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1830-1839 ca. Black Silk Evening Slippers Made By East Of London. #RomanticEra #Shoes #BritishHistory

Suzi Love Posted on September 25, 2023 by Suzi LoveSeptember 16, 2023

1830-1839 ca. Black Evening Slippers, British. Black silk, rosette on front, straps. Made By East, Boot & Shoe Maker, Britain. via Metropolitan Museum, NYC, U.S.A.

1830-1839 ca. Evening Slippers, British. Black silk, rosette on front, straps. Made By East, Boot & Shoe Maker, Britain. https://books2read.com/suziloveYLD
1830-1839 ca. Black Silk Evening Slippers Made By East Of London. #RomanticEra #Shoes #BritishHistory
1830-1839 ca. Black Silk Evening Slippers Made By East Of London. #RomanticEra #Shoes #BritishHistory https://books2read.com/suziloveYLD Click To Tweet
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. books2read.com:suziloveYLD
Posted in 1800s women's fashion, Fashion, London, Regency Fashion, Romantic Era, shoes, Suzi Love Images | Tagged 1800s women's fashion, England, fashion accessories, London, Metropolitan Museum NYC, Romantic Era Fashion, Shoes, Suzi Love Images

1810-1850 ca. Bridgerton or Jane Austen Style Front Lacing Corset With Extra Wide Straps, American Or European. #Bridgertons #JaneAusten #RegencyFashion #Corset #RomanticEra

Suzi Love Posted on September 20, 2023 by Suzi LoveAugust 11, 2023

1810–1850 ca. Corset, American or European. Front lacing, extra wide straps for under a
square neckline dress. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

1810–1850 ca. Corset, American or European. Front lacing, extra wide straps for under a square neckline dress. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1810–1850 ca. Corset, American or European. Front lacing, extra wide straps for under a square neckline dress. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

Surviving stays, or corsets as they became to be called in the nineteenth century, show that both longline and shorter corsets were worn and that they were made of cotton, silk and sateen. A lot of these corsets were front fastening, plus many were laced at both the front and the back so our aristocratic fictional heroines could indeed dress and undress themselves without the assistance of a maid.

Read more18th Century Gentleman's Silk Wedding Suit. #GeorgianEra #fashion

Corsets 1810-1830 History Notes Book 17 This book shows how corsets changed to fit well under clothing,  give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. Jane Austen and her female and friends wore these corsets. https://books2read.com/SuziLoveCorsetBook17Corsets or stays worn during the early 1800s, or Jane Austen’s lifetime.

1810-1850 ca. Bridgerton or Jane Austen Style Front Lacing Corset With Extra Wide Straps, American Or European. #Bridgertons #JaneAusten #RegencyFashion #Corset #RomanticEra https://books2read.com/SuziLoveCorsetBook17 Click To Tweet
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Posted in 1800s, 1800s women's fashion, Bridgerton, Corset, Europe, Fashion, Jane Austen, Regency Era, Regency Fashion, Romantic Era, Suzi Love Images, U.S.A, underclothing | Tagged 1800s women's fashion, Bridgerton, Corset, europe, Jane Austen, Metropolitan Museum NYC, Regency Fashion, Romantic Era, Romantic Era Fashion, underclothing, USA

Do you love Jane Austen and Bridgerton fashions? Corsets Or Stays Worn During the Early 1800s, or Regency Era, Book 17 History Notes #Bridgerton #JaneAusten #RegencyFashion #Corsets

Suzi Love Posted on August 24, 2023 by Suzi LoveAugust 4, 2023

This book shows how corsets changed to fit well under clothing, give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. Jane Austen and her female and friends wore these corsets. Corsets or stays worn during the early 1800s, or Jane Austen’s lifetime. https://books2read.com/SuziLoveCorsetBook17

The main purpose of corsets was to support and shape the breasts. Though they still slimmed the midriff, this was not the prime purpose of a corset between 1810 and 1830. The waistlines of dresses were lowering to below the bust line but nearer to the true waist, so corsets were longer and were given added shaping by stitching and cording and by shaping the breasts with pleated or gathered cups.

HN_17_Corsets 1810-1830 History Notes Book 17 This book shows how corsets changed to fit well under clothing, give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. Jane Austen and her female and friends wore these corsets. Corsets or stays worn during the early 1800s, or Jane Austen's lifetime. https://books2read.com/SuziLoveCorsetBook17
Corsets 1810-1830 History Notes Book 17 This book shows how corsets changed to fit well under clothing, give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. Jane Austen and her female and friends wore these corsets. Corsets or stays worn during the early 1800s, or Jane Austen’s lifetime. https://books2read.com/SuziLoveCorsetBook17
Do you love Jane Austen and Bridgerton fashions? Corsets Or Stays Worn During the Early 1800s, or Regency Era, Book 17 History Notes #Bridgerton #JaneAusten #RegencyFashion #Corsets https://books2read.com/SuziLoveCorsetBook17 Click To Tweet
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Posted in 1800s, 1800s women's fashion, Australia, Bridgerton, Canada, Corset, England, Europe, France, Google Books, History Notes, Jane Austen, London, Regency Era, Regency Fashion, Suzi Love Books, Suzi Love Images, U.S.A, underclothing | Tagged 1800s women's fashion, Book 17, Bridgerton, Corset, Fashion Plate, History Notes, Jane Austen, Regency Fashion, Romantic Era, Romantic Era Fashion, Suzi Love Books, underclothing

1830s Lady In A Corset At Her Dressing Table. French Fashion Plate.#Fashion #Corset #Romantic

Suzi Love Posted on August 23, 2023 by Suzi LoveAugust 23, 2023

1830s Lady In A Corset At Her Dressing Table. Fashion Plate via Modes de Paris.

Romantic Era women’s corsets supported plus fitted well to give a fashionable silhouette. Becoming a fashion item, rather than simply hidden underclothing.
https://books2read.com/SuziLoveCorsetBook18

corset_1830s_Lady In Corset At Dressing Table. Modes de Paris.
1830s_Lady In Corset At Dressing Table. Modes de Paris.
1830s Lady In A Corset At Her Dressing Table. French Fashion Plate.#Fashion #Corset #Romantic https://books2read.com/SuziLoveCorsetBook18 Click To Tweet
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Posted in 1800s, 1800s women's fashion, Corset, Dress Or Robe, fashion accessories, France, hats, Romantic Era, Suzi Love Images, underclothing | Tagged 1800s women's fashion, Corset, Dress Or Gown, fashion accessories, Fashion Plate, Hats And Hair, Modes de Paris, Romantic Era Fashion, underclothing

1800-1850 ca. Brown Reticule, Or Bag With Monogram and Drawstring, British. #RegencyEra #RomanticEra #JaneAusten

Suzi Love Posted on August 13, 2023 by Suzi LoveAugust 13, 2023

1800-1850 ca. Reticule, Or Bag. Brown bag with monogram and drawstring, British. Jane Austen and her female contemporaries would have sewn, gifted and used a bag similar to this. via Snowshill Manor, National Trust, U.K. nationaltrustimages.org.uk

Definition Reticule: Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.

1800-1850 ca. Reticule, Or Bag. Brown bag with monogram and drawstring. via Suzi Love ~ suzilove.com & Snowshill Manor, National Trust, U.K. nationaltrustimages.org.uk
1800-1850 ca. Reticule, Or Bag. Brown bag with monogram and drawstring. via Suzi Love ~ suzilove.com & Snowshill Manor, National Trust, U.K. nationaltrustimages.org.uk
1800-1850 ca. Brown Reticule, Or Bag With Monogram and Drawstring, British. #RegencyEra #RomanticEra #JaneAusten http://books2read.com/suziloveReticules Click To Tweet
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Posted in 1800s, 1800s women's fashion, Australia, Decorative Item, England, fashion accessories, History, Regency Era, Regency Fashion, Reticule or Bag, Romantic Era, Suzi Love Images | Tagged 1800s women's fashion, British history, fashion accessories, Jane Austen, National Trust U.K., Regency Fashion, reticule or bag, Romantic Era Fashion, sewing, Victorian fashion
1830s_MansDouble-BreastedFrock-Coat-English.-Double-breasted-frock-coat-with-a-nipped-in-waist.-The-broad-lapels-are-faced-with-silk-velvet_VAM

1830s Man’s Double-Breasted  Frock Coat, English. #RomanticEra #England #coat

Suzi Love Posted on July 31, 2023 by Suzi LoveJuly 30, 2023

1830s Man’s Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman’s frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.

The waisted frock coat came into fashion in about 1816 and became an enduring style. Typically it had a narrow waist and full skirts hanging vertically in front. The frock coat was worn for everyday purposes such as morning dress, usually with a top hat, cane and trousers. By 1830 frock coats were made in a variety of designs according to taste, fashion or type of activity. This example has an out-breast pocket, a feature which appeared on coats during the 1830s. This coat was given by Messrs Harrods Ltd. Victoria and Albert Museum, London, UK. collections.vam.ac.uk.  

1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman's frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts.  Woolen beaver cloth trimmed with silken velvet.
1830s Man's Double-Breasted  Frock Coat, English. #RomanticEra #England #coat https://books2read.com/suzilovePelisse Click To Tweet
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Posted in 1800s, 1800s Mens Fashions, Coat or Pelisse Or Redingote, England, Romantic Era, Suzi Love Images | Tagged 1800s men fashion, England, Redingote Or Pelisse Or Coat, Romantic Era Fashion, Victoria and Albert Museum

1840s Woman’s Square Toed Silk Satin Shoes or Slippers, Probably United States. #Shoes #RomanticEra #Fashion

Suzi Love Posted on July 30, 2023 by Suzi LoveJuly 13, 2023

1840s Woman’s Shoes or Slippers, Probably United States. Square toes, silk satin, sueded leather, linen, and kid leather. via Los Angeles County Museum of Art, California, USA. collections.lacma.org Shoes in the early 1800s were flat or low heeled and occasionally decorated with a bow or floral embellishments. From the 1820s onwards, square toes became fashionable. 

1840s Woman's Shoes or Slippers, Probably United States. Square toes, silk satin, sueded leather, linen, and kid leather. via Suzi Love suzilove.com & Los Angeles County Museum of Art, California, USA. collections.lacma.org
1840s Woman’s Shoes or Slippers, Probably United States. Square toes, silk satin, sueded leather, linen, and kid leather. via Suzi Love suzilove.com & Los Angeles County Museum of Art, California, USA. collections.lacma.org
1840s Woman's Square Toed Silk Satin Shoes or Slippers, Probably United States. #Shoes #RomanticEra #Fashion Click To Tweet
Posted in 1800s, 1800s women's fashion, Romantic Era, shoes, Suzi Love Images, U.S.A | Tagged 1800s women's fashion, Los Angeles County Museum, Romantic Era Fashion, Shoes, USA
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 

1830-1840 ca. Woman’s Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory

Suzi Love Posted on June 23, 2023 by Suzi LoveJune 11, 2023

1830-1840 ca. Woman’s Corset, English.  Cotton sateen, quilted, with cotton twill and cotton plain-weave tape.  Designed to be worn over a chemise and petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA.  via Los Angeles County Museum of Art. via Los Angeles County Museum of Art, California, USA. 

1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory. https://books2read.com/SuziLoveCorsetBook18 Click To Tweet
HN_18_D2D_Corsets 1830-1850
HN_18_D2D_Corsets 1830-1850. https://books2read.com/SuziLoveCorsetBook18
Posted in 1800s, 1800s women's fashion, Corset, England, Romantic Era, Suzi Love Images, underclothing, Victorian Era | Tagged 1800s women's fashion, Corset, Los Angeles County Museum, Romantic Era Fashion, underclothing

18th – 19th Century Busks For Stays, Or Corsets, In Jane Austen and Bridgerton Times. #RegencyFashion #Corsets #JaneAusten #Bridgerton #HistoricalFashion

Suzi Love Posted on June 15, 2023 by Suzi LoveJune 13, 2023

Busks shaped and reinforced the centre front of stays, or corsets. They were made from whalebone, wood, and bone, and were often inscribed with names, dates, and symbols of love because they were positioned close to the heart. The corsets worn in Jane Austen’s later years and by women in Bridgerton times often had busks to stiffen the corset and support the breasts.

busk_1755 Wooden Busk For Stays, English. Flat piece of wood with design scratched or picked out, and accented with red stain. Design comprises of circles, stylized geometric stars, heart motifs, and the initials and date 'EB 1755'. Indistinct inscription on the back, scratched into the surface of the wood with three lines of script.
1755 Wooden Busk For Stays, English. Flat piece of wood with design scratched or picked out, and accented with red stain. Design comprises of circles, stylized geometric stars, heart motifs, and the initials and date ‘EB 1755’. Indistinct inscription on the back, scratched into the surface of the wood with three lines of script.
busk_1800-1840 ca. Scrimshaw Corset Busk, American. Designs are of a ship and the places the sailor visited. Sailors made these as gifts to be worn close to the heart by their loved ones. Dimensions (inches) 12.5 (L) , 1.3 (W). Dimensions (centimeters). 31.7 (L) , 3.3 (W) via Winterthur Museum Collection.
1800-1840 ca. Scrimshaw Corset Busk, American. Designs are of a ship and the places the sailor visited. Sailors made these as gifts to be worn close to the heart by their loved ones. Dimensions (inches) 12.5 (L) , 1.3 (W). Dimensions (centimeters). 31.7 (L) , 3.3 (W) via Winterthur Museum Collection.
busk_19th Century. Scrimshaw Baleen Corset Busks, American. The first with figure inscribed Annabelle, ship, whale, and verse On the off shore grounds I think of thee, so I'll catch my whales and leave the sea; the second inscribed Mary and 1836 12 3/8in. high the longest. via Christie’s Auction Rooms.
19th Century. Scrimshaw Baleen Corset Busks, American. The first with figure inscribed Annabelle, ship, whale, and verse On the off shore grounds I think of thee, so I’ll catch my whales and leave the sea; the second inscribed Mary and 1836 12 3/8in. high the longest. via Christie’s Auction Rooms.
busk_1833 August. Corset Busk of carved whalebone. Face carvings, house, geometric circle, potted plant, sailing ship, American flag. Joseph Bradford. Carvings, plant, house, anchor, sea birds over ship, tree. Whale skeletal bone, inscribed with knife and using black pigment. Length: 13 1/8" 33.4 cm; Width: 1 9/16" 3.9 cm; Thickness: 1/8" 3 mm.
1833 August. Corset Busk of carved whalebone. Face carvings, house, geometric circle, potted plant, sailing ship, American flag. Joseph Bradford. Carvings, plant, house, anchor, sea birds over ship, tree. Whale skeletal bone, inscribed with knife and using black pigment. Length: 13 1/8″ 33.4 cm; Width: 1 9/16″ 3.9 cm; Thickness: 1/8″ 3 mm.
busk_Busks shaped and reinforced front of corsets. Made from whalebone, wood and bone. Often inscribed with names, dates and symbols of love because they were positioned close to the heart. Via Hereford Museum.
Busks shaped and reinforced front of corsets. Made from whalebone, wood and bone. Often inscribed with names, dates and symbols of love because they were positioned close to the heart. Via Hereford Museum.
busk_1771 Wooden Corset Busk, American. Carved Maple wood. Via Winterthur Museum.
1771 Wooden Corset Busk, American. Carved Maple wood. Via Winterthur Museum.
busk_19th Century Early. Corset Busk of Double-Sided Carved Wood. Honey colored wood, probably maple, carved on both sides. Two trees of life, hex symbol design, two entwined hearts, pinwheels, and growing plant. Back has delicate scrimshaw-look design of seashore town, chapel, homes, lighthouse and ships, horizontal rather than front vertical. Measures: 13.75" x 1.5". via Antique Dress.
19th Century Early. Corset Busk of Double-Sided Carved Wood. Honey colored wood, probably maple, carved on both sides. Two trees of life, hex symbol design, two entwined hearts, pinwheels, and growing plant. Back has delicate scrimshaw-look design of seashore town, chapel, homes, lighthouse and ships, horizontal rather than front vertical. Measures: 13.75″ x 1.5″. via Antique Dress.
busk_18th Century Wooden Busk for Stays, European. Via metmuseum.org
18th Century Wooden Busk for Stays, European. Via metmuseum.org
busk_18th Century Late - 19th Early Carved Maple Wood Busk, American. Spirals top & bottom, two hearts meet at center, "PC" carved on reverse. Worn by member of Robbins family, inherited by Ellen A. Stone. Via Fine Arts Museum Of Boston, USA.
18th Century Late – 19th Early Carved Maple Wood Busk, American. Spirals top & bottom, two hearts meet at center, “PC” carved on reverse. Worn by member of Robbins family, inherited by Ellen A. Stone. Via Fine Arts Museum Of Boston, USA.

18th – 19th Century Busks For Stays, Or Corsets, In Jane Austen and Bridgerton Times. #RegencyFashion #Corsets #JaneAusten #Bridgerton #HistoricalFashion https://books2read.com/SuziLoveCorsetBook14 Click To Tweet
Read more18th Century Gentleman's Silk Wedding Suit. #GeorgianEra #fashion

https://books2read.com/SuziLoveCorsetBook14
Posted in 1700s, 1800s, 1800s women's fashion, Australia, Bridgerton, Canada, Corset, England, Europe, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, Romantic Era, South Pacific, Suzi Love, U.S.A, underclothing | Tagged 1800s women's fashion, Bridgerton, Christie's Auction Rooms, Corset, Georgian Fashion, Jane Austen, Metropolitan Museum NYC, Museum Of Fine Arts, Regency Fashion, Romantic Era Fashion, Victoria and Albert Museum, Victorian fashion, Winterthur Museum

1830-1839 ca. Black Silk Evening Slippers Made By East Of London. #RomanticEra #Shoes #BritishHistory

Suzi Love Posted on May 28, 2023 by Suzi LoveMay 28, 2023

1830-1839 ca. Black Evening Slippers, British. Black silk, rosette on front, straps. Made By East, Boot & Shoe Maker, Britain. via Metropolitan Museum, NYC, U.S.A.

1830-1839 ca. Evening Slippers, British. Black silk, rosette on front, straps. Made By East, Boot & Shoe Maker, Britain. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org
1830-1839 ca. Black Silk Evening Slippers Made By East Of London. #RomanticEra #Shoes #BritishHistory
1830-1839 ca. Black Silk Evening Slippers Made By East Of London. #RomanticEra #Shoes #BritishHistory Click To Tweet
Posted in 1800s Mens Fashions, England, Fashion, Romantic Era, shoes, Suzi Love Images | Tagged 1800s men fashion, 1800s women's fashion, England, London, Metropolitan Museum NYC, Romantic Era, Romantic Era Fashion, Shoes | Leave a reply

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