1814 Gentleman’s Redingote, or Overcoat, French. Back View of coat with back pleats and metal buttons worn with high topped boots, top hat, and a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Redingote Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Originally made with several capes and trimmed with large buttons. For women, the coat was often cut away in the front or left open to show off the dress underneath. French fashion plates call these coats Redingotes and they were worn by men, women, and children. English fashion plates call the coats a Pelisse, a walking dress, Promenade dress, or Carriage dress.
1830s Man’s Double-Breasted Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman’s frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts. Woolen beaver cloth trimmed with silken velvet.
The waisted frock coat came into fashion in about 1816 and became an enduring style. Typically it had a narrow waist and full skirts hanging vertically in front. The frock coat was worn for everyday purposes such as morning dress, usually with a top hat, cane and trousers. By 1830 frock coats were made in a variety of designs according to taste, fashion or type of activity. This example has an out-breast pocket, a feature which appeared on coats during the 1830s. This coat was given by Messrs Harrods Ltd. Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1810 Gentleman’s Relaxed Daily Outfit. Green tailcoat, double-breasted white waistcoat, knotted white cravat, striped Nankin trousers with straps under the foot and red fob at the waist, holding a top hat and a walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
