1807 Gentleman’s Half Dress, French. Green cutaway tailcoat, white vest, white frilled shirt with very high white cravat, white breeches with red fob at waist, white stockings, black shoes, black top hat and carrying a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is the normal daily outfit for a gentleman in the early 1800s, or in the times of Jane Austen, for daily city and country life. https://books2read.com/SuziLoveFashionMen1800-1819
1807 Gentleman’s Half Dress, French. Green cutaway tailcoat, white vest, white frilled shirt with very high white cravat, white breeches with red fob at waist, white stockings, black shoes, black top hat and carrying a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
The Majestic Silent Theatre in Pomona, Sunshine Coast, Queensland, Australia was far from silent when movie goers were treated to two short movies, One Week and Haunted House, by the hilarious Buster Keaton who was famous for doing all his own stunts. The Theatre was originally built as a social hall with attached shops in 1921 and is the oldest authentic silent movie theatre in the world and the longest continuously operating movie theatre in Australia.
The hall was designed to serve several functions: to show silent movies, for vaudeville productions, and to act as a social centre for the town. Over time it served as a venue for dances, balls, concerts, and wedding functions, roller skating, boxing, and church services. Constructed of unseasoned milled hardwood, the hall was about 12 metres wide by 18 metres long, with seating for 198 people and included a sprung dance floor of ¾ inch crow’s ash timber and was raised on stumps to avoid flooding. On the left hand side was the Majestic Café, which also served as general store and the right hand side’s shop accommodated at various times a dentist, radio shop, and a mechanic. https://www.themajestictheatre.com.au
The theatre’s busiest period was during World War II, when a Tank Attack (anti-tank gun) Regiment was stationed near Pomona. The troops had priority for seats and local civilians were irate when they could not get in. Often people would watch from outside, standing in the middle of the road, which was the State’s main north to south highway. The theatre remained popular after the war, and throughout the 1940s to the 1960s films were shown on Wednesday and Friday evenings and Saturday afternoon, with a cartoon and two movies for four shillings and sixpence.
The electrical 1937 Compton organ is the only one in a Queensland theatre and comes from the Regal Cinema in South Shields, Chester England. The pipe chamber contains 1930s electrical organ switches from the Theatre Royal in Halifax. Three ranks of Christie pipes in the chamber were originally from a theatre in Dunedin, New Zealand, and were owned by a church in Sydney before they were acquired by West in 1985. Other ranks of pipes have been obtained, with the hope of eventually having 12 ranks. West did not just collect pipe organ parts – the timber organ grill that separates the organ room from the auditorium is made of Oregon pine, and comes from the Roxy Theatre in Parramatta. It took six and a half years to restore the organ and was launched on 6th July 2019. Stage drapes, furnishings and equipment were salvaged from the Regent, Wintergarden, Her Majesty’s theatres in Brisbane, and the Wintergarden in Ipswich.
Joseph Frank “Buster” Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and director best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname “The Great Stone Face”.Critic Roger Ebert wrote of Keaton’s “extraordinary period from 1920 to 1929” when he “worked without interruption” as having made him “the greatest actor-director in the history of the movies”. In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, writing that “More than Chaplin, Keaton understood movies: He knew they consisted of a four-sided frame in which resided a malleable reality off which his persona could bounce. A vaudeville child star, Keaton grew up to be a tinkerer, an athlete, a visual mathematician; his films offer belly laughs of mind-boggling physical invention and a spacey determination that nears philosophical grandeur.” In 1999, the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
‘One Week’ is the story of a newly-wed couple given a kit house as a wedding present and Buster Keaton and his long-suffering wife try to erect the house by following numbers on the boxes, except that a rejected suitor tries to foil their attempts. ‘Haunted House’ has Keaton as a bank teller whose manager and his gang are trying to pull off a bank heist and hide in an old house that has been booby-trapped to make it appear haunted. Both these short and silent features have the audience laughing uproariously. The movies may be silent but the audience isn’t.
1770-1790 ca. Stays, or Corset, English. Pink silk damask, lined with linen, reinforced with whalebone, fingers spread over hips. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk. https://books2read.com/SuziLoveCorsetBook15
1770-1790 ca. Front View. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 ca. Side View. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 ca. Back View. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 ca. Open View. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 ca. Side and Back Views. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 ca. Collage View. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 Pink Silk Damask Stays, Or Corset, English. #Georgian #Corset #BritishHistoryHN_15_D2D_Corsets 1700-1790
https://books2read.com/SuziLoveCorsetBook15
1826 Sights Jane Austen Saw Around Regency England. 1826 From Regency Life Around England. The sights that Jane Austen and her friends and family would have seen around England. via 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)
1826 Royal Wells At Cheltenham, England. Regency life around England. via 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)
1826 Arrival of the London Mail in Bristol. Regency life around England. via 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)
1826 Procession from Gloucester to Berkeley. Regency life around England. via 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)
The Promenade At Cowes, England. Regency life around England. via 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)
1826 The Post Office, Bristol. Regency life around England. via 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)
1826 Point Street, Portsmouth, England. Regency life around England. via 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)
1826 Gate House, Highgate, England. Regency life around England. via 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)
1826 Oakland cottages were a well-known place to stay at Cheltenham Spa, England. Regency life around England. via 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)
1826 Entrance to Berkeley Castle, England. Regency life around England. via 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)
1750-1760 ca. Brown Silk Brocade Stays With Both Front and Back Lacings.
These silk stays have a small repeat floral brocade in rose, white, and green. There are cream, leather-backed waist tabs, stitched eyelets, and pink and tan linings. These stays, or corset, are unusual because they have both front and back lacings. This means that a lady could step in and out of her stays and then tighten the front lacing herself, thereby eliminating the need for assistance from a maid or dresser.
Women of the middle and lower classes needed to be able to dress themselves as they have no one to assist in tightening their lacings when they dressed. Most upper class ladies would be able to call upon a maid to help and would therefore generally use back lacing stays.
1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Front Lacing View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Brocade Stays With Front and Back Lacings. Back Lacing View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Side View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Eyelet View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Fabric View. via Augusta Auctions. augusta-auction.com Corsets 1700-1790 History Notes Book 15 By Suzi Love ~ Award Winning Writer and Researcher. https://books2read.com/SuziLoveCorsetBook15
“The more I know of the world the more I am convinced that I shall never see a man whom I can really love. I require so much!” Jane Austen ~ Sense and Sensibility (1811)
“The more I know of the world the more I am convinced that I shall never see a man whom I can really love. I require so much!” Jane Austen ~ Sense and Sensibility
(1811)
1820 ca. Writing Box, English. Rosewood and brass inlaid writing box by William Dobson, The Strand, London. Makers label, gilded candle holders, ink wells. via antiques-atlas.com. Portable boxes for writing materials existed for many centuries but in the last decades of the 18th century socio-economic circumstances in England necessitated the wide use of a portable desk in the form of a box which could be used on a table or on one’s lap. Hence “Lap Desk”.
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
1790-1810 ca. Linen and Metal Corset, American Or European. Front Lacing. #Corset #RegencyEra #GeorgianEra #JaneAusten. https://books2read.com/SuziLoveCorsetBook16
Top Hat Styles Chart during the 1800s, from the Regency Era through to the Victorian years. Most popular style was cone shaped and tall in height. Originally made of beaver and very short but later from silk and taller. Tall crown, widens at top, narrow brim turns up slightly at sides.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
11811 Half-Mourning Dress, French. Black dress, high white neck ruffle, black hat with white trim and white shoes.
In November, 1810, Princess Amelia, youngest daughter of George III, died. At the end of 1810 full mourning of complete black would have been worn but by the beginning of 1811, half mourning would still have been to respect the loss of a royal family member. Half-mourning allowed touches of silver, grey, mauve and white to be added to a mostly black outfit and would be worn after the period of full mourning was ended, times depending on the relationship to the deceased person. Garments and accessories could either be trimmed with black, jet jewelry worn, black ribbons added, or a layer of black net or gauze added to a dress or hat.
Jane Austen and her family would have worn this type of outfit when mourning a relative or friend. However, as black dresses, black tunics, and black lace shawls were popular throughout the Regency years, it is often hard to decide what was definitely made for mourning and what was simply fashionable wear. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. https://books2read.com/SuziLoveFashion1810-1814
Definition Half or Slight Mourning: Allowed touches of grey and white to be added to full, or deep, mourning ensembles. Some lustre, or shine, was allowed in fabrics and accessories. After a time, mauve or deep purple could also be worn.
1811 Half-Mourning Dress, French. Black dress, high white neck ruffle, black hat with white trim and white shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien .27_D2D_FashWomen1810-1814