Easy to read view of what a young gentleman did, wore, and lived in Jane Austen’s times, or the early 1800s or Regency Era. Young Gentleman’s Day Regency Life Series Book 2 by Suzi Love. #RegencyEra #amwriting #JaneAusten books2read.com/suziloveYGD


Easy to read view of what a young gentleman did, wore, and lived in Jane Austen’s times, or the early 1800s or Regency Era. Young Gentleman’s Day Regency Life Series Book 2 by Suzi Love. #RegencyEra #amwriting #JaneAusten books2read.com/suziloveYGD
1808 January Trio In Half Dress Walking Ensembles, English. Lady on left wearing a pink dress and green coat and carrying a reticule. Lady on right in a white trained dress, long draping shawl and fitted hat. Gentleman in a blue tailcoat, white vest, extra high white cravat, knee breeches, shoes, and black top hat. Fashion Plate via Le Beau Monde. The sort of outfits ladies and gentlemen in Jane Austen’s times would have worn while out walking, shopping, or going to visit friends.
1812 Gentleman’s Outfit, French. Brown overcoat, or Redingote, with front pockets, cream Drap trousers buttoned at the ankle, knotted kerchief, top hat and holding a cane. Fashion Plate via suzilove.com and Journal des Dames et des Modes, or Costume Parisien. By 1812, men no longer wore complicated styles and extravagant fabrics. Men’s fashions had simplified and these practical and relaxed clothing items were the sort worn by Jane Austen’s male family and friends when out and about in town or on their daily excursions.
Definition Redingote Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they were worn by men, women, and children. English fashion plates call the coats a Pelisse, a Walking Dress, Promenade dress, or Carriage dress. Definition Drap: French equivalent for the English word cloth or stuff and generally applied to fabrics of wool or silk.
1818 September 18th Le Palais Royal de Paris, Or ‘A Peep at the French Monstrosities’.
By George Cruikshank. Two English tourists, both dressed as dandies, walk arm-in-arm under the arcade of the Palais Royal, interested in the promenading courtesans. Two Frenchmen make more direct overtures to two women. Their dress is rather similar to that of the Englishmen, but the latter wear bell-shaped top-hats, while the Frenchmen have flower-pot shaped hats. An officer wearing a large cocked hat addresses a girl, and a man, said by Reid to be Irish, jovially accosts another. Some of the women are in evening-dress, others in street costume. Behind are iron railings between the supports of the roof; on one of these is the inscription ‘Caveau des Sauvages’. Published by: George Humphrey. via British Museum.
1807 January Couple In Morning Walking Ensembles, English. Lady in white dress with lemon pelisse or coat, fitted hat and interesting reticule, or bag. Gentleman in long black tailcoat over yellow breeches, high black boots with wide tan tops, yellow gloves, cane and top hat. via Le Beau Monde, or Literary and Fashionable Magazine, London, U.K.
These are the types of outfits worn by Jane Austen and contemporaries in England and shown in their English magazines.The same designs had probably already been seen in France, because English publishers obsessively copied French fashions despite the two countries being at war for many years. https://books2read.com/SuziLoveFashionWomen1805-1809
1818 May ‘Beau’s of 1818’ By George Cruikshank. Two Dandies shake hands while third watches. All wearing bell-shaped top-hats, extra high collars, short waists, long spurs and yellow gloves. One with moustache wears wide and short white trousers, one wears top-boots and riding-breeches and has monocle in his eye and third has very full trousers gathered above ankle. These are the sort of outfits that the Bridgerton men and Jane Austen’s male contemporaries would have worn. Hand colored etching. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1805-1810 ca. Double Breasted Tailcoat, South Carolina, U.S.A. Cotton, plain-woven (tabby woven), partly lined with cotton, plain-woven (tabby). Cutaway at the front waist and with a notched collar. via Colonial Williamsburg, USA. history.org
Tailcoat: A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
1819 January ‘Going to White’s’. By Richard Dighton. Lord Alvanley walks on the pavement going to White’s Club for gentlemen in London wearing a top-hat, double-breasted coat, strapped trousers, and the high collar of a dandy. Via British Museum, London, UK. britishmuseum.org (PD-Art)
White’s was an exclusive Gentlemen’s Club on St. James Street, London, U.K where well-dressed men, or Dandies, gathered at a special table in front of the large bow window looking out at the street. This became known as a seat of privilege and was used by London’s most famous Dandy, Beau Brummell. Other well-known dandies were William Arden, Joshua Allen, Thomas Raikes and Ball Hughes. Cartoonists loved to ridicule these high-in-the-instep gentlemen who wore the most fashionable clothes and set the fashion trends for the Regency years, and the years when Jane Austen was writing her famous novels.
1801 Young Man’s Daily Outfit, French. Blue cutaway coat with extra high collar, brown knee breeches, chin high white cravat, an all-over curly hairstyle and a round-hat with a wide brim and a low crown which is flat on the top. The hats only decoration is a narrow ribbon and buckle. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. https://books2read.com/SuziLoveFashionMen1800-1819
1817 Dandy In Blue Tailcoat, French. White breeches tucked into black boots with tan leather high tops, fob at waist, high white cravat, red waistcoat, black top hat and walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Dandy: The author of The Hermit in London, a series of sketches published in 1819—1820 observed: ‘A distinguished Exquisite is padded all over to-day; and all the other foplings are, on the morrow, mere walking pin-cushions. A fat prince, or a fat dandy, requires confinement in his limbs; and all his subjects are immediately restrained within the same limits. One day, the back is to be as broad as an Irish chairman’s, and the shoulders to be bolstered up to imitate a hod-man; and the next, the shoulders are to be flat, and a man is to be pinched in and laced up until he resembles an earwig. All these are Master Snip’s maneuvers, who continues to make his bill equally long, whether the spencer or the box-coat be in vogue.
Beau Brummell was one of the most celebrated dandies of all time. Cartoonists ridiculed these high-in-the-instep gentlemen who wore the most fashionable clothes and set the fashion trends for the Regency years, the years when Jane Austen was writing her famous novels and the years when the Bridgerton series is set.