1820 ca. Groups of Dandies fashionably dressed. Hand Colored etching. Published By J. Le Petit, Dublin, U.K. Via British Museum, London, UK. britishmuseum.org (PD-Art)
A dandy is a man who places a lot of importance on his appearance, on having refined language living his life in a leisurely manner. A dandy didn’t have to be an aristocrat. He could also be a middle class man or a self-made man of wealth who could afford to place all his emphasis on his clothing and his leisure time.
1908 Silk and Rubber Corset, French. Front fastening, front suspenders, and back lacing. Made For C. F. Hovey & Co., Boston. Label: The Paris. Marking: label “7.50, Made in France, Véritable Baleine, Brévété S.G.D.G., Best Whalebone THE PARIS, Made in France, expressly or C.F. Hovey and Co., Boston.” stamped on bone lining of corset]; “Corset de Paris” paper label via Metropolitan Museum, NYC, USA Credit Line: Gift of Mrs. Earl Rowe, 1951 Accession Number: C.I.51.15.25a, b
1800 March London Full Dresses With Trains, English. Two ladies in white dresses with trains. Black head drape and black shawl on one could be half mourning, with the pink shawl overlaid for color. The other in evening dress has a high plume on her turban, grand parure, or matching set of jewelry, and a gorgeous white reticule, or bag, with orange spots, tassels and cords. Fashion Plate via Fashions of London and Paris, Published By Richard Phillips, St. Paul’s Church Yard, London, UK.
An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent.
Reader Or Writer of Regency Era? Love Jane Austen and Bridgerton fashions? What was fashionable for women in Jane Austen’s times, or 1800s, or Regency Era. High-waisted dresses were extravagantly accessorized and hats, shoes, parasols and bags were added. Set includes History Notes Books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Ladies clothing in the early 1800’s featured a high waist line called an Empire Line, or Empire style dress, with a waist line just under the natural bust line and much higher than the natural waist. The high-waisted, or short-bodied, Regency styles shifted focus away from the natural waist and so left the natural waist unconstricted, in direct contrast to previous and future styles. Britain took these simple European styles and progressively made them more elaborate by adding more and more complicated embroidery onto white fabrics to create the white on white look popular for many years.
The empire look of fine muslin dresses left women more exposed than in the Georgian Era when fabrics had been thicker and styles bulkier. Women, especially in England, preserved their modesty by adding lace, frills, flounces, ruches, and fabric plaits to dresses to adequately cover any parts that might inadvertently be exposed. Outer layers, such as Spencers, Redingotes or Pelisses or coats, and shawls, were also added for warmth and to brighten outfits. This Empire fashion was totally dependent on a supply of fine, translucent cotton muslin – at first imported from India, then later, less exclusive imitations often woven and printed or embroidered in Britain. Fabrics were soft and lightweight and muslins and other cotton fabrics from India and other Asian countries were in high demand.
1820 Gentleman’s Cream Redingote, Or Long Overcoat, French. Long pants, or trousers, buttoned at the ankles, frilled shirt, high cravat, vest, red fob hanging at his waist. via L’Observateur des Modes, French.
Lady Lillian Armstrong’s mind raced, scrabbling for an excuse for being here. Shock held her captive. Her best friend stood behind her and he’d recognized her, despite the pains she and Maggie had taken with their enormous masks and gowns purchased from the dressmaker who designed flamboyant gowns for courtesans. Lord Mallory, Brenton, was the last person she’d expect to meet at a ball for procuring a mistress.
Maggie, her companion and procurer of ball invitations, had assured her that the majority of gentlemen attending tonight would be vetted acquaintances of Lord Browning’s. Gentlemen on the lookout for a new mistress, young men eager to exchange their quarterly allowances for a brief affair with a rising star in courtesan circles, or men with aspirations of wealth who hoped to afford a full time mistress in the next year or two.
Brenton didn’t fit any of those categories, or perhaps she was mistaken and he lived an entirely different life than the one she saw. He’d barely ventured ten miles from his estate in the past five or six years and preferred evenings at home with his daughter to roaming London’s streets with his peers, gambling at clubs, or getting drunk and visiting brothels. She lifted her fan to her face and waved air across her heated cheeks, not wanting her male admirers to notice her distress. Maggie had promised that all conversations and connections were incognito, so Lillian wouldn’t be recognized as the duke’s disgraced daughter, giving her an opportunity to let the repressed side of Lillian to fly free.
The last thing she needed was a serious conversation with Brent, or to have him criticize or interfere in the outrageous night she and her companion had planned. Maggie’s twelve months of wearing depressing black and pretending to grieve for a man who’d been cruel and abusive had almost destroyed her, so she’d urged Lillian to avoid her mistakes. Advised Lillian to avoid spending months in seclusion and under censure from ignorant family members. Urged Lillian to do something rash and abnormal. Something to clear her mind and soul of the stink of her husband’s infidelity, uncontrolled spending, and irrational actions.
Pleasure House ball Book 3 Irresistible Aristocrats books2read.com/suzilovePHB.
Reader or Writer of Regency Era Books? Love the Bridgertons and Jane Austen? Nonfiction book, Older Gentleman’s Day, gives an overview of his daily life by Award Winning researcher and author, Suzi Love. A sometimes comical look at an older gentleman’s clothing, social life, and responsibilities in the early 1800s. Take a look at where he went, what he wore, and how he managed the family’s finances. Older Gentleman’s Day, Regency Life Series Book 3 books2read.com/suziloveOGD
1811 Walking Dress, French. High-waisted lavender Redingote over a white dress, paisley shawl, white gloves, slippers, and a ruched, or gathered fabric, hat to match the high ruched neck frill. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
“There are few people whom I really love and still fewer of whom I think well.” Jane Austen, Pride and Prejudice (1813)
19th Century Writing Set, French. Old Paris porcelain pot with ormolu fittings, set on a pen tray that is papier mache and hand painted in Chinoiserie, Or Japonaise, Style. The type of writing sets that households would have in Jane Austen’s times for writing letters and keeping track of estate matters. Chinese and Japanese styles of household goods were very fashionable during the English Regency and Victorian years. via Ruby Lane Antiques. rubylane.com
