Music history from the 17th, 18th, and 19th Centuries. Pianos, pianofortes, harps, viols, violins played during Jane Austen’s times. Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Musical instruction and encouragement could be found everywhere and both young ladies and gentlemen were encouraged to have musical appreciation. And of course, playing music was on the list of social requirements for all young ladies desirous of becoming a wife and homemaker.
London became Europe’s leading centre for the manufacture of scientific instruments and this led to the manufacture of more musical instruments as well as factories developed and rail transport helped the faster distribution of goods to regional areas. One of the first places that music was used to tell stories and to share enjoyment was in Christmas music. Because music was such an integral part of households, music was always a feature in Magazines. There were advertisements everywhere for musical instruments for sale, for sheet music, and for music lessons. And of course, of most interest to the ladies were the hundreds of fashion plates included in magazines where people were depicted with their musical instruments.
Music history from the 17th, 18th, and 19th Centuries. Pianos, pianofortes, harps, viols, violins played during Jane Austen’s times. Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Musical instruction and encouragement could be found everywhere and both young ladies and gentlemen were encouraged to have musical appreciation. And of course, playing music was on the list of social requirements for all young ladies desirous of becoming a wife and homemaker.
London became Europe’s leading centre for the manufacture of scientific instruments and this led to the manufacture of more musical instruments as well as factories developed and rail transport helped the faster distribution of goods to regional areas. One of the first places that music was used to tell stories and to share enjoyment was in Christmas music. Because music was such an integral part of households, music was always a feature in Magazines. There were advertisements everywhere for musical instruments for sale, for sheet music, and for music lessons. And of course, of most interest to the ladies were the hundreds of fashion plates included in magazines where people were depicted with their musical instruments.
How did they celebrate Christmas in Bridgerton and Jane Austen times? Historical information about the traditions of Christmas through the centuries, including the religious aspects, decorations, games, food and plays. History Of Christmases Past has lots of information and images about Christmas through the centuries, including religious aspects, decorations, games, food and plays. Historic images show how some traditions have changed while many have remained the same through the centuries. books2read.com/suziloveHOCPhttp://books2read.com/suziloveHOCP.
An early 1800’s glimpse into both the frivolous and more serious occupations filling a young lady’s day in the lifetime of Jane Austen, or the Regency Era. Historic images and historical information show her fashions and frolics. Shows the often-frivolous life and fashions of a young lady in the early 1800’s, plus a glimpse into the more serious occupations a young lady may undertake. Through historic images, historical information, and funny anecdotes, it shows how a young lady fills her day. Young Lady’s Day Regency Life Series Book 4 by Suzi Love. https://books2read.com/suziloveYLD
Do you need more factual and visual information for your historical fiction? History of fashion, music, peerage and customs in 18th and 19th centuries. Non-fiction series full of gorgeous pictures and engraved fashion plates. A visual history of fashion, music, peerage, social manners and customs from late 1700s to late 1800s, or 18th and 19th centuries.
1802 Pianoforte By John Broadwood. Square form, pale mahogany case with ebony wood stringing throughout. Inscribed ‘1802 John Broadwood and Sons, Makers to his Majesty and the Princesses, Great Pulteney Street, Golden Square, London.’ via Sotheby’s Auctions. ~ sothebys.com
Definition Piano- Forte: Well-known stringed and keyed instrument of German origin, so called from its equal command both of softness and strength. Its principal advantage over the harpsichord is its capacity of obeying the touch so the performer can vary the expressions and strike lights and shades. Jane Austen and her contemporaries played the pianoforte to entertain family and guests.
Young Lady’s Day is Book 4 in the Regency Life Series. This book depicts the often-frivolous life and fashions of a young lady in the early 1800’s, but also gives a glimpse into the more serious occupations a young lady may undertake. Through historic images, historical information, and funny anecdotes, it shows how a young lady fills her day, where she is permitted to go, and who she is allowed spend time with. These light-hearted looks at the longer Regency years are an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne.
The Assembly Rooms in Bath, UK. One of my favorite places to visit.
Bath had two assembly rooms in the lower part of the town but they weren’t large enough for the rapidly increasing population so on the 30th September, 1771, New Rooms were opened on the north east of the Circus, between Bennett and Alfred Streets. These Upper Rooms were designed by the architect, John Wood, and were in a better part of town so they became much more fashionable. They were called the New, or Upper Rooms, to distinguish them from the older Assembly Rooms in the lower part of the town.
They were a set of public rooms purpose-built for the 18th century form of entertainment called an ‘assembly‘, where a large number of people came together to dance, drink tea, play cards, listen to music, or parade around the rooms and talk and flirt. The four rooms are the Ball Room, the Tea Room or Concert Room, the Octagon Room, and a Card Room. The Upper Rooms held two balls a week, a dress ball on Monday evenings and a fancy ball on Thursdays during the Bath season which was from October to early June. These balls were so popular they attracted between 800 and 1,200 guests at a time.
John Wood raised the money for the New Rooms by a “tontine” subscription, which was like a lottery. By April 1769, £14,000 was raised amongst 53 people. When a subscriber died, their shares were added to the holdings of the other subscribers, which meant that the last surviving subscriber inherited everything.
The exterior of the Upper Assembly Room looks typically Georgian, but the interior is very grand and the high ceilings gave good ventilation on crowded ball nights and windows set at a high level prevented outsiders from looking in. Two long rectangular rooms flank the entrance hall and are linked by an octagonal room at the far end to form a U-shape.
1798 Fancy Dress Ball at the Bath Assembly Rooms.’
By Thomas Rowlandson.Interior of Assembly Rooms, Bath.Entrance to Assembly Rooms,
Now Fashion Museum.
Bath, U.K.Entrance to Assembly Rooms,
Now Fashion Museum.
Bath, U.K.1805 Interior of Concert Room, Bath. By John Claude Nattes
‘Bath Illustrated by a Series of Views.’
Via Suzi Love – suzilove.com
& Wikimedia Commons commons.wikimedia.org1799 Richard Nash Esq. Master of Ceremonies, Assembly Rooms, Bath From- 1799 The New Bath Guide Printed by R. Cruttwell.1771 The New Assembly Rooms Opened,
Between Bennet and Alfred streets,
Bath, U.K.
via Suzi Love – suzilove.com
& 1835 The Historical and Local New Bath Guide
Published By C. Duffield.
The Assembly Rooms are lit by a set of nine chandeliers, made for the building in 1771. Jonathan Collett of London originally provided a set of five chandeliers for the Ball Room when it opened in September 1771. Shortly afterwards the arm of one of the chandeliers fell off – narrowly missing the artist, Thomas Gainsborough, who lived nearby at the time. The Ball Room chandeliers were taken down and a new set was ordered from William Parker of London. Parker had already supplied three chandeliers for the Tea Room. It was agreed that Jonathan Collett should salvage the rejected set of Ball Room chandeliers and make one large chandelier to hang in the Octagon Room. The chandeliers in the three rooms had an average height of eight feet and they were made of Whitefriars crystal from the Whitefriars Glassworks in London and were originally lit by candles. The Ball Room and Tea Room chandeliers each had 40 lights and the Octagon chandelier had 48 lights.
During the 19th century, they were fitted for gas and were later converted to electric light. At the start of the Second World War, the chandeliers were put into storage and escaped destruction when the Assembly Rooms were bombed in 1942. During the extensive refurbishment of the building in 1988-1991, the chandeliers were restored by R. Wilkinson & Sons of London. The Bath Season ran from October to June. As the Season spanned the winter months and many activities took place in the evening it was essential to provide good artificial lighting.
The ball room is the largest of the three main rooms and is over 105 feet long and 42 feet wide and 42 feet high. It runs the whole length of the north side of the building and covers two storeys. The paint is called Ballroom Blue and was first created by David Mlinaric in the 1970s from an original colour swatch. “It is a stroke of luck that the colour sample of blue paint is still attached to the 1770s minute book of the Assembly Rooms Furnishing Committee.” said Lucy Powell, Assistant Archivist at Bath Record Office, “The building was bombed in 1942 so traces of the paint would never have survived otherwise.” From: Fashion Museum, Bath.
On the other side, the tea room is 70 feet long and 27 feet wide and all the rooms had huge chandeliers to give light. In 1777, a card room was added to the Octagonal Room. Before the Card Room was added, the Octagon Room became famous for card playing, the favorite leisure activity from the Georgian Era through to the Regency, as the Upper Rooms were open for card games every day except Sunday. The Octagon Room is dominated by Gainsborough’s portrait of the first Master of Ceremonies at the Upper Rooms, Captain William Wade. Bath’s most famous Master of Ceremonies, Richard “Beau” Nash, never knew this building as he died in 1761.
Bath_Octagon Room, The Assembly Rooms, Bath, U.K. Chandeliers. The Assembly Rooms,
Bath, U.K.
Ball Room Chandeliers. The Assembly Rooms,
Bath, U.K.
Chandeliers. The Assembly Rooms,
Bath, U.K.
Chandeliers. The Assembly Rooms,
Bath, U.K.
Chandeliers. The Assembly Rooms,
Bath, U.K.
Chandeliers. The Assembly Rooms,
Bath, U.K.
Chandeliers. Regency Era Paintings,
Assembly Rooms,
Bath, U.K.Regency Era Paintings,
Assembly Rooms,
Bath, U.K.Regency Era Paintings,
Assembly Rooms,
Bath, U.K.Regency Era Paintings,
Assembly Rooms,
Bath, U.K.
The tea room was used for refreshments, with tea generally served weak and black or perhaps with arrack and lemon, and on Wednesday nights during the Season concerts were held there. Fashionable visitors to Bath could also hold breakfasts there for their friends.
Many famous people visited the Assembly Rooms in the 18th and 19th centuries. Jane Austen and Charles Dickens both mention the Assembly Rooms in their novels and the diarist, Francis Kilvert, described a reception there in 1873. Subscription concerts were popular and many well-known musicians also visited, the most distinguished being Joseph Haydn, Johann Strauss the Elder, and Franz Liszt.
Today, the Octagon Room, the Tea Room, and the Cloak room Landings all showcase beautiful paintings and prints as the Upper Rooms were given to the National Trust in 1931. You can see paintings by Thomas Gainsborough and John Simmons as well as an Original ticket to the Thirteenth Dress Ball at the Assembly Rooms, 24 January 1803.
Since 1963, the Upper Assembly Rooms have also housed the amazing Fashion Museum. The building is owned by the National Trust and is leased by Bath & North East Somerset Council.
Light-Hearted look at an Older Lady’s Life In Jane Austen’s Times, or early 1800s. An easy to read overview of what an older lady did, wore, and how she lived in the early 19th Century. Information for history buffs and pictures for readers and writers of historical fiction. Older Lady’s Day, Regency Life Series, Book 5, by Suzi Love. books2read.com/suziloveOLD
Through historic images, historical information, and funny anecdotes, it shows how an older lady in Jane Austen’s times fills her day, where she goes, and with whom she spends her time. This light-hearted look at the longer Regency years is an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne. Regency Life Series, Book 5, By Suzi Love.
Do you need more factual and visual information for your historical fiction? Try History Notes Books 1-28. Non-fiction Series: Fashion, corsets, Regency Era, music and social manners in the 18th and 19th centuries e.g.