19th Century Food For The Upper Classes In Bridgerton and Jane Austen Times.
Typical Meals Served for the upper classes in the Georgian and Regency Eras. For the Upper classes in the 18th and through to the end of the 19th century, meals were elaborate affairs. and served by well-trained staff anticipated their every need. Women prided themselves on hosting dinners for 50-60 people which often consisted of numerous courses, and all served with the best wines and followed, for the men at least, by expensive port.
An older lady usually controlled the servants and the serving of meals. For more about this, take a look at Older Lady’s Day Regency Life Series Book 5 by Suzi Love. Overview of what an older lady did, wore, and how she lived in the early 19th Century. Information for history buffs and pictures for readers and writers of historical fiction. books2read.com/suziloveOLD
The Assembly Rooms in Bath, UK. One of my favorite places to visit.
Bath had two assembly rooms in the lower part of the town but they weren’t large enough for the rapidly increasing population so on the 30th September, 1771, New Rooms were opened on the north east of the Circus, between Bennett and Alfred Streets. These Upper Rooms were designed by the architect, John Wood, and were in a better part of town so they became much more fashionable. They were called the New, or Upper Rooms, to distinguish them from the older Assembly Rooms in the lower part of the town.
They were a set of public rooms purpose-built for the 18th century form of entertainment called an ‘assembly‘, where a large number of people came together to dance, drink tea, play cards, listen to music, or parade around the rooms and talk and flirt. The four rooms are the Ball Room, the Tea Room or Concert Room, the Octagon Room, and a Card Room. The Upper Rooms held two balls a week, a dress ball on Monday evenings and a fancy ball on Thursdays during the Bath season which was from October to early June. These balls were so popular they attracted between 800 and 1,200 guests at a time.
John Wood raised the money for the New Rooms by a “tontine” subscription, which was like a lottery. By April 1769, £14,000 was raised amongst 53 people. When a subscriber died, their shares were added to the holdings of the other subscribers, which meant that the last surviving subscriber inherited everything.
The exterior of the Upper Assembly Room looks typically Georgian, but the interior is very grand and the high ceilings gave good ventilation on crowded ball nights and windows set at a high level prevented outsiders from looking in. Two long rectangular rooms flank the entrance hall and are linked by an octagonal room at the far end to form a U-shape.
1798 Fancy Dress Ball at the Bath Assembly Rooms.’
By Thomas Rowlandson.Interior of Assembly Rooms, Bath.Entrance to Assembly Rooms,
Now Fashion Museum.
Bath, U.K.Entrance to Assembly Rooms,
Now Fashion Museum.
Bath, U.K.1805 Interior of Concert Room, Bath. By John Claude Nattes
‘Bath Illustrated by a Series of Views.’
Via Suzi Love – suzilove.com
& Wikimedia Commons commons.wikimedia.org1799 Richard Nash Esq. Master of Ceremonies, Assembly Rooms, Bath From- 1799 The New Bath Guide Printed by R. Cruttwell.1771 The New Assembly Rooms Opened,
Between Bennet and Alfred streets,
Bath, U.K.
via Suzi Love – suzilove.com
& 1835 The Historical and Local New Bath Guide
Published By C. Duffield.
The Assembly Rooms are lit by a set of nine chandeliers, made for the building in 1771. Jonathan Collett of London originally provided a set of five chandeliers for the Ball Room when it opened in September 1771. Shortly afterwards the arm of one of the chandeliers fell off – narrowly missing the artist, Thomas Gainsborough, who lived nearby at the time. The Ball Room chandeliers were taken down and a new set was ordered from William Parker of London. Parker had already supplied three chandeliers for the Tea Room. It was agreed that Jonathan Collett should salvage the rejected set of Ball Room chandeliers and make one large chandelier to hang in the Octagon Room. The chandeliers in the three rooms had an average height of eight feet and they were made of Whitefriars crystal from the Whitefriars Glassworks in London and were originally lit by candles. The Ball Room and Tea Room chandeliers each had 40 lights and the Octagon chandelier had 48 lights.
During the 19th century, they were fitted for gas and were later converted to electric light. At the start of the Second World War, the chandeliers were put into storage and escaped destruction when the Assembly Rooms were bombed in 1942. During the extensive refurbishment of the building in 1988-1991, the chandeliers were restored by R. Wilkinson & Sons of London. The Bath Season ran from October to June. As the Season spanned the winter months and many activities took place in the evening it was essential to provide good artificial lighting.
The ball room is the largest of the three main rooms and is over 105 feet long and 42 feet wide and 42 feet high. It runs the whole length of the north side of the building and covers two storeys. The paint is called Ballroom Blue and was first created by David Mlinaric in the 1970s from an original colour swatch. “It is a stroke of luck that the colour sample of blue paint is still attached to the 1770s minute book of the Assembly Rooms Furnishing Committee.” said Lucy Powell, Assistant Archivist at Bath Record Office, “The building was bombed in 1942 so traces of the paint would never have survived otherwise.” From: Fashion Museum, Bath.
On the other side, the tea room is 70 feet long and 27 feet wide and all the rooms had huge chandeliers to give light. In 1777, a card room was added to the Octagonal Room. Before the Card Room was added, the Octagon Room became famous for card playing, the favorite leisure activity from the Georgian Era through to the Regency, as the Upper Rooms were open for card games every day except Sunday. The Octagon Room is dominated by Gainsborough’s portrait of the first Master of Ceremonies at the Upper Rooms, Captain William Wade. Bath’s most famous Master of Ceremonies, Richard “Beau” Nash, never knew this building as he died in 1761.
Bath_Octagon Room, The Assembly Rooms, Bath, U.K. Chandeliers. The Assembly Rooms,
Bath, U.K.
Ball Room Chandeliers. The Assembly Rooms,
Bath, U.K.
Chandeliers. The Assembly Rooms,
Bath, U.K.
Chandeliers. The Assembly Rooms,
Bath, U.K.
Chandeliers. The Assembly Rooms,
Bath, U.K.
Chandeliers. The Assembly Rooms,
Bath, U.K.
Chandeliers. Regency Era Paintings,
Assembly Rooms,
Bath, U.K.Regency Era Paintings,
Assembly Rooms,
Bath, U.K.Regency Era Paintings,
Assembly Rooms,
Bath, U.K.Regency Era Paintings,
Assembly Rooms,
Bath, U.K.
The tea room was used for refreshments, with tea generally served weak and black or perhaps with arrack and lemon, and on Wednesday nights during the Season concerts were held there. Fashionable visitors to Bath could also hold breakfasts there for their friends.
Many famous people visited the Assembly Rooms in the 18th and 19th centuries. Jane Austen and Charles Dickens both mention the Assembly Rooms in their novels and the diarist, Francis Kilvert, described a reception there in 1873. Subscription concerts were popular and many well-known musicians also visited, the most distinguished being Joseph Haydn, Johann Strauss the Elder, and Franz Liszt.
Today, the Octagon Room, the Tea Room, and the Cloak room Landings all showcase beautiful paintings and prints as the Upper Rooms were given to the National Trust in 1931. You can see paintings by Thomas Gainsborough and John Simmons as well as an Original ticket to the Thirteenth Dress Ball at the Assembly Rooms, 24 January 1803.
Since 1963, the Upper Assembly Rooms have also housed the amazing Fashion Museum. The building is owned by the National Trust and is leased by Bath & North East Somerset Council.
Postal. The mode of conveying the letters suggested by Mr. Palmer in 1784. By the adoption of this plan, the letters are conveyed by strong and well-guarded coaches, -each drawn by four excellent horses, which proceed with the utmost regularity between seven and eight miles an hour, stoppages, included. In allusion to their employment, they are called Mail Coaches. Formerly the mails were sent by carts or by post-boys on horseback, a mode attended with “danger and delay. The first mail coach was established to Bristol in 1784. In 1829, the principal Post-office was moved to St. Martin’s-le-Grand, with three Branch offices at Lombard-street, Charingcross, and Vere-street, Oxford-street. The receiving houses are open every day except Sunday, till five o’clock and by 1828, Omnibuses were taking postmen to their various stations every morning.
Postage of a Single Letter.
From any post-office in England or Wales, to any place not exceeding 15 miles from such office . . .4
Between 15 and 20 miles ….. 5
Between 20 and 30 mil’s … 6
Between 30 and 50 miles ….. 7
Between 50 and 80 miles ……. 8
Between 80 and 120 miles ……. 9
Between 120 and 170 miles ……. 10
Between 170 and 230 miles … 11
Between 230 and 300 miles … 12
Between 300 and 400 miles … 13
Between 400 and 500 miles … 14
And so on in proportion, the postage increasing progressively one penny for a single letter for every like excess of distance of 100 miles.
All double, treble, and other letters and packets whatever (except by the twopenny post) pay in proportion to the respective rates of single letters before specified.
Single letters to soldiers and sailors are chargeable with one penny only. Newspapers are sent free from any charge.
Foreign letters must be paid at the office where they are put in, otherwise there will be a necessity for such letters being opened, and returned for the postage.
Mails for France are made up daily
Money Orders can be sent at the cost of 8 pence per pound.
Persons in the country may avail themselves of the same arrangement to send money to London.
Regulations of the Twopenny Post-Office.
Principal post offices:
General post-office in St. Martin’s-le-Grand
Gerrard-street, Soho.
Upwards of 140 receiving houses both in town and country.
There are six collections and deliveries of letters in town daily (Sundays excepted), and there are two despatches from, and three deliveries at most places in the country, within the limits of this office.
Hours by which letters should be put into receiving houses in town :—
For Delivery in Town.
Over night, by eight o’clock, for the first delivery.
Morning, by eight o’clock, for the second delivery.
Morning, by ten o’clock, fur the third delivery.
Morning, by twelve o’clock, for the fourth delivery.
Afternoon, by two o’clock, for the fifth delivery.
Afternoon, by five o’clock, for the sixth delivery.
For Delivery in Country.
Preceding evening by five o’clock for first delivery.
Morning by eight o’clock for second delivery.
Afternoon by two o’clock for third delivery.
But letters, whether for town or country, may be put in at either of the two principal offices an hour later for each despatch, letters put in on Saturday evening arc delivered in the country on Sunday morning. The date stamp, or, if there are two, that having the latest hour, shows also the time of the day by which the letters were despatched for delivery from the principal offices. The postage of a letter from one part of the town to another, both being within the delivery of the general post, which extends three miles from the office in St. Martin’s-lc-Grand, is two-pence: and to and from parts beyond that delivery within twelve miles, three pence; and the postage of this office on each letter passing to or from the general or foreign post offices is twopence.
The twopenny postage of all letters, such as are for parts out of his majesty’s dominions excepted, may or may not be paid at putting in, at the option of the senders. No twopenny post letter must weigh more than four ounces, unless it be intended to pass or shall have passed by the general post. Every newspaper forwarded by the twopenny post is charged one penny. Cash, in gold or silver, or other articles of value, enclosed in loiters, (notes or drafts for money excepted,) to be mentioned to the office-keeper at putting in; but ,t is recommended that bank-notes, or others payable lo bearer, be cut in half, and sent at twice; the second part not to be sent till the receipt of the first is acknowledged. This office, however, is not liable to make good the loss of any property sent by post.
From: 1828 Leigh’s New Picture of London via Google Books (PD-150)
