1804 Royal Mint, Stamping Room, London, U.K. As Jane Austen would have known it. From Ackermann’s Microcosm of London by A.C. Pugin and Thomas Rowlandson.
“Her own thoughts and reflections were habitually her best companions. ” Jane Austen Mansfield Park (1814)
1800s Different Degrees Of Nobility In Great Britain and Ireland. FIVE LEVELS.
BENEATH THESE COME THE BARONS: The rank and precedence of Baronets is immediately after the younger sons of Barons, and before all Knights, whether of the Order or Knights. When the Order of Baronets was first instigated, its numbers were limited to 200. Members were carefully selected from the most wealthy and distinguished families of landed gentry. In the reign of the first Charles, it was the stimulus and reward for devoted loyalty. Later, it was often bestowed as an honorary recompense for sufferings and attachment when royalty was unable or unwilling to give solid remuneration. FROM: 1835 Debrett’s Baronetage of England
PRINCES of the BLOOD ROYAL: The Sovereign’s sons, brothers, and uncles are styled Princes of the Blood Royal, and have precedency of all other dukes, with the title of Royal Highness, which title was also, by special warrant, in 1816, conferred on the duke of Gloucester, deceased, and, 6th April 1818, on Prince Leopold of Saxe Cobourg (King of the Belgians). FROM: 1840 Debrett’s Peerage of the UK
1801-1828 ca. Man’s Outfit, British. Double breasted, swallow tailcoat of navy wool, plush dark blue velvet collar. Buttoned flap and waist beige breeches, cream vest, intricately tied white cravat. via museumoflondon.com
In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
11805 January 1st Worcester and London Royal Mail Coach. The sort of mail coach that Jane Austen and famioy would have either ridden in or sent mail through. Publisher: William Miller, Albermarle Street, London, U.K. Hand colored print. Coach is grey and purple with red wheels and drawn by four white horses. Below the mail guard it is printed, ‘N.17’. Via British Postal Museum, London, U.K. postalmuseum.org
1807 June Couple In Morning Dress, English. Lady in white dress with lemon cape and an interesting white hat with a tassel. Gentleman in black tailcoat, white shirt and cravat, breeches tucked into high black boots with tan tops, fob and watch chain at his waist, black top hat and cane. via Le Beau Monde, or Literary and Fashionable Magazine, London, U.K.
Definition Morning Dress: Comfortable outfits worn either at home, out shopping, or for walking in the park or country. Presentable but not overly accessorized. For women it was often an Empire style, high-waisted, gown made from sprigged or plain muslin, cotton, or wool and either a Spencer or a coat to cover it for warmth, plus shoes and a bonnet. For men it was breeches or trousers, shirt, cravat, coat, boots and hat. This couple is dressed as a lady and gentleman of Jane Austen’s acquaintance would dress for a morning outing to a village, for shopping, or visiting friends.
1818 September 18th Le Palais Royal de Paris. ‘A Peep at the French Monstrosities’. Two English tourists dressed as dandies walk arm-in-arm under the arcade of the Palais Royal, interested in the promenading courtesans. Their dress is rather similar to that of the Englishmen, but the latter wear bell-shaped top-hats, while the Frenchmen have flower-pot shaped hats. By George Cruikshank. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1818 November ‘Fashionables Of 1818’ By George Cruikshank.Couple walk arm-in-arm with the man wearing Dandy costume of bell-shaped top-hat, trousers strapped under high-heeled boots without spurs and jauntily carried cane. Much shorter lady wears enormously high bonnet, striped over-dress over frilled white muslin, skirt above ankles, and carries a large ermine muff. Via British Museum, London, UK. britishmuseum.org (PD-Art)
These are the sort of outfits a couple would wear in Jane Austen’s times although these are exaggerated in caricatures to poke fun at the extremes of Regency fashion when women’s hats were so large and high that a lady was dwarfed by her devotion to fashion and a gentleman’s collar and neckcloth were so high he couldn’t turn his head to speak to the lady.
1806-1809 ca. Unissued One Pound Banknote. Issued in Alton, Hampshire, UK. The type of currency used by Jane Austen and her brother when dealing with the family’s finances. Issuer Alton Bank. Unissued banknote. (obverse) Emblem with initials, floral design and crown on top at left. Text at centre. Design printed in black. via British Museum.
A pound was a lot of money for the majority of people during the Regency, so the general population didn’t trust flimsy paper banknotes. A metal coin held its value in gold or silver, whereas paper banknotes were easily lost or damaged and very easy to forge. The original banknotes were merely a piece of paper that promised payment for a set amount and were issued by individual banks. The Bank of England used these notes from its inception in 1694 and regional banks continued issuing them until the changes to the Act in 1844. By the mid 1700s, notes started to become standardized, with ten and five pound notes appearing, but as they were all hand-lettered and signed they were viewed with skepticism. Most transactions were therefore done with metal coins, with many shopkeepers routinely biting down on a coin to ensure it was legitimate.
Auld Lang Syne is traditionally sung to farewell the old year at the stroke of midnight on New Year’s Eve. It’s a poem written by Robert Burns in 1788 in Scotland, but based on an older Scottish folk song. In 1799, it was set to the traditional tune.
The song begins by posing a rhetorical question: Is it right that old times be forgotten? The answer is generally interpreted as a call to remember long-standing friendships.[9] Alternatively, “Should” may be understood to mean “if” (expressing the conditional mood) referring to a possible event or situation.
George Thomson‘s Select Songs of Scotland was published in 1799 in which the second verse about greeting and toasting was moved to its present position at the end.[9]
Most common usage of the song involves only the first verse and the chorus. The last lines of both of these are often sung with the extra words “For the sake of” or “And days of”, rather than Burns’s simpler lines. This makes these lines strictly syllabic, with just one note per syllable.
Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne?
(Chorus)
For auld lang syne, my jo,
For auld lang syne,
We’ll tak a cup o’ kindness yet,
For auld lang syne.
And surely ye’ll be your pint-stowp!
And surely I’ll be mine!
And we’ll tak a cup o’ kindness yet,
For auld lang syne.
We twa hae run about the braes
And pu’d the gowans fine;
But we’ve wander’d mony a weary foot
Sin auld lang syne.
We twa hae paidl’d i’ the burn,
Frae mornin’ sun till dine;
But seas between us braid hae roar’d
Sin auld lang syne.
And there’s a hand, my trusty fiere!
And gie’s a hand o’ thine!
And we’ll tak a right guid willy waught,
For auld lang syne.
Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And old lang syne?
(Chorus)
For auld lang syne, my dear,
For auld lang syne,
We’ll take a cup of kindness yet,
For auld lang syne.
And surely you’ll buy your pint cup!
And surely I’ll buy mine!
And we’ll take a cup o’ kindness yet,
For auld lang syne.
We two have run about the slopes,
And picked the daisies fine;
But we’ve wandered many a weary foot,
Since auld lang syne.
We two have paddled in the stream,
From morning sun till dine;
But seas between us broad have roared
Since auld lang syne.
And there’s a hand my trusty friend!
And give me a hand o’ thine!
And we’ll take a right good-will draught,
For auld lang syne.
