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Grosvenor_Brick row houses around Grosvenor Square, London.

Grosvenor Square, London, U.K. #BritishHistory #London #RegencyEra #GrosvenorSquare #QueenVictoria

Suzi Love Posted on March 17, 2026 by Suzi LoveJanuary 29, 2026

As some of my historical romance books are set in a house in Grosvenor Square, its history fascinates me. How about you? Do you love the history associated with Grosvenor Square?  The Jamison family in Embracing Scandal and Scenting Scandal live in Grosvenor Square.

Grosvenor Square - Pronounced ˈɡrovna’, is a large garden square in the exclusive Mayfair district and the centrepiece of the Mayfair property of the Duke of Westminster and takes its name from their surname, “Grosvenor”.

In 1710, Sir Richard Grosvenor obtained a licence to develop Grosvenor Square and the surrounding streets and development started around 1721. Grosvenor Square became one of the most fashionable residential addresses in London from its construction until the Second World War, with numerous leading members of the aristocracy in residence. The early houses had five or seven bays, basement, three main stories, and an attic. Colen Campbell produced a design for a palatial east side to the square featuring thirty Corinthian columns but this was not carried out and in the end most of the houses were built to individual designs. There were mews behind all four sides. Many houses were rebuilt later and acquired an extra storey. Number 23 (later 26) was rebuilt in 1773–74 for the 11th Earl of Derby by Robert Adam and shows how grandeur of effect and sophisticated planning might be achieved on a confined site. It was demolished and rebuilt again in the 1860s.

  • 1761 – Sir Richard Grosvenor, the 7th Baronet, was created Baron Grosvenor of Eaton in the County of Chester
  • 1784 – Became Viscount Belgrave and Earl Grosvenor under George III.  
  • 1831- At coronation of William IV, Robert Grosvenor, the 2nd Earl Grosvenor, became Marquess of Westminster
  • 1874 – Queen Victoria created the title  Duke of Westminster and bestowed it upon Hugh Grosvenor, 3rd Marquess of Westminster.
  • Current title holder is Gerald Grosvenor, 6th Duke of Westminster and his seat is at Eaton Hall, Cheshire The Dukedom and Marquessate are in the Peerage of the United Kingdom The rest are in the Peerage of Great Britain. The courtesy title of the eldest son and heir to the Duke is Earl Grosvenor.

Nearly all of the older houses were demolished during the 20th century and replaced with blocks of flats in a neo-Georgian style, hotels and embassies. The central garden was originally reserved for the occupants of the houses but is now a public park managed by The Royal Parks. Grosvenor Square. Grosvenor Square has been the traditional home of the official American presence in London since John Adams established the first American mission to the Court of St. James’s in 1785. Adams lived, from 1785 to 1788, in the house which still stands on the corner of Brook and Duke Streets. During World War II, Eisenhower established a military headquarters at 20 Grosvenor Square, and during this time the square was nicknamed “Eisenhower Platz”.

The former American Embassy of 1938–1960 on the square was purchased by the Canadian government and renamed Macdonald House. In 1960, a modern USA Embassy was built on the western side of Grosvenor Square and caused controversy in the mainly Georgian and neo-Georgian area. In 2008, the United States Government chose a site for a new embassy in the Nine Elms area, south of the River Thames with with relocation completed by 2016 or 2017. In October, 2009, English Heritage granted Grade II listed status to the building which means new owners will not be allowed to change the facade.

Grosvenor Square in Literature In Little Dorrit by Charles Dickens the Barnacles are said to live at “four Mews Street Grosvenor” which “was not absolutely Grosvenor Square itself but it was very near it”. Caroline Bingley makes a comment regarding the local dance in Pride and Prejudice ”We are a long way from Grosvenor Square, are we not, Mr Darcy”. It appears in the title of several novels including The Lonely Lady of Grosvenor Square by Mrs. Henry De La Pasture (1907) and The House in Grosvenor Square by Linore Rose Burkard (2009) In Oscar Wilde’s play Lady Windermere’s Fan, the Duchess of Berwick says, “I think on the whole that Grosvenor Square would be a more healthy place to reside in. There are lots of vulgar people live in Grosvenor Square, but at any rate there are no horrid kangaroos crawling about.”

Grosvenor_Bow Windows on a corner in Grosvenor Square.
Grosvenor_Brick row houses around Grosvenor Square, London.
Grosvenor Square via 1834 Mogg’s Strangers’ Guide To London. Via Google Books.
Grosvenor Square via 1834 Mogg’s Strangers’ Guide To London. Via Google Books.
Grosvenor 1813 Grosvenor Square, North Side. Via Rudolph Ackermann’s The Repository Of Arts. 

Grosvenor_Brick row houses around Grosvenor Square, London.
Grosvenor_Modern Day Grosvenor Square park.
Grosvenor_1750 Grosvenor Square, Looking East.
Grosvenor 1800 ca. North Side of Grosvenor Square.
Grosvenor_22-23 Grosvenor Square. Setting for my Scandalous Siblings Series. 

Grosvenor_22 Grosvenor Square, London.
18th Century Grosvenor Grosvenor_ Square, East Side, Mayfair, London.
Grosvenor Square, Mayfair, London, U.K. #BritishHistory #London #RegencyEra #GrosvenorSquare #QueenVictoria https://books2read.com/suziloveSS Share on X
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Posted in 1700s, 1800s, 1900s, London, Regency Era, Suzi Love Images | Tagged art, British history, household, London, Regency London, Suzi Love Books, Suzi Love Images, Suzi Love Research, travel

1800s A Young Lady Riding and Carriage Driving, England. #Riding #RegencyEra #BritishHistory #Cartoon

Suzi Love Posted on March 17, 2026 by Suzi LoveFebruary 21, 2026

1800s A Young Lady Riding and Carriage Driving, England. #Riding #Regency #Victorian #Cartoon From: 1860 Mr. Sponge’s Sporting Tour by Robert Smith Surtees. via Google Books (PD-100)

A Lady On The Hunt Riding Side-Saddle. From: 1860 Mr. Sponge's Sporting Tour by Robert Smith Surtees. via Google Books (PD-100) suzilove.com
A Lady On The Hunt Riding Side-Saddle. From: 1860 Mr. Sponge’s Sporting Tour by Robert Smith Surtees. via Google Books (PD-100) suzilove.com
A Young Man Speaking To A Young Lady At the Hunt. via 1860 Mr. Sponge's Sporting Tour By Robert Smith Surtees. via Google Books (PD-150) suzilove.com
A bold young man kissing a young lady at the hunt. via 1860 Mr. Sponge’s Sporting Tour By Robert Smith Surtees. via Google Books (PD-150) suzilove.com
1860 Rebellious Lady driving and smoking a cigar.via 1860 Mr Sponge's Sporting Tour by Robert Smith Surtees via Google Books (PD-100)
1860 Rebellious Lady driving and smoking a cigar.via 1860 Mr Sponge’s Sporting Tour by Robert Smith Surtees via Google Books (PD-100)
1860 A Day at the Turf. Lady riding side-saddle with gentleman. From- 1860 Mr Sponge's Sporting Tour by Robert Smith Surtees. via Google Books (PD-100) suzilove.com
1860 A Day at the Turf. Lady riding side-saddle with gentleman. From- 1860 Mr Sponge’s Sporting Tour by Robert Smith Surtees. via Google Books (PD-100) suzilove.com
A lady and a gentleman in a carriage. Lady driving and smoking. via 1860 Mr. Sponge's Sporting Tour by Robert Smith Surtees. via Google Books (PD-100) suzilove.com
A lady and a gentleman in a carriage. Lady driving and smoking. via 1860 Mr. Sponge’s Sporting Tour by Robert Smith Surtees. via Google Books (PD-100) suzilove.com





1800s A Young Lady Riding and Carriage Driving, England. #Riding #RegencyEra ##Britishhistory #Cartoon https://books2read.com/suziloveYLD Share on X
Young Lady's Day Regency Life Series Book 4 by Suzi Love. #regency #nonfiction An early 1800’s glimpse into both the frivolous and more serious occupations filling a young lady's day. Historic images and historical information show her fashions and frolics. https://books2read.com/suziloveYLD
Young Lady’s Day Regency Life Series Book 4 by Suzi Love. #regency #nonfiction An early 1800’s glimpse into both the frivolous and more serious occupations filling a young lady’s day. Historic images and historical information show her fashions and frolics. https://books2read.com/suziloveYLD
Posted in 1800s, 1800s Mens Fashions, 1800s women's fashion, Carriage, cartoon, Coat or Pelisse Or Redingote, Customs & Manners, Dress Or Robe, England, fashion accessories, Google Books, hats, Jane Austen, pants, Pastimes, Regency Era, Regency Fashion, riding, Romantic Era, shoes, Suit, Suzi Love Images, Vest or Waistcoat, Victorian Era | Tagged 1800s men fashion, 1800s women's fashion, boots, carriages, Cartoons, Dress Or Gown, fashion accessories, google books, Hats And Hair, Jane Austen, Regency Fashion, riding, Shoes, sports, Victorian fashion
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military

1807 Non-Regulation Cotton Linen Shirt as worn by men in Jane Austen’s acquaintance, British. #RegencyFashion #JaneAusten #BritishHistory #Military

Suzi Love Posted on March 17, 2026 by Suzi LoveFebruary 19, 2026

1807 Cotton Linen Shirt, British. Non-regulation shirt worn under uniform. High collar to allow room for a stock, fullness and pleated sleeves enable wearer to fit into tight arms popular in coats. The men in Jane Austen’s life would have worn a shirt like this, especially if they were in the military as many men were during the Napoleonic Wars. via Royal Museums Greenwich collections.rmg.co.uk

1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #RegencyFashion #JaneAusten #BritishHistory #Military https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
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Posted in 1800s, 1800s Mens Fashions, Jane Austen, London, Regency Era, Regency Fashion, sewing, Shirt | Tagged 1800s men fashion, Jane Austen, London, military, National Maritime Museum, navy, Regency Fashion, sewing, shirt
1804-1805 ca. Collage View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org

1804–1805 ca. Jane Austen Style Evening Dress, French. #RegencyFashion #JaneAusten #HistoricalFashion #dress

Suzi Love Posted on March 17, 2026 by Suzi LoveJanuary 25, 2026

1804–1805 ca. Evening Dress, French. Narrow white dress of sheer cotton mull, probably from India, and with sheer short sleeves, extra wide neckline, vertical white embroidery which was very fashionable at the time.  The cotton fabric was probably imported from India already embroidered with heavy white cotton thread in transparent mull. At the beginning of the nineteenth century, this sort of dress was considered shocking and immodest after the wider hooped dresses of the eighteenth century. This style of dress was worn by most women in Jane Austen’s time, but only the wealthy could afford the best quality mull.  Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier.

From the museum curator:  “On December 24, 1803, Jerome Bonaparte (1784—1860), brother of Napoleon, wed Elizabeth Patterson (1785—1879) of Baltimore. The beautiful and fashionable young American was married in a dress of muslin and lace that, according to a contemporary, “would fit easily into a gentleman’s pocket.”  Although originally thought to have been Patterson’s wedding dress, the formal gown illustrated here probably dates from 1804, when this type of vertical white embroidery became fashionable. Napoleon had the marriage annulled in 1805. Jerome was made king of Westphalia in 1807 and he married the princess of Wurttemberg. Elizabeth, banned from France by the emperor, remained in Baltimore with her son, Jerome Napoleon Bonaparte (1805—1870). Metropolitan Museum, New York City, USA. 

1804-1805 ca. Front View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. Front View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. Back View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. Front View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. White Gowns. Vertical embroidery down the front of two white cotton mull dresses. Outer fabric is transparent and both dresses have long trains, short square bodices, and short sleeves. via Metropolitan Museum New York City, U.S.A. metmuseum
1804–1805 ca. Jane Austen Style Evening Dress, French. #RegencyFashion #JaneAusten #HistoricalFashion #dress https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, Europe, France, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, France, Jane Austen, Metropolitan Museum NYC, Regency Fashion, sewing

Scenting Scandal: Lady Laura Jamison: “For the sake of propriety, I was ensuring your garments were intact.” #HistoricalMystery #VictorianRomance #RomCom

Suzi Love Posted on March 16, 2026 by Suzi LoveJanuary 13, 2026

Scenting Scandal: Lady Laura Jamison: “For the sake of propriety, I was ensuring your garments were intact.” #HistoricalMystery #VictorianRomance #RomCom https://books2read.com/suziloveSS

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Posted in 1800s, England, London, Regency Era, Romantic Era, Scandalous Siblings Series, Scenting Scandal, Suzi Love Books, Victorian Era | Tagged Book 2, Family Saga, Historical Mystery, historical romance, Romantic Comedy, Scandalous Siblings Series, Scenting Scandal, Suzi Love Books, Victorian Romance | Leave a reply

1805 Gorgeous Women’s Fashions Of London and Paris Plus Fashion Accessories. #RegencyFashion #JaneAusten #HistoricalFashion

Suzi Love Posted on March 16, 2026 by Suzi LoveMarch 15, 2026

1805 Women’s Dresses and Fashion Accessories. Fashion plates from Fashions of London and Paris. Gorgeous Regency Era clothing came in a wide range of styles to suit every season and occasion. Ladies in Jane Austen’s times wore Empire style dresses which were usually of light fabric and floaty in style so accessories were essential to keep women warm. Accessory: item which contributes to the overall effect but is of secondary importance is the dictionary definition of an accessory, but the term has only been applied in relation to personal appearance since the 19th century. As defined by dress historians, accessories usually complete an outfit and are chosen to complement it. Accessories fall into two groups: Those worn, such as bonnets, caps and hats, boots and shoes, cravats and ties, gloves, mittens and muffs, jewellery, scarves and shawls, socks and stockings. Those that are carried, such as bags, canes, fans, parasols and umbrellas, and swords.

1805 February Promenade Dresses, English. White walking dresses and shoes, yellow gloves. Large burgundy velvet shawl, white hat with burgundy plume. Long sleeved burgundy pelisse, or coat, burgundy velvet hat. Fashion Plate via Fashions of London and Paris, Published By Richard Phillips, St. Paul's Church Yard, London, UK.
1805 March Two Ladies in Full Dress Worn At The Queen’s Ball, Windsor Castle, England. The concert, ball, and supper was given on February 25th, 1805. Left: Short dress and train of fine muslin, embroidered all round with gold, hair dressed with a diamond bandeau and white ostrich feathers. Right: Dress of blue muslin over white satin, front embroidered with gold and fastened over the bosom with a diamond broach. A diamond bandeau through the hair. White kid shoes. Fashion Plate via Fashions of London and Paris, Published By Richard Phillips, St. Paul's Church Yard, London. The Gentleman’s Magazine reported that the cost was over £50,000 and the first  dance was lead by the Duke of Cambridge and Princess Augusta. “Ostrich feathers were universally worn and diamonds in profusion. Taste was stretched to the utmost limit to invent new dresses. The draperies were principally of white satin, ornamented with gold, silver, and diamonds.”
1805 February London Evening Full Dresses, English. Left: Ruby velvet robe, loose from the shoulders in front and very low in back, short sleeves of velvet and white crape, worn over a dress of white crape with front looped down with a diamond brooch and trimmed with a quilling of blond lace. Hair dresses with a bandeau of diamonds and white ostrich feathers and white kid shoes. Right: round dress of gold crape embroidered with silver, back and sleeves of white satin, full sleeves, and looped up with pearls or diamonds. Hair dressed with an Etruscan bandeau and Ostrich feathers, or Aigrette, and white shoes. Fashion Plate via Fashions of London and Paris, Published By Richard Phillips, St. Paul's Church Yard, London, UK. Definition Aigret, aigrette, egret: Upright plume of feathers or jeweled ornament in shape of feathers worn on head or hats. 19th century favorite feathers osprey and heron.
1805 March London Dresses, English. White dresses with trains, yellow gloves, long sleeved burgundy Spencer, or short jacket, green lace trim, snug fitting hat, other with V bodice and evening hairstyle. Fashion Plate via Fashions of London and Paris, Published By Richard Phillips, St. Paul's Church Yard, London, UK.
1805 Pink Redingote, French. Also called a walking dress, or Pelisse. High-waisted, short puffed sleeves over long straight sleeves with elaborate embroidery to decorate, and close-fitting gold hat tied under her chin. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.



1805 Gorgeous Women's Fashions Of London and Paris Plus Fashion Accessories. #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
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Posted in 1800s, 1800s women's fashion, Coat or Pelisse Or Redingote, Dress Or Robe, England, fashion accessories, hats, Jane Austen, Regency Era, Regency Fashion, Reticule or Bag, shoes, Spencer, Suzi Love Images | Tagged Dress Or Gown, fans, fashion accessories, Fashion Plate, Fashions Of London and Paris, gloves, Hats And Hair, Jane Austen, jewelry, muff, parasol, Redingote Or Pelisse Or Coat, Regency Fashion, shawls, Shoes, Spencer Or Short Jacket

18th – 19th Century Busks For Stays, Or Corsets, In Jane Austen and Bridgerton Times. #RegencyFashion #Corsets #JaneAusten #Bridgerton #HistoricalFashion

Suzi Love Posted on March 15, 2026 by Suzi LoveFebruary 21, 2026

Busks shaped and reinforced the centre front of stays, or corsets. They were made from whalebone, wood, and bone, and were often inscribed with names, dates, and symbols of love because they were positioned close to the heart. The corsets worn in Jane Austen’s later years and by women in Bridgerton times often had busks to stiffen the corset and support the breasts.

busk_1755 Wooden Busk For Stays, English. Flat piece of wood with design scratched or picked out, and accented with red stain. Design comprises of circles, stylized geometric stars, heart motifs, and the initials and date 'EB 1755'. Indistinct inscription on the back, scratched into the surface of the wood with three lines of script.
1755 Wooden Busk For Stays, English. Flat piece of wood with design scratched or picked out, and accented with red stain. Design comprises of circles, stylized geometric stars, heart motifs, and the initials and date ‘EB 1755’. Indistinct inscription on the back, scratched into the surface of the wood with three lines of script.
busk_1800-1840 ca. Scrimshaw Corset Busk, American. Designs are of a ship and the places the sailor visited. Sailors made these as gifts to be worn close to the heart by their loved ones. Dimensions (inches) 12.5 (L) , 1.3 (W). Dimensions (centimeters). 31.7 (L) , 3.3 (W) via Winterthur Museum Collection.
1800-1840 ca. Scrimshaw Corset Busk, American. Designs are of a ship and the places the sailor visited. Sailors made these as gifts to be worn close to the heart by their loved ones. Dimensions (inches) 12.5 (L) , 1.3 (W). Dimensions (centimeters). 31.7 (L) , 3.3 (W) via Winterthur Museum Collection.
busk_19th Century. Scrimshaw Baleen Corset Busks, American. The first with figure inscribed Annabelle, ship, whale, and verse On the off shore grounds I think of thee, so I'll catch my whales and leave the sea; the second inscribed Mary and 1836 12 3/8in. high the longest. via Christie’s Auction Rooms.
19th Century. Scrimshaw Baleen Corset Busks, American. The first with figure inscribed Annabelle, ship, whale, and verse On the off shore grounds I think of thee, so I’ll catch my whales and leave the sea; the second inscribed Mary and 1836 12 3/8in. high the longest. via Christie’s Auction Rooms.
busk_1833 August. Corset Busk of carved whalebone. Face carvings, house, geometric circle, potted plant, sailing ship, American flag. Joseph Bradford. Carvings, plant, house, anchor, sea birds over ship, tree. Whale skeletal bone, inscribed with knife and using black pigment. Length: 13 1/8" 33.4 cm; Width: 1 9/16" 3.9 cm; Thickness: 1/8" 3 mm.
1833 August. Corset Busk of carved whalebone. Face carvings, house, geometric circle, potted plant, sailing ship, American flag. Joseph Bradford. Carvings, plant, house, anchor, sea birds over ship, tree. Whale skeletal bone, inscribed with knife and using black pigment. Length: 13 1/8″ 33.4 cm; Width: 1 9/16″ 3.9 cm; Thickness: 1/8″ 3 mm.
busk_Busks shaped and reinforced front of corsets. Made from whalebone, wood and bone. Often inscribed with names, dates and symbols of love because they were positioned close to the heart. Via Hereford Museum.
Busks shaped and reinforced front of corsets. Made from whalebone, wood and bone. Often inscribed with names, dates and symbols of love because they were positioned close to the heart. Via Hereford Museum.
busk_1771 Wooden Corset Busk, American. Carved Maple wood. Via Winterthur Museum.
1771 Wooden Corset Busk, American. Carved Maple wood. Via Winterthur Museum.
busk_19th Century Early. Corset Busk of Double-Sided Carved Wood. Honey colored wood, probably maple, carved on both sides. Two trees of life, hex symbol design, two entwined hearts, pinwheels, and growing plant. Back has delicate scrimshaw-look design of seashore town, chapel, homes, lighthouse and ships, horizontal rather than front vertical. Measures: 13.75" x 1.5". via Antique Dress.
19th Century Early. Corset Busk of Double-Sided Carved Wood. Honey colored wood, probably maple, carved on both sides. Two trees of life, hex symbol design, two entwined hearts, pinwheels, and growing plant. Back has delicate scrimshaw-look design of seashore town, chapel, homes, lighthouse and ships, horizontal rather than front vertical. Measures: 13.75″ x 1.5″. via Antique Dress.
busk_18th Century Wooden Busk for Stays, European. Via metmuseum.org
18th Century Wooden Busk for Stays, European. Via metmuseum.org
busk_18th Century Late - 19th Early Carved Maple Wood Busk, American. Spirals top & bottom, two hearts meet at center, "PC" carved on reverse. Worn by member of Robbins family, inherited by Ellen A. Stone. Via Fine Arts Museum Of Boston, USA.
18th Century Late – 19th Early Carved Maple Wood Busk, American. Spirals top & bottom, two hearts meet at center, “PC” carved on reverse. Worn by member of Robbins family, inherited by Ellen A. Stone. Via Fine Arts Museum Of Boston, USA.

18th – 19th Century Busks For Stays, Or Corsets, In Jane Austen and Bridgerton Times. #RegencyFashion #Corsets #JaneAusten #Bridgerton #HistoricalFashion https://books2read.com/SuziLoveCorsetBook14 Share on X

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Posted in 1700s, 1800s, 1800s women's fashion, Australia, Bridgerton, Canada, Corset, England, Europe, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, Romantic Era, South Pacific, Suzi Love, U.S.A, underclothing | Tagged 1800s women's fashion, Bridgerton, Christie's Auction Rooms, Corset, Georgian Fashion, Jane Austen, Metropolitan Museum NYC, Museum Of Fine Arts, Regency Fashion, Romantic Era Fashion, Victoria and Albert Museum, Victorian fashion, Winterthur Museum

1818 August High- Waisted White Dinner Dress as worn in Bridgerton and Jane Austen times. #Bridgerton #JaneAusten #RegencyFashion #FashionPlate

Suzi Love Posted on March 15, 2026 by Suzi LoveJanuary 26, 2026

1818 August English dinner Dress. White high-waisted, loose and flowing dress, multiple layers of frill and blue hem decoration, shawl collar, blue and white scarf and high flowered bonnet. Fashion Plate John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.

1818 August English dinner Dress. White high-waisted, loose and flowing dress, multiple layers of frill and blue hem decoration, shawl collar, blue and white scarf and high flowered bonnet. Fashion Plate John Belle's La Belle Assemblée or, Bell's Court and Fashionable Magazine, London.
1818 August High- Waisted White Dinner Dress as worn in Bridgerton and Jane Austen times. #Bridgerton #JaneAusten #RegencyFashion #FashionPlate https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, England, fashion accessories, hats, Jane Austen, London, Regency Era, shoes, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fashion accessories, Hats And Hair, La Belle Assemblee, Regency Fashion, sewing

1811 Black Half-Mourning Dress With High White Neck Ruffle as worn in Jane Austen’s years. #JaneAusten #RegencyFashion #Mourning

Suzi Love Posted on March 14, 2026 by Suzi LoveMarch 7, 2026

1811 Half-Mourning Dress, French. Black dress, high white neck ruffle, black hat with white trim and white shoes. Jane Austen and her family would have worn this type of outfit when mourning a relative or friend. However, as black dresses, black tunics, and black lace shawls were popular throughout the Regency years, it is often hard to decide what was definitely made for mourning and what was simply fashionable wear. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

In November, 1810, Princess Amelia, youngest daughter of George III, died. At the end of 1810 full mourning of complete black would have been worn but by the beginning of 1811, half mourning would still have been to respect the loss of a royal family member. Half-mourning allowed touches of silver, grey, mauve and white to be added to a mostly black outfit and would be worn after the period of full mourning was ended, times depending on the relationship to the deceased person. Garments and accessories could either be trimmed with black, jet jewelry worn, black ribbons added, or a layer of black net or gauze added to a dress or hat. 

Definition Half or Slight Mourning: Allowed touches of grey and white to be added to full, or deep, mourning ensembles. Some lustre, or shine, was allowed in fabrics and accessories. After a time, mauve or deep purple could also be worn. https://books2read.com/SuziLoveFashion1810-1814

1811 Half-Mourning Dress, French. Black dress, high white neck ruffle, black hat with white trim and white shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1811 Black Half-Mourning Dress With High White Neck Ruffle. #JaneAusten #RegencyEra #Mourning #Fashion https://books2read.com/SuziLoveFashion1810-1814 Share on X
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https://books2read.com/SuziLoveFashion1810-1814

Posted in 1800s women's fashion, Dress Or Robe, Europe, fashion accessories, France, hats, Jane Austen, mourning, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1800s women's fashion, British history, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, Journal des Dames et des Modes, mourning, Regency Fashion, Shoes

1820-1830 ca. Mother Of Pearl Sewing Casket With Painting, Austrian. #Regency #Antiques #Sewing

Suzi Love Posted on March 13, 2026 by Suzi LoveJanuary 25, 2026

1820-1830 ca. Mother Of Pearl sewing casket with a painted view of Weilburg near Baden in Austria. Painting by Balthasar Wigand.

From The Curator: The mother-of-pearl industry in Vienna reached its apogee during the 1820s and 1830s, when numerous luxury items such as candle screens and desk sets were embellished with the iridescent material. Balthasar Wigand, responsible for the miniature on the lid of this box, specialized in views of the city and its surroundings, painted especially for use on small pieces of furniture and caskets. via Metropolitan Museum New York City, U.S.A. metmuseum.org

1820-1830 ca. Sewing casket with view of Weilburg near Baden in Austria. Painting by Balthasar Wigand. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1820-1830 ca. Sewing casket with view of Weilburg near Baden in Austria. Painting by Balthasar Wigand. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1820-1830 ca. Mother Of Pearl Sewing Casket With Painting, Austrian. #Regency #Antiques #Sewing books2read.com/suziloveBoxesCases Share on X
HN_11_D2D_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
Posted in Box Or Container, Decorative Item, History, household, Regency Era, sewing, Suzi Love Images, Writing Tools | Tagged antiques, art, Box Or Container, decorative, europe, Metropolitan Museum NYC, Romantic Era, sewing

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