1818 November 6th A Dandy Cock in stays or- A new thing for the ladies.By Isaac Robert Cruikshank A dandy, much burlesqued, stands full-face, his head, which has a bird-like profile, turned to the left; his hair is brushed up at the back behind his hat to resemble the tail-feathers of a cock. He wears puffed-out breeches and top-boots with enormous spurs, and holds an umbrella. Via British Museum, London, UK. britishmuseum.org (PD-Art)
Music history from the 17th, 18th, and 19th Centuries. Pianos, pianofortes, harps, viols, violins played during Jane Austen’s times. Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Musical instruction and encouragement could be found everywhere and both young ladies and gentlemen were encouraged to have musical appreciation. And of course, playing music was on the list of social requirements for all young ladies desirous of becoming a wife and homemaker.
London became Europe’s leading centre for the manufacture of scientific instruments and this led to the manufacture of more musical instruments as well as factories developed and rail transport helped the faster distribution of goods to regional areas. One of the first places that music was used to tell stories and to share enjoyment was in Christmas music. Because music was such an integral part of households, music was always a feature in Magazines. There were advertisements everywhere for musical instruments for sale, for sheet music, and for music lessons. And of course, of most interest to the ladies were the hundreds of fashion plates included in magazines where people were depicted with their musical instruments.
19th Century Cross Letter or Cross Writing or Cross Hatching. The writer reached the bottom of the page, turned the paper sideways and adds a second layer of text. During the 19th century, paper was expensive and postal delivery was charged per page, or by the size of the paper. Cross-writing was a way to save paper and postage in Jane Austen and Bridgerton times, and many of Jane Austen’s letters were written this way. Once it becomes familiar, the mind adapts easily and cross-writing letters are surprisingly legible. Charles Darwin also favored this technique.
Rates of Postage of single Letters in Pence.
From any post-office in England or Wales, to any place not exceeding 15 miles from such office – – – 3
For any distance above 15, and not exceeding 30 miles — — 4
For any distance above 30, and not exceeding 50 miles — 5
For any distance above 50, and not exceeding 80 miles – 6
For any distance above 80, and not exceeding 12O miles — 7
For any distance above 120, and not exceeding 170 miles – 8
For any distance above 170, and not exceeding 230 miles — 9
For my distance above 230, and not exceeding 300 miles — — 10
For any distance above 300, and not exceeding 400 miles – 11
For any distance above 400, and nut exceeding 500 mites — 12
1802 Picture of London Printed for R. Phillips via Google Books (PD-180)
And so in proportion; the postage increasing progressively one penny for a single letter for every like excess ok distance of 100 miles. 1802 Picture of London Printed for R. Phillips via Google Books (PD-180)
The Twopenny Post- Office.
There are two principal offices, one in the General Post—office yard, Lombard—street and the other in Gerrard-street, Soho. There are also numerous receiving houses in both the town and country.
There are SI X collections and deliveries of letters in town daily, (Sundays excepted) and there are two dispatches from, and three deliveries at, most places in the country, within the limits of this office.
1802 Picture of London Printed for R. Phillips via Google Books (PD-180)
1818 December 11th A dandy fainting or – an exquisite in fits. Scene a private box opera. A dandy lies back fainting in a chair, his limbs rigid, supported by three others while a fourth (left) draws the curtain, cutting off a view of the (distant) stage where a singer is posturing. Via British Museum, London, UK. britishmuseum.org (PD-Art)
19th Century Late Mechanical Tantalus, French. Ormolu, Bronze, Crystal, and Gilt with a lock and key to open. Earlier versions of this type of small drinks cabinet would have been used in most households during Jane Austen’s times, unless the householders were teetotalers. via 1st Dibs Auctions 1stdibs.com
Tantalus: A small wooden cabinet containing drink decanters. The box has a lock and key to keep unauthorised people from drinking the contents e.g. servants and younger sons, yet still allowing the decanters of drinks to be on show. The word, Tantalus, is a reference to the unsatisfied temptations of the Greek mythological character Tantalus. Patented in the UK in 1881 by George Betjemann, a cabinet maker from the Netherlands, whose workshop was on Pentonville Road, London from the 1830s.
Riding For Ladies During the Regency and Early Victorian years. How did they ride sidesaddle? What did their saddles look like? What did they wear?
From 1850 Hints To Horsekeepers By Henry William Herbert via Google Books (PD150)
Why Every Lady should learn to ride: EVERY lady should learn to ride; not at a mature age, when her frame has become exhausted by a sedentary life and consequent ill health; nor even when, her school-days being over, she is thought to have leisure for wholesome exercise; but in childhood, when her will is strong and her body obedient to it. Particularly in our large cities, too little care is given to the physical culture of young girls. Their minds are engaged, not often with energetic mental work, but with idle thought for dress and show, while no other exercise is taken than a measured daily walk, and occasional dancing and waltzing.
‘Where household labor is disdained, and no opportunity can be afforded for floriculture or any other agreeable out-door occupation, there is no substitute so good as horseback riding. But for the country girl it becomes indispensable. Not her health, perhaps, but her happiness demands it. No woman ever rides so well as one who from childhood has loved her pet colt. She has chased him, perhaps, for hours around a ‘ten-acre lot:’ and when, his frisky mood over, she has been able to take him coaxingly by the inane and lead him to a mounting place, great was the triumph of her wild ride. And no training or care can give the freedom and skill of this youthful practise.
RIDING CLOTHING
Few ladies know how to dress for horse exercise. A head dress should shade form the sun but fit well enough that it needs no adjustment, as the hands are needed for the reins. The Whip, an essential element of the lady’s riding outfit, should be stiff and substantial, without being heavy.
The hair should be arranged in the firmest manner possible. If suited to the style of the lady, it may be plaited at the back and looped across, in a manner which will support the hat and present a very comely appearance. Or it may be found pleasanter to turn all of the back hair to the top of the head, where a high hat is used. All loose arrangements of the hair, except short curb, when they are natural, should be avoided. But few hair-pins should be used, and those long and firmly woven into the hair. The recent fashions of wearing the plumes or feathers of the ostrich, the cock, the pheasant, the peacock, and the kingfisher, in the riding hats of young ladies, are highly to be commended.
Ladies habits are usually made too long and become cumbersome. A foot longer than an ordinary skirt will be sufficient if the material is suitable. Light Cloth will be found the most appropriate for the skirt, if the color be becoming and sufficiently dark. The fashion of a waistcoat of light material for summer, revived from the fashion of the last century, is a decided improvement, and so is the over-jacket, of cloth or seal-skin, for rough weather. It is the duty of every woman to dress in as becoming and attractive a manner as possible; there is no reason why pretty young girls should not indulge in picturesque riding costume so long as it is appropriate.
Many ladies entirely spoil the set of the skirts by retaining the usual impedimenta of petticoats. The best dressed horsewomen wear nothing more than a flannel chemise with long, colored sleeves, under their trousers. If ladies prefer, a quilted skirt, not too full, may be worn. It should be lined with silk or glazed muslin, and will be found no impediment. Long boots are a great comfort and protection in riding long distances.
All ladies who desire that riding should be to them a healthful exercise, must take great care that their dress be perfectly easy in every part, particularly over the chest and around the ribs. Let the boots be easy, and their gloves, which should be leather gauntlets, large and soft, and all elastic bands very loose.
Ladies’ trousers should be of the same material and color as the habit, and if full, flowing like a Turk’s and fastened with an elastic band round the ankle, they will not be distinguished from the skirt. In this costume, which may be made amply warm by the folds of the trousers, plaited like a highlander’s kilt, fastened with an elastic band at the waist, a lady can sit down in a manner impossible for one encumbered by two or three short petticoats. It is the chest and back which require double folds of protection during, and after, strong exercise.
LADY MOUNTING A HORSE
The lady in mounting should be assisted by two persons, one to hold the horse, standing directly in front of him, and holding by the check pieces of the bridle, above the bit, and the other to assist her to her seat.
Having taken the reins and whip in the right hand, she will stand with her face towards the horse’s head, and with her right hand on the left pommel or the saddle. In the left hand she will hold her skirt, in such a manner as to enable her to raise it clear of the ground. The gentleman will stand, facing her, and opposite to the horse’s shoulder, with his left hand holding by his mane, this steadies the horse when the lady springs. The gentleman will now stoop and take the lady’s left foot, which has been raised fifteen inches from the ground, in his right hand, clasping it firmly under the instep. The skirt having been raised to clear the foot, is now dropped, and the lady places her left hand on the gentleman’s right shoulder, giving a spring to straighten the left knee.
During this spring the gentleman will simply keep his hand still, supporting the lady’s weight, but not raising her until the knee is fairly straightened, when he may lift her to the required height, but without trying to push her over on to the saddle. She will find her seat more easily without such assistance, which would often tend to throw her over the horse, rather than on his back. Being seated with her right hand still on the pommel, the lady will, with her left hand, adjust the folds of her skirt. She will then remove her hand from the pommel, and place her right knee over it; when the gentleman will place her foot in the stirrup, and then aid her in taking proper hold of the reins and whip. When this is accomplished, the attendant at the horse’s head steps out of the way, and the lady assumes the control. Fortunately, the operation is less tedious than its description.
LADY DISMOUNTING A HORSE
A lady dismounts with perfect ease. After the groom has taken his place in front of the horse and secured him, by releasing her hold upon the bridle and stirrup and lifting her right leg over the pommel, which she now holds with the right hand, while the left, on the shoulder, or in the hand of her gallant, affords her sufficient support in slipping to the ground.
THE SEAT IN THE SIDESADDLE.
The lady should, by exercises similar to those recommended for gentlemen, endeavor to acquire a perfect independence of the rein-hold in the security of her seat She should be able to lean far to the right or to the left, or lie back on the horse’s haunches, or forward on his neck, and to regain her position without disturbing her seat in the saddle, and without holding by the reins. With the use of the leaping-horn it will be more easy for her to attain perfection, in this respect, than it will be for the man, who must depend in a great measure on the clip of his legs. The rider should be erect, directly over the horse’s spine, the shoulders at an equal height. and the elbows near the sides.
Ladies, particularly those with very small hands, will often find it burdensome to hold their reins both in one hand, as is universally taught in our riding-schools. The best way for a lady is, if her hand be light, to knot up the snaffle and let it rest within her reach, in case of accident to the other rein. Or, if her touch be not delicate enough for the curb, let her hold it lightly and depend on the snaffle. The Whip and the Left Heel are valuable aids to a lady in the saddle. By a proper use of them she is enabled to retain a much freer hold upon her reins. Particularly in stopping and turning they are invaluable. Also, in starting.
ACCIDENTS.
Ladies, of course, should never ride horses which are in any manner vicious. But the best animals are not faultless, nor the most sure-footed always reliable. The lady should therefore be prepared for critical situations. Remember that with a long skirt about her feet, and with little experience in such exercise, it is always unsafe for lady to leap from her saddle. She may disengage herself quickly, but carefully. In a runaway, her place is close down in the saddle, holding the four reins low on either side, and giving an alternate tension to the curb and snaffle, steadying her horse in the road and saving her strength to force him to run long after he would gladly stop.
How many dukes were there in England in 1804? The number varied from year to year, depending on which titles became extinct etc. From: 1804 Kearsley’s Complete Peerage via Google Books (PD-200)
1804 Nine Princes of the Royal Blood, some of whom are Dukes.
Prince of Wales, Duke of York, Duke of Clarence, Duke of Kent, Duke of Cumberland,
Duke of Sussex, Duke of Cambridge, Duke of Gloucester, Prince William.
1804 Eighteen English Dukes, excluding the Prince Royals holding the title of ‘Duke’.
Norfolk, Somerset, Richmond, Grafton, Beaufort, St. Albans, Leeds,
Regency Life Series: Images, information, funny anecdotes give overview of Jane Austen’s and Bridgerton times. #bridgerton #RegencyEra #JaneAusten #BritishHistory https://books2read.com/suziloveROver
What did an older lady do and wear in the Regency Era? Information & pictures for readers and writers of early 1800s history, nonfiction and fiction. books2read.com/suziloveOLD
The older lady’s day usually started with her toilette in her bedroom, where her maid helped her dress for the day and styled her hair. After that, she would join her family downstairs for breakfast unless she preferred a tray with either tea or hot chocolate in her bedroom as she prepared for her busy day. Her day would be made up of speaking with the housekeeper and the cook about the week’s menus, assuring that the servants were all available that day and no one was ill, and checking the list of foods needed. She would also enquire if the laundry was up to date and that they had enough good linen to make up all the beds before extended family members and guests arrived. If she was in the country and hosting a weekend house party, she would assign rooms to the guests on her lists and query that all was in readiness for their arrival.