1817 September Glengary Riding Habit, English, as would have been worn during Bridgerton and Jane Austen’s times. Pale blue cloth, richly ornamented with frogs and braiding, front braided on each side and fastens under the body of the habit, which slopes down on each side to define the figure. Epaulettes and jacket are braided to correspond with the front as is the bottom of the sleeve which is braided nearly half-way up the arm. Habit shirt is of cambric with a high standing collar and trimmed with lace. Cravat of soft muslin is richly worked at ends, tied in a bow, narrow lace ruffles at the wrists. Headdress is a Glengary cap of blue satin, trimmed with plaited ribbon of various shades of blue and a plume of feathers. Blue kid gloves are worn and half-boots. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Male tailors made most women’s riding habits during the Regency years and they were constructed similarly to men’s riding outfits. Generally in two pieces, a jacket and a skirt, and with a shirt with a frilled collar or front opening underneath. The trains of a habit could be caught up for walking, usually with a button and loop, and unhooked and let down so that the skirt flowed over the woman’s legs when she rode side saddle. Due to the numerous wars during the early 1800s, it was seen as patriotic for women to add military style touches to outfits in support of military men. The shoulder and cuff trims resemble the epaulettes and coat trims of a military uniform.
1817 June Blue Riding Costume, English. Loose riding habit with a train on the skirt, high white neck frill on the shirt underneath, and rows of decoration on the shoulders and cuffs of the habit jacket, an extra high hat with multiple plumes, or, feathers and gloves. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.
Male tailors made most women’s riding habits during the Regency years and they were constructed similarly to men’s riding outfits. Generally in two pieces, a jacket and a skirt, and with a shirt with a frilled collar or front opening underneath. The trains of a habit could be caught up for walking, usually with a button and loop, and unhooked and let down so that the skirt flowed over the woman’s legs when she rode side saddle. Due to the numerous wars during the early 1800s, it was seen as patriotic for women to add military style touches to outfits in support of military men. The shoulder and cuff trims resemble the epaulettes and coat trims of a military uniform.
1817 June Blue Riding Costume, English. Loose dress with a train, high white neck frill, extra high hat with multiple plumes, or, feathers and gloves. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.
1815 White Dress and Reticule, French. White dress, green bonnet with pink trim to match the adorable pink reticule and green gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Jane Austen and her contemporaries would have worn this style of outdoor walking outfit and flowered hat.
Definition Reticule: Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
1820-1840 ca. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textiles
1818 Blue Levantine Redingote, French. High-waisted walking coat, high white neck frill, bonnet of blue Gros de Naples with pink flowers, short puffed sleeves over long straight sleeves, white gloves and blue shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. The type of outfit young Regency Era ladies would have worn if they were out shopping on Bond Street, walking in a park, or taking a carriage ride through Hyde Park.
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.
1715-1775 ca. Flat Drawstring Bag, French. Strung glass beads, or sablé, held together by looping stitches. Polychrome Rococo design on white ground, shepherd, shepherdess, four sheep around orange tree center, border with cornucopias and flowers. Ecru silk cord drawstrings with floral bead-covered wood tassels. Blue silk lining. via Museum of Fine Arts, Boston.
1745-1750 ca. Necessaire, or small decorative box, with watch, probably German. Fitted with sewing and writing implements as well as a watch, this unmarked nécessaire shows delightful chinoiserie decoration in the Rococo style, echoing the work of the influential Munich designer François Cuvilliés (1695–1768). via Metropolitan Museum New York City, U.S.A. metmuseum.org
Small toiletry, writing, or sewing containers were called Necessaire or Etui: Tiny boxes or containers were carried in large castles or sprawling manor houses so a lady or gentleman had their essentials with them all day. They were also important when traveling by coach, trains, or ships where space was always limited. A necessaire or Etui was easily carried in a bag, reticule, or pocket so essentials were on hand for personal grooming, to repair a ripped hem, replace a button, to embroider, or to write a note or letter.
1805-1810 ca. Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves and long train. Gold metallic thread embroidery. via Metropolitan Museum, N.Y.C., U.S.A.
1805-1810 ca. Front Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Back Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Side Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Train Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Embroidery Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Embroidery. Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Embroidery. Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Embroidery Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Embroidery. Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Jane Austen Style Cotton Evening Dress With Gold Metallic Embroidery. #RegencyFashion #JaneAusten #sewing https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
1800 ca. Gentleman’s White Dimity Waistcoat As Worn By the Men In Bridgerton and Jane Austen Year. #Bridgerton #JaneAusten #RegencyFashion https://books2read.com/SuziLoveFashionMen1800-1819
Who loves Bridgerton and Jane Austen Women’s Fashions? Everyone? Of course we do!
During the early 1800s, dress fabrics and dresses were thin, sometimes almost transparent. These lightweight white cotton dresses were fashionable in Jane Austen’s times, but they were certainly not warm when a lady was out walking or when riding in a carriage. Numerous outer layers could be added for warmth and to brighten and personalize an outfit. These might be an overdress, pelisse or redingote, hat, shawl, gloves, or large fur muff.
A typical outdoor outfit worn by the Bridgerton family, or Jane Austen and her contemporaries, when going outside consisted of an Empire style, or high-waisted, white cotton dress worn under a Pelisse, or Redingote, or coat, for warmth and with an added layer with the pretty shawl. Hats were made to match gowns and cloaks and fashionable women spent an extraordinary amount of time coordinating complete ensembles which included reticules or bags, shoes, shawls, gloves, hats, parasols, and fans. Typical Empire style dresses had low necklines and with skirts that started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. These were worn most days and cotton, silk or taffeta were the popular fabrics.
Definition Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.
1816 July Opera Dress of White Lace, English. White dress with scalloped lace hem and shawl collar with lace edge, and worn under a gorgeous pink draping shawl. Skirt trimmed with lace festooned at regular distances, edged by plain band of byas satin and finished by pearl ornaments. Plain long sleeve, very full, caught at the wrists and elegantly finished with lace. Hair ornamented with a wreath of French roses, parted in front, and simply dressed in loose curls. Necklace, ear-rings, and bracelets of pearl. White satin slippers, and white kid gloves and a blush colored French silk scarf. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Extravagant accessories of every color and style were added to the plain white dresses to show individuality and for warmth in cold European temperatures.
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Originally made with several capes and trimmed with large buttons. For women, the coat was often cut away in the front or left open to show off the dress underneath. French fashion plates call these coats Redingotes and they were worn by men, women, and children. English fashion plates call the coats a Pelisse, a walking dress, Promenade dress, or Carriage dress.
