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Tag Archives: sewing

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1860-1870 ca. Pink Silk Bag, Or Reticule, Italian. #VictorianFashion #Handbag #Reticule #Italy

Suzi Love Posted on April 10, 2026 by Suzi LoveMarch 8, 2026

1860–1870 ca. Pink Silk Bag, Or Reticule, Italian. Two layers of contrasting pink silk with tassels and a drawstring. via Metropolitan Museum New York City, U.S.A. metmuseum.org

Definition Ridicule, Reticule, Indispensable, or Handbag: From the late 1700s, pockets could no longer be sewn into gowns, as skirts fell from just under the bust and were full and flowing. Instead, women began carrying small bags, known at first as ridicules and later as reticules, to keep necessary items on their person e.g. handkerchiefs, coins, vinaigrettes, calling cards, glasses etc. http://books2read.com/suziloveReticules

The term ‘ridicule’ derived from the Latin ‘ridiculum’ and first used in France during the 17th century and meant subjecting something or someone to mockery. As women’s tiny bags were mocked, or ridiculed, for being a useless fashion accessory carried outside when they were first used in the late 1700s, it’s likely this is how the name ‘ridicule’ started. The later term ‘reticule’ derived from the Latin reticulum, meaning ‘netted bag’ and was applied when bags became larger and often made from netting. In the late 1700s and early 1800s, they were also known as indispensables as they carried all the personal items a lady needed upon her person every day. They were easily made by ladies, easy to carry and became an indispensable fashion accessory.

In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded mâché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.

1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.

1860–1870 ca. Pink Silk Bag,  Or Reticule, Italian. Two layers of contrasting pink silk with tassels and a drawstring. via Suzi Love suzilove.com andMetropolitan Museum New York City, U.S.A. metmuseum.org
1860–1870 ca. Pink Silk Bag, Or Reticule, Italian. Two layers of contrasting pink silk with tassels and a drawstring. via Suzi Love suzilove.com andMetropolitan Museum New York City, U.S.A. metmuseum.org
1860-1870 ca. Pink Silk Bag, Or Reticule, Italian. #VictorianFashion #Handbag #Reticule #Italy. http://books2read.com/suziloveReticules Share on X
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Posted in 1800s women's fashion, Decorative Item, Europe, fashion accessories, Reticule or Bag, sewing, Suzi Love Images, Victorian Era | Tagged 1800s women's fashion, europe, Italy, Metropolitan Museum NYC, reticule or bag, sewing, Victorian fashion

1812 Two Ladies In Jane Austen and Bridgerton style white dresses with accessories. #Bridgerton #JaneAusten #RegencyFashion

Suzi Love Posted on April 5, 2026 by Suzi LoveMarch 2, 2026

1812 Two Ladies, French. Orange sleeveless Redingote over a white dress with high neck frill and interesting sleeves. High-waisted white dress with blue pattern on the short sleeves and hem. Both with gloves, matching bonnets and shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

1812 Two Ladies, French. Orange sleeveless Redingote over a white dress with high neck frill and interesting sleeves. High-waisted white dress with blue pattern on the short sleeves and hem. Both with gloves, matching bonnets and shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
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1812 Two Ladies In Jane Austen and Bridgerton style white dresses with accessories. #Bridgerton #JaneAusten #RegencyFashion https://books2read.com/SuziLoveFashion1810-1814 Share on X
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Posted in 1800s, 1800s women's fashion, Couple, Dress Or Robe, Europe, fashion accessories, France, hats, Jane Austen, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, France, gloves, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Regency Fashion, sewing, Shoes

1818-1820 ca. Gold Silk Redingote, French. As worn by the Bridgerton ladies. #Bridgerton #RegencyFashion #HistoricalFashion

Suzi Love Posted on March 31, 2026 by Suzi LoveMarch 1, 2026

1818-1820 ca. Gold Redingote, French. Gorgeous Regency Fashion French Redingote of gold silk with the same fabric used to create a trailing pattern down the bodice and front opening. Short puffed sleeves over long straight sleeves in a leg-of-mutton style. via Metropolitan Museum, New York City.   metmuseum.org

1818-1820 ca. Gold Redingote, French. Gorgeous Regency Fashion French Redingote of gold silk with the same fabric used to create a trailing pattern down the bodice and front opening. Short puffed sleeves over long straight sleeves in a leg-of-mutton style. via Metropolitan Museum, New York City.   metmuseum.org
1818-1820 ca. Gold Silk Redingote, French. As worn by the Bridgerton ladies. #Bridgerton #RegencyFashion #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X

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Posted in 1800s women's fashion, Coat or Pelisse Or Redingote, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, France, Metropolitan Museum NYC, Redingote Or Pelisse Or Coat, Regency Fashion, sewing

1818 Brown Silk Dress, English, As Worn By the Bridgertons. #Bridgerton #RegencyFashion #HistoricalFashion #metmuseum

Suzi Love Posted on March 30, 2026 by Suzi LoveMarch 1, 2026

1818 Brown Silk Dress, English. Regency Fashion.  Empire style, high-waisted dress with long sleeves, and with dark brown velour trim on the square neckline and hem. via The Metropolitan Museum, New York City, USA.   metmuseum.org

Definition Empire Style Dress:  Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.

1818 Brown Silk Dress, English. Regency Fashion.  Empire style, high-waisted dress with long sleeves, and with dark brown velour trim on the square neckline and hem. via The Metropolitan Museum, New York City, USA.   metmuseum.org
1818 Brown Silk Dress, English, As Worn By the Bridgertons. #Bridgerton #RegencyFashion #HistoricalFashion #metmuseum books2read.com/SuziLoveFashionWomen1815-1819 Share on X
HN_28_D2D_Fashion Women 1815-1819
 Fashion Women 1815-1819 History Notes Book 28
What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women's lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding  fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. 
 
D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, Metropolitan Museum NYC, Regency Fashion, sewing

18th Century Gentleman’s Silk Wedding Suit. #GeorgianEra #HistoricalFashion #wedding

Suzi Love Posted on March 27, 2026 by Suzi LoveJanuary 29, 2026

18th Century Gentleman’s Wedding Suit.

Typical of the type of outfit a gentleman in the Georgian Era would wear to a wedding or important event. The jacket flares from the waist into multiple folds to give easier movement and the front has a long line of matching buttons. The breeches have a buttoning front flap. Part of the costume collection at Ham House, Surrey, UK. Part of the National Trust, UK.  nationaltrustimages.org.uk

18th Century Gentleman's Silk Wedding Suit.
18th Century Gentleman's Silk Wedding Suit. #GeorgianEra #HistoricalFashion #wedding books2read.com/suziloveFashMen1700s Share on X
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Posted in 1700s, 1700s Mens fashion, Coat or Pelisse Or Redingote, England, Georgian Era, Georgian Fashion, pants, Suit, Vest or Waistcoat, weddings | Tagged 1700s Mens Fashion, breeches, Georgian era, Georgian Fashion, National Trust U.K., pants, Redingote Or Pelisse Or Coat, sewing, Suit, Tailcoat, Vest or Waistcoat, weddings

1818-1831 Roller Printed Cotton Furnishing Fabrics, English. #RomanticEra #Fabric #RegencyEngland

Suzi Love Posted on March 26, 2026 by Suzi LoveMarch 24, 2026

1818-1831 Roller Printed Cotton Furnishing Fabrics, English.

Between 1820 and 1840 textile printers began to produce designs that were based on the woven silk dress fabrics of the 1750’s. Designs showing curving trails of lace or ribbons between bouquets of flowers became as popular in the 1830s as they had been in the 18th century.

Roller Printed Cotton.

The pattern on printed cotton was made with an engraved metal roller and additional colors were built up by wooden surface roller. Roller printing on textiles was introduced in the late 18th century and at first used mainly for small-patterned dress fabrics. By the 1830s, roller printing was highly mechanized process and had largely replaced block printing for fashionable furnishings.

Materials and Making
The development of roller printing coincided with a radical transformation in the dyestuffs available for printing on cotton. Until the beginning of the 19th century printing had been based on the use of vegetable dyes. In Britain, France and Germany new chemical processes were developed and mineral colors produced that transformed the palette of colors available to the printer and made combinations such as shades of pink and orange possible.

Design and Designing
The false trails of lace and bouquets of flowers in the fabric are inspired by the patterns of woven silks from nearly a century earlier. Changing taste made this design suitable for furnishing a room in the 1830s, while the 18th-century silk that was its inspiration would have been intended for a woman’s gown.

Time
The styles considered fashionable in 1830s furnishings were widely diverse. Among the more recognisable historical references were Rococo, Elizabethan and Gothic. A design such as this seems to be relying on novelty of effect for its success.

Information via Curator of Victoria and Albert Museum, London, UK. collections.vam.ac.u Victoria and Albert Museum, London, UK. 

Household_1831 Furnishing Fabric, English. Roller-printed cotton in red and purple_pink background_VAM__sml

1831 Furnishing Fabric Of Roller-Printed Cotton. Green, red and pinks and Includes acanthus scrolls with stars. Curving lines, naturalistic motifs, leaves and fronds of seaweed based on designs of 1750s. Developments in dyes in 19th century meant designs more intensely decorated than in 18th century. via Suzi Love - suzilove.com & Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1831 Furnishing Fabric, English. Roller-printed cotton in green, red and pink. Pattern includes design of acanthus scrolls with stars. collections.vam.ac.uk suzilove.com
1831 Furnishing Fabric Of Roller-Printed Cotton, Lancashire, U.K. Purple, orange, yellow and drab. Pattern includes design of zig-zag chintz and additional colors added by surface roller. Pattern on printed cotton was made with engraved metal roller and additional colors were built up by wooden surface roller. via Suzi Love - suzilove.com & Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1818-1831 Roller Printed Cotton Furnishing Fabrics. Seen in Jane Austen and Bridgerton years. #Bridgerton #JaneAusten #RomanticEra #Fabric #RegencyErahttps://books2read.com/suziloveROver Share on X
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Posted in 1800s, Bridgerton, Decorative Item, England, furniture, household, Jane Austen, Regency Era, Romantic Era, sewing | Tagged Bridgerton, England, fabric, furniture, household, Jane Austen, Regency Era, Romantic Era, sewing, Victoria and Albert Museum

1818 Bridgerton and Jane Austen Style White Promenade Dress With Bonnet and Parasol. #Bridgerton #JaneAusten #RegencyFashion #FashionPlate

Suzi Love Posted on March 23, 2026 by Suzi LoveJanuary 25, 2026

1818 High-waisted Promenade Dress, English. White dress with multiple layers of lace from hem upwards. Narrow striped scarf of bright colors, large brimmed hat decorated with flowers and a pink parasol. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.

Definition Empire Style Dress: High-waisted white gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the period when Napoleon Bonaparte built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s.

1818 Promenade Dress, English. White dress with multiple layers of lace from hem upwards. Narrow striped scarf of bright colors, large brimmed hat decorated with flowers and a pink parasol. Fashion Plate via John Belle's La Belle Assemblée or, Bell's Court and Fashionable Magazine, London.
1818 Bridgerton and Jane Austen Style White Promenade Dress With Bonnet and Parasol. #Bridgerton #JaneAusten #RegencyFashion #FashionPlate https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, fashion accessories, hats, London, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, La Belle Assemblee, Regency Fashion, sewing, Shoes

1851-1860 ca. Blue Ribbed Silk Corset, English. Front hooks and back lacing. #corset #VictorianEra #HistoricalFashion

1860 Corset, American. Cotton, metal, and bone. Manufacturer: Langdon Batcheller and Company, A1851-1860 ca. Blue Ribbed Silk Corset, English. Front and Back. Front hooks and back lacing. via Museum of London, UK. museumoflondon.org.uk

1851-1860 ca. Blue Ribbed Silk Corset, English. Front and Back. Front hooks and back lacing. via Museum of London, UK. museumoflondon.org.uk
1851-1860 ca. Blue Ribbed Silk Corset, English. Front hooks and back lacing. #corset #VictorianEra #HistoricalFashion https://books2read.com/SuziLoveCorsetBook19 Share on X
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March 20, 2026 by Suzi Love Posted in 1800s, 1800s women's fashion, Corset, England, History Notes, London, sewing, Suzi Love Books, U.S.A, Victorian Era Tagged 1800s women's fashion, Book 19, Corset, England, History Notes, Museum Of London, sewing, Suzi Love Images, Victorian fashion
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military

1807 Non-Regulation Cotton Linen Shirt as worn by men in Jane Austen’s acquaintance, British. #RegencyFashion #JaneAusten #BritishHistory #Military

Suzi Love Posted on March 17, 2026 by Suzi LoveFebruary 19, 2026

1807 Cotton Linen Shirt, British. Non-regulation shirt worn under uniform. High collar to allow room for a stock, fullness and pleated sleeves enable wearer to fit into tight arms popular in coats. The men in Jane Austen’s life would have worn a shirt like this, especially if they were in the military as many men were during the Napoleonic Wars. via Royal Museums Greenwich collections.rmg.co.uk

1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #Regency #JaneAusten #BritishHistory #Military
1807 Man's Non-Regulation Cotton Linen Shirt With Collar and Monogram, British. #RegencyFashion #JaneAusten #BritishHistory #Military https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
HN_23_D2D_Fashion Men 1800-1819 History Notes Book 23 https://books2read.com/SuziLoveFashionMen1800-1819
Posted in 1800s, 1800s Mens Fashions, Jane Austen, London, Regency Era, Regency Fashion, sewing, Shirt | Tagged 1800s men fashion, Jane Austen, London, military, National Maritime Museum, navy, Regency Fashion, sewing, shirt
1804-1805 ca. Collage View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org

1804–1805 ca. Jane Austen Style Evening Dress, French. #RegencyFashion #JaneAusten #HistoricalFashion #dress

Suzi Love Posted on March 17, 2026 by Suzi LoveJanuary 25, 2026

1804–1805 ca. Evening Dress, French. Narrow white dress of sheer cotton mull, probably from India, and with sheer short sleeves, extra wide neckline, vertical white embroidery which was very fashionable at the time.  The cotton fabric was probably imported from India already embroidered with heavy white cotton thread in transparent mull. At the beginning of the nineteenth century, this sort of dress was considered shocking and immodest after the wider hooped dresses of the eighteenth century. This style of dress was worn by most women in Jane Austen’s time, but only the wealthy could afford the best quality mull.  Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier.

From the museum curator:  “On December 24, 1803, Jerome Bonaparte (1784—1860), brother of Napoleon, wed Elizabeth Patterson (1785—1879) of Baltimore. The beautiful and fashionable young American was married in a dress of muslin and lace that, according to a contemporary, “would fit easily into a gentleman’s pocket.”  Although originally thought to have been Patterson’s wedding dress, the formal gown illustrated here probably dates from 1804, when this type of vertical white embroidery became fashionable. Napoleon had the marriage annulled in 1805. Jerome was made king of Westphalia in 1807 and he married the princess of Wurttemberg. Elizabeth, banned from France by the emperor, remained in Baltimore with her son, Jerome Napoleon Bonaparte (1805—1870). Metropolitan Museum, New York City, USA. 

1804-1805 ca. Front View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. Front View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. Back View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. Front View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. White Gowns. Vertical embroidery down the front of two white cotton mull dresses. Outer fabric is transparent and both dresses have long trains, short square bodices, and short sleeves. via Metropolitan Museum New York City, U.S.A. metmuseum
1804–1805 ca. Jane Austen Style Evening Dress, French. #RegencyFashion #JaneAusten #HistoricalFashion #dress https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, Europe, France, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, France, Jane Austen, Metropolitan Museum NYC, Regency Fashion, sewing

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