1811 Walking Dress, French. High-waisted lavender Redingote over a white dress, paisley shawl, white gloves, slippers, and a ruched, or gathered fabric, hat to match the high ruched neck frill. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
19th Century Writing Set, French. Old Paris porcelain pot with ormolu fittings, set on a pen tray that is papier mache and hand painted in Chinoiserie, Or Japonaise, Style. The type of writing sets that households would have in Jane Austen’s times for writing letters and keeping track of estate matters. Chinese and Japanese styles of household goods were very fashionable during the English Regency and Victorian years. via Ruby Lane Antiques. rubylane.com
1810 Man’s Suit and Girl’s Dress, Portugal. Man’s purple pleated silk jacket, vest, and breeches embroidered with silk threads. Girl: White silk tulle dress embroidered with silk threads and an overdress of yellow cotton satin. via National Costume Museum, Portugal. The sort of men’s formal clothing worn for court and typical girl’s dress as worn in Jane Austen’s times.
Laura had turned to run, when an intractable force grasped her bodily and threw her off her feet, hurling them both sideways. Winchester, or to be precise, his muscled arms, had circled her body, heavy, protective, and immovable. Women screamed on the street below. Footsteps pounded across the stone steps.
Laura and Richard hit the ground a few feet from where they’d been standing and he rolled, his arms wrapped around her. The cocoon of his body stopped her from slamming onto the harsh stone, and he kept her lifted free of the blistering gravel on the pavement. After a series of rolls and tumbles, they pulled up in a tangled heap, a foot short of the tree-lined fence that separated church land from a row of buildings.
Not out of danger but, thank God, no longer sitting ducks. A large palm spread across the back of her head and gripped, as the Earl thrust her head into the concave shell of his chest. Her rib cage hurt as she struggled to open her lungs. She sucked in noisy streams of air, bobbed her head skyward and fought for normal breaths. His hand brushed her hair.
“Shush. Just breathe. Slowly.”
His mouth nuzzled, soothed, and hot breath lifted her curls. Under his guidance, she managed to slow her breathing to ease the ache in her chest and calm herself. She turned her head to listen, before peering out from under his arm. Sweat dripped off her brow and splashed onto the gravel below her chin, while drops fell from Winchester’s face onto her.
From beyond the high-piled vegetable cart, which provided a little protection, came chaotic noises—the terrified whinny of horses and high-pitched shrieks from humans. By the mix of lower-class voices calling to each other along the pavement, the crowd was confused about what had happened. Though not Laura.
She’d been stunned for a few seconds, but hadn’t needed any announcements to know a bullet had been fired. Not after several other incidents in recent months. They’d been physically threatened, and Becca had witnessed the murder of their friend who did the book-keeping at the Women’s Betterment Society. Scenting Scandal By Suzi Love Book 2 Scandalous Siblings Series. books2read.com/suziloveSS
1810-1829 ca. Green Silk Street Shoes, Probably British. As Worn by Jane Austen and her contemporaries and the Bridgerton family. Heavier sole than ordinary day shoes, although the silk fabric meant they were only worn for easy promenades. Rounded toe means prior to 1830, when toes became square. Strong colors in shoes complimented fashionable colorful garments of the time. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
1817 November Morning Dress and Evening Dress, English. Morning Dress is a round dress of Jaconot muslin with back buttons, small collar open in front to display the throat, lower part of front with bias tucks, moderately full skirt finished around bottom with small tucks and deep flounce with bright rose ribbon. Rose velvet Spenser trimmed with white satin and rose silk, finished at throat with white satin puffings. Plain long sleeves, French style Leghorn bonnet trimmed with large rows of ribbon to match Spenser and tied under the chin, stand-up lace frill around throat, swansdown muff, straw kid sandals and gloves.
Evening dress of fawn crepe over a white satin slip, cut low around the bust, confined to waist by a narrow cestus of white satin, fastened in front by a brilliant clasp. Single fall of Mecklin lace on dress, very short full sleeve finished at bottom by a rouleau of white satin and narrow lace plait. Skirt trimmed with double row of white satin Spanish puffs, very full and in bias. Hair high, parted and curled on the forehead with garland of Provence roses. Pearl earrings and necklace, spangled crape fan, white kid gloves and white satin slippers. Fashion Plate via The Mirror of Fashion in The Ladies’ Monthly Museum, England.
1810 Les Invisibles. By James Gillray. Two men walk towards each other, each with a lady hanging to each arm, all have their faces concealed by some part of their dress, hat, or collar, or both. One man has a round hat, with a fantastically curved brim projecting downwards. The other has a huge crescent-shaped cocked hat with the peaks dipping over face and back. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1810 “A Bonnet Shop” By Thomas Rowlandson.A shopkeeper with a hat in each hand converses with an elderly woman wearing a similar hat. A child holding a rattle looks up at them at left, a plump woman wearing a bonnet sits at center, and a group of young women make bonnets in the background. Many groups of hats hang overhead in the shop. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1815 Blue Dress Bodice, French. Layers of frills on dress back. Hairstyle and Various Bonnets as Jane Austen would have worn. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.