1789-1790 ca. Man’s Red Riding Coat, England or France. Wool plain weave, full finish, with metallic-thread embroidery, tan breeches, black riding boots and crop. Credit: (M.2007.211.46) via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1845 Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1780 Stays and Panier, or Hoop Petticoat, England. via suzilove.com and Los Angeles County Museum of Art, California, USA. Stays: Brown linen twill and baleen. Panier: Woman’s hoop petticoat, or pannier, of linen plain weave and cane 1750-1780. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1715 ca. Rectangular Envelope Style Bag, French. Polychrome opaque and translucent glass beads strung with linen thread, held together by interlocking looping stitches (sablé). Design on white ground: woman playing table organ, woman seated, boy and girl flanking, urn with flowers right, two insects and curtain above (obv.); sun and phoenix of Louis XIV, ribbon above inscribed IE VIS SANS MOURIR, inscribed at bottom and right SI IE MEURS CE NEST QUE POVR REVIVRE (rev.); vegetative scene (flap). Gilt-galloon binding. Salmon figured silk lining and side panels. Cardboard foundation. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1715 ca. Rectangular Envelope Style Bag, French. Polychrome opaque and translucent glass beads strung with linen thread, held together by interlocking looping stitches (sablé). Design on white ground: woman playing table organ, woman seated, boy and girl flanking, urn with flowers right, two insects and curtain above (obv.); sun and phoenix of Louis XIV, ribbon above inscribed IE VIS SANS MOURIR, inscribed at bottom and right SI IE MEURS CE NEST QUE POVR REVIVRE (rev.); vegetative scene (flap). Gilt-galloon binding. Salmon figured silk lining and side panels. Cardboard foundation.
via Los Angeles County Museum of Art, California, USA.
collections.lacma.org
1715 ca. Rectangular Envelope Style Bag, French. #GeorgianEra #HistoricalFashion #Antiques http://books2read.com/suziloveReticules Share on XD2D_RetailerBuyLink_HN_3 http://books2read.com/suziloveReticules
1795-1810 ca. Woman’s Shoes, Or Slippers, English. Kid leather and linen, pointed toes, no heel. via Los Angeles County Museum of Art, California, USA.
1840s Woman’s Shoes or Slippers, Probably United States. Square toes, silk satin, sueded leather, linen, and kid leather. via Los Angeles County Museum of Art, California, USA. collections.lacma.org Shoes in the early 1800s were flat or low heeled and occasionally decorated with a bow or floral embellishments. From the 1820s onwards, square toes became fashionable.
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. via Los Angeles County Museum of Art. via Los Angeles County Museum of Art, California, USA.
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 1830-1840 ca. Woman's Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory. https://books2read.com/SuziLoveCorsetBook18 Share on XHN_18_D2D_Corsets 1830-1850. https://books2read.com/SuziLoveCorsetBook18
1800 White Muslin Dress, European. Empire style, high-waisted dress of light weight cotton, with softly falling gathered long skirt and with a train. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
The type of dress worn across Europe in the early 1800s. This sort of high-waisted dress would have been worn by Jane Austen and her contemporaries in England. The Empire waist gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given in France to the period when Napoleon built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s.
1845 Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1845 Collage Of Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1845 Front and Back Views Of Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1845 Three Waist Views Of Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1845 Sleeve and Waist Views Of Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org