Are you a reader or writer of Regency Romance? Love Jane Austen’s books? Want to know more about the mourning, riding, underclothing and other Regency Era women’s fashions in Regency romances? What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent.
Reader Or Writer of Regency Era? Love Jane Austen and Bridgerton fashions? What was fashionable for women in Jane Austen’s times, or 1800s, or Regency Era. High-waisted dresses were extravagantly accessorized and hats, shoes, parasols and bags were added. Set includes History Notes Books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Ladies clothing in the early 1800’s featured a high waist line called an Empire Line, or Empire style dress, with a waist line just under the natural bust line and much higher than the natural waist. The high-waisted, or short-bodied, Regency styles shifted focus away from the natural waist and so left the natural waist unconstricted, in direct contrast to previous and future styles. Britain took these simple European styles and progressively made them more elaborate by adding more and more complicated embroidery onto white fabrics to create the white on white look popular for many years.
The empire look of fine muslin dresses left women more exposed than in the Georgian Era when fabrics had been thicker and styles bulkier. Women, especially in England, preserved their modesty by adding lace, frills, flounces, ruches, and fabric plaits to dresses to adequately cover any parts that might inadvertently be exposed. Outer layers, such as Spencers, Redingotes or Pelisses or coats, and shawls, were also added for warmth and to brighten outfits. This Empire fashion was totally dependent on a supply of fine, translucent cotton muslin – at first imported from India, then later, less exclusive imitations often woven and printed or embroidered in Britain. Fabrics were soft and lightweight and muslins and other cotton fabrics from India and other Asian countries were in high demand.
Auld Lang Syne is traditionally sung to farewell the old year at the stroke of midnight on New Year’s Eve. It’s a poem written by Robert Burns in 1788 in Scotland, but based on an older Scottish folk song. In 1799, it was set to the traditional tune.
The song begins by posing a rhetorical question: Is it right that old times be forgotten? The answer is generally interpreted as a call to remember long-standing friendships.[9] Alternatively, “Should” may be understood to mean “if” (expressing the conditional mood) referring to a possible event or situation.
George Thomson‘s Select Songs of Scotland was published in 1799 in which the second verse about greeting and toasting was moved to its present position at the end.[9]
Most common usage of the song involves only the first verse and the chorus. The last lines of both of these are often sung with the extra words “For the sake of” or “And days of”, rather than Burns’s simpler lines. This makes these lines strictly syllabic, with just one note per syllable.
Should auld acquaintance be forgot, And never brought to mind? Should auld acquaintance be forgot, And auld lang syne?
(Chorus) For auld lang syne, my jo, For auld lang syne, We’ll tak a cup o’ kindness yet, For auld lang syne.
And surely ye’ll be your pint-stowp! And surely I’ll be mine! And we’ll tak a cup o’ kindness yet, For auld lang syne.
We twa hae run about the braes And pu’d the gowans fine; But we’ve wander’d mony a weary foot Sin auld lang syne.
We twa hae paidl’d i’ the burn, Frae mornin’ sun till dine; But seas between us braid hae roar’d Sin auld lang syne.
And there’s a hand, my trusty fiere! And gie’s a hand o’ thine! And we’ll tak a right guid willy waught, For auld lang syne.
English version
Should old acquaintance be forgot, And never brought to mind? Should old acquaintance be forgot, And old lang syne?
(Chorus) For auld lang syne, my dear, For auld lang syne, We’ll take a cup of kindness yet, For auld lang syne.
And surely you’ll buy your pint cup! And surely I’ll buy mine! And we’ll take a cup o’ kindness yet, For auld lang syne.
We two have run about the slopes, And picked the daisies fine; But we’ve wandered many a weary foot, Since auld lang syne.
We two have paddled in the stream, From morning sun till dine; But seas between us broad have roared Since auld lang syne.
And there’s a hand my trusty friend! And give me a hand o’ thine! And we’ll take a right good-will draught, For auld lang syne.
Robert Burns Robert Burns, engraving from A Biographical Dictionary of Eminent Scotsmen, 1870.
What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Wars were being fought so women adopted military looks in support of soldiers. https://books2read.com/SuziLoveFashion1810-1814
Fashion Women 1810-1814 History Notes Book 27 This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Fashion Women 1810-1814 History Notes Book 27 This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
The Lady’s Magazine said of the basis of women’s fashion that was popular for the first twenty years of the 1800s, ‘White is still the prevailing color for robes. For morning dresses, linen gowns, in large diamonds or squares, are fashionable. Indian muslins, plain or embroidered, are preferred to Florence and satins. The designs of embroidery for shawls are of infinite variety. Long gloves, which reach above the elbow, are not yet laid aside. Medallions are hung around the neck from crossed chains and some of these medallions are shaped like the bags, called ridicules. These reticules are of the lozenge or hexagon shape, with a small tassel at each angle. Reticules, or ridicules, are in lozenge or hexagon shapes with a small tassel at each angle. In capotes, or hats, and ribbands, the violet and dark green prevail over jonquil. Bracelets in hair, pear-shaped ear-rings, medallions on square plates, saltiers of colored stones, are still in fashion.’
The Majestic Silent Theatre in Pomona, Sunshine Coast, Queensland, Australia was far from silent when movie goers were treated to two short movies, One Week and Haunted House, by the hilarious Buster Keaton who was famous for doing all his own stunts. The Theatre was originally built as a social hall with attached shops in 1921 and is the oldest authentic silent movie theatre in the world and the longest continuously operating movie theatre in Australia.
The hall was designed to serve several functions: to show silent movies, for vaudeville productions, and to act as a social centre for the town. Over time it served as a venue for dances, balls, concerts, and wedding functions, roller skating, boxing, and church services. Constructed of unseasoned milled hardwood, the hall was about 12 metres wide by 18 metres long, with seating for 198 people and included a sprung dance floor of ¾ inch crow’s ash timber and was raised on stumps to avoid flooding. On the left hand side was the Majestic Café, which also served as general store and the right hand side’s shop accommodated at various times a dentist, radio shop, and a mechanic. https://www.themajestictheatre.com.au
The theatre’s busiest period was during World War II, when a Tank Attack (anti-tank gun) Regiment was stationed near Pomona. The troops had priority for seats and local civilians were irate when they could not get in. Often people would watch from outside, standing in the middle of the road, which was the State’s main north to south highway. The theatre remained popular after the war, and throughout the 1940s to the 1960s films were shown on Wednesday and Friday evenings and Saturday afternoon, with a cartoon and two movies for four shillings and sixpence.
The electrical 1937 Compton organ is the only one in a Queensland theatre and comes from the Regal Cinema in South Shields, Chester England. The pipe chamber contains 1930s electrical organ switches from the Theatre Royal in Halifax. Three ranks of Christie pipes in the chamber were originally from a theatre in Dunedin, New Zealand, and were owned by a church in Sydney before they were acquired by West in 1985. Other ranks of pipes have been obtained, with the hope of eventually having 12 ranks. West did not just collect pipe organ parts – the timber organ grill that separates the organ room from the auditorium is made of Oregon pine, and comes from the Roxy Theatre in Parramatta. It took six and a half years to restore the organ and was launched on 6th July 2019. Stage drapes, furnishings and equipment were salvaged from the Regent, Wintergarden, Her Majesty’s theatres in Brisbane, and the Wintergarden in Ipswich.
Joseph Frank “Buster” Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and director best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname “The Great Stone Face”.Critic Roger Ebert wrote of Keaton’s “extraordinary period from 1920 to 1929” when he “worked without interruption” as having made him “the greatest actor-director in the history of the movies”. In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, writing that “More than Chaplin, Keaton understood movies: He knew they consisted of a four-sided frame in which resided a malleable reality off which his persona could bounce. A vaudeville child star, Keaton grew up to be a tinkerer, an athlete, a visual mathematician; his films offer belly laughs of mind-boggling physical invention and a spacey determination that nears philosophical grandeur.” In 1999, the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
‘One Week’ is the story of a newly-wed couple given a kit house as a wedding present and Buster Keaton and his long-suffering wife try to erect the house by following numbers on the boxes, except that a rejected suitor tries to foil their attempts. ‘Haunted House’ has Keaton as a bank teller whose manager and his gang are trying to pull off a bank heist and hide in an old house that has been booby-trapped to make it appear haunted. Both these short and silent features have the audience laughing uproariously. The movies may be silent but the audience isn’t.
