1805-1815 ca. Bonnet. Olive brown stiffened, peaked brim, and lined with ivory satin to protect pale skin from sun.
Regency bonnets were made in a wide variety of shapes and sizes, and with elaborate decorations. This was a practical way of offsetting the minimalism popular in Regency Era fashions. During the early 1800s, most young ladies, and some older ones, wore white dresses in the relaxed styles of ancient Greece. This neoclassical movement saw women wearing Empire style, or high-waisted, gowns that were either straight sheaths or flowed from under the bust. The stiffened brim shielded the lady’s face from harmful sun rays, because it was considered essential for an upper class lady to have a pale white skin. The crown of this bonnet is lined with stiffened ivory linen and the brim is lined with ivory satin. For more about this gorgeous bonnet, see Vintage Textile :- vintagetextile.com
1807 Women’s French Coats, or Redingotes, or Pelisses, or Walking Dresses, as worn in the early 1800s, or early Regency years, or in the times of Jane Austen. Fashion plates from the 1807 volumes from the French magazine, Journal des Dames et des Modes or Costume Parisien.
The Journal des dames et des modes was a French fashion magazine published between 1797 and 1839 and was the second oldest fashion magazine published in France, replacing the Cabinet des Modes (1785-1793).
The magazine was the main source for French fashions, both in France and internationally. Pierre de la Mesangere was editor and main journalist for most of the time the magazine was in existence and he published a magazine every five days, which is why there is an abundance of French fashion plates from these years. The magazine had eight pages of text, one or two colored fashionplates, plus poetry, theatre reviews, current social news and fiction. During the Napoleonic wars, everything to do with France was unpopular, especially in Britain, yet French fashions thrived and so did the Journal des Dames et des Modes, despite the numerous other fashion magazines that copied the magazine.
1807 Green Redingote or Pelisse or Walking Dress, British. Green velvet decorated with yellow satin military style yellow shoulder trim, green Capote, or hat, trimmed with yellow satin, and matched with yellow shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.1807 Blue Redingote Or Pelisse Or Coat With Yellow Trim, French. Striped short sleeves over straight blue sleeves, yellow bonnet tied under the chin, white paisley shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. 1807 Blue Redingote, French. Blue drap Redingote, or Pelisse, or Walking Dress, decorated with velvet, short pleated sleeves over long straight sleeves, yellow velvet and satin hat with blue contrast, and yellow shoes. Fashion Plate via Journal des Modes et des Dames, or Costume Parisienne. 1807 Blue Redingote, French. Back view of a pleated, blue Merino wool, redingote with a high-waist and gathered short back bodice, worn with a jaunty yellow hat with a matching blue feather. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.1807 Peach Redingote, Or Pelisse, Or Walking Dress, French. With white shawl collar and a close fitting hat to match. Fashion Plate via suzilove.com and Journal des Dames et des Modes, or Costume Parisien.1807 Golden Yellow Redingote Or Pelisse, French. High collar and frill around the entire hem, short puffed sleeves over long straight sleeves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.1807 Women's French Coats, Or Redingotes, as Worn in the Times Of Jane Austen. #Regency #JaneAusten #Fashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
1818-1823 ca. Turban, London, U.K. Silk, silk thread, paper, cotton, wire,and hand-sewn. Cap is gathered and full to mimic the shape of a turban which became popular evening wear around 1820 when ‘exotic’ was fashionable.
Silk, silk thread, paper, cotton, wire and hand-sewn. A full cap of white satin gathered into a headband in imitation of a turban. The crown is inset with white net embroidered in circles with white silk thread. The headband is of white satin with three horizontal tucks and edged with white silk plush. Trimmed on one side with artificial flowers made of wired green paper leaves and white muslin rosebuds. via Victoria and Albert Museum, London, U.K.
Early 19th-century etiquette required a lady’s head to be covered at all times, even with evening dress. A cap such as this one, gathered and full to suggest the shape of a turban, was popular for evening wear about 1820. The Romantic movement created an interest in the dress of non-European countries, particularly North Africa and the Middle East. Decorative motifs and accessories were borrowed to make current fashions more ‘exotic’. Although knowledge of the proper proportions and construction of a turban was not available to British milliners, the overall shape was approximated for the most fashionable headwear.
1830-1835 ca. Canary Yellow Leather and Silk Slippers, British. Silk satin lined, kid leather and linen. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1830s Shoes: Producing different shoes for right and left feet started around 1830 in France. In these first attempts, little paper labels on the insoles of the shoes indicated left and right. However, the shoes were still made on straight lasts with no differentiation between the left and right foot. By the end of the 19th century, producing left and right shoes had become common as shoemakers then worked with combinations of sole and vamp cuts tailored to fit either the right or the left foot. The first steps towards the mechanisation of shoemaking were taken during the Napoleonic Wars. In 1810, engineer Marc Brunel developed a machinery that could mass-produce nailed boots for the soldiers of the British Army. But after the end of the war in 1815, manual labour became cheap, and the demand for military shoes declined. The industrialization of shoemaking began around 1830.
1799-1805 ca. Gold dress with small train and very small bodice.. via musee des tissus et des arts decoratifs de lyon. https://books2read.com/SuziLoveFashionWomen1801-1804
1845 Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
What did the Bridgerton ladies and Jane Austen use to carry her personal items? Ridicule, Reticule, Or Handbag? Call them what you like: purses, bags, handbags, reticules, ridicules, clutches, or pocket replacements. They all did the same job and they changed greatly with the prevailing fashions of time. books2read.com/suziloveReticules
Definition Of A Reticule; Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket, so women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring. These Reticules, or bags, were the forerunners of our modern day purses.
The term ‘ridicule’ derived from the Latin ‘ridiculum’ and first used in France during the 17th century and meant subjecting something or someone to mockery. As women’s tiny bags were mocked, or ridiculed, for being a useless fashion accessory carried outside when they were first used in the late 1700s, it’s likely this is how the name ‘ridicule’ started. The later term ‘reticule’ derived from the Latin reticulum, meaning ‘netted bag’ and was applied when bags became larger and often made from netting. In the late 1700s and early 1800s, they were also known as indispensables as they carried all the personal items a lady needed upon her person every day. They were easily made by ladies, easy to carry and became an indispensable fashion accessory.
In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded mâché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.
1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.
1805 Red Velvet Redingote, French. Shoulder cape with satin piping on the coat, white dress underneath, black hat with flowers to trim and white gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. This is the type of outdoor walking dress, or pelisse, worn by Jane Austen and contemporaries in England as French fashion plates were obsessively copied despite the two countries being at war for many years. English fashion magazines frequently published plates copied from French fashion magazines.
This is the type of outdoor walking dress, or pelisse, worn by Jane Austen and contemporaries in England as French fashion plates were obsessively copied despite the two countries being at war for many years. English fashion magazines frequently published plates copied from French fashion magazines.
Definition Redingote, Pelisse, Walking Dress: The term, Redingote, was used more in France and other parts of Europe and Pelisse or Walking Dress was used more in England. While the terms Redingote and Pelisse are often used interchangeably, the Redingote usually features a close fitted top and flares out at the hemline with a more tailored or military look than a Pelisse.
1805 Red Velvet Redingote, French. Shoulder cape with satin piping on the coat, white dress underneath, black hat with flowers to trim and white gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.1805 Red Velvet Coat, or Redingote, Or Pelisse With Shoulder Cape, French. #JaneAusten #Regency #Fashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on XFashion Women 1805-1809 History Notes Book 26
What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer.
https://books2read.com/SuziLoveFashionWomen1805-1809
“l declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.” Jane Austen ~ Pride and Prejudice (1813 )
An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe, so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Ladies clothing in the early 1800’s featured a high waist line called an Empire Line, or Empire style dress, with a waist line just under the natural bust line and much higher than the natural waist. The high-waisted, or short-bodied, Regency styles shifted focus away from the natural waist and so left the natural waist unconstricted, in direct contrast to previous and future styles. Britain took these simple European styles and progressively made them more elaborate by adding more and more complicated embroidery onto white fabrics to create the white on white look popular for many years.
The empire look of fine muslin dresses left women more exposed than in the Georgian Era when fabrics had been thicker and styles bulkier. Women, especially in England, preserved their modesty by adding lace, frills, flounces, ruches, and fabric plaits to dresses to adequately cover any parts that might inadvertently be exposed. Outer layers, such as Spencers, Redingotes or Pelisses or coats, and shawls, were also added for warmth and to brighten outfits.
This Empire fashion was totally dependent on a supply of fine, translucent cotton muslin – at first imported from India, then later, less exclusive imitations often woven and printed or embroidered in Britain. Fabrics were soft and lightweight and muslins and other cotton fabrics from India and other Asian countries were in high demand.
