Tag Archives: Romantic Era Fashion

1830-1850 Romantic Era Corsets Provided Support and Gave Fashionable Silhouette. #Corsets #RomanticEra #HistoricalFashion

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History Notes Book 18 Corsets 1830-1850This book shows how corsets changed to both provide support and also fit well under clothing to give a fashionable silhouette. Corsets started being a fashion item, rather than simply underclothing to be hidden. Romantic Era women’s fashionable corsets. Corsets worn from 1830-1850, or the Romantic Era of fashion. https://books2read.com/SuziLoveCorsetBook18

Information or drawings on corsets through both the Regency and Romantic Eras is difficult as underwear wasn’t shown in British publications for modesty sake, and only occasionally seen in French magazines. Therefore, most of our knowledge about corsets from the Regency and Romantic Eras is through actual garments, especially those donated to museums. Surviving corsets show that shorter corsets weren’t as common and corsets were generally of a longer length. Many of these corsets were still front fastening, plus many were laced at both the front and the back so our aristocratic fictional heroines could indeed dress and undress themselves without the assistance of a maid.

Corset makers became more skilled and cut garments much better, so the body was controlled and shaped by the cut and grain of the fabric. They developed long corded corsets to suit the classical gowns of the period. A wooden busk was created to help keep the undergarment garment lay flat and to lift and separate the breasts. Busks stopped women from bending at the waist, which encouraged good posture. 

HN_18_Corsets 1830-1850 History Notes Book 18 This book shows how corsets changed to both provide support and also fit well under clothing to give a fashionable silhouette. Corsets started being a fashion item, rather than simply underclothing to be hidden. Romantic Era women's fashionable corsets. Corsets worn from 1830-1850, or the Romantic Era of fashion. https://books2read.com/SuziLoveCorsetBook18
1830-1850 Romantic Era Corsets Provided Support and Gave Fashionable Silhouette. History Notes Book 18 #Corsets #RomanticEra #HistoricalFashion https://books2read.com/SuziLoveCorsetBook18
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1823 Couple In Evening Costumes, French. #RegencyFashion #RomanticEra #HistoricalFashion

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1823 Couple In Evening Costumes, French. Short length dancing dress of white gauze, short sleeves, pink ribbon trim, flowers, parure, or jewelry set, dancing shoes and hair in a bandeau. Man in half dress of black tailcoat, yellow vest, short length white trousers, high white
cravat, blue fob, and curled hair style. via Modes Francaises L’Indiscreet, France.

1823 Couple In Evening Costumes, French. Short length dancing dress of white gauze, short sleeves, pink ribbon trim, flowers, parure, or jewelry set, dancing shoes and hair in a bandeau. Man in half dress of black tailcoat, yellow vest, short length white trousers, high white cravat, blue fob, and curled hair style. via Modes Francaises L'Indiscreet, France.

From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass. 

Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. 

1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
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1823 Couple In Evening Costumes, French. #RegencyFashion #RomanticEra #HistoricalFashion https://books2read.com/SuziLoveFashionMen1800-1819
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1825 Blue Redingote of Gros de Naples and Trimmed With Rouleaux, French. #RomanticEra #RegencyFashion #Pelisse

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1825 Blue Redingote of Gros de Naples and Trimmed With Rouleaux, French. Wide shawl collar, Gigot sleeves are full at the top and narrow below the elbows, velvet hat with a white feather. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress. books2read.com/suzilovePelisse

Definition Gros de Naples: ‘Gros’ is French for thick. Well-woven, plain weave, thick Napes silk, both plain and figured, various qualities, and colored.

1825 Blue Redingote of Gros de Naples and Trimmed With Rouleaux, French. Wide shawl collar, Gigot sleeves are full at the top and narrow below the elbows, velvet hat with a white feather. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1825 Blue Redingote of Gros de Naples and Trimmed With Rouleaux, French. #RegencyFashion #RomanticEraFashion #Pelisse. books2read.com/suzilovePelisse
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1840-1880 ca. Burgundy and White Silk Jacket, Russian. #RomanticEra #Fashion #Russia

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1840-1880 ca. Burgundy and White Silk Jacket, Russian. #Romantic #Fashion #Russia via Metropolitan Museum New York City, U.S.A.  metmuseum.org

1840-1880 ca. Burgundy and White Jacket, Russian. Silk, metal, and cotton. Brooklyn Museum Costume via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1840-1880 ca. Burgundy and White Jacket, Russian. Silk, metal, and cotton. Brooklyn Museum Costume via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1840-1880 ca. Burgundy and White Jacket, Russian. Silk, metal, and cotton. Brooklyn Museum Costume via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1840-1880 ca. Burgundy and White Jacket, Russian. Silk, metal, and cotton. Brooklyn Museum Costume via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1840-1880 ca. Burgundy and White Jacket, Russian. Silk, metal, and cotton. Brooklyn Museum Costume via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1840-1880 ca. Burgundy and White Silk Jacket, Russian. #RomanticEra #Fashion #Russia  https://www.bookbub.com/profile/suzi-love
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1830s Flat Black Silk and Leather Shoes, Or Slippers, American. #RomanticEra #Shoes #HistoricalFashion

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1830s Silk and Leather Shoes, Or Slippers, American. Flat black shoes with ankle ties and square toes. via Metropolitan Museum, NYC, U.S.A. metmuseum.org

1830s Front View. Silk and Leather Shoes, Or Slippers, American. Flat black shoes with ankle ties and square toes. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org
1830s Back View. Silk and Leather Shoes, Or Slippers, American. Flat black shoes with ankle ties and square toes. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org
1830s Collage View. Silk and Leather Shoes, Or Slippers, American. Flat black shoes with ankle ties and square toes. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org
1830s Flat Black Silk and Leather Shoes, Or Slippers, American. #RomanticEra #Shoes #HistoricalFashion https://www.bookbub.com/profile/suzi-love Share on X
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1830s Man’s Double-Breasted  Frock Coat, English. #RomanticEra #England #coat

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1830s Man’s Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman’s frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.

The waisted frock coat came into fashion in about 1816 and became an enduring style. Typically it had a narrow waist and full skirts hanging vertically in front. The frock coat was worn for everyday purposes such as morning dress, usually with a top hat, cane and trousers. By 1830 frock coats were made in a variety of designs according to taste, fashion or type of activity. This example has an out-breast pocket, a feature which appeared on coats during the 1830s. This coat was given by Messrs Harrods Ltd. Victoria and Albert Museum, London, UK. collections.vam.ac.uk.  

1830s_MansDouble-BreastedFrock-Coat-English.-Double-breasted-frock-coat-with-a-nipped-in-waist.-The-broad-lapels-are-faced-with-silk-velvet_VAM_Back_Sml
1830s_MansDouble-BreastedFrock-Coat-English.-Double-breasted-frock-coat-with-a-nipped-in-waist.-The-broad-lapels-are-faced-with-silk-velvet_VAM
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1830s Man's Double-Breasted  Frock Coat, English. #RomanticEra #England #coat https://books2read.com/suzilovePelisse Share on X
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Love the charming chatelaines and chains women wore in Jane Austen’s and Bridgerton’s times? Check out this fascinating read! #bridgerton #janeausten #chatelaine #suzilovebooks

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Love the charming chatelaines and chains women wore in Jane Austen’s and Bridgerton’s times? Check out this fascinating read! #bridgerton #janeausten #chatelaine #suzilovebooks books2read.com:SuziLoveChatelaines

The Bridgerton women and Jane Austen and contemporaries carried keys, writing tools, sewing items and other personal necessities on their person by long chains, or a chatelaine, that hung from their waist. Early chatelaines were simple essentials but later chatelaines were decorative and expensive. http://books2read.com/SuziLoveChatelaines

HN_9 Chatelaines and Chains History Notes Book 9 books2read.com:SuziLoveChatelaines

Definition Chatelaine: The word Chatelaine is French and means the keeper of the keys. Chatelaine” derives from the Latin word for castle. In Medieval times, the chatelaine was in charge of the day-to-day running of the castle. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. books2read.com/SuziLoveChatelaines

What did a chatelaine do? Most important task was keeper of the keys. Also ordered supplies, did bookkeeping, supervised servants, taught castle children, and organized guests.

What were chatelaines used for?

  • Castle keepers needed keys safe, yet easily accessible.
  • By 1700’s, a metal jeweled ornament hung from pockets, attached to belts, or by hooks into skirt waistbands
  • During 1800’s, women wore large collections of tools hung from chains
  • Young girls sewed and did needlework and needed to carry sewing notions eg scissors, thimbles
  • Worn by women of all classes, from workers to nobility
  • Varied depending on class and finances.
  • Made of silver, brass, steel, leather, or fabric
  • During 19th century, fashionable dresses often had no waist and nowhere to hang chatelaines
  • Chatelaines became decorative brooches
  • Often given as a wedding present from a husband to bride
  • Later became fashion accessories
Love the charming chatelaines and chains women wore in Jane Austen's and Bridgerton's times? Check out this fascinating read! #bridgerton #janeausten #chatelaine #suzilovebooks books2read.com:SuziLoveChatelaines Share on X
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Why Did Women Wear Chatelaines Dangling From Chains In Bridgerton and Jane Austen’s Times? Women carried essential items on them. #Bridgerton #JaneAusten #RegencyFashion #GeorgianFashion #VictorianFashion

Suzi Love Posted on by

Jane Austen’s and the Bridgerton ladies personal necessities, keys, or chatelaines was a set of useful items hung from waist by decorative chain. Chatelaines and Chains. History Notes Book 9 By Suzi Love. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive.  http://books2read.com/SuziLoveChatelaines

Definition Chatelaine: The word Chatelaine is French and means the keeper of the keys. Chatelaine” derives from the Latin word for castle. In Medieval times, the chatelaine was in charge of the day-to-day running of the castle. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. books2read.com/SuziLoveChatelaines

What did a chatelaine do? Most important task was keeper of the keys. Also ordered supplies, did bookkeeping, supervised servants, taught castle children, and organized guests.

hat were chatelaines used for?

  • Castle keepers needed keys safe, yet easily accessible.
  • By 1700’s, a metal jeweled ornament hung from pockets, attached to belts, or by hooks into skirt waistbands
  • During 1800’s, women wore large collections of tools hung from chains
  • Young girls sewed and did needlework and needed to carry sewing notions eg scissors, thimbles
  • Worn by women of all classes, from workers to nobility
  • Varied depending on class and finances.
  • Made of silver, brass, steel, leather, or fabric
  • During 19th century, fashionable dresses often had no waist and nowhere to hang chatelaines
  • Chatelaines became decorative brooches
  • Often given as a wedding present from a husband to bride
  • Later became fashion accessories
Why Did Women Wear Chatelaines Dangling From Chains In Bridgerton and Jane Austen's Times? Women kept important household items with them. #Bridgerton #JaneAusten #chatelaine #RegencyFashion #GeorgianFashion … Share on X
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D2D_RetailerBuyLink_HN_9. Chatelaines and Chains History Notes Book 9 books2read.com/SuziLoveChatelaines

What do you know about Chatelaines and Chains worn in Jane Austen’s and Bridgerton times? Women in charge of households carried important items with them. #Bridgerton #JaneAusten #RegencyEra #GeorgianEra #VictorianEra

Suzi Love Posted on by

Chatelaines and Chains History Notes Book 9 By Suzi Love. What do you know about Chatelaines and Chains worn in Jane Austen’s and Bridgerton times? Women in charge of households carried important items with them. History Notes Book 9 Chatelaines and Chains. books2read.com/SuziLoveChatelaines

Personal Necessities, keys, or chatelaines was a set of useful items hung from waist by decorative chain. Chatelaines and Chains. History Notes Book 9 By Suzi Love. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. http://books2read.com/SuziLoveChatelaines

Definition Chatelaine: The word Chatelaine is French and means the keeper of the keys. Chatelaine” derives from the Latin word for castle. In Medieval times, the chatelaine was in charge of the day-to-day running of the castle. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. books2read.com/SuziLoveChatelaines

What did a chatelaine do? Most important task was keeper of the keys. Also ordered supplies, did bookkeeping, supervised servants, taught castle children, and organized guests.

What were chatelaines used for?

  • Castle keepers needed keys safe, yet easily accessible.
  • By 1700’s, a metal jeweled ornament hung from pockets, attached to belts, or by hooks into skirt waistbands
  • During 1800’s, women wore large collections of tools hung from chains
  • Young girls sewed and did needlework and needed to carry sewing notions eg scissors, thimbles
  • Worn by women of all classes, from workers to nobility
  • Varied depending on class and finances.
  • Made of silver, brass, steel, leather, or fabric
  • During 19th century, fashionable dresses often had no waist and nowhere to hang chatelaines
  • Chatelaines became decorative brooches
  • Often given as a wedding present from a husband to bride
  • Later became fashion accessories
HN_9 Chatelaines and Chains History Notes Book 9 books2read.com:SuziLoveChatelaines
What do you know about Chatelaines and Chains worn in Jane Austen's and Bridgerton times? #Bridgerton #JaneAusten #RegencyEra #GeorgianEra #VictorianEra books2read.com:SuziLoveChatelaines Share on X
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1830-1840 ca. Woman’s Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory

Suzi Love Posted on by

1830-1840 ca. Woman’s Corset, English.  Cotton sateen, quilted, with cotton twill and cotton plain-weave tape.  Designed to be worn over a chemise and petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA.  via Los Angeles County Museum of Art. via Los Angeles County Museum of Art, California, USA. 

1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory. https://books2read.com/SuziLoveCorsetBook18 Share on X
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