What did ladies do and wear in Jane Austen’s time, or early 1800s? #Regency #History #nonfiction Books 4 and 5 Regency Life Series. Young Lady’s Day and Older Lady’s Day in Books 4 and 5 in the Regency Life Series. These books depict the often-frivolous life and fashions of ladies in the early 1800’s, or during the lifetime of Jane Austen, but also gives a glimpse into the more serious occupations ladies may undertake. Through historic images, historical information, and funny anecdotes, they show how a lady fills her day, where she is permitted to go, and who she spends time with. These light-hearted looks at the longer Regency years are an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne. Young Lady’s Day ~ Older Lady’s Day
1820 July 6th View of London Bridge and Custom House with Margate steam yachts, London, U.K. Hand colored By artists and Engravers, P. and D. Colnaghi and Co Ltd and Co (publishers) and R. Havell and Son. via Royal Museums Greenwich. collections.rmg.co.uk
1816 Crossing The Pont des Arts, Paris. Illustrations by Francis Courboin. via Les Modes de Paris. (PD-Art) suzilove.comThis plate depicts two women crossing the Pont des Arts, which is also known as the Passerelle des Arts. The women wear very high-waisted dresses. Both women wear a large white feather in their hats, symbolic of the white plume of Henri IV’s famous battle cry, “Ralliez-vous à mon panache blanc!” and made popular by the 1814 restoration of Louis XVIII on the throne. Restoration also brought back various styles, especially those denoting luxury, from the Ancien Regime. The woman on the left wears an ‘old-fashioned’ lace collar and the resurgence of luxury materials, such as fur are indicative of feminine styles of the Restoration period. (PD-Art) Illustrations by François Courboin from Octave Uzanne’s Les Modes de Paris. Variations du goût et de l’esthétique de la femme, 1797-1897, L. Henry May, Paris, 1898, or from the English translation of the same work: Fashion in Paris : the various phases of feminine taste and aesthetics from 1797 to 1897, William Heinemann, London, 1898. Modes De Paris
1725-1730 ca. Gold Double-Opening Snuffbox, France. Two tortoiseshell pique panels and two miniatures inside, of Louis XV of France and his wife Marie Leczinska. Made by Jean Baptiste Massé, painter.
Varicolored gold seascape of dolphin and ship with beach littered with shells and rocks, plus ruins, birds, and an island. Inside the box are miniature portraits of Louis XV of France and his wife Marie Leczinska. It has been suggested that the box commemorates the birth of the ‘dauphin’ Louis in 1729, the royal couple’s fourth child, and first son, heir to the throne. A few elements contradict this suggestion: the dolphin does not bear any regal symbol such as a crown, the marks that date the box indicate that it was initiated before the birth of Louis, when the arrival of a son was unknown. It is most probable that these delicate panels, together with the miniature of Louis XV, date from 1725-1730 and have been associated later into this gold snuffbox, and a later miniature of Queen Marie Leczinska.The miniature of the king may have been painted by Jean-Baptiste Massé – he is recorded as supplying miniatures of the king for boxes intended as diplomatic gifts from 1720-26-, or by his lesser known contemporary Jean-Baptiste Ducanel.
The lid is hinged to reveal a miniature, under glass, of Marie Leczinska, queen of France, probably 19th century or heavily restored, wearing a cloak of blue embroidered with gold fleurs-de-lis and lined with ermine overa lace-trimmed dress of red embroidered with gold. In the base is a panel of tortoiseshell pique with a cornucopia of small shells, also hinged to reveal a contemporary miniature of Louis XV of France in armour, wearing a whitestock and the sash of the Order of the Holy Ghost. The gold box, probably early 19th century or later, has plain walls, reeded borders, and a double thumbpiece.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Snuff Boxes: Decorative boxes of all types were prized, especially in the 18th Century when everything decorative and extravagant was in vogue and taking a pinch of snuff was fashionable. Snuff is made from ground or pulverized tobacco leaves, flavorings added, and then a pinch of snuff is placed on the back of the hand and sniffed.
An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
Love Jane Austen? Reader Or Writer of Regency Era stories? Mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing and fashion accessories. What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. History Notes Book 24 Box Set https://books2read.com/SuziLoveFashionWomenBoxSet
Toward the end of the Regency era, dancing dresses had higher hemlines that rose several inches above the ankle so ladies wouldn’t trip on their hens or flounces and make a spectacle of themselves. Day dresses generally had a higher neckline and long sleeves were preferred for daytime were during the colder months.
Black was worn for full mourning with various other colors were worn during the months of half mourning, including grey and mauve. However, as black dresses, black tunics, and black lace shawls were popular throughout the Regency years, it is often hard to decide what was definitely made for mourning and what was simply fashionable wear. Most fashion plates in this era were drawn by men, although women had also started creating fashion plates. Riding habits, coats and other outer wear were still being made by male tailors, but women were still usually the makers of dresses.
Easy to read overview of what an older lady did, wore, and how she lived in Jane Austen’s time. Information for history buffs and pictures for readers and writers of historical fiction. Older Lady’s Day Regency Life Series Book 5 by Suzi Love books2read.com/suziloveOLD
1810 “A Bonnet Shop” By Thomas Rowlandson.A shopkeeper with a hat in each hand converses with an elderly woman wearing a similar hat. A child holding a rattle looks up at them at left, a plump woman wearing a bonnet sits at center, and a group of young women make bonnets in the background. Many groups of hats hang overhead in the shop. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1804 Royal Mint, Stamping Room, London, U.K. As Jane Austen would have known it. From Ackermann’s Microcosm of London by A.C. Pugin and Thomas Rowlandson.
