I'm an Australian author of contemporary and historical romances, plus history non-fiction.
My books range from sexy to erotic, late 1700s to the mid 1800s, and with a dash of Australia thrown into the mix. My heroes and heroines challenge tradition and my stories often expose the seamier levels of life.
I now live in a sunny part of Australia after spending many years in developing countries in the South Pacific. My greatest loves are traveling, anywhere and everywhere, meeting crazy characters, and visiting the Australian outback.
I hope my books bring history alive and you have fun adventuring with my roguish heroes and feisty heroines.
Lady Laura Jamison believes her extraordinary olfactory senses will sniff out her perfect match, but will Richard St. Martin, the Earl of Winchester, prove her theory wrong? The Earl says he has no time for their family friend and mad scientist, Lady Laura, yet when he’s with her, passion and desire explode. Can Richard resist Laura’s obvious charms and choose instead a passive and pleasing wife? Probably not! Scenting Scandal By Suzi Love Book 2 Scandalous Siblings Series. books2read.com/suziloveSS
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org books2read.com/suziloveMusicPiano
1814 Long Dark Green Coat, Or Redingote, French. Horizontal front pockets, high white cravat, black top hat and high black boots. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Redingote Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Originally made with several capes and trimmed with large buttons. For women, the coat was often cut away in the front or left open to show off the dress underneath. French fashion plates call these coats Redingotes and they were worn by men, women, and children. English fashion plates call the coats a Pelisse, a walking dress, Promenade dress, or Carriage dress.
1800 ca. Bicorn, Or Two Cornered, Black Silk Hat, Possibly Made In Great Britain or France. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk. The type of hats worn by the men in Jane Austen’s family around the turn of the century.
Definition: Bicorn Or Bicorne: Two cornered, or pointed, hats often worn by military men because the rain would drain off either side of the hat and away from the body. They could also be easily flattened to carry under arm.
1795-1810 ca. Woman’s Shoes, Or Slippers, English. Kid leather and linen, pointed toes, no heel. via Los Angeles County Museum of Art, California, USA.
1800s Early Typical Regency Gentleman Riding His Horse. Fashions In The Time Of Jane Austen.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
1800s Early A Gentleman Riding His Horse.
In 1806, the Journal des Dames et des Modes stated, ‘The informal outfit for a young man includes a coat of similar style, snug pantaloons which are probably knitted, and a striped waistcoat.’
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
1800 Gentleman In Morning Dress French. Looking In Mirror, Double breasted, long coat high black boots with tan tops red cravat walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
During the early 1800s skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes were replaced with boot, such as the tan topped boots worn here, and fussy neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. The men in Jane Austen’s life would have worn an elegant outdoor ensemble like this for everyday excursions around the countryside.
Looking for a new holiday read? The Duke of Sherwyn to Lady Rebecca Jamison. “Did you just say you’ve been shot? Before tonight.” #HolidayRomance #HistoricalRomance #mystery https://books2read.com/suziloveES
1809 July Opera Dress Round convent robe of Egyptian brown tissue worn over white satin underdress, ornamented at feet, bosom and sleeves with broad Antique lace, out on full, and narrowing in front, white satin appliqued stomacher embellished with gold lattice work and continued in a straight line down to the hem. Headdress is a gold net caul, enclosing the hair at the back and finished in front with a Mechlin veil displaying the hair on the forehead and falling over the left shoulder. Necklace and armlets are a single row of Bohemian pearl with topaz or diamond snaps. Grecian scarf of rich Andalusian silk, contrasted with the robe and wrought at the ends in a deep Tuscan border of gold or colored silks. White satin slippers, trimmed with brown foil or gold, French kid gloves, opera fan of white crepe with a border of jessamine. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’. I can picture aristocratic women wearing this sort of gorgeous outfit to the opera or an evening event.
