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Home » Italy

Tag Archives: Italy

1800 Highly Decorated Six String Guitar, Probably Italian, as used in Jane Austen’s lifetimes. #RegencyEra #JaneAusten #Music #Guitar

Suzi Love Posted on August 27, 2025 by Suzi LoveAugust 21, 2025

1800 Guitar, Probably Naples, Italy. The sort of guitar people in Jane austen’s era would have played in their homes. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. This highly decorated guitar is an early example of a six-string, single-course guitar. The elaborate decoration features classical figures, musical instruments, and floral motifs made from ebony and fit into an ivory ground covering the back, sides, neck, and headstock of the guitar.

A second guitar at the Yale Collection of Musical Instruments features the same decoration, only in reverse, indicating that the decoration was made at the same time by cutting through thin layers of stacked ebony and ivory. A portrait in the center of the upper back is believed to be of Giovanni Paisiello based on his 1791 portrait. Paisiello was a composer of opera and many of his works were transcribed for use on other instruments and his pieces were a favorite of guitarists.

The fingerboard is covered with tortoiseshell over read paint with an ivory satyr inlaid where the neck meets the body.  A carved wooden rosette may be a replacement and is surrounded by an ivory hexagon with ebony inlaid instruments and flowers matching the back. The decorative style is evocative of so-called Baroque guitars of the seventeenth century.  The six-string, single-course guitar became popular in Naples at the end of the eighteenth century and then spread throughout the rest of Europe replacing the earlier five and six double-course guitars. via  Metropolitan Museum New York City, U.S.A. books2read.com/suziloveMusicGeneral

guitar_1800 ca. Guitar, probably Naples, Italy. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. Portrait believed to be Giovanni Paisiello, composer of opera and transcribed for use in other instruments. Elaborate decoration features classical figures, musical instruments, and floral motifs of ebony in ivory background on the back, sides, neck and headstock. Via Metropolitan Museum New York City, U.S.A. metmuseum.org
guitar_1800 ca. Guitar, probably Naples, Italy. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. Portrait believed to be Giovanni Paisiello, composer of opera and transcribed for use in other instruments. Elaborate decoration features classical figures, musical instruments, and floral motifs of ebony in ivory background on the back, sides, neck and headstock. Via Metropolitan Museum New York City, U.S.A. metmuseum.org
guitar_1800 ca. Guitar, probably Naples, Italy. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. Portrait believed to be Giovanni Paisiello, composer of opera and transcribed for use in other instruments. Elaborate decoration features classical figures, musical instruments, and floral motifs of ebony in ivory background on the back, sides, neck and headstock. Via Metropolitan Museum New York City, U.S.A. metmuseum.org
guitar_1800 ca. Guitar, probably Naples, Italy. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. Portrait believed to be Giovanni Paisiello, composer of opera and transcribed for use in other instruments. Elaborate decoration features classical figures, musical instruments, and floral motifs of ebony in ivory background on the back, sides, neck and headstock. Via Metropolitan Museum New York City, U.S.A. metmuseum.org
guitar_1800 ca. Guitar, probably Naples, Italy. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. Portrait believed to be Giovanni Paisiello, composer of opera and transcribed for use in other instruments. Elaborate decoration features classical figures, musical instruments, and floral motifs of ebony in ivory background on the back, sides, neck and headstock. Via Metropolitan Museum New York City, U.S.A. metmuseum.org
guitar_1800 ca. Guitar, probably Naples, Italy. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. Portrait believed to be Giovanni Paisiello, composer of opera and transcribed for use in other instruments. Elaborate decoration features classical figures, musical instruments, and floral motifs of ebony in ivory background on the back, sides, neck and headstock. Via Metropolitan Museum New York City, U.S.A. metmuseum.org
guitar_1800 ca. Guitar, probably Naples, Italy. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. Portrait believed to be Giovanni Paisiello, composer of opera and transcribed for use in other instruments. Elaborate decoration features classical figures, musical instruments, and floral motifs of ebony in ivory background on the back, sides, neck and headstock. Via Metropolitan Museum New York City, U.S.A. metmuseum.org
guitar_1800 ca. Guitar, probably Naples, Italy. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. Portrait believed to be Giovanni Paisiello, composer of opera and transcribed for use in other instruments. Elaborate decoration features classical figures, musical instruments, and floral motifs of ebony in ivory background on the back, sides, neck and headstock. Via Metropolitan Museum New York City, U.S.A. metmuseum.org
guitar_1800 ca. Guitar, probably Naples, Italy. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. Portrait believed to be Giovanni Paisiello, composer of opera and transcribed for use in other instruments. Elaborate decoration features classical figures, musical instruments, and floral motifs of ebony in ivory background on the back, sides, neck and headstock. Via Metropolitan Museum New York City, U.S.A. metmuseum.org
1800 Highly Decorated Six String Guitar, Probably Italian, as used in Jane Austen's lifetimes. #RegencyEra #JaneAusten #Music #Guitar books2read.com/suziloveMusicGeneral Share on X
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Posted in 1800s, Decorative Item, Europe, Jane Austen, Music, Regency Era | Tagged europe, guitar, Italy, Jane Austen, music, Regency Era

1804-1829 ca. Two Gentlemen and A Lady In Fashionable Outfits as Worn by the Bridgertons and Jane Austen. #Bridgerton #JaneAusten #RegencyFashion #Italy

Suzi Love Posted on August 30, 2024 by Suzi LoveAugust 24, 2024

1804-1829 ca. Two Gentlemen and A Lady, Italian. Dressed as ladies and gentlemen would be in the times of the Bridgerton family and Jane Austen and friends. Gentleman in a caped overcoat with black top hat and red umbrella. Lady in walking costume of lavender cape over red dress, red shawl, white bonnet and black walking shoes. Gentleman in blue opera cloak with red lining, black top hat and black shoes. Men And Women In Costumes, 1804-1829 The Miriam and Ira D. Wallach Division, The New York Public Library. nypl.org The sort of fashionable outfit and items worn or carried by Jane Austen and her contemporaries when out walking. Outfits were always heavily accessorized with coats, shawls, hats and parasols.

1804-1829 ca. Two Gentlemen and A Lady, Italian. Gentleman in a caped overcoat with black top hat and red umbrella. Lady in walking costume of lavender cape over red dress, red shawl, white bonnet and black walking shoes. Gentleman in blue opera cloak with red lining, black top hat and black shoes. Men And Women In Costumes, 1804-1829 The Miriam and Ira D. Wallach Division, The New York Public Library. nypl.org
1804-1829 ca. Two Gentlemen and A Lady, Italian. Gentleman in a caped overcoat with black top hat and red umbrella. Lady in walking costume of lavender cape over red dress, red shawl, white bonnet and black walking shoes.
1804-1829 ca. Two Gentlemen and A Lady In Fashionable Outfits as Worn by the Bridgertons and Jane Austen. #Bridgerton #JaneAusten #RegencyFashion #Italyhttps://books2read.com/SuziLoveFashionMen1800-1819 Share on X
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Posted in 1800s, 1800s Mens Fashions, 1800s women's fashion, Bridgerton, Coat or Pelisse Or Redingote, Dress Or Robe, Europe, fashion accessories, hats, Jane Austen, pants, Regency Era, Regency Fashion, shoes, Suit, Suzi Love Images | Tagged 1800s men fashion, 1800s women's fashion, Bridgerton, Dress Or Gown, europe, fashion accessories, Fashion Plate, gloves, Hats And Hair, Italy, Jane Austen, New York Public Library, pants, parasol, Redingote Or Pelisse Or Coat, Regency Fashion, Shoes | Leave a reply

1860-1870 ca. Pink Silk Bag, Or Reticule, Italian. #VictorianFashion #Handbag #Reticule #Italy

Suzi Love Posted on January 10, 2024 by Suzi LoveDecember 28, 2023

1860–1870 ca. Pink Silk Bag, Or Reticule, Italian. Two layers of contrasting pink silk with tassels and a drawstring. via Metropolitan Museum New York City, U.S.A. metmuseum.org

Definition Ridicule, Reticule, Indispensable, or Handbag: From the late 1700s, pockets could no longer be sewn into gowns, as skirts fell from just under the bust and were full and flowing. Instead, women began carrying small bags, known at first as ridicules and later as reticules, to keep necessary items on their person e.g. handkerchiefs, coins, vinaigrettes, calling cards, glasses etc. http://books2read.com/suziloveReticules

The term ‘ridicule’ derived from the Latin ‘ridiculum’ and first used in France during the 17th century and meant subjecting something or someone to mockery. As women’s tiny bags were mocked, or ridiculed, for being a useless fashion accessory carried outside when they were first used in the late 1700s, it’s likely this is how the name ‘ridicule’ started. The later term ‘reticule’ derived from the Latin reticulum, meaning ‘netted bag’ and was applied when bags became larger and often made from netting. In the late 1700s and early 1800s, they were also known as indispensables as they carried all the personal items a lady needed upon her person every day. They were easily made by ladies, easy to carry and became an indispensable fashion accessory.

In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded mâché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.

1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.

1860–1870 ca. Pink Silk Bag,  Or Reticule, Italian. Two layers of contrasting pink silk with tassels and a drawstring. via Suzi Love suzilove.com andMetropolitan Museum New York City, U.S.A. metmuseum.org
1860–1870 ca. Pink Silk Bag, Or Reticule, Italian. Two layers of contrasting pink silk with tassels and a drawstring. via Suzi Love suzilove.com andMetropolitan Museum New York City, U.S.A. metmuseum.org
1860-1870 ca. Pink Silk Bag, Or Reticule, Italian. #VictorianFashion #Handbag #Reticule #Italy. http://books2read.com/suziloveReticules Share on X
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Posted in 1800s women's fashion, Decorative Item, Europe, fashion accessories, Reticule or Bag, sewing, Suzi Love Images, Victorian Era | Tagged 1800s women's fashion, europe, Italy, Metropolitan Museum NYC, reticule or bag, sewing, Victorian fashion

1562-1575 ca. Wine Cooler With a Pageant Battle with Elephants, Italian. #Italy #Antiques #History

Suzi Love Posted on October 23, 2023 by Suzi LoveAugust 11, 2023

1562-1575 ca. Wine Cooler With a Pageant Battle with Elephants, Italian.
Maiolica, or tin-glazed earthenware, from the workshop of the Fontana family. 1553-1580.
Coolers were set near the table on a credenza or sideboard, visible to diners and within easy reach of servants. They are designed to be viewed from any side, but especially from above when empty. When not in use, coolers remained in place to convey the owner’s refined taste and, due to the relatively inexpensive medium, personal modesty.via Metropolitan Museum New York City, U.S.A. metmuseum.org

1562-1575 ca. Wine Cooler With a Pageant Battle with Elephants, Italian. Maiolica, or tin-glazed earthenware, from the workshop of the Fontana family. 1553-1580. Coolers were set near the table on a credenza or sideboard, visible to diners and within easy reach of servants. They are designed to be viewed from any side, but especially from above when empty. When not in use, coolers remained in place to convey the owner’s refined taste and, due to the relatively inexpensive medium, personal modesty.via Metropolitan Museum New York City, U.S.A. metmuseum.org
1562-1575 ca. Wine Cooler With a Pageant Battle with Elephants, Italian. Maiolica, or tin-glazed earthenware, from the workshop of the Fontana family. 1553-1580. Coolers were set near the table on a credenza or sideboard, visible to diners and within easy reach of servants. They are designed to be viewed from any side, but especially from above when empty. When not in use, coolers remained in place to convey the owner’s refined taste and, due to the relatively inexpensive medium, personal modesty.via Metropolitan Museum New York City, U.S.A. metmuseum.org
1562-1575 ca. Wine Cooler With a Pageant Battle with Elephants, Italian. #Italy #Antiques #History Share on X
Posted in Decorative Item, Europe, Food and Drink, History, household, Suzi Love Images | Tagged antiques, decorative, drinks, Food, household, Italy, Metropolitan Museum NYC

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