Young Lady’s Day is Book 4 in the Regency Life Series. This book depicts the often-frivolous life and fashions of a young lady in the early 1800’s, but also gives a glimpse into the more serious occupations a young lady may undertake. Through historic images, historical information, and funny anecdotes, it shows how a young lady fills her day, where she is permitted to go, and who she is allowed spend time with. These light-hearted looks at the longer Regency years are an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne.
Lover of Jane Austen and the Regency Era fashions? History Notes Book 25. #JaneAusten #RegencyFashion #HistoricalFashion books2read.com/SuziLoveFashionWomen1801-1804
I love these snippets from Captain Gronow’s Recollections 1864. Even though they were written after the Regency, they give us fun bits of information about Almack’s Assembly Rooms, the Prince Regent or later King George IV.
“Good society at the period to which I refer was, to use a familiar expression, wonderfully “select.” At the present time one can hardly conceive the importance which was attached to getting admission to Almack’s, the seventh heaven of the fashionable world. Of the three hundred officers of the Foot Guards, not more than half a dozen were honoured with vouchers of admission to this exclusive temple of the beau monde; the gates of which were guarded by lady patronesses, whose smiles or frowns consigned men and women to happiness or despair. These lady patronesses were the Ladies Castlereagh, Jersey, Cowper, and Sefton, Mrs Drummond Burrell, now Lady Willoughby, the Princess Esterhazy, and the Countess Lieven.
Almack’s: Exclusive temple of the beau monde. The gates of which were guarded by the lady patronesses,The Ladies Castlereagh, Jersey, Cowper, Sefton, Willoughby, Princess Esterhazy, and Countess Lieven.
From Captain Gronow’s Recollections 1864.
The most popular amongst these grandes dames was unquestionably Lady Cowper, now Lady Palmerston. Lady Jersey’s bearing, on the contrary, was that of a theatrical tragedy queen; and whilst attempting the sublime, she frequently made herself simply ridiculous, being inconceivably rude, and in her manner often ill-bred. Lady Sefton was kind and amiable, Madame de Lieven haughty and exclusive, Princess Esterhazy was a hon enfant, Lady Castlereagh and Mrs Burrell de tres grandes dames.
Many diplomatic arts, much finesse, and a host of intrigues, were set in motion to get an invitation to Almack’s. Very often persons whose rank and fortunes entitled them to the entree anywhere, were excluded by the cliqueism of the lady patronesses; for the female government of Almack’s was a pure despotism, and subject to all the caprices of despotic rule: it is needless to add that, like every other despotism, it was not innocent of abuses.
Almack’s
The fair ladies who ruled supreme over this little dancing and gossiping world, issued a solemn proclamation that no gentleman should appear at the assemblies without being dressed in knee-breeches, white cravat, and chapeau bras.
From Captain Gronow’s Recollections 1864.
1815 The First Quadrille at Almack’s Assembly Rooms, London. Left to Right: Marquis of Worcester, Lady Jersey, Clanronald MacDonald and Lady Worcester. “It was not until 1815 that Lady Jersey introduced from Paris the favourite quadrille, which has so long remained popular. I recollect the persons who formed the very first quadrille that was ever danced at Almack’s: they were Lady Jersey, Lady Harriett Butler, Lady Susan Ryde, and Miss Montgomery; the men being the Count St Aldegonde, Mr Montgomery, Mr Montague, and Charles Standish.” From The Reminiscences of Captain Gronow 1810-1860. 1811-1820 Snippets of Regency Life By Captain Gronow. #RegencyEra #Almack's #PrinceRegent https://books2read.com/suziloveROver Share on XRL_1_D2D_Regency Overview RetailerLinks
https://books2read.com/suziloveROver
Light-hearted look at Young Lady in Jane Austen’s times, or early 1800s. A glimpse into both the frivolous and more serious occupations filling a young lady’s day in the lifetime of Jane Austen, or the Regency Era, or the early 19th Century. Historic images and historical information show her fashions and frolics. https://books2read.com/suziloveYLD
Writer Or Reader Of Regency Era?What did Jane Austen and friends wear? Women’s clothing changed dramatically in early 1800s. New silhouette copied simplistic styles of Greeks and Romans. High-waisted white dresses and flowing skirts with color and warmth added by outerwear and accessories. Fashion Women 1801-1804 History Notes Book 25 https://books2read.com/SuziLoveFashionWomen1801-1804
Definition Empire Style Dress: High-waisted white gowns defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the period when Napoleon Bonaparte built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the elaborate clothing worn in the 1700s. This sort of high-waisted dress would have been worn by Jane Austen and her contemporaries in England.
Definition Shawls: The shawl started off in India as a fine wool garment for men that could be worn as a scarf, turban or as a mantle: the word comes from the Persian shäl. Originally imported from the East, European Kashmir shawls were made first in Norwich and Edinburgh in Britain in the late 18th century. Shawls were an essential item in the early 1800s to cover the thin gowns women wore. They were made of muslin, gauze, silk, wool, and velvet, though cashmere shawls were the softest and most prized.
Love the Bridgerton family and Jane Austen? Reader Or Writer of Regency Era stories? Mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing and fashion accessories. books2read.com/SuziLoveFashionWomen1815-1819
History Notes 28 Fashion Women 1815-1819: This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories.
What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Fashion Women 1810-1814 History Notes Book 27 This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
The Lady’s Magazine said of the basis of women’s fashion that was popular for the first twenty years of the 1800s, ‘White is still the prevailing color for robes. For morning dresses, linen gowns, in large diamonds or squares, are fashionable. Indian muslins, plain or embroidered, are preferred to Florence and satins. The designs of embroidery for shawls are of infinite variety. Long gloves, which reach above the elbow, are not yet laid aside. Medallions are hung around the neck from crossed chains and some of these medallions are shaped like the bags, called ridicules. These reticules are of the lozenge or hexagon shape, with a small tassel at each angle. Reticules, or ridicules, are in lozenge or hexagon shapes with a small tassel at each angle. In capotes, or hats, and ribbands, the violet and dark green prevail over jonquil. Bracelets in hair, pear-shaped ear-rings, medallions on square plates, saltiers of colored stones, are still in fashion.’
Music history from the 17th, 18th, and 19th Centuries. Pianos, pianofortes, harps, viols, violins played during Jane Austen’s times. Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Musical instruction and encouragement could be found everywhere and both young ladies and gentlemen were encouraged to have musical appreciation. And of course, playing music was on the list of social requirements for all young ladies desirous of becoming a wife and homemaker.
London became Europe’s leading centre for the manufacture of scientific instruments and this led to the manufacture of more musical instruments as well as factories developed and rail transport helped the faster distribution of goods to regional areas. One of the first places that music was used to tell stories and to share enjoyment was in Christmas music. Because music was such an integral part of households, music was always a feature in Magazines. There were advertisements everywhere for musical instruments for sale, for sheet music, and for music lessons. And of course, of most interest to the ladies were the hundreds of fashion plates included in magazines where people were depicted with their musical instruments.
Another Christmas Tradition is kisisng under the Mistletoe. So have fun this Christmas and find someone to kiss. The problem in hotter climates is to find the Mistletoe, of course. Darn!
Mistletoe was used by Druid priests 200 years before the birth of Christ in their winter celebrations. They revered the plant since it had no roots yet remained green during the cold months of winter. The ancient Celtics believed mistletoe to have magical healing powers and used it as an antidote for poison, infertility, and to ward of evil spirits. The plant was also seen as a symbol of peace, and it is said that among Romans, enemies who met under mistletoe would lay down their weapons and embrace.
Scandanavians associated the plant with Frigga, their goddess of love, and it may be from this that we derive the custom of kissing under the mistletoe. Those who kissed under the mistletoe had the promise of happiness and good luck in the following year. Mistletoe was associated with Christmas as both a decoration under which lovers kiss, as well as a protection from witches and demons. Sounds romantic, although mistletoe is actually a parasitic plant that grows on other trees or plants and comes in many varieties.
In Britain, mistletoe was mainly found in the western and southwestern parts, so the custom wasn’t even followed in all parts of England. But where the mistletoe custom was followed, it was hung in doorways and the greenery was watched by young gentlemen in hopes of catching a pretty girl to kiss, usually on the cheek.
Traditionally, a man was allowed to kiss a woman who was standing underneath mistletoe and bad luck would befall any woman who refused. In some places, it was the custom to pick a berry for each kiss and when all the berries were gone, no more kisses could be taken.