Mrs Triaud, London dressmaker although this may not be the original skirt. Metallic embroidery was very fashionable for court dress in early 19th Century despite the cost and delicacy but was an unusual choice for Princess Charlotte who preferred to dress simply. via Museum of London, UK. museumoflondon.org.uk

The wedding dress of Princess Charlotte Augusta as described in La Belle Assemblee magazine for May, 1816.

“As we have been gratified with a sight of the wedding dresses of this amiable and illustrious female, a particular yet concise account of them cannot but be acceptable to our fair readers. The Royal Bride, happy in obtaining him whom her heart had selected, and whom consenting friends approved, wore on her countenance that tranquil and chastened joy which a female so situated could not fail to experience.

 Her fine fair hair, elegantly yet simply arranged, owed more to its natural beautiful wave than to the art of the friseur; it was crowned with a most superb wreath of brilliants, forming rosebuds with their leaves. Her dress was silver lama [lamé] on net, over a silver tissue slip, embroidered at the bottom with silver lama in shells and flowers.  Body and sleeves to correspond, elegantly trimmed with point Brussels lace.  

The manteau was of silver tissue lined with white satin, with a border of embroidery to answer that on the dress, and fastened in front with a splendid diamond ornament. Such was the bridal dress … The jewellery of the royal bride is most superb; beside the wreath, are a diamond cestus, ear- rings, and an armlet of great value, with a superb set of pearls. 

1816 May Wedding Dress Of Princess Charlotte of Wales (1796-1817). Worn at her wedding to Prince Leopold Saxe-Coburg. Silk satin high-waisted bodice with short puffed sleeves, dipping neckline, underskirt, overskirt, train and apron. Created by Mrs Triaud, London dressmaker. Metallic embroidery was very fashionable for court dress in early 19th Century despite the cost and delicacy but was an unusual choice for Princess Charlotte who preferred to dress simply. via Suzi Love suzilove.com & Museum of London, UK. museumoflondon.org.uk
1816 May. Wedding Dress of Princess Charlotte as Worn in Bridgerton and Jane Austen Years. #Bridgerton #JaneAusten #Royalty #WeddingDress https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
HN_28_D2D_Fashion Women 1815-1819
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Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, England, Jane Austen, London, Regency Era, Regency Fashion, Royalty, weddings | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, Jane Austen, La Belle Assemblee, Museum Of London, Princess Charlotte, Regency Era, Regency Fashion, Regency Royalty, weddings

1803 Dark Blue Wool Greatcoat By Weston As Worn By the Men In Jane Austen’s Life. #JaneAusten #RegencyFashion #London

Suzi Love Posted on July 20, 2025 by Suzi LoveJuly 9, 2025

1803 Dark Blue Wool Greatcoat, English. Typical gentlemen’s coat worn during the early 1800s, or Regency Era, or Jane Austen’s times. Slim fitting, double-breasted coat with notched collar, silk velvet collar. Gilt buttons by Charles Jennens, London button maker. Tailored by John Weston of 38 Old Bond Street, London, U.K. The Prince of Wales was passionately interested in clothes and patronized London’s most skillful craftsmen e.g. Weston. via Museum of London, UK. museumoflondon.org.uk

1803 Dark Blue Wool Greatcoat English_Slim fitting, double breasted coat with notched_ collar, silk velvet collar. Gilt buttons _by Charles Jennens, London button maker._Tailored by John Weston38 Old Bond Street_MuseumLondon

1803 Dark Blue Wool Greatcoat By Weston As Worn By the Men In Jane Austen’s Life. #JaneAusten #RegencyFashion #London https://books2read.com/SuziLoveFashionMen1800-1819

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Posted in 1800s, 1800s Mens Fashions, Coat or Pelisse Or Redingote, England, Jane Austen, London, Regency Era, Regency Fashion | Tagged 1800s men fashion, Jane Austen, Museum Of London, Prince Regent, Redingote Or Pelisse Or Coat, Regency Fashion

1801-1828 ca. Navy Wool Double Breasted Tailcoat as worn by men in Bridgerton and Jane Austen times. #JaneAusten #Bridgerton #RegencyFashion

Suzi Love Posted on June 8, 2025 by Suzi LoveJune 7, 2025

1801-1828 ca. Man’s Outfit, British. Double breasted, swallow tailcoat of navy wool, plush dark blue velvet collar. Buttoned flap and waist beige breeches, cream vest, intricately tied white cravat. via museumoflondon.com

In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.

1801-1828 ca. Man's Outfit, British. Double breasted, swallow tailcoat of navy wool, plush dark blue velvet collar. Buttoned flap and waist beige breeches, cream vest, intricately tied white cravat. via museumoflondon.com

1801-1828 ca. Navy Wool Double Breasted Tailcoat as worn by men in Bridgerton and Jane Austen times. #JaneAusten #Bridgerton #RegencyFashion #Regency #Fashion https://books2read.com/SuziLoveFashionMen1800-1819 Share on X

From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass. 

Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. 

1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
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Posted in 1800s Mens Fashions, Coat or Pelisse Or Redingote, England, Jane Austen, Regency Era, Suit, Suzi Love Images | Tagged 1800s men fashion, Beau Brummell, breeches, Bridgerton, British history, cravat, fashion accessories, Jane Austen, Museum Of London, pants, Regency Fashion, Tailcoat, Vest or Waistcoat

1851-1860 ca. Queen Victoria’s Ivory Silk Satin Dancing Slippers, English. #VictorianEra #QueenVictoria #Shoes #BritishHistory

Suzi Love Posted on October 29, 2024 by Suzi LoveOctober 28, 2024

1851-1860 ca. Queen Victoria’s Ivory Silk Satin Dancing Slippers, English. Made by Richard Gundry, Gundry and Co., Soho Square, London, U.K.

shoes_1851-1860 ca. Queen Victoria's Ivory Silk Satin Dancing Slippers, English. By Richard Gundry, Gundry and Co., Soho Square, London, U.K.
1851-1860 ca. Queen Victoria's Ivory Silk Satin Dancing Slippers, English.#VictorianEra #QueenVictoria #Shoes #BritishHistory https://www.bookbub.com/profile/suzi-love Share on X
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Posted in 1800s, 1800s women's fashion, England, London, Royalty, shoes, Suzi Love Images, Victorian Era | Tagged 1800s women's fashion, fashion accessories, Museum Of London, Queen Victoria, Royalty, Shoes, Suzi Love Images, Victorian Era, Victorian fashion
1817-1820 ca. Spencer, English. Collage View. Green silk, brown satin puffs, silk cord on deep V collar and sleeves. With the rise of fashionable waistlines in women's dresses after around 1800, women's outerwear followed suit. This jacket with very short bodice and long sleeves was known as a spencer and was named after the male coat. via Museum of London, UK. museumoflondon.org.uk suzilove.com

1817-1820 ca. Jane Austen and Bridgerton Style Green Silk Spencer, Or Jacket, English. #Bridgerton #RegencyFashion #JaneAusten #Spencer

Suzi Love Posted on September 9, 2024 by Suzi LoveAugust 25, 2024

1817-1820 ca. Spencer, English. Green silk, brown satin puffs, silk cord on deep V collar and sleeves. With the rise of fashionable waistlines in women’s dresses after around 1800, women’s outerwear followed suit. This jacket with very short bodice and long sleeves was known as a Spencer and was named after the male coat made famous by the Earl Spencer. The jacket is said to have originated in an accident to Lord Spencer in hunting when his coat tails were torn off and a cropped jacket was invented.  via Museum of London, UK. museumoflondon.org.uk. books2read.com/suziloveSpencers. Jane Austen and her contemporaries often walked to places and so would have needed the warmth of a Spencer over her dress in the cold British winters.

Definition Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. These close-fitting, tight sleeved, waist length jackets were modeled on a gentleman’s riding coat, but without tails. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.

1817-1820 ca. Spencer, English. With the rise of fashionable waistlines in women's dresses after around 1800, women's outerwear followed suit. This jacket with very short bodice and long sleeves was known as a spencer. via Museum Of London.
1817-1820 ca. Spencer, English. With the rise of fashionable waistlines in women’s dresses after around 1800, women’s outerwear followed suit. This jacket with very short bodice and long sleeves was known as a spencer. via Museum Of London.
1817-1820 ca. Spencer, English. Back View. Green silk, brown satin puffs, silk cord on deep V collar and sleeves. With the rise of fashionable waistlines in women's dresses after around 1800, women's outerwear followed suit. This jacket with very short bodice and long sleeves was known as a spencer and was named after the male coat. via Museum of London, UK. museumoflondon.org.uk suzilove.com
1817-1820 ca. Jane Austen and Bridgerton Style Green Silk Spencer, Or Jacket, English. #Bridgerton #RegencyFashion #JaneAusten #Spencerbooks2read.com/suziloveSpencers Share on X
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Posted in 1800s, 1800s women's fashion, England, Jane Austen, London, Regency Era, Spencer, Suzi Love Images | Tagged 1800s women's fashion, Jane Austen, Museum Of London, Regency Fashion, sewing, Spencer

What’s the difference between a ridicule, a reticule, and a handbag? 1831-1850 ca. Round Bag of Crimson Silk. #RomanticEra #BritishHistory #Handbag

Suzi Love Posted on August 31, 2024 by Suzi LoveAugust 31, 2024

1831-1850 ca. Reticule, Or Handbag, English. Round bag of crimson silk with embroidery and a drawstring. via Museum Of London.

Definition Ridicule, Reticule, or Handbag: From the late 1700s, pockets could no longer be sewn into gowns, as skirts fell from just under the bust and were full and flowing. Instead, women began carrying small bags, known at first as ridicules and later as reticules, to keep necessary items on their person e.g. handkerchiefs, coins, vinaigrettes, calling cards, glasses etc.

The term ‘ridicule’ derived from the Latin ‘ridiculum’ and first used in France during the 17th century and meant subjecting something or someone to mockery. As women’s tiny bags were mocked, or ridiculed, for being a useless fashion accessory when they were first used in the late 1700s, it’s likely this is how the name ‘ridicule’ started. The later term ‘reticule’ derived from the Latin reticulum, meaning ‘netted bag’ and was applied when bags became larger and often made from netting.

In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded Maché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.

1800s magazines were written for well-bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.

What was fashionable for purses in past centuries? Call them what you like: purses, bags, handbags, reticules, ridicules, clutches, or pocket replacements. They all did the same job and they changed greatly with the prevailing fashions of time. books2read.com/suziloveReticules History Notes Book 3 By Suzi Love.

bag_1831-1850 ca. Reticule, English. Round bag of crimson silk with embroidery and a drawstring. via Museum Of London.
What's the difference between a ridicule, a reticule, and a handbag? 1831-1850 ca. Round Bag of Crimson Silk. #RomanticEraFashion #VictorianFashion #BritishHistory #reticule http://books2read.com/suziloveReticules Share on X
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Posted in 1800s, 1800s women's fashion, England, fashion accessories, Reticule or Bag, Romantic Era, Suzi Love Images | Tagged 1800s women's fashion, fashion accessories, Museum Of London, Regency Fashion, reticule or bag, Romantic Era Fashion | Leave a reply

1810 ca Spectacles Or Eye Glasses, British. #Bridgerton #JaneAusten #RegencyEra #BritishHistory #RegencyFashion

Suzi Love Posted on August 14, 2024 by Suzi LoveAugust 13, 2024

1810 ca Spectacles Or Eye Glasses, British. Fashion accessories as worn by both men and women in the time of the Bridgertons and Jane Austen. via Museum Of London museumoflondon.org. https://books2read.com/SuziLoveFashionMen1800-1819

1810 ca Spectacles Or Eye Glasses, British. via Museum Of London museumoflondon.org
1810 ca Spectacles Or Eye Glasses, British. via Museum Of London museumoflondon.org
1810 ca Spectacles Or Eye Glasses, British. #Bridgerton #JaneAusten #RegencyEra #BritishHistory #RegencyFashion https://books2read.com/SuziLoveFashion1810-1814 Share on X
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Posted in 1800s Mens Fashions, 1800s women's fashion, England, fashion accessories, Jane Austen, London, medical, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s men fashion, 1800s women's fashion, fashion accessories, glasses, Jane Austen, Museum Of London, Regency Fashion

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