Nothing had prepared Lady Katharine Montgomery for the jumble of feelings overwhelming her when Alex worshipped her body, first with words and later with his hands and mouth. For years around this house, she’d been forced to appear dowdy, unintelligent, and totally self-effacing to never anger her father, or draw his wrath. Now, though, every degrading restriction was lifted from her mind, body, and life.
Her father was dead. Yesterday, she’d buried her hatred for the despicable man who’d given her life during the quarter hour it took to stand at his grave and, along with all the other hypocrites present, pretend to mourn as they buried his mortal remains. He’d cheated traders, beaten plantation workers, and horse-whipped her within an inch of her life. She and all the other mourners hoped he’d rot in hell.
Last night, she’d felt free to liberate the passionate nature she’d kept buried for six and twenty years for fear of her father’s explosive wrath. But one night with Lord Alexander St. John had changed everything. One night with a lover who was gentle and caring had her aching for more, more of Alex and more of life with him.
1816 July Opera Dress, English. Dress of white lace worn over a rich soft white satin slip. Skirt trimmed in a style of peculiar elegance, with lace festooned at regular distances, festoons edged by plain band of byas satin and finished by pearl ornaments of a very novel and pretty shape. Lace body is cut byas and richly ornamented round the bosom with pointed lace. Plain long sleeve, very full, except towards the wrist, which is nearly tight to the arm, and elegantly finished with lace. Hair ornamented with a wreath of French roses, parted in front, and simply dressed in loose curls, which fall very low on each side. Hind hair forms a tuft at the back of the head. Necklace, ear-rings, and bracelets of pearl. White satin slippers, and white kid gloves and a blush colored French silk scarf. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Gorgeous Regency Era clothing came in a wide range of styles to suit every season and occasion. Ladies in the Bridgerton series and in Jane Austen’s times wore Empire style dresses which were usually made of light fabric and floaty in style. By the later 1810s, stripes were very popular and lace and frills were added to make the dress more individual.
The finger prodded her chest again. Gently yet insistently. But his voice softened. “And I, the man, and the duke, choose you. You, Lady Rebecca. Do you think I can’t decide for myself, for my family, for you and me, what’s best?”
“But that’s what I’ve always done. It’s always been up to me to work out the best plan for everyone and then make it happen.” “In the past, that’s what happened.”
“But even now, it’s up to me to keep everyone safe. You said yourself that neither my family, nor the society, could go on without my making these types of decisions. I’m always the one with the clear head. In time, you’ll see that I’m right to walk away from you when this is finished.”
“No, no. This isn’t finished by a long shot, sweetheart. There has to be some consolation in my life for taking on control of Julia and my brothers, for assuming the family titles and topping up our coffers.”
“I know how hard you’re working to succeed. But it’ll never work if you have someone like me in your life.” “I don’t want someone like you, Becca. I want you.” This time his kiss was tinged with desperation. “Answer me one thing.” Her eyes widened. “Do you love me, minx? Do I still hold your heart?”
“Stop! It’s unfair to ask me that. Leave, please, just leave.” Turning away, Becca wished him gone before he glimpsed the fat tears collecting in her eyes. It was crucial that she remain strong. Even if it broke her heart to do so.As he reached the door, Becca heard Cayle mutter, “I will have you, Rebecca Jamison. I will not stop until I find a way.” She didn’t know whether it made her happy, or if it simply terrified her.
Fashion Women 1800 By Suzi Love History Notes Book 12 #Regency #Fashion Love gorgeous historical women’s fashions? Take a look at what women wore and carried in 1800 in Europe and around the world. This is the world Jane Austen lived in and the fashions she wore. books2read.com/SuziLoveFashionWomen1800
Women’s dress changed dramatically after 1785. The rich fabrics and complicated, formal shapes of the late 18th century gave way to simple, light fabrics that draped easily. These new gowns achieved something of the effect of the simple tunics shown on classical Greek and Roman statues and vases. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
Empire Dress: Owes its name, physical emancipation, popularity, and even its sexiness to France. In this English example, French style is slavishly followed in the gown’s high waist and modish stripes.
Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
Reticule Or Bag: Purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. Carried by a woman during the Regency period to carry all their daily necessities. in the place of pockets.
Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
Pelisse Or redingote Or Walking Dress: Coat worn over clothing of both sexes for warmth and protection from the elements.
Disgust suddenly flooded Viscount Hawkesbury’s body and the heart Justin had assumed was frozen in his chest clenched, hard. Despite being forced into unseemly money-making ventures, the three of them had vowed to remain, at heart at least, gentlemen. They all needed to take their places in society, which was why Justin never usually entertained this sort of female at his house. Too many watching neighbors and too many wagging tongues in this respectable neighborhood.
Had he now passed the point of no return? Had the indecent acts he’d committed, all to either survive or earn his some of the ready, tainted his thinking to this extent? It terrified him that his morals were as lost as those idiots who assumed a title and riches gave a man leeway to be rude, arrogant, and even to inflict pain on those they considered inferior. He’d picked out this woman and had intended using her as an example, encouraging her to pass along his message to the long line of societal whores who would continue to plague him. He wanted to stand in the street and scream and yell, “The Virile Viscount is finished!”
Behavior such as his here showed the arrogance he’d always deplored. Rude attacks on a woman were despicable, and it was especially ill-bred of him to tease and taunt what he now suspected was a well-bred lady. But he’d underestimated the woman’s pluck, or perhaps her determination to make herself heard.
“Be warned, my lord, I shall return. Tomorrow. Early. Very early. And if you refuse to speak with me, I’ll haunt your house until you are prepared to listen to me.” Her ferocious expression made him burst out laughing again.
Bart wiggled his eyebrows in a suggestive manner and held out his hand to encourage the woman to take a seat on the thigh of the woman he still held.
“I like her, Justin. Can I have her?”
“Feel free, Bart. If you dare! Though I suspect Thomas is correct. I’ve come to the unwilling, and unfortunate, conclusion that she’s not here to audition for the Harem.”
“Certainly not.” Her tone was icy. “I’m offering you an exchange. Your skill in tutoring my friends in return for information.”
“Regrettably, my services are no longer for hire.”
She inhaled so sharply he swore her ribs vibrated. Then she made her announcement.
“If I leave this room, I’ll take with me what may be your last chance to see your mother. Alive, at any rate.”
I love Pinterest for keeping thousands of historical images in some sort of order.And I love using Pinterest Boards as inspiration for my romance books.What about you? Do you use Pinterest for planning something, or just for fun?Need more hints for what to do with your boards and pins? Take a look at these fascinating articles on Pinterest. if you want even more Pinterest information and tips for becoming a power user, check out my Suzi Love Pinterest Boards
”Remove that hideous gown!” Justin Tremayne, known in amusement- seeking society as Handsome Hawkesbury or the Virile Viscount, struggled to hide his rising frustration. “I need to examine your body. All of it.”
Thomas, red-faced, lurched to his feet. “I say, Justin, she seems like a lady.”
“Thomas, you should know by now, on the outside they’re all ladies. However, underneath they all seek the same thing.”
The woman flinched. Justin yawned, not bothering to cover his mouth, and then collapsed back into his armchair. Leaning his head back on the headrest, he laughed. “My love, if you’ve better to show me than them, do as I’ve asked. Undress!”
She muttered something that sounded like, “Rude swine.” He laughed and indicated the empty space on the chaise longue beside Bart. “If you’re suffering personal timidity, at least take a seat and watch. Give the girls your opinion on what tricks attract gentlemen the fastest. What do you do to entice a man?” Her hands fisted at her sides but she stood her ground.
“I realize you’re amusing yourself at my expense, but I give you fair warning, my lord. If you continue with these childish taunts and force me to leave without letting me speak to you, in private, you’ll regret it later.”
He pointed to the door. “And I’m also issuing a warning. Join in or leave. Perkins will show you out. I’ve run out of patience with the so- called weaker sex and the schemes and lies that women seem to delight in bringing to my door.”
This book shows how corsets changed to both provide support and also fit well under clothing to give a fashionable silhouette. Corsets started being a fashion item, rather than simply underclothing to be hidden. Romantic Era women’s fashionable corsets. Corsets worn from 1830-1850, or the Romantic Era of fashion. https://books2read.com/SuziLoveCorsetBook18 Corsets 1830-1850 History notes Book 18
Fashion Women 1800 By Suzi Love History Notes Book 12 #Regency #Fashion Love gorgeous historical women’s fashions? Take a look at what women wore and carried in 1800 in Europe and around the world. books2read.com/SuziLoveFashionWomen1800
Women’s dress changed dramatically after 1785. The rich fabrics and complicated, formal shapes of the late 18th century gave way to simple, light fabrics that draped easily. These new gowns achieved something of the effect of the simple tunics shown on classical Greek and Roman statues and vases. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
Empire Dress: Owes its name, physical emancipation, popularity, and even its sexiness to France. In this English example, French style is slavishly followed in the gown’s high waist and modish stripes.
Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.