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What was fashionable in Bridgerton and Jane Austen times? Mourning, riding, daytime, evening fashions plus corsets and underclothing. #Bridgerton #RegencyFashion #JaneAusten

Suzi Love Posted on August 19, 2026 by Suzi LoveAugust 7, 2026

What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Fashion Women 1810-1814 History Notes Book 27 This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814

The Lady’s Magazine said of the basis of women’s fashion that was popular for the first twenty years of the 1800s, ‘White is still the prevailing color for robes. For morning dresses, linen gowns, in large diamonds or squares, are fashionable. Indian muslins, plain or embroidered, are preferred to Florence and satins. The designs of embroidery for shawls are of infinite variety. Long gloves, which reach above the elbow, are not yet laid aside. Medallions are hung around the neck from crossed chains and some of these medallions are shaped like the bags, called ridicules. These reticules are of the lozenge or hexagon shape, with a small tassel at each angle. Reticules, or ridicules, are in lozenge or hexagon shapes with a small tassel at each angle. In capotes, or hats, and ribbands, the violet and dark green prevail over jonquil. Bracelets in hair, pear-shaped ear-rings, medallions on square plates, saltiers of colored stones, are still in fashion.’

HN_27_History Notes book 27 What was fashionable for women in Jane Austen's times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Wars were being fought so women adopted military looks in support of soldiers. https://books2read.com/SuziLoveFashion1810-1814
What was fashionable in Bridgerton and Jane Austen times? Mourning, riding, daytime, evening fashion plus corsets and underclothing. #Bridgerton #RegencyFashion #JaneAusten https://books2read.com/SuziLoveFashion1810-1814
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Posted in 1800s, 1800s women's fashion, Australia, bedroom fashion, Canada, cartoon, Coat or Pelisse Or Redingote, Corset, dancing, Decorative Item, Dress Or Robe, England, Europe, fashion accessories, France, Google Books, hats, History, History Notes, Jane Austen, London, Regency Era, Regency Fashion, Reticule or Bag, riding, Russia, sewing, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, underclothing, weddings | Tagged 1800s women's fashion, Book 27, Bridgerton, Corset, Dress Or Gown, fans, fashion accessories, Fashion Plate, Fashions Of London and Paris, gloves, google books, Hats And Hair, History Notes, Jane Austen, jewelry, Journal des Dames et des Modes, La Belle Assemblee, mourning, parasol, Regency Fashion, reticule or bag, riding, shawls, Shoes, stockings, Suzi Love Books, The Lady's Magazine, The Lady's Monthly Museum, The Repository Of Arts, underclothing
1805-1810 ca. Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com & Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

1810 ca. Cotton Dress Ensemble With Train, French. #RegencyFashion #JaneAusten #historicalfashion

Suzi Love Posted on August 17, 2026 by Suzi LoveAugust 6, 2026

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1810 ca. Cotton Dress Ensemble With Train, French. Cut out in back, lace shawl with sequins can be added to cover shoulders, small low cut bodice, all over embroidery and very short decorative sleeves. Front, Back and Side Views. via Metropolitan Museum New York City, U.S.A.  metmuseum.org

1810 ca. Cotton Dress Ensemble With Train, French. Cut out in back, lace shawl with sequins can be added to cover shoulders, small low cut bodice, all over embroidery and very short decorative sleeves. Front, Back and Side Views. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1810 ca. Cotton Dress Ensemble With Train, French. Cut out in back, lace shawl with sequins can be added to cover shoulders, small low cut bodice, all over embroidery and very short decorative sleeves. Front, Back and Side Views. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1810 ca. Cotton Dress Ensemble With Train, French. Cut out in back, lace shawl with sequins can be added to cover shoulders, small low cut bodice, all over embroidery and very short decorative sleeves. Front, Back and Side Views. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1810 ca. Cotton Dress Ensemble With Train, French. Cut out in back, lace shawl with sequins can be added to cover shoulders, small low cut bodice, all over embroidery and very short decorative sleeves. Front, Back and Side Views. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1810 ca. Cotton Dress Ensemble With Train, French. Cut out in back, lace shawl with sequins can be added to cover shoulders, small low cut bodice, all over embroidery and very short decorative sleeves. Front, Back and Side Views. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1810 ca. Cotton Dress Ensemble With Train, French. Cut out in back, lace shawl with sequins can be added to cover shoulders, small low cut bodice, all over embroidery and very short decorative sleeves. Front, Back and Side Views. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1810 ca. Cotton Dress Ensemble With Train in Jane Austen style. #RegencyFashion #JaneAusten #historicalfashion https://books2read.com/SuziLoveFashion1810-1814
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, France, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, France, Jane Austen, Metropolitan Museum NYC, Regency Fashion, sewing

1815 March Evening Full Dress For the Opera in Bridgerton and Jane Austen years. #Bridgerton #RegencyFashion #JaneAusten #HistoricalFashion

Suzi Love Posted on August 16, 2026 by Suzi LoveJuly 31, 2026

1815 March Evening Full Dress For the Opera or Theatre, English. As would have been worn in Bridgerton and Jane Austen years. Rich burgundy velour dress with white under dress with short puffed sleeves over long straight sleeves, rows of puffings for hem trimming, white lace shawl collar with Vandyke points, matching burgundy velvet turban with white feathers or plumes. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.

Dress Full Dress:  The most formal and complete ensemble, worn for day or night events, and includes the fullest range of accessories that could be added to the outfit to make the most impressive display. 

Definition Evening Dress: There were minute distinctions between ball, dinner, evening and opera gowns meant different quality of fabrics and designs. A Ball Gown differed from an evening dress as expensive silk fabrics were usually worn, light or heavy, decorated with lace, embroidery or beading, with low-cut bodice, short or no sleeves, and full skirts. In the early 1800s, white cotton dresses were considered suitable for many evening events, but not for balls. And definitely not for an evening event in a palace or at the opera or theatre.

Definition Van Dyke Points: V-shaped lace and trims named after a 17th Century Flemish painter, Sir Anthony Van Dyck, known for painting V-shaped lace collars and scalloped edges on sitters.

1815 March Evening Full Dress For the Opera or Theatre, English. Rich burgundy velour dress with white under dress with short puffed sleeves over long straight sleeves, rows of puffings for hem trimming, white lace shawl collar with Vandyke points, matching burgundy velvet turban with white feathers or plumes. Fashion Plate via John Belle's La Belle Assemblée or, Bell's Court and Fashionable Magazine, London. Definition Van Dyke Points: V-shaped lace and trims named after a 17th Century Flemish painter, Sir Anthony Van Dyck, known for painting V-shaped lace collars and scalloped edges on sitters.
1815 March Evening Full Dress For the Opera or Theatre, English. Rich burgundy velour dress with white under dress with short puffed sleeves. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
1815 March Evening Full Dress For the Opera in Bridgerton and Jane Austen years. #Bridgerton #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1815-1819
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Fashion Women 1815-1819 History Notes Book 28
What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories.

Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, fashion accessories, hats, Jane Austen, London, Regency Era, Regency Fashion, sewing | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fabrics, fashion accessories, Fashion Plate, feathers or aigrette, gloves, Hats And Hair, Jane Austen, jewelry, La Belle Assemblee, muff, Regency Fashion, sewing, shawls, Shoes

1815 Beaded Coin Purse With Pinchback Ormolu Frame from Jane Austen and Bridgerton years. #JaneAusten #Bridgerton #handbag #RegencyFashion

Suzi Love Posted on August 14, 2026 by Suzi LoveAugust 14, 2026

1815 Beaded Coin Purse With Pinchback Ormolu Frame. Would have been carried inside a reticule, or larger bag, so a woman had small coinage on hand to pay for items on those occasions when a gentleman wasn’t with her to pay for them. Via Ruby Lane Antiques.

A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket.

1815 Beaded Coin Purse With Pinchback Ormolu Frame from Jane Austen and Bridgerton years. #JaneAusten #Bridgerton #handbag #RegencyFashion books2read.com/suziloveReticules
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Posted in 1800s, 1800s women's fashion, Bridgerton, France, Jane Austen, Regency Era, Regency Fashion, Reticule or Bag, sewing | Tagged Bridgerton, fashion accessories, France, Jane Austen, Regency Fashion, reticule or bag, Ruby Lane Antiques

Are you a reader or writer of the Regency Era? Lover of the Bridgertons and Jane Austen? Mourning and riding fashion,underclothing and corsets. #Bridgerton #JaneAusten #RegencyFashion #mourningFashion

Suzi Love Posted on August 13, 2026 by Suzi LoveAugust 13, 2026

Love the Bridgerton family and Jane Austen? Reader Or Writer of Regency Era stories? Mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing and fashion accessories. books2read.com/SuziLoveFashionWomen1815-1819


History Notes 28 Fashion Women 1815-1819: This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding  fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. 

HN_28_ Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women's lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. https://books2read.com/SuziLoveFashionWomen1815-1819
Are you a reader or writer of the Regency Era? Lover of the Bridgertons and Jane Austen? Mourning and riding fashion,underclothing and corsets. #Bridgerton #JaneAusten #RegencyFashion #mourningFashion https://books2read.com/SuziLoveFashionWomen1815-1819
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Fashion Women 1815-1819 History Notes Book 28
What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories.

D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819

Posted in 1800s, 1800s women's fashion, Australia, bedroom fashion, Bridgerton, Canada, cartoon, Coat or Pelisse Or Redingote, Corset, dancing, Decorative Item, Dress Or Robe, England, Europe, fashion accessories, France, hats, History, History Notes, Jane Austen, London, Music, Regency Era, Regency Fashion, Reticule or Bag, riding, Russia, sewing, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, underclothing, weddings | Tagged 1800s women's fashion, Book 28, Corset, Dress Or Gown, fashion accessories, Fashion Plate, Fashions Of London and Paris, gloves, google books, Hats And Hair, History Notes, Jane Austen, jewelry, Journal des Dames et des Modes, La Belle Assemblee, mourning, parasol, Regency Fashion, reticule or bag, riding, Shoes, stockings, Suzi Love Books, The Lady's Magazine, The Lady's Monthly Museum, The Repository Of Arts, underclothing

1827 ca. Mahogany Gentleman’s Dressing Box With Silver Topped Bottles, London. #RegencyEra #Antiques #London

Suzi Love Posted on August 11, 2026 by Suzi LoveAugust 7, 2026

1827 ca. Gentleman’s Dressing Box, London. Mahogany box with brass carrying handles, lid opens to velvet and leather interior with twelve engraved silver topped bottles, all with an engraving of an oak tree engraving, ivory handled cut throat razors, scissors, boot pulls, tongue scraper, section for letters etc. Top tray lifts out to another tray of tools. via Antique Tea Caddies, U.K.

1827 ca. Mahogany Gentleman’s Dressing Box With Silver Topped Bottles, London. #RegencyEra #Antiques #London books2read.com/suziloveBoxesCases
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HN_11_D2D_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
HN_11_D2D_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases

Posted in 1800s, 1800s Mens Fashions, Box Or Container, Decorative Item, fashion accessories, History, London, Regency Era, sewing, Suzi Love Images, travel, Writing Tools | Tagged 1800s men fashion, antiques, Box Or Container, fashion accessories, Regency Fashion, Regency Men, sewing, travel, Writing Tools

Jane Austen and the Bridgerton family and contemporaries used boxes of metal, leather, or silks, decorated with jewels and engraving. #Bridgerton #Travel #JaneAusten #RegencyEra #Antiques

Suzi Love Posted on August 10, 2026 by Suzi LoveAugust 4, 2026

Craftsmen created containers of precious metals, leather, and silks and decorated them with jewels and engraving. Jane Austen and her contemporaries would have used writing boxes, linen boxes when travelling, boxes to hold their food and drink supplies while traveling by carriage, and decorative boxes to keep letters, ribbons, gloves, hairpins etc. Boxes, Cases, and Necessaires By Suzi Love, History Notes Book 11. books2read.com/suziloveBoxesCases.

HN_11_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
HN_11_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
Jane Austen and the Bridgerton family used boxes of metal, leather, or silks, decorated with jewels and engraving. #Bridgerton #Travel #JaneAusten #RegencyEra #Antiques books2read.com/suziloveBoxesCases
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Posted in 1700s, 1800s, 1900s, Australia, Box Or Container, Canada, Carriage, cartoon, Decorative Item, Edwardian Era, England, Europe, Food and Drink, France, Georgian Era, Google Books, Grand Tour, History, History Notes, household, Jane Austen, London, medical, military, Music, postal, Regency Era, Romantic Era, Russia, sewing, Suzi Love Books, Suzi Love Images, Suzi Love Writing, travel, U.S.A, Victorian Era, weapons, Writing Tools | Tagged Book 11, Box Or Container, Bridgerton, carriages, decorative, drinks, fashion accessories, Food, furniture, Georgian era, History Notes, Jane Austen, Regency Era, Romantic Era, sewing, Suzi Love Books, travel, Victorian Era, Writing Tools
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com

1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion

Suzi Love Posted on August 10, 2026 by Suzi LoveAugust 6, 2026

1799-1810 ca. Cotton Muslin Gown, Probably American. White cotton embroidered muslin, probably Bengal, all over sprigged broderie anglaise decoration,short sleeve with three pairs of inside ties to adjust the double-puff, ruffled edge, back tie at neckline and waist, ruched band above the slightly trained hem with scalloped sawtooth border and with cotton bodice lining. via whitakerauction.smugmug.com

These lightweight white cotton dresses were fashionable in Jane Austen’s times, but they were certainly not warm when a lady was out walking or when riding in a carriage. Numerous outer layers could be added for warmth and to brighten and personalize an outfit. These might be an overdress, pelisse or redingote, hat, shawl, gloves, or large fur muff.

The Empire dress which evolved in the late 1790s began as a chemise shift gathered under the breasts and at the neck. Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.

1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion books2read.com/SuziLoveFashionWomen1800
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Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, Dress Or Robe, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images, U.S.A | Tagged 1700s Women's Fashion, 1800s Or 19th Century, 1800s women's fashion, Dress Or Gown, fabrics, Georgian Fashion, Jane Austen, Regency Fashion, sewing, USA, Whitaker Auctions

What was fashionable for outer wear in Bridgerton and Jane Austen’s times? Spencers, short jackets, or Regency jackets. #Bridgerton #JaneAusten #RegencyFashion #FashionHistory #GeorgianHistory

Suzi Love Posted on August 10, 2026 by Suzi LoveAugust 8, 2026

Spencers Or Regency Jackets By Suzi Love. History Notes Book 4. What was fashionable for outer wear in past centuries? Call them what you like: Spencers, short jackets, or Regency jackets were very popular. Take a look at the jackets being worn by women in the early 1800s or the times of Jane Austen. books2read.com/suziloveSpencers

  • Definition: Spencer – Short, bodice hugging, usually long sleeved, outer jacket. For warmth and for fashion.
  • Definition Caroline Spencer: Worn during the Directoire and First Empire (1790-1815 C.E.). Spencer with pelerine cape that was made of white kerseymere and trimmed with light blue satin cut on bias.
  • Spencers were short jackets cut to match the high waistlines of Empire dresses. They often copied military styling, such as braiding, shoulder decoration, buttons and loop fasteners, and wrist adornments. They were generally of complex construction, often with a diamond shaped piece in the back.
HN_4_Spencers Or Regency Jackets By Suzi Loved. History Notes Book 4. #Regency #Fashion #History What was fashionable for outer wear in past centuries? Call them what you like: Spencers, short jackets, or Regency jackets. books2read.com/suziloveSpencers
Take a Look at Spencers, or Jackets Worn By Women In Bridgerton and Jane Austen’s Times, or Early 1800s. #Bridgerton#RegencyFashion #HistoricalFashion #History books2read.com/suziloveSpencers
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HN_4_Spencers, Or Jackets. #Regency #Georgian #Victorian #Fashion History Notes Book 4 By Suzi Love. books2read.com/suziloveSpencers
HN_4_Spencers, Or Jackets. #Regency #Georgian #Victorian #Fashion History Notes Book 4 By Suzi Love.
Posted in 1700s, 1700s Mens fashion, 1700s Womens Fashion, 1800s, 1800s Mens Fashions, 1800s women's fashion, 1900s, Australia, Bridgerton, Canada, Edwardian Era, England, Europe, fashion accessories, France, Georgian Era, Georgian Fashion, History Notes, Jane Austen, military, Regency Era, Regency Fashion, Romantic Era, sewing, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, Victorian Era | Tagged 1700s Mens Fashion, 1700s Women's Fashion, 1800s women's fashion, Book 4, Bridgerton, fashion accessories, Fashion Plate, History Notes, Jane Austen, Regency Era, Regency Fashion, Romantic Era, Spencer, Suzi Love Books, Victorian Era
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.

1823 Blue Silk Pelisse, or Coat, Decorated With Rouleaux and Vandyke Points. #Regency #Fashion #Pelisse

Suzi Love Posted on August 9, 2026 by Suzi LoveAugust 1, 2026

1823 Pelisse or Redingote or Walking dress, or Coat, English. Made for a wedding trousseau in 1823. Intricate decoration from rouleaux applied in floral shapes, and trimmed with wire wrapped in silk thread which stands out from the garment in loops at the ends. ‘Vandyke’ style of pointed shoulder pieces were fashionable at the time. Via Museum Of London, UK.

Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress. books2read.com/suzilovePelisse

Definition Vandyke: Edging of v-shaped points, the name coming from the Flemish painter, Sir Anthony Vandyke, who was known for his short pointed beard.

1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Silk Pelisse, or Coat, Decorated With Rouleaux and Vandyke Points. #RegencyFashion #Pelisse #RomanticEra books2read.com/suzilovePelisse
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