1887 Resurrection Imperial Faberge Egg. Yellow gold, rock crystal, rose-cut-diamonds, pearls, brilliant diamonds and various colored enamels. One of Faberge’s masterpieces and is essentially a jewel.Â
1898 Lilies Of The Valley Imperial Faberge Easter Egg, Russia. An imperial Easter egg presented by Nicholas II to his wife, Empress Alexandra Fiodorovna, for Easter 1898. Gold, diamonds, rubies and pink guilloché enamel with lily-of-the-valley flowers (pearls/diamonds) and contains a hidden portrait. From The Fabergé firm, St Petersburg made by Michael Perchin. Height is 20 cm opened. Via Collection of the Fund ‘The Link of Times’.
The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.
In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.
After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.
19th Century Second Half. Paper Mache Easter Egg, Russian.#Easter Resurrection of Christ, Cathedral of Christ the Savior. via Hermitage Museum, Russia. hermitagemuseum.org
1885 The Hen Egg, Imperial Faberge egg, Russia. Gold, rubies and enamel. Height: 6.4 cm. Made by The Fabergé firm, St Petersburg
An imperial Easter egg presented by Alexander III to his wife, Empress Maria Fiodorovna, for Easter 1885. The Hen, was made by Faberge at the behest of Emperor Alexander III for Empress Maria Fedorovna in 1885, possibly to mark the 20th anniversary of their betrothral. It imitates a natural egg and is golden, covered with a white opaque enamel. Inside there is a surprise in the form of a chicken figurine which held in its beak a ruby egg (presently lost). Via The Hermitage Museum, Russia.
1890-1900s Porcelain Easter Egg. Inscription “Christ is risen!”. The Kornilov Brothers Factory, St Petersburg. Via Hermitage Museum Faberge Easter Egg, Russia. books2read.com/suziloveEaster
A porcelain Easter egg from the 1890–1900s featuring the inscription “Christ is risen!” was a traditional Russian Orthodox Easter gift. They were produced by both the Kornilov Brothers Factory and the Imperial Porcelain Factory in St. Petersburg. The State Hermitage Museum in St. Petersburg has a large collection of Imperial-era porcelain Easter eggs. These eggs were exchanged, hung on ribbons, or placed on stands during Easter as a symbol of life’s renewal. The words “Christ is Risen!” was a traditional Russian Easter greeting.
17th – 20th Centuries Luggage For Travel.
1900 Friendship, or, Hoof Faberge Egg, Russia. Presented by Tzarina Alexandra to one of her friends. Red gold bowenite, diamonds, rubies and pearls.
In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.
After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.1900 Â Friendship, or, Hoof #Faberge #Easter Egg. Presented by Tzarina Alexandra to one of her friends. Red gold bowenite, diamonds, rubies and pearls. Faberge Easter Egg, Russia.
1814 Gentleman’s Ensemble, French. Gentleman in brown tailcoat, white vest, high collared white shirt, knotted white cravat, white pants and white gaiters above black shoes. The style of outfit worn by the men in Jane Austen’s life. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1811 August Walking Dress for a Mother and a child, English. Mother wears a typical Regency or Jane Austen style high round robe with full long sleeve trimmed with Van Dyke lace at the throat and cuffs and ornamented around the bottom with a Tuscan border in needlework. Short capuchin cloak of buff shot sarsenet fastened with broaches on shoulders and trimmed with deep Chinese silk fringe. Moorish turban bonnet gathered into a broach in centre of the forehead. Purple ridicule, or bag, with gold snap and tassels. Buff kid half boots, parasol with deep Indian awning. Child wears a short sleeved Spanish vest and trousers in one, which looks like a skeleton suit, a tight coat or jacket buttoned to a pair of high-waisted trousers. An Indian dimity waistcoat with long sleeves and collar trimmed with a narrow border of muslin, high shoes of purple morocco and a college cap of purple velvet with a crimson band and carries a parasol. via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Skeleton Suit: Shirt and trousers made as one connecting piece, often buttoned together, and were one of the earliest fashions designs made especially for children and were worn from the 1790s to the 1820s.
