1816 May Wedding Dress Of Princess Charlotte of Wales (1796-1817). Worn at her wedding to Prince Leopold Saxe-Coburg. Silk satin high-waisted bodice with short puffed sleeves, dipping neckline, underskirt, overskirt, train and apron. Created by Mrs Triaud, London dressmaker although this may not be the original skirt. Metallic embroidery was very fashionable for court dress in early 19th Century despite the cost and delicacy but was an unusual choice for Princess Charlotte who preferred to dress simply. via Museum of London, UK. museumoflondon.org.uk
The wedding dress of Princess Charlotte Augusta as described in La Belle Assemblee magazine for May, 1816.
“As we have been gratified with a sight of the wedding dresses of this amiable and illustrious female, a particular yet concise account of them cannot but be acceptable to our fair readers. The Royal Bride, happy in obtaining him whom her heart had selected, and whom consenting friends approved, wore on her countenance that tranquil and chastened joy which a female so situated could not fail to experience.
The manteau was of silver tissue lined with white satin, with a border of embroidery to answer that on the dress, and fastened in front with a splendid diamond ornament. Such was the bridal dress … The jewellery of the royal bride is most superb; beside the wreath, are a diamond cestus, ear- rings, and an armlet of great value, with a superb set of pearls.
1800 ca. White Silk Reticule. Gathered into square top with filigree edge, piped with green satin. Embroidered with green velvet ivy sprays applied with gold couching. Lined with white silk. Handmade. bowesmuseum.org.uk http://books2read.com/suziloveReticules
1800 ca. White Silk Reticule. Gathered into square top with filigree edge, piped with green satin. Embroidered with green velvet ivy sprays applied with gold couching. Lined with white silk. Handmade. bowesmuseum.org.uk
The term ‘ridicule’ derived from the Latin ‘ridiculum’ and first used in France during the 17th century and meant subjecting something or someone to mockery. As women’s tiny bags were mocked, or ridiculed, for being a useless fashion accessory carried outside when they were first used in the late 1700s, it’s likely this is how the name ‘ridicule’ started. The later term ‘reticule’ derived from the Latin reticulum, meaning ‘netted bag’ and was applied when bags became larger and often made from netting. In the late 1700s and early 1800s, they were also known as indispensables as they carried all the personal items a lady needed upon her person every day. They were easily made by ladies, easy to carry and became an indispensable fashion accessory.
1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.
1802 Jane Austen Style Riding Habit, French. Blue riding habit made of castor, worn with a Fichu of white lace to cover her chest and preserve her modesty and carrying a long riding whip. Fashion Plate via Journal des Dames et des Modes, Costume Parisien.
Riding Habit: Early 1800s riding habits still copied men’s riding fashion and usually made by male tailors. They were often a close-fitting jacket worn over a shirt, or with a fichu covering the neck. A skirt with train had either a waistband or straps over the shoulders to keep it in place. Sometimes, habits were made in one piece with the skirt and bodice joined.
Michael Brandon strolled after Cayle St. Martin, the Duke of Sherwyn, when the duke strode to the hallway to greet the latest group of travelers. They’d be, like him, grateful to accept the duke’s hospitality because they’d all become stranded after heavy snowfalls had led to rapidly rising water levels and an impassable local bridge.
He leaned on a wall and watched Mason, the efficient butler at Martin House, ease open the massive front door while three footmen braced their shoulders against the door to stop it blowing fully open. The house had already been full of family members gathered for Christmas, but with the addition of several groups of half-frozen travelers arriving every hour during the afternoon, the house’s walls must be groaning under the excess number of guests needing beds.
Several massive rooms in Martin House had been opened and warmed for the weary travelers who had descended on the duke and his family, but those large fires needed constant feeding with logs of wood. Therefore, Sherwyn couldn’t risk a barrage of snow and sleet blowing inside his house from the courtyard because, in such inclement weather, his footmen might not be able to collect more firewood for another week. Little wonder then that the duke hovered near the front entrance and supervised each subsequent arrival, his charming duchess by his side to add her won welcome.
Michael and his party had been the first to beg assistance from Sherwyn this afternoon, as he’d known that Sherwyn had left London a week earlier and would already be in residence at his country home. There had been a flurry of social events in London over the past two weeks before the Ton left the city and retreated to their country estates to wait out the colder months. Though this extreme weather had caught everyone by surprise.
It was barely mid December and the nearby bridge usually served the locals well through that month and into the New Year. Water levels normally only rose and covered the bridge after the snowstorms of January. Michael and Cayle were long time friends and so he knew Cayle had loathed this house, his family seat, when his father and stepmother had been in residence, but now that Cayle was the duke, and a married man, he had decided to turn this house into a more welcoming family gathering place. Even with the influx of visitors, invited or not, the staff here were jolly and efficient, a rare combination in the serving ranks.
Writing Regency Era Fiction Or Nonfiction? Need more information on Older Gentleman’s Day in early 1800s, or the Bridgerton family or Jane Austen’s Regency Era. A lighthearted overview of an older gentleman’s clothing, social life, and responsibilities in the early 1800s. Take a look at where an older man went, what he wore, and how he managed the family’s finances and his estates. Older Gentleman’s Day Regency Life Series Book 3 books2read.com/suziloveOGD
Are you a reader or writer of Regency Romance? Love Jane Austen’s books? Want to know more about the mourning, riding, underclothing and other Regency Era women’s fashions in Regency romances? What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
1811 The Five Positions Of Dancing. An analysis of Country Dancing and all the figures ever used in country dances, etc. By Thomas Wilson, London. The figures show the positions of the Larner and the feet of a finished Dancer during the early 1800s, or the years of the Bridgerton family, or during Jane Austen’s writing years in England. Via British Library, London, UK. www.bl.uk
1807 Gentleman’s Blue Tailcoat, French. White breeches, black boots topped with large tan strip, black hat and a cane. Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is what men wore in the times of Jane Austen for city and country life.
1807 July Two Ladies In Empire Style Dresses, English. White walking dress, Pomona green bonnet and Redingote, or coat, lined in slate silk, carrying puce reticule, or bag. Right: White satin ball gown topped with primrose yellow robe and a turban with white ostrich feathers. Fashion Plate via Lady’s Monthly Museum, London, UK.
Gorgeous Regency Era clothing came in a wide range of styles to suit every season and occasion. Ladies in Jane Austen’s times wore Empire style dresses which were usually of light fabric and floaty in style so accessories were essential to keep women warm.
Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
Definition Aigret, aigrette, egret: Plume of feathers or jeweled ornament in shape of feathers worn on head or hats. During the early 19th century., or Jane Austen’s lifetime, the favorite feathers were osprey and heron.
Redingote, or Pelisse, or Walking Dress, or Promenade Dress: Going by many names, this is a coat copied from men’s overcoats but worn by both men and women. Generally, opens down the front, worn for warmth over a dress or coat and breeches, and has a military look with front vertical buttoning or decoration.