“A woman is like a tea bag. You can’t tell how strong she is until you put her in hot water.” By American First Lady Eleanor Roosevelt.
19th Century Early Chemise or Shift, American. Linen and embroidery. Chemise: Worn next to the skin under stays or corset. via Metropolitan Museum New York City, U.S.A. metmuseum.org
Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name replaced by ‘Chemise’.
This book shows how corsets changed to fit well under clothing, give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. Jane Austen and her female and friends wore these corsets. Corsets or stays worn during the early 1800s, or Jane Austen’s lifetime. https://books2read.com/SuziLoveCorsetBook17
19th Century Mid Child’s Red Leather Shoes, American. Bow decoration on fronts.via Metropolitan Museum New York City, U.S.A. metmuseum.org
1826 Silk and Linen Riding Habit, American. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1887 Front View. Wedding Corset, American. Cotton twill, silk thread embroidery. Fully boned wedding corset with front hooks and back lacing. Every boning channel is flossed top and bottom. Via Chicago History Museum, U.S.A. digitalcollection.chicagohistory.org https://books2read.com/SuziLoveCorsetBook20
1876 ‘Queen Bess’ Corset By Worcester Company, American. Made of silk, bone, and metal. Named ‘Queen Bess’, this corset was awarded the bronze medal at the Centennial Exposition in Philadelphia in 1876 and was patented in 1877. A well documented piece, it is unique in its design, which has been carefully constructed to support the wearer’s outer garments. The straps would assist in keeping the corset in place and hinder any shifting due to the heavy fabrics, and the bustle roll at back would ease any strain the wearer might experience from the excessive weight of the skirt. Credit Line:Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of E. A. Meister, 1950 Accession Number:2009.300.3496a–e
Corsets 1850-1880 History Notes Book 19 Towards the end of the 1800s, corsets changed to give a fashionable silhouette and be a decorative fashion item. Tight lacing helped give a narrow waist and a feminine form under clothing while decorative corsets became desirable fashion items. Victorian corsets for small waists and fashionable silhouettes. Corsets during the Victorian Era, or late 1800s, tightened to give tiny waists and fashionable silhouettes.
1876 ‘Queen Bess’ Silk Corset By Worcester Company, American. #VictorianFashion #VictorianEra #Corset #Worcester https://books2read.com/SuziLoveCorsetBook19 Share on X
What shoes did the Bridgertons and Jane Austen wear? Gray Slippers, American, with long ankle ties.
Typical Regency Era women’s footwear as worn by Jane Austen and her contemporaries and by the Bridgerton family were shoes that had low heels, slightly rounded toes, embellished with a bow and with ribbon ties for the ankles. Shoe styles and shapes were generally very plain but then shoes began to be made in bright colors to match the colorful Empire style, or high-waisted, gowns. Plus, as gowns were lighter and floatier, glimpses could be had of these new pretty shoes. Ribbons, rosettes and other decorative. embellishments allowed ladies to personalize shoes.
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket. Gift of Mary S. Belden. Corset About 1820-1830 ca. CHS Collection. Pocket About 1820-1840 ca. Chemise About 1839-1850 ca. via Chicago History Museum, U.S.A.
Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name shift was replaced by ‘Chemise’.
Corset: French term for stays. Structured bust supporting or body shaping foundation garment. Tightened by laces and often with reinforcing e.g. boning, cording and flossing.
From the Curator Victoria and Albert Museum, London: Quilting was a popular form of decoration for a variety of garments including pockets. However, hand-quilting was a time-consuming method of decoration. The increased demand for quilted petticoats, waistcoats and pockets led to the invention of woven quilting.
