Tag Archives: feathers or aigrette

1811 January Three Women In Jane Austen Style Evening Dresses With Fashion Accessories. #RegencyFashion #BritishHistory #JaneAusten

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1811 January Evening Dresses, English. Standing Figure: French frock with half train of black imperial gauze worn over a slip of white sarsnet or satin, ornamented with a Vandyke border of white velvet or thread lace. White velvet hat ornamented with two curled ostrich feathers, with a silver or beaded band. White kid gloves and shoes. Sitting Figure: Grecian robe of silver grey crape worn over a white satin under-dress, ornamented at the hem and each side with a light and tasteful border of black bugles. Stomacher edged with black beads, corresponding with those which finish the bosom and sleeves. Earrings, necklace, and bracelets of jet. Hair in waved curls on each side of the face, divided in front of the forehead with a full plait and barrel comb of jet. White satin slippers with black jet clasps or bugle rosettes. White kid gloves and a fan of silver-frosted crape. Back-ground figure: Dress of black Venetian velvet with short Circassian sleeve, gathered in a knot of white beads or pearl, bosom and stomacher to correspond, pearl necklace, ear-rings, and bracelets. Belt of white velvet with mother-of-pearl clasps. Convent veil of white cobweb net confined with a pearl crescent, à la Diana. Sandal slippers and gloves of white kid and fan of carved ivory. Fashion Plate via Rudolph Ackermann’s ‘The Repository’ of Arts.

Definition Evening Dress: Minute distinctions between ball, dinner, evening and opera gowns meant different quality of fabrics and designs. A Ball Gown differed from an evening dress as expensive silk fabrics were usually worn, light or heavy, decorated with lace, embroidery or beading, with low-cut bodice, short or no sleeves, and full skirts. In the early 1800s, white cotton dresses were considered suitable for many evening events, but not for balls. And definitely not for an evening event in a palace. White dresses with white embroidery for evening were considered fashionable and exclusive as only the wealthy could afford them.

1811 January Evening Dresses, English. Standing Figure: French frock with half train of black imperial gauze worn over a slip of white sarsnet or satin, ornamented with a Vandyke border of white velvet or thread lace. White velvet hat ornamented with two curled ostrich feathers, with a silver or beaded band. White kid gloves and shoes. Sitting Figure: Grecian robe of silver grey crape worn over a white satin under-dress, ornamented at the hem and each side with a light and tasteful border of black bugles. Stomacher edged with black beads, corresponding with those which finish the bosom and sleeves. Earrings, necklace, and bracelets of jet. Hair in waved curls on each side of the face, divided in front of the forehead with a full plait and barrel comb of jet. White satin slippers with black jet clasps or bugle rosettes. White kid gloves and a fan of silver-frosted crape. Back-ground figure: Dress of black Venetian velvet with short Circassian sleeve, gathered in a knot of white beads or pearl, bosom and stomacher to correspond, pearl necklace, ear-rings, and bracelets. Belt of white velvet with mother-of-pearl clasps. Convent veil of white cobweb net confined with a pearl crescent, à la Diana. Sandal slippers and gloves of white kid and fan of carved ivory. Fashion Plate via Rudolph Ackermann's 'The Repository' of Arts.
1811 January Three Women In Jane Austen Style Evening Dresses With Fashion Accessories. #RegencyFashion #BritishHistory #JaneAusten books2read.com/SuziLoveFashion1810-1814 Share on X
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1809 Pink Evening Dress Of Levantine and Hat With Feathers Or Aigrette in Jane Austen style. #RegencyFashion #JaneAusten #fashionhistory

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1809 Pink Evening Dress Of Levantine, French. V-neck bodice, decorated hem, long gloves and Toque hat with feathers, or aigrette. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

Definition Fabric Levantine: Stout silk cloth in twill weave. First made in the Levant, a large area in the Eastern Mediterranean region of Western Asia.

Definition Aigret, aigrette, egret: Upright plume of feathers or jeweled ornament in shape of feathers worn on head or hats. 19th century favorite feathers osprey and heron.

1809 Pink Evening Dress Of Levantine and Hat With Feathers Or Aigrette in Jane Austen style. #RegencyFashion #JaneAusten #fashionhistory https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
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1816 Two Women Crossing The Pont Des Arts, Paris. #regencyera #regencyfashion #bridgerton

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1816 Crossing The Pont des Arts, Paris. Illustrations by Francis Courboin. via Les Modes de Paris. (PD-Art) suzilove.comThis plate depicts two women crossing the Pont des Arts, which is also known as the Passerelle des Arts. The women wear very high-waisted dresses. Both women wear a large white feather in their hats, symbolic of the white plume of Henri IV’s famous battle cry, “Ralliez-vous à mon panache blanc!” and made popular by the 1814 restoration of Louis XVIII on the throne. Restoration also brought back various styles, especially those denoting luxury, from the Ancien Regime. The woman on the left wears an ‘old-fashioned’ lace collar and the resurgence of luxury materials, such as fur are indicative of feminine styles of the Restoration period. (PD-Art) Illustrations by François Courboin from Octave Uzanne’s Les Modes de Paris. Variations du goût et de l’esthétique de la femme, 1797-1897, L. Henry May, Paris, 1898, or from the English translation of the same work: Fashion in Paris : the various phases of feminine taste and aesthetics from 1797 to 1897, William Heinemann, London, 1898. Modes De Paris

1816 Crossing the Pont des Arts, Paris. Two women cross Pont des Arts, known as Passerelle des Arts, built from 1802 to 1804, first Parisian bridge of iron, and first bridge in Paris exclusively reserved for pedestrians. Women wear Redingotes or coats, one with 'old-fashioned' lace collar and fur indicating resurgence of luxury and feminine styles. From: Illustrations by François Courboin from Octave Uzanne's Les Modes de Paris. (PD-Art)
1816 Two Women Crossing The Pont Des Arts, Paris. #janeausten #regencyera #regencyfashion #bridgerton https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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1815 Lady Reading Outside In Walking Dress and Coat in Bridgerton and Jane Austen style. #Bridgerton #RegencyEra #JaneAusten #RegencyFashion

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1815 White Walking Dress, English. Lady reading outside. Aqua pelisse, or coat, open to reveal a yellow lining, yellow gloves, high bonnet with feathers and blue shoes. Jane Austen and her family and friends would have worn this style of walking ensemble and as Jane Austen was very fond of reading, it’s easy to picture her looking like this. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.

1815 White Walking Dress, English. Lady reading outside. Aqua pelisse, or coat, open to reveal a yellow lining, yellow gloves, high bonnet with feathers and blue shoes. Fashion Plate via Rudolph Ackermann's 'The Repository of Arts'.
1815 Lady Reading Outside In Walking Dress and Coat in Bridgerton and Jane Austen style. #Bridgerton #RegencyEra #JaneAusten #RegencyFashion https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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1807 July Two Ladies In Empire Style Dresses With Accessories, English. #Bridgertons #RegencyEra #JaneAusten #HistoricalFashion

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1807 July Two Ladies In Empire Style Dresses, English. White walking dress, Pomona green bonnet and Redingote, or coat, lined in slate silk, carrying puce reticule, or bag. Right: White satin ball gown topped with primrose yellow robe and a turban with white ostrich feathers. Fashion Plate via Lady’s Monthly Museum, London, UK.

Gorgeous Regency Era clothing came in a wide range of styles to suit every season and occasion. Ladies in Jane Austen’s times wore Empire style dresses which were usually of light fabric and floaty in style so accessories were essential to keep women warm.

Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.

 Definition Aigret, aigrette, egret: Plume of feathers or jeweled ornament in shape of feathers worn on head or hats. During the early 19th century., or Jane Austen’s lifetime, the favorite feathers were osprey and heron.

Redingote, or Pelisse, or Walking Dress, or Promenade Dress: Going by many names, this is a coat copied from men’s overcoats but worn by both men and women. Generally, opens down the front, worn for warmth over a dress or coat and breeches, and has a military look with front vertical buttoning or decoration.

1807 July Two Ladies In Empire Style Dresses, English. White walking dress, Pomona green bonnet and Redingote, or coat, lined in slate silk, carrying puce reticule, or bag. Right: White satin ball gown topped with primrose yellow robe and a turban with white ostrich feathers. Fashion Plate via Lady's Monthly Museum, London, UK.
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1815 Blue Dress and Various Hats as worn in Jane Austen and Bridgerton Times. #Bridgerton #RegencyFashion #JaneAusten

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1815 Blue Dress Bodice, French. Layers of frills on dress back. Hairstyle and Various Bonnets as Jane Austen would have worn. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

1815 Blue Dress Bodice, French. Layers of frills on dress back. Hairstyle and Various Bonnets as Jane Austen would have worn. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1815 Blue Dress and Various Hats as worn in Jane Austen and Bridgerton Times. #Bridgerton #RegencyFashion #JaneAusten https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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1817 March. Blue Opera Dress And Hat. #Regency #JaneAusten #Fashion

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1817 March. Opera Dress, English. The sort of outfit Jane Austen and her contemporaries or the Bridgerton women would wear for an evening at the opera or theatre. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.

A blue crape dress over a white satin slip; the dress trimmed round the skirt with a deep blond lace, which is headed with a light and novel trimming, composed of white floss silk and small pearl beads: this trimming is surmounted with a beautiful deep embroidery of lilies, surrounded by leaves. The body and sleeves of this dress, as our readers will perceive by our print, are extremely novel. Head-dress, toque à la Berri; it is a crown of a novel form, tastefully ornamented round the top with lilies to correspond with the trimming of the skirt, and a plume of white feathers, which droop over the face. Ear-rings, necklace, and bracelets, sapphire mixed with pearl. The hair dressed in loose light ringlets on the forehead, and disposed in full curls in the back of the neck. White kid gloves, and white satin slippers.

1817 March. Opera Dress, English. Blue dress with flowers around the hem above a lace frill, long draping shawl, blue hat with white feather. Fashion Plate via Rudolph Ackermann's 'The Repository of Arts'.
1817 March. Blue Opera Dress And Hat In Bridgerton and Jane Austen Style. #Bridgerton #JaneAusten #RegencyFashion https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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1815 May Purple Walking Dress, Or Pelisse, as worn in Jane Austen and Bridgerton years. #RegencyFashion #JaneAusten #Bridgerton

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1815 May. Walking Dress, or Pelisse, or Redingote, English. Purple walking dress with wide collar, high white lace neck frill, and white trim down the vertical opening, white reticule, and a high white plumed hat. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’. Google Books (PD-180) suzilove.com Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.

Definition: Walking Dress Or Pelisse Or Redingote Woman’s long, fitted coat often worn open in front to show off the dress underneath. Walking Dress Or Pelisse are the terms used in English fashion plates, while Redingote is seen in European fashion plates, especially the French one, Journal des Dames et des Modes, or Costume Parisien.

1815 May. Walking Dress, or Pelisse, or Redingote, English. Purple walking dress with wide collar, high white lace neck frill, and white trim down the vertical opening, white reticule, and a high white plumed hat. Fashion Plate via Rudolph Ackermann's 'The Repository of Arts'. Google Books (PD-180) suzilove.com Fashion Plate via Rudolph Ackermann's 'The Repository of Arts'.
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1815 July Seaside Walking Dress and Plumed Bonnet, English. #JaneAusten #Bridgerton #RegencyFashion

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1815 July Seaside Walking Dress. A high dress, of short walking length, made of French cambric or jaconot muslin, trimmed at the feet with treble flounces of French work, gathered into a rich bead heading, and laid upon the dress, at a suitable distance, one above the other, the body made with open fronts, worn with a full ruff of the French work, corresponding to the trimming at the feet; a long sleeve, drawn alternately across the arm, terminates with a broad wristband, worn plain over the hand. French bonnet of white satin, edged and tied under the chin with satin ribbon of celestial blue; ornamented with a rich plume of white feathers, edged to correspond. French mantle of the twilled silk en suite, richly embroidered at the ends in shaded silks, composing roses or lilies of the valley. Patent silk stockings. Slippers, or half-boots, or blue kid, or primrose colour. Gloves to correspond.

The bodies of the morning and promenade costume continue to be worn with cross or handkerchief fronts, and are generally trimmed, agreeably to the texture of the dress, with quilled tull or ribbon. The quilled ribbon is also predominant in single rows at the feet of all dresses composed of silk, bombazeen, or fancy prints. The prevailing colours are primrose, celestial blue, and evening primrose; the waist short, and the fullness of the petticoat carried to the back. Ruffs of French work are universally worn, except in full dress. The length of the petticoat continues not to exceed meeting the top of the boot and the color of the latter corresponds with the glove, mantle, and trimming of the bonnet.

via  Rudolph Ackermann’s ‘The Repository of Arts’.

1815 July Seaside Walking Dress, English. High dress of short walking length of French cambric or jaconot muslin, hem trimmed with treble flounces of French work, open fronts with full ruff of French work, long sleeves drawn alternately across arms and caught into broad wristband, French bonnet of white satin with satin ribbon of celestial blue, plume of white feathers, French mangle of twilled silk embroidered at ends, Patent silk stockings, slippers, or half-boots, and gloves of blue or primrose kid. Fashion Plate via Rudolph Ackermann's 'The Repository of Arts'.
1815 July Seaside Walking Dress and Plumed Bonnet, English. #JaneAusten #Bridgerton #RegencyFashion https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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1819  Lady in Red Redingote In The Gardens of the Tuileries, Paris, France. #Art #RegencyFashion #France

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1819 Gardens of the Tuileries Near the Rue de Rivoli, Paris, France. Woman in a red walking dress, or Redingote, or Pelisse, modeled after British riding dresses and worn with a high white bonnet with feathers, or plumes. The skirt remains fairly narrow and the waist is fairly low, indicating the transition into 1820 styles. In the background are women walking with children. From Illustrations by François Courboin from Octave Uzanne’s Les Modes de Paris.

Variations du goût et de l’esthétique de la femme, 1797-1897, L. Henry May, Paris, 1898, or from the English translation of the same work: Fashion in Paris : the various phases of feminine taste and aesthetics from 1797 to 1897, William Heinemann, London, 1898.

1819 Gardens of the Tuileries Near the Rue de Rivoli, Paris, France. Woman in a red walking dress, or Redingote, or Pelisse, modelled after British riding dresses and worn with a high white bonnet with feathers, or plumes. The skirt remains fairly narrow and the waist is fairly low, indicating the transition into 1820 styles. In the background are women walking with children. From Illustrations by François Courboin from Octave Uzanne's Les Modes de Paris. https://books2read.com/SuziLoveFashionWomen1815-1819
1819  Lady in Red Redingote In The Gardens of the Tuileries, Paris, France. #Art #RegencyFashion #France https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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