Young Lady’s Day Regency Life Series Book 4 by Suzi Love. #regency #nonfiction An early 1800’s glimpse into both the frivolous and more serious occupations filling a young lady’s day. Historic images and historical information show her fashions and frolics. https://books2read.com/suziloveYLD
1880’s Corset, French, silk satin, steel busk, and bone. Women used corsets to get closer to an ‘ideal physical form’. Until the beginning of the 20th century, women’s waists were tightened by corsets. via Kyoto Institute, Japan.
Corsets 1880-1900 History Notes Book 20 This book shows how a fashionable silhouette became of paramount importance and how a well-fitted corset became a fashion essential. As well as a decorative fashion item, tight lacing gave a narrow waist and the desired feminine form under clothing.
1840 Group In An Outdoor Setting, French. Two men in top hats. Modes de Longchamps’. Men’s outfits, a woman’s riding habit and a small boy, all tailored by Robin of 21 Rue Saint Marc, Paris. via Le Bon Ton. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
D2D_RetailerBuyLink_HN_9. Chatelaines and Chains History Notes Book 9 By Suzi Love. #regency Women in charge of houses wore long chains holding important household items around their waist e.g. keys, pen, notebook, sewing. books2read.com/SuziLoveChatelaines
Fashion Must Haves In Jane Austen’s Times: Reticules, Spencers, Redingotes. History Notes Series Books 3, 4, and 5.
Reticule Or Bag: Purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. Carried by a woman during the Regency period to carry all their daily necessities. in the place of pockets.
Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
Pelisse Or redingote Or Walking Dress: Coat worn over clothing of both sexes for warmth and protection from the elements.
Fashion Women 1800 By Suzi Love History Notes Book 12 #Regency #Fashion Love gorgeous historical women’s fashions? Take a look at what women wore and carried in 1800 in Europe and around the world. books2read.com/SuziLoveFashionWomen1800
Fashion Women 1800 By Suzi Love History Notes Book 12 #Regency #Fashion Love gorgeous historical women’s fashions? Take a look at what women wore and carried in 1800 in Europe and around the world. books2read.com/SuziLoveFashionWomen1800
Women’s dress changed dramatically after 1785. The rich fabrics and complicated, formal shapes of the late 18th century gave way to simple, light fabrics that draped easily. These new gowns achieved something of the effect of the simple tunics shown on classical Greek and Roman statues and vases. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
Empire Dress: Owes its name, physical emancipation, popularity, and even its sexiness to France. In this English example, French style is slavishly followed in the gown’s high waist and modish stripes.
Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
Jenny Nystrom (1884-1946) Vintage Easter Cards. Jenny Eugenia Nyström (1854 – 1946) was a Swedish painter and illustrator who illustrated Easter postcards for, and about, children and happy images.
The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.
In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.
After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.
Lillies Of The Valley Egg.
A crystal egg with rose quartz and gold. 1910 Colonnade Faberge Egg. Presented by Nicholas II to Czarina Alexandra Fyodorovna. Inherited by Queen Elizabeth II in 1953 and remains in the Royal Collection, London.1909 Standart Yacht Egg. Presented by Tzar Nicholas II to his wife, Tzarina Alexandra Fyodorovna. Gold, diamonds, pearls, lapis lazuli, crystal. Made under supervision of Peter Carl Fabergé and one of few imperial Fabergé eggs to have never left Russia. Kept in Kremlin Armory Museum, Moscow.1908 Aleksandr Palace Faberge Egg. Made for Nicholas II as a gift to his wife. It contains five portraits of Czar Nicholas’s children. Inside the egg is a tiny detailed replica of Aleksandr Palace, the Imperial Family’s favorite residence. via Moscow Kremlin Armory.1900. Trans-Siberian Railway Imperial Surprise Faberge Easter Egg. Made for Tzar Nicholas to give to his wife, Alexandra Fyodorvna, to commemorate the construction of the Grand Siberian Railway. Map of Russia is engraved with the route of the railway. Gold, platinum, partly-gilt silver, rose-cut diamonds, ruby, onyx, crystal glass, wood, silk, velvet, enamel on guilloché ground, and filigree enamel. Egg height 26 cm, Train length 39.8 cm, Wagon height 2.6 cm. via The Moscow Kremlin State Historical and Cultural Museum and Heritage Site.1900 Trans-Siberian Railway Imperial Surprise Faberge Easter Egg. Made for Tzar Nicholas to give to his wife, Alexandra Fyodorvna, to commemorate the construction of the Grand Siberian Railway. Map of Russia is engraved with the route of the railway.1898 Lilies Of The Valley Imperial Faberge Easter Egg. An imperial Easter egg presented by Nicholas II to his wife, Empress Alexandra Fiodorovna, for Easter 1898. Made by Michael Perchin. Gold, diamonds, rubies and enamel. 20 cm high opened. From The Fabergé firm, St Petersburg made by Michael Perchin. Gold, diamonds, rubies and enamel. Height is 20 cm opened. Via Collection of the Fund ‘The Link of Times’.1900s Early Gorgeous Faberge Eggs From Russia. 4. #Easter #Faberge #Russia https://books2read.com/suziloveEaster Share on X
1900s Early Gorgeous Faberge Egg Pendants Made In Russia. 2.
The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.
In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.
After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.
1903 Blue Faberge Easter Egg Pendant. Blue enamel and gold with cabochon moonstone and rose diamonds. Mark of Michael Perkhin Faberge Easter Egg, Russia.1903 Green Faberge Easter Egg pendant. Bowenite set in gold mount and band set with rose diamonds.1900s Early Faberge Egg Pendant, European. Gold with emerald green guilloche enamel and six bezel set diamonds with a hinged bail. Marked 18k Faberge. via Garth’s Auctioneers and Appraisers.1900s Early Faberge Easter Egg Pendant, Russia. By August Hollming. via Bonhams.com1899-1908 ca. Striped Faberge gold, guilloché enamel pendant Egg. Made by Henrik Wigstrom. Translucent-white blue and red enamel sections representing the Russian national colors. Via bonhams.com1903 Blue guilloche enamel and rose diamonds Easter Egg pendant. Made by Michael Perkhin. via Royal Collection, London, U.K. royalcollection.org.uk1900s Early Gorgeous Faberge Egg Pendants Made In Russia. 2. #Faberge #EasterEgg #Russia https://books2read.com/suziloveEaster Share on X