1840s Woman’s Shoes or Slippers, Probably United States. Square toes, silk satin, sueded leather, linen, and kid leather. via Los Angeles County Museum of Art, California, USA. collections.lacma.org Shoes in the early 1800s were flat or low heeled and occasionally decorated with a bow or floral embellishments. From the 1820s onwards, square toes became fashionable.
Chatelaines and Chains History Notes Book 9 By Suzi Love. What do you know about Chatelaines and Chains worn in Jane Austen’s and Bridgerton times? Women in charge of households carried important items with them. History Notes Book 9 Chatelaines and Chains. books2read.com/SuziLoveChatelaines
Personal Necessities, keys, or chatelaines was a set of useful items hung from waist by decorative chain. Chatelaines and Chains. History Notes Book 9 By Suzi Love. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. http://books2read.com/SuziLoveChatelaines
Definition Chatelaine: The word Chatelaine is French and means the keeper of the keys. Chatelaine” derives from the Latin word for castle. In Medieval times, the chatelaine was in charge of the day-to-day running of the castle. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive.books2read.com/SuziLoveChatelaines
What did a chatelaine do? Most important task was keeper of the keys. Also ordered supplies, did bookkeeping, supervised servants, taught castle children, and organized guests.
1810–1850 ca. Corset, American or European. Front lacing, extra wide straps for under a square neckline dress. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
Surviving stays, or corsets as they became to be called in the nineteenth century, show that both longline and shorter corsets were worn and that they were made of cotton, silk and sateen. A lot of these corsets were front fastening, plus many were laced at both the front and the back so our aristocratic fictional heroines could indeed dress and undress themselves without the assistance of a maid.
Corsets 1810-1830 History Notes Book 17 This book shows how corsets changed to fit well under clothing, give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. Jane Austen and her female and friends wore these corsets. https://books2read.com/SuziLoveCorsetBook17
Chatelaines and Chains History Notes Book 9 By Suzi Love. What do you know about Chatelaines and Chains worn in Jane Austen’s and Bridgerton times? Women in charge of households carried important items with them. History Notes Book 9 Chatelaines and Chains. books2read.com/SuziLoveChatelaines
Personal Necessities, keys, or chatelaines was a set of useful items hung from waist by decorative chain. Chatelaines and Chains. History Notes Book 9 By Suzi Love. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. http://books2read.com/SuziLoveChatelaines
Definition Chatelaine: The word Chatelaine is French and means the keeper of the keys. Chatelaine” derives from the Latin word for castle. In Medieval times, the chatelaine was in charge of the day-to-day running of the castle. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive.books2read.com/SuziLoveChatelaines
What did a chatelaine do? Most important task was keeper of the keys. Also ordered supplies, did bookkeeping, supervised servants, taught castle children, and organized guests.
1845-1865 ca. Black Faille Evening Slippers, French. Designed By Melnotte for Department Store J. Petit. Black slippers, which went with anything, were an essential for mid 1800s fashionable ladies. Generally made of satin so dull faille fabric is unusual so possibly for mourning. Label written largely in French of London shop, exclusive agent, plus other fashionable imported Parisian accessories. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
1820-1840 ca. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textiles
1815-1825 ca. Dark Green Leather Woman’s Slippers, French. The type of shoes worn by Jane Austen and her female friends and family. Made in France and worn in Boston, Massachusetts, USA. Worn by Mehetable Stoddard Sumner (Welles), American, 1784-1826. Green silk bows, lapped side seams, green silk bindings, black silk ribbon ties, plain linen drawstring at fronts, white leather insoles, white linen vamp linings; leather soles. Written in ink on insole was ‘Droit’, meaning right side, although both shoes may have been the same. via Museum of Fine Arts, Boston. mfa.org.
Shoes in the early 1800s were flat or low heeled and occasionally decorated with a bow or floral embellishments and it wasn’t until the 1820s that square, rather than rounded, toes became fashionable. Typical Regency Era women’s footwear were shoes that had low heels, slightly rounded toes, embellished with a bow and with ribbon ties for the ankles. Made of soft kid or cloth, these delicate shoes were flimsy and wore out quickly. Slippers were often bought in multiples at a time and with no difference between left or right foot so when one slipper had a hole it was easily replaced.
1800-1830 ca. Drawstring Bag, German. Basket-shaped, Ecru cotton knit embroidered with colored glass beads in design of grapevine on upper half, open work embroidered with weaving motif on lower half. Wired at center, cardboard at base. Green silk cord drawstring. The Elizabeth Day McCormick Collection via Museum of Fine Arts, Boston, U.S.A. mfa.org
Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
1830 ca. Quilted Buff Canvas Corset, English. Quilted canvas, wood, boning, and brass. Self lined, quilted with back stitch.
Front fastening, shoulder straps, and brass eyelets for back. The wide centre front busk may be of wood and these stays are boned from the waist through the centre of the bust gussets, with three bones at each side and on each side of the back lacing. The rest is quilted, the top is over a cord foundation, and there are gussets at the hips. Eyelets in the back and strap lacing are of brass and machine inserted. On the left of the centre busk at hip level, is a tape stretched so that it ties horizontally. The top and straps are bound with tape. Self lined, quilted in back stitch, the waist is herringboned, and the bases of the bust and hip gores are button-holed. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk