1805-1808 ca. Man’s three-part court suit of coat, waistcoat, and breeches, French. Wool broadcloth embroidered with silk and metallic threads, spangles, and glass. Plum colored broadcloth embroidered with plum colored and white silk and chenille, silver thread, spangles and brilliants. Supposed to have been worn by the Hon. James Bowdoin, U.S. Minister to Spain, 1805-1808, at a ball given by Napoleon at the Tuileries. Worn with 01.110 and 01.111. Said to have been worn by the Hon. James Bowdoin, U.S. Minister to Spain from 1805-1808; to his grand-nephew, James Bowdoin Winthrop by inheritance; to James Bowdoin Winthrop’s nephew, Robert C. Winthrop, Jr. by inheritance; gift of Robert C. Winthrop, Jr. to MFA, February 1, 1901.
DIMENSIONS Coat: center back (collar to bottom of coat): 106 cm (41 3/4 in.) Waistcoat: center front: 55.2 cm (21.75 in.) Breeches: center front: 67.9 cm (26.75 in.)
1820-1850 ca. Cotton and Beadwork Reticule Or Bag, Dutch. Couple on shore, man in boat, house and windmill behind, musicians, dancers, onlookers. Yellow metallic frame and green braided silk cord. Beadwork on cotton foundation. Polychrome design: couple on shore, man in boat, house and windmill behind (obv.); musicians, dancers, onlookers (rev.); acanthus motif at base. Yellow metallic frame with dotted design, stud closure, green braided silk cord. Ecru silk lining. via Museum of Fine Arts, Boston, U.S.A. mfa.org
Definition Reticule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
1820-1850 ca. Cotton and Beadwork Reticule Or Bag, Dutch. Couple on shore, man in boat, house and windmill behind, musicians, dancers, onlookers. Yellow metallic frame and green braided silk cord. via Museum of Fine Arts, Boston, U.S.A. mfa.orgD2D_RetailerBuyLink_HN_3 http://books2read.com/suziloveReticules
1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org
Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.orgD2D_RetailerBuyLink_HN_3 http://books2read.com/suziloveReticules
1810-1820s ca. Woman’s Green Slippers. Possibly French, worn in America. The type of shoes worn by Jane Austen and her female friends and family and by the female members of the Bridgerton family. via Museum of Fine Arts, Boston. mfa.org
Shoes in the early 1800s were flat or low heeled and occasionally decorated with a bow or floral embellishments and it wasn’t until the 1820s that square, rather than rounded, toes became fashionable. Typical Regency Era women’s footwear were shoes that had low heels, slightly rounded toes, embellished with a bow and with ribbon ties for the ankles. Made of soft kid or cloth, these delicate shoes were flimsy and wore out quickly. Slippers were often bought in multiples at a time and with no difference between left or right foot so when one slipper had a hole it was easily replaced.
1810-1820s ca. Woman’s Green Slippers. Possibly French, worn in America. via suzilove.com and Museum of Fine Arts, Boston. mfa.orgHN_27_D2D_fashwomen1810-1814
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19th Century Early Chemise or Shift, American. White linen and embroidery. via Metropolitan Museum New York City, U.S.A. metmuseum.org
Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name replaced by ‘Chemise’. The sort of undergarment that Jane Austen would have worn next to her skin and under her stays, or corset.
19th Century Early Chemise or Shift, American. Linen and embroidery. Chemise: Worn next to the skin under stays or corset. via Metropolitan Museum New York City, U.S.A. metmuseum.orgHN_25_D2D_fashwomen1801-1804 https://books2read.com/SuziLoveFashionWomen1801-1804
From 1700 until the early 1800s, pockets with waist ties were worn by women to keep essential items on their person. Generally of linen or some other cotton fabric, they were often quilted, or embroidered and gifted or handed down to others. In the 18th century, women’s pockets were not sewn into their gowns. Instead they were attached to a tape and tied around the waist as separate garments. Worn under the hoops and petticoats, they were accessed through openings in the gown and petticoat seams. By the early 1800s, round gowns were both flowing and almost transparent so pockets could no longer be worn under dresses, so ridicules, or bags, or reticules were carried instead. Jane Austen and her female friends and family would have worn pockets under their out layers.
From the Curator Victoria and Albert Museum, London: Quilting was a popular form of decoration for a variety of garments including pockets. However, hand-quilting was a time-consuming method of decoration. The increased demand for quilted petticoats, waistcoats and pockets led to the invention of woven quilting.
1700-1725 ca. Pair of Linen Twill Women’s Pockets With Crewel Embroidery and Waist Ties, British. Embroidered in yellow, green and pink worsted thread with chain and stem stitches, design of flower pot with flowering plant, bound with green worsted tape and sewn to linen tape tie. Designs are similar but not identical, suggesting both hand-drawn and possibly work of an amateur. Pockets may have been handed down to another person who found them too small as each pocket has been extended at top by 4 cms. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
by 4 cms. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1750-1800 ca. Woman’s Pocket With Waist Ties, New England, America. Linen plain weave, cotton plain weave, wool embroidery. Dimensions 39.5 cm x 27.5 cm. Polychrome crewels on cotton and linen, vine with buds, flowers and leaves and initials M.W. in center. In 18th century, women’s pockets were tied around waist with tape as separate garments, worn under hoops and petticoats, accessed through openings in gown and petticoat seams. via Museum of Fine Arts, Boston, U.S.A. mfa.org
1750-1800 ca. Woman’s 1750-1800 ca. Woman’s Pocket With Waist Ties, New England, America. Linen plain weave, cotton plain weave, seams. via Museum of Fine Arts, Boston, U.S.A. mfa.orgHN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love.
What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions.
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19th Century Early Chemise or Shift, American. Linen and embroidery. Chemise: Worn next to the skin under stays or corset. via Metropolitan Museum New York City, U.S.A. metmuseum.org
Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name replaced by ‘Chemise’.
19th Century Early Woman’s Plain Weave Linen Chemise, Or Shift, American. Shift with scoop neck with drawstring, three-quarter length sleeves with drawstrings and lighter-weight linen ruffles. Lexington, Massachusetts, United States. Probably worn by Abigail Robbins (1759-1850) and Inherited by Ellen A. Stone; Gift to MFA, 1899. via Museum of Fine Arts, Boston, U.S.A.HN_25_D2D_fashwomen1801-1804 https://books2read.com/SuziLoveFashionWomen1801-1804
1800 ca. Heptagonal Bag, French. Old rose moiré silk panels on steel cockade frame. Cut steel rosettes at rivets. Steel turn-key closure. White ribbon on steel rings. White silk lining. Credit: The Elizabeth Day McCormick Collection via Museum of Fine Arts, Boston, U.S.A. mfa.org
Reticule Or Bag: As the silhouette of dresses became more form fitting and fabrics lighter and more transparent, pockets could no longer be hidden in the folds of skirts or underwear. Something else was needed to hold a lady’s essentials. Small purses, like men’s money pouches, were used by women to carry money for gambling, sewing necessities, and women’s daily requirements such as combs. A bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery was called a reticule, or ridicule. They came in a variety of shapes, sizes, and materials. Jane Austen and her contemporaries would have purchased or hand made reticules, or bags, for each other for gifts and carried them with them whenever they went out.
1800 ca. Heptagonal Bag, French. Old rose moiré silk panels on steel cockade frame. Cut steel rosettes at rivets. Steel turn-key closure. White ribbon on steel rings. White silk lining. Credit: The Elizabeth Day McCormick Collection via Museum of Fine Arts, Boston, U.S.A. mfa.orgHN_12 D2D_RetailerBuyLink_HN_12 books2read.com/SuziLoveFashionWomen1800
