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corset_1908 Front Suspenders and Fastenings and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.

1908 Silk and Rubber Corset, Front Fastenings and Suspenders and Back Lacing, French. #Edwardian #Corset #HistoricalFashion #France

Suzi Love Posted on May 14, 2022 by Suzi LoveMay 9, 2022

1908 Silk and Rubber Corset, French. Front fastening, front suspenders, and back lacing. Made For C. F. Hovey & Co., Boston. Label: The Paris. Marking: label “7.50, Made in France, Véritable Baleine, Brévété S.G.D.G., Best Whalebone THE PARIS, Made in France, expressly or C.F. Hovey and Co., Boston.” stamped on bone lining of corset]; “Corset de Paris” paper label via Metropolitan Museum, NYC, USA Credit Line: Gift of Mrs. Earl Rowe, 1951 Accession Number: C.I.51.15.25a, b

corset_1908 Front Fastening View Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org
1908 Front Fastening View Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org
corset_1908 Front Fastening View Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org
1908 Front Fastening View Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org
1908 Back Lacing Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
1908 Back Lacing Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
corset_1908 Label For Front Fastening and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.
1908 Label For Front Fastening and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.
corset_1908 Front Suspenders and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.
1908 Front Suspenders and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.
corset_1908 Front Suspenders and Fastenings and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.
1908 Front Suspenders and Fastenings and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.
1908 Silk and Rubber Corset, Front Fastenings and Suspenders and Back Lacing, French. #Edwardian #Corset #HistoricalFashion #France #Boston books2read.com/SuziLoveCorsetBook21 Click To Tweet
HN_21_D2D_Corsets 1900s
Corsets 1900s History Notes Book 21 Corsets during early 1900s when a fashionable silhouette became of paramount importance and a well-fitted corset a fashion essential. books2read.com/SuziLoveCorsetBook21

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Posted in 1900s, Corset, Edwardian Era, Europe, France, Suzi Love Images, U.S.A | Tagged 1900s, Corset, Edwardian Era, France, Metropolitan Museum NYC, Suzi Love Images, USA | Leave a reply
1816-1817 ca. Man's Linen Shirt, American. High collar, ruffles down front opening, fullness from gathered shoulders and sleeves for unrestricted movement. Beautifully created and monogrammed by Elizabeth Wild Hitchings for her husband, Benjamin Hitchings, a sea captain. Wives or servants regularly hand stitched shirts from 1800s-1840s, before sewing machines, but handiwork rarely recorded.

1816-1817 ca. Man’s linen shirt with high collar and front opening ruffles. #RegencyEra #HistoricalFashion #JaneAusten

Suzi Love Posted on May 13, 2022 by Suzi LoveMay 12, 2022

1816-1817 ca. Man’s Linen Shirt, American. High collar, ruffles down front opening, fullness from gathered shoulders and sleeves for unrestricted movement. Beautifully created and monogrammed by Elizabeth Wild Hitchings for her husband, Benjamin Hitchings, a sea captain. Wives or servants regularly hand stitched shirts from 1800s-1840s, before sewing machines, but handiwork rarely recorded.

From The Creator: This shirt was created, from the linen fiber to the finished garment, by the donor’s great-grandmother, Elizabeth Wild Hitchings, for her husband Benjamin Hitchings, a sea captain, in 1816. It was common practice for a wife or servant to hand stitch family members’ shirts prior to the mid-19th century, but rarely was such handiwork recorded, making this case rare and intriguing. In addition, its elegant stitching makes it a perfect example of the familial care taken in sewing prior to the common possession and use of the sewing machine. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

1816-1817 ca. Man's Linen Shirt, American. Designed By Elizabeth Wild Hitchings for her husband a sea captain.
1816-1817 ca. Man’s Linen Shirt, American. Designed By Elizabeth Wild Hitchings for her husband a sea captain.
1816-1817 ca. Man's linen shirt with high collar and front opening ruffles. #RegencyEra #HistoricalFashion #JaneAusten https://books2read.com/SuziLoveFashionMen1800-1819 Click To Tweet
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819
HN_23_d2d_fashionmen1800-1819 https://books2read.com/SuziLoveFashionMen1800-1819

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Posted in 1800s, 1800s Mens Fashions, Fashion, fashion accessories, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images, U.S.A | Tagged 1800s men fashion, Jane Austen, Metropolitan Museum NYC, Regency Fashion, Regency Men, shirt, Suzi Love Images, Suzi Love Research | Leave a reply
1820 8. Collage Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk

1820 Short Sleeved Ball Gown of Embroidered Silk Net, British. #RegencyEra #Historicalfashion #sewing

Suzi Love Posted on May 3, 2022 by Suzi LoveMay 1, 2022

1820 Ball Gown of Embroidered Net, British. Silk satin and silk net embroidered with metal and trimmed with silk blonde bobbin lace, hand sewn.  Short-sleeved ball gown comprising of an underdress of silk satin and an overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. The dress has a low  oval neckline, puffed short sleeves, a wedge shaped front bodice panel,  and a medium high waist. The skirt has a central front panel, wedge shaped panels and the centre back panels are tightly gathered at the waist.

From the Museum Curator: ‘Women saved their most elaborate dresses for special occasions such as balls. Lavish gowns embellished with gold thread or sparkling beads glittered in the artificial light of the dancing room. Thin, gauzy materials created a soft dreamy look. These light materials also prevented the wearer from getting too hot while dancing in stuffy, overcrowded spaces’. Victoria and Albert Museum, London, UK

1820 1. Front Hem Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 2. Back Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 2. Back Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 3. Side Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 3. Side Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 4. Bodice Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 4. Bodice Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 7. Sleeve. Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 7. Sleeve. Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 5. Hem Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 5. Hem Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 Short Sleeved Ball Gown of Embroidered Silk Net, British. #RegencyEra #Historicalfashion #sewing Click To Tweet

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Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, London, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1800s women's fashion, dress, Regency Fashion, sewing, Suzi Love Images, Victoria and Albert Museum | Leave a reply

“The more I know of the world the more I am convinced that I shall never see a man whom I can really love. I require so much!” Jane Austen ~ Sense and Sensibility (1811) #RegencyEra #JaneAusten #Quote

Suzi Love Posted on April 30, 2022 by Suzi LoveApril 30, 2022

“The more I know of the world the more I am convinced that I shall never see a man whom I can really love. I require so much!” Jane Austen ~ Sense and Sensibility (1811)

Quote_JA_"The more I know of the world the more I am convinced that I shall never see a man whom I can really love. I require so much!" Jane Austen ~ Sense and Sensibility  (1811)
https://books2read.com/SuziLoveFashion1810-1814
“The more I know of the world the more I am convinced that I shall never see a man whom I can really love. I require so much!” Jane Austen ~ Sense and Sensibility (1811)
"…I am convinced that I shall never see a man whom I can really love. I require so much!" Jane Austen ~ Sense and Sensibility (1811) #RegencyEra #JaneAusten #Quote. https://books2read.com/SuziLoveFashion1810-1814 Click To Tweet
HN_27_D2D_fashwomen1810-1814
HN_27_D2D_fashwomen1810-1814 https://books2read.com/SuziLoveFashion1810-1814

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Posted in 1800s, 1800s women's fashion, England, Jane Austen, Quotations, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s Or 19th Century, 1800s women's fashion, Jane Austen, Quotations, Regency Era, Suzi Love Images | Leave a reply

“Dress is at all times a frivolous distinction, and excessive solicitude about it often destroys its own aim.” Jane Austen Northanger Abbey (1817) #JaneAusten #Quote #Regency

Suzi Love avatarPosted on April 27, 2022 by Suzi LoveApril 27, 2022

“Dress is at all times a frivolous distinction, and excessive solicitude about it often destroys its own aim.” Jane Austen Northanger Abbey (1817) #JaneAusten #Quote #Regency
https://books2read.com/SuziLoveFashionWomen1815-1819

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Posted in 1800s, England, Jane Austen, Quotations, Regency Era, Suzi Love Images | Tagged Jane Austen, Northanger Abbey, Quotations, Regency Fashion, Suzi Love Images | Leave a reply

1620-1635 ca. Pin For Fastening Clothing, England. #BritishHistory #Sewing

Suzi Love Posted on April 27, 2022 by Suzi LoveApril 27, 2022

1620-1635 ca.  Pin For Fastening Clothing, Made In Gloucestershire, England, U.K. Pins were a necessity for the fastening of clothing and the arrangement of dress accessories in the 16th and 17th centuries. Their importance for women as a personal requirement and expense is reflected in the term pin-money, the sum originally allocated to meet this essential cost. Ordinary people would have a small number of pins, the wealthy thousands.Pins were carefully looked after and sharpened periodically. They were extracted after use so as not to tarnish the fabric and placed in a pincushion. The portrait of Countess of Southampton shows her pincushion on the dressing table. Countess of Southampton’s Dressing Table with Pin Cushion 1590. Victoria and Albert Museum, London, U.K. The pins were mounted on card by the donor which he annotated with the dates of the documents they were detached from.

1620-1635 ca.  Pin For Fastening Clothing, Made In Gloucestershire, England, U.K. Pins were a necessity for the fastening of clothing and the arrangement of dress accessories in the 16th and 17th centuries. Their importance for women as a personal requirement and expense is reflected in the term pin-money, the sum originally allocated to meet this essential cost. via Victoria and Albert Museum, London, U.K.

Places
Before the mid-16th century the finest pins were imported from France, but their manufacture in England was encouraged under Henry VIII, and an Act for the True Making of Pynnes was passed in 1543, controlling their quality and price. Gloucestershire and London became the main centres of the pin-making industry.

Materials & Making
As the industry developed in the 16th century the major advance in the manufacture of pins came with the use of a steel draw-plate with a graduated series of holes. Wire, which was usually brass, could be drawn through this to any gauge, permitting standardisation of the size of the pins. The heads were made from fine coils of wire that were soldered in place.

Enormous quantities of pins were used for the fastening of clothing. Elizabeth I was supplied with 24,000 ‘pynnes of diverse sorts’ just for her coronation. Pins secured the petticoat in a ruffle above the farthingale (hoops that supported a skirt), and held the curves of the ruff in place around the neck. Several dozen might be used for one ensemble. Such a quantity required large pincushions, like the canvas work one here. These pins were found in written documents that were dated between 1620 and 1635.

1620-1635 ca. Pin For Fastening Clothing, England. #BritishHistory #Sewing Click To Tweet

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Posted in Fashion, fashion accessories | Tagged British history, fashion accessories, History, sewing, Suzi Love Images, Victoria and Albert Museum | Leave a reply

Overview Of Older Gentleman’s Day In Early 1800s, or Jane Austen’s Regency Era. #Regency #JaneAusten #BritishHistory

Suzi Love Posted on April 23, 2022 by Suzi LoveApril 23, 2022

An overview of an older gentleman’s clothing, social life, and responsibilities in the early 1800s. Take a look at where he went, what he wore, and how he managed the family’s finances. Older Gentleman’s Day Regency Life Series Book 3 books2read.com/suziloveOGD

RL_3_OGD_Older Man's Day Regency Life Series Book 3 by Suzi Love #Regency #History books2read.com_suziloveOGD
RL_3_OGD_Older Man’s Day Regency Life Series Book 3 by Suzi Love #Regency #History books2read.com_suziloveOGD
Overview Of Older Gentleman's Day In Early 1800s, or Jane Austen's Regency Era. #Regency #JaneAusten #BritishHistory http://books2read.com/suziloveOGD Click To Tweet
RL_OGD
D2D_RetailerBuyLink_RL_3
Regency Life Series Book 3
D2D_RetailerBuyLink_RL_3.Overview of an older gentleman’s clothing, social life, and responsibilities in the early 1800s. http://books2read.com. Older Gentleman’s Day Regency Life Series Book 3 by Suzi Love #Regency #History

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Posted in 1800s Mens Fashions, art, Australia, bedroom fashion, Canada, Carriage, cartoon, Coat or Pelisse Or Redingote, Customs & Manners, England, Europe, fashion accessories, hats, money, pants, peerage, Regency Era, Regency Fashion, riding, shoes, sports, Suit, U.S.A, Vest or Waistcoat | Tagged 1800s men fashion, Book 3, British history, Cartoons, cravat, dress, fashion accessories, Fashion Plate, google books, Hats And Hair, Jane Austen, Regency Fashion, Regency Life Series, Regency London, Regency Men, Regency Royalty, riding, Shoes, Suzi Love Books, Suzi Love Images, Tailcoat, Vest or Waistcoat | Leave a reply

What did Jane Austen eat? 1800s Typical Food Served and Table Settings Used. #JaneAusten #RegencyEra #RomanticEra #Food #BritishHistory

Suzi Love Posted on April 23, 2022 by Suzi LoveApril 23, 2022

1800s Typical Food Served and Table Settings Used. Historic food from Mrs. Beeton’s Household Management, 1882 Warne’ s Model Housekeeper, London, U.K., 1892 Cassel’s Dictionary of Cookery.

1800s Typical China For Serving Dinner and Dessert. Dinner Plates, Soup Tureen, Covered Cheese Dish, Jug, Dessert plates and Serving Dish. From: 1860s Mrs. Beeton's Book of Household Management. via Google Books (PD-150)
1800s Typical China For Serving Dinner and Dessert.
1800s Typical Regency Era Table Layout For A Dinner. Main dishes down the table center and side dishes on the wings. via Suzi Love ~ suzilove.com & 1882 Warne' s Model Housekeeper, London, U.K.
1800s Typical Regency Era Table Layout For A Dinner.
1800s Typical Joints Of Meat. Sirloin of Beef, Boiled Beef, Leg Of Mutton and Roast Ribs Of Beef. From: 1860s Mrs. Beeton's Book of Household Management. via Google Books (PD-150)
1800s Typical Joints Of Meat.
1800s Typical Fruits Served. Pineapple, Grapes, Apples, Plums,Green grapes, Apricots, Peaches and Melon. via Suzi Love ~ suzilove.com & 1882 Warne' s Model Housekeeper, London, U.K.
1800s Typical Fruits Served.
1800s Typical Main Meal Dishes. Pigeon Pie, Game Pie, Roast Turkey, Fillets of Fowl and Tongue, Braised Legs of Fowl With Fillets of Tongue. via Suzi Love ~ suzilove.com & 1892 Cassel's Dictionary of Cookery Google Books (PD-120)
1800s Typical Main Meal Dishes.
1800s Typical Salad and Vegetable Dishes. Asparagus, Sea Kale, Mixed Salad, Artichokes, Spinach and Eggs, Salad In Jelly, Jellied Tomatoes, Baked Potatoes, Russian Salad, Brussel Sprouts, Cauliflowers,Spanish Onions, Vegetable Fritters and Potato Croquettes. via The Art Of Food.
1800s Typical Salad and Vegetable Dishes.
1800s Typical Soups. Mutton Broth, Potato Feu, Tomato Soup, Kidney Soup, Consomme and more. From: 1860s Mrs. Beeton's Book of Household Management. via Google Books (PD-150)
1800s Typical Soups.
1800s Typical Sweet Dishes. Pancakes, Rice and Apple Cake, Eclairs, Assorted Pastries, Rice Pudding, Stewed Fruits, Sugar Treats, Pyramid Creams, Croquettes of Rice, Layer Cake and Sultana Cake. From: 1860s Mrs. Beeton's Book of Household Management. via Google Books (PD-150)
1800s Typical Sweet Dishes.
1800s Typical Vegetable Dishes. Croquette Potatoes, Spinach and Egg, Asparagus, Cauliflower, Wafer Potatoes, Mushrooms, New Peas, French Beans, Stuffed Tomatoes and New Carrots. From: 1860s Mrs. Beeton's Book of Household Management. via Google Books (PD-150)
1800s Typical Vegetable Dishes.
1800s Typical Fish Dishes. Scallops au Gratin, Red Mullet, Turbot, Cod Steak, Fried Sole, Mayonnaise Salmon, Salmon au Naturel, Brown Trout and Smelts. From: 1860s Mrs. Beeton's Book of Household Management. via Google Books (PD-150)
1800s Typical Fish Dishes.
1800s Typical Seafood Dishes. Oyster Patties, Fried Whiting, Boiled Turbot, Fried Whitebait, Mackerel, Mayonnaise Of Salmon, Lobster and Crab. via 1892 Cassell's Dictionary of Cookery Google Books (PD-120)
https://books2read.com/suziloveROver
1800s Typical Seafood Dishes.
What did Jane Austen eat? 1800s Typical Food Served and Table Settings Used. #JaneAusten #RegencyEra #RomanticEra #Food #BritishHistory. https://books2read.com/suziloveROver Click To Tweet
RL_1_D2D_Regency Overview RetailerLinks
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RL_1_D2D_Regency Overview RetailerLinks https://books2read.com/suziloveROver

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Posted in 1800s, Australia, Canada, England, Europe, Food and Drink, History, household, Jane Austen, Regency Era, Romantic Era, Suzi Love Images, U.S.A, Victorian Era | Tagged British history, Food, google books, household, Jane Austen, Mrs. Beeton, Regency Era, Suzi Love Images, Suzi Love Research | Leave a reply

Easter Egg Vintage Cards. #Easter #Vintage #Cards

Suzi Love Posted on April 18, 2022 by Suzi LoveApril 17, 2022

Ordinary people began to celebrate Easter by sending postcards as gifts. At first, mainly religious pictures appeared on postcards. Then postcards images became more about real life and people. In the early 1900s, postcards became more fanciful and pretty for young children. Religious images were gradually replaced by images that children could understand and relate to about Easter

. Postcards then concentrated on images of chickens and eggs, symbolic of birth and rebirth such as chickens emerging from cracked shells as Christ emerged from the tomb. Children were then added to the images so cards became for something for the whole family. Children with chickens and eggs became very popular on postcards. Bunny rabbits became associated with Easter and children could relate to these as it fitted with their idea of the Easter bunny.

Ellen Clapsaddle (1865 – 1934). An American illustrator from the late 19th and early 20th centuries and recognized as the most prolific postcard and greeting card artist of her time. Her greatest success was single-faced cards that could be kept as souvenirs or mailed as postcards. These cards were highly prized particularly during the peak of the golden age of souvenir postcards from 1898 to 1915. She is credited with over 1000 designs in post cards and souvenir cards. Cards in the mid 1900s were created to send personal Easter messages to loved ones such as mothers and fathers, grandparents, aunts and uncles and siblings. Artists from around the world began creating beautiful cards to share at Easter. Jenny Eugenia Nyström (1854 – 1946) was a Swedish painter and illustrator who illustrated Easter postcards for, and about, children and happy images.

Vintage Easter Egg Cards. Suzi Love – suzilove.com

Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.comhttps://books2read.com/suziloveEaster
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Easter Egg Vintage Cards. #Easter #Vintage #Cards. https://books2read.com/suziloveEaster Click To Tweet

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Posted in 1900s, art, Customs & Manners, Easter, Edwardian Era, England, Europe, History, Russia, Suzi Love Images, U.S.A | Tagged Customs and Traditions, Easter, Easter Card, Easter in Images, europe, Suzi Love Images, Suzi Love Research, vintage | Leave a reply
Easter_Collage of Easter Eggs by Suzi Love https://books2read.com/suziloveEaster

Jenny Nystrom (1884-1946) Vintage Easter Cards. #EasterCard #Vintage #Card

Suzi Love Posted on April 17, 2022 by Suzi LoveApril 17, 2022

Jenny Nystrom (1884-1946) Vintage Easter Cards. Jenny Eugenia Nyström (1854 – 1946) was a Swedish painter and illustrator who illustrated Easter postcards for, and about, children and happy images.

Jenny Nystrom (1884-1946) Vintage Dutch Easter Card.
Jenny Nystrom (1884-1946) Dutch Vintage Easter Card.
Jenny Nystrom (1884-1946) Vintage Dutch Easter Card.
Jenny Nystrom (1884-1946) Dutch Vintage Easter Card.
Jenny Nystrom (1884-1946) Vintage Dutch Easter Card.
Jenny Nystrom (1884-1946) Dutch Vintage Easter Card.
Jenny Nystrom (1884-1946) Vintage Dutch Easter Card.
Jenny Nystrom (1884-1946) Dutch Vintage Easter Card.
Jenny Nystrom (1884-1946) Vintage Scandinavian Easter Card.
Jenny Nystrom (1884-1946)Scandinavian Vintage Easter Card.
Jenny Nystrom (1884-1946) Vintage Scandinavian Easter Card.
Jenny Nystrom (1884-1946) Scandinavian Vintage Easter Card.
Jenny Nystrom (1884-1946) Vintage Scandinavian Easter Card.
Jenny Nystrom (1884-1946)Scandinavian Vintage Easter Card.
Jenny Nystrom (1884-1946) Vintage Scandinavian Easter Card.
Jenny Nystrom (1884-1946)Scandinavian Vintage Easter Card.
Jenny Nystrom, Swedish Illustrator designed pretty and happy Easter Cards. #EasterCard #Vintage #Card https://books2read.com/suziloveEaster Click To Tweet

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Posted in 1900s, art, Decorative Item, Easter, Edwardian Era, Europe, History, Suzi Love Images, Victorian Era | Tagged Easter, Easter in Images, Edwardian Era, europe, Suzi Love Books, Suzi Love Images, Sweden, Victorian Era, vintage | Leave a reply

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