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1826 Cartoon: An Affair Of Honor Decided With Pistols In Hyde Park From A Regency Gentleman’s Life. #RegencyEra #Cartoon #England

Suzi Love Posted on September 27, 2025 by Suzi LoveSeptember 27, 2025

1826 An Affair Of Honor Decided With Pistols In Hyde Park London, U.K. A Regency Gentleman’s Life. From The English Spy By Robert Cruikshank. By the Regency Era, dueling was outlawed, yet duels still happened because the courts were made up of peers who were reluctant to charge another peer with murder as a result of a duel. Gentlemen considered a duel a matter of honor and death was preferable to being labeled a coward.

Duels had a code of honor and were fought not so much to kill the opponent as to gain satisfaction and restore honor by demonstrating a willingness to risk your life. Originally dueling was only for the male members of nobility but then extended to all members of the upper classes. At first, duels were fought with swords but by the Regency Era, duels with pistols were more common. Some duels were also fought between women.

Favorite dueling grounds near London included Hampstead Heath, Chalk Farm and the common land that extended south of the Thames over modern Battersea, Putney and Wimbledon. The windmill there was a popular landmark beneath which duelists often agreed to meet. These locations were convenient for their proximity to the city, yet also sufficiently remote to avoid interruption and in the event of a fatality, attractively close to potential getaway routes on the roads out of London.

1826 An Affair Of Honor Decided With Pistols In Hyde Park London, U.K. A Regency Gentleman’s Life. From The English Spy By Robert Cruikshank.

1826 An Affair Of Honor Decided With Pistols In Hyde Park From A Regency Gentleman's Life. #RegencyEra #Cartoon #England https://books2read.com/suziloveYGD
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Posted in 1800s, 1800s Mens Fashions, art, Bridgerton, cartoon, Customs & Manners, England, Google Books, Jane Austen, London, Regency Era, Regency Fashion, Suzi Love Images, weapons | Tagged art, Bridgerton, Cartoons, Customs and Traditions, duelling, England, google books, Jane Austen, Pistols, Regency Fashion, Regency London, Regency Men, weapons

1826 Cartoon: Bath Beau and His Lady. From Regency Life Around England. #RegencyEra #Cartoon #England

Suzi Love Posted on August 17, 2025 by Suzi LoveAugust 17, 2025

1826 Bath Beau and His Lady. Photo Editing By Suzi Love. ~ suzilove.com
From: 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)

1826 The Dinner Party. A Regency Gentleman's Life. From The English Spy By Robert Cruikshank.
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Posted in 1800s, cartoon, Customs & Manners, England, household, London, Regency Era, Suzi Love Images | Tagged 1800s women's fashion, Bath, Cartoons, Customs and Traditions, Dress Or Gown, England, fashion accessories, google books, Jane Austen, Regency Era, Regency Fashion, Regency Life, Regency Life Series, Regency London, Regency Men, Regency Women

Cheltenham, Spa Town In Jane Austen and Bridgerton Years. #janeAusten #Bridgerton #RegencyEra #HistoricTravel #BritishHistory #England

Suzi Love Posted on July 22, 2025 by Suzi LoveJuly 19, 2025

Cheltenham Spa, England: Pittville Pump Room: Cheltenham is a famous spa town within easy reach of the Cotswolds in in the county of Gloucestershire, England, and was a popular Georgian and Regency spa town where one could rest and recuperate. It became famous as a Spa town following the discovery of mineral springs in 1716, and claims to be the most complete Regency town in Britain. The Pittville Pump Room is an elegant Grade 1 listed Regency building and perhaps the most famous example of Regency architecture in Cheltenham, despite the town being filled Regency buildings. The Pittville Pump Room was the last and largest of the spa buildings to be built in Cheltenham.

Location: The Pump Room stands at one end of Pittville Park,  about two miles from Cheltenham’s town centre, and is a monument to more than 100 years of fame which Cheltenham enjoyed as a Spa town. The building is set in beautiful parkland and is surrounded on three sides by a grand colonnade of ionic columns opening into the impressive hall with its domed ceiling and original crystal chandeliers. The park has extensive open lawns surrounded by trees and ornate bridges and pathways lead around the lakes where swans and ducks swim.

Cheltenham Tour Map. Pittville Pump House, Cheltenham, Gloucestershire, England.
Cheltenham Tour Map. Pittville Pump House, Cheltenham, Gloucestershire, England.

History: The waters were first discovered in around 1715 on a site now occupied by Cheltenham Ladies’ College. In 1788 George III and Queen Charlotte came to take the waters and it was their visit that set the seal on Cheltenham’s future. After a visit to Cheltenham, a banker named Joseph Pitt commissioned the architect John Forbes to design a pump room that was to act as the centrepiece to his vision of a town to rival Cheltenham – a town he would call Pittville.

The foundation stone was laid on 4 May 1825 and the work completed in 1830. The laying of the foundation was celebrated by the ringing of the bells, firing of cannons, as well as a Masonic Procession which set out from the Masonic Hall in Portland Street. In the evening banquets were held at two of the town’s hotels and grand fireworks display was to be seen at Pittville. The building took five years to complete. Following disagreements between Forbes and the builder, a second architect, John Clement Mead from London, was employed to finish the interior. He designed the elaborate stoves which heated the building. The original official opening on 6th July, 1830 was postponed until 20th July, 1830 because of the death of George IV. A grand public breakfast and ball marked the occasion.

1830 Pittville Park. Pittville Pump House, Cheltenham, Gloucestershire, England.
1830 Pittville Park. Pittville Pump House, Cheltenham, Gloucestershire, England.
1831 Pittville Park. Pittville Pump House, Cheltenham, Gloucestershire, England.
1831 Pittville Park. Pittville Pump House, Cheltenham, Gloucestershire, England.
1834 View Of Pump House Outside Cheltenham. Pittville Pump House, Cheltenham, Gloucestershire, England.
1834 View Of Pump House Outside Cheltenham. Pittville Pump House, Cheltenham, Gloucestershire, England.
Pittville Pump House, Cheltenham, Gloucestershire, England.
Pittville Pump House, Cheltenham, Gloucestershire, England.
Pittville Pump House, Cheltenham, Gloucestershire, England.
Pittville Pump House, Cheltenham, Gloucestershire, England.
Poster: Pittville Pump Room latest and grandest water spas built in Cheltenham.
Poster: Pittville Pump Room latest and grandest water spas built in Cheltenham.
1820s Early Joseph Pitt, Banker. Commissioned architect John Forbes to design a pump room as centrepiece to his vision of a town to rival Cheltenham, a town he would call Pittville.
1820s Early Joseph Pitt, Banker. Commissioned architect John Forbes to design a pump room as centrepiece to his vision of a town to rival Cheltenham, a town he would call Pittville.
1825 May Foundation Stone laid for Pittville. 1830 Pittville completed.Pittville Pump House, Cheltenham, Gloucestershire, England.
1825 May Foundation Stone laid for Pittville. 1830 Pittville completed.Pittville Pump House, Cheltenham, Gloucestershire, England.

Building the Pump Room: The total cost of the project was over £40,000, and incredible price for that time. Like many bankers of his time, Pitt ran into financial difficulties, the building went out of favour and was sold in 1890 to the Borough of Cheltenham for £5,400, a fraction of the original cost. The building is decorated in Ionic style and the great hail reflects the genius of John Forbes with the spa opening on the north side and the gallery and dome surmounting the hall.

The grand building is 92 feet long by 43 feet, surrounded by a colonnade 13 feet wide the roof of which are supported by fluted Ionic columns 22 feet high. Along the facade stand three figures representing Aesculapius, Hygeia and Hippocrates, originally made by Lucius Gahagan of Bath. In its design, the building combines elements of both Greek and Roman architecture. It was modelled on the temple on Illisus in Athens, the engravings of which appeared in Stuart and Revett’s Antiquities of Athens (1762).

The inspiration for the dome probably came from the Panthenon in Rome. A large ballroom was situated on the ground floor where even today visitors can attend music concerts, dances and other events. With a capacity of 400 and remarkable acoustics, it is Cheltenham’s finest concert venue. The spa with an oval pump room to the rear of the building are still there for the visitors to enjoy, available from a marbled pump and counter. A reading room, library and billiard room occupied the first floor.

Third well pumped surface water and housed the many pipes running the other wells. Pittville Pump House, Cheltenham, Gloucestershire, England.
Third well pumped surface water and housed the many pipes running the other wells. Pittville Pump House, Cheltenham, Gloucestershire, England.
Pump, Or Tabernacle, Opened in 1830. Dispensed unique salty mineral rich water. Pittville Pump House, Cheltenham, Gloucestershire, England.
Pump, Or Tabernacle, Opened in 1830. Dispensed unique salty mineral rich water. Pittville Pump House, Cheltenham, Gloucestershire, England.
Looking down the well. Pittville Pump House, Cheltenham, Gloucestershire, England.
Looking down the well. Pittville Pump House, Cheltenham, Gloucestershire, England.
Two wells with side tunnels supplied spa water. Pittville Pump House, Cheltenham, Gloucestershire, England.
Two wells with side tunnels supplied spa water. Pittville Pump House, Cheltenham, Gloucestershire, England.
Diagram of the pump.Pittville Pump House, Cheltenham, Gloucestershire, England.
Diagram of the pump.Pittville Pump House, Cheltenham, Gloucestershire, England.
View from pump house upper level.
View from pump house upper level.
Side View. Pittville Pump House, Cheltenham, Gloucestershire, England.
Side View. Pittville Pump House, Cheltenham, Gloucestershire, England.
Rotunda. Pittville Pump House, Cheltenham, Gloucestershire, England.
Rotunda. Pittville Pump House, Cheltenham, Gloucestershire, England.
Rotunda and exterior of building. Rotunda. Pittville Pump House, Cheltenham, Gloucestershire, England.
Rotunda and exterior of building. Rotunda. Pittville Pump House, Cheltenham, Gloucestershire, England.
Ionic columns surrounding the Pump House. Pittville Pump House, Cheltenham, Gloucestershire, England.
Ionic columns surrounding the Pump House. Pittville Pump House, Cheltenham, Gloucestershire, England.
Exterior with Ionic columns. Pittville Pump House, Cheltenham, Gloucestershire, England.
Exterior with Ionic columns. Pittville Pump House, Cheltenham, Gloucestershire, England.
Exterior Brick and Windows. Pittville Pump House, Cheltenham, Gloucestershire, England.
Exterior Brick and Windows. Pittville Pump House, Cheltenham, Gloucestershire, England.

Fashion History: “Cheltenham will be the summer village of all that is fashionable and all that is dignified; the residence of the royal ” family being a thing quite new so far from the metropolis . Already we hear of nothing but Cheltenham modes — the Cheltenham cap — the Cheltenham bonnets — the Cheltenham buttons — the Cheltenham buckles , in short all the fashions are completely Cheltenhamized throughout Great Britain.” via 1826 Griffith’s New Historical Description of Cheltenham and Its Vicinity.

Second World War: The Pump Room housed British and American army personnel, when dry rot was allowed to creep through the structure unchecked, and only after the war was the full extent of the damage revealed. Plaster, brickwork, timber: nearly everything had been affected. The dome was only held in position by a shell of plaster; the timber had been eaten away by the fungus.

The Duke of Wellington: Public subscriptions carne to the rescue, which were accompanied by Public Works grants and Historic Building Council contributions. A total of £43,250 was raised and by 1960 the building was partially restored to its former glory and reopened in 1960 by the Duke of Wellington. The old card room had been replaced by a new foyer, cloakrooms and second staircase, and heating and new lighting were in stalled.

Recent History: In 2003, the old Victorian wells were leaking and allowing ground water to dilute the natural mineral water so Pittville Pump Room no longer qualified as a spa and the well was shut down. The spa was then repaired and reopened so visitors can taste the only alkaline spa water in the country. The Pump Room’s old maple-strip floor was replaced with a stunning English oak floor, better flooring found for the ball room, and old pipes replaced. Nowadays the Pittville Pump Room is in use most days of the year for private and public functions and is one of Cheltenham’s most popular wedding venues. The venue is also used frequently by orchestras, choirs and chamber groups because it has stunning acoustics.

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Posted in 1700s, 1800s, Bridgerton, Customs & Manners, England, Georgian Era, Google Books, Grand Tour, History, Jane Austen, Regency Era, Suzi Love Images, travel | Tagged Bridgerton, British history, cheltenham, Customs and Traditions, England, Jane Austen, Regency Era, Regency Life, Regency Royalty, travel

1800s “Admiration”. By Vittorio Reggianini. Jane Austen Era oil on canvas. #RegencyEra #JaneAusten #Arthistory

Suzi Love Posted on June 8, 2025 by Suzi LoveJune 8, 2025

1800s “Admiration”. By Vittorio Reggianini. Oil on canvas. This looks like a typical drawing room scene from Jane Austen’s lifetime, or the early 1800s, or the Regency Era. Via Wikimedia Commons commons.wikimedia.org

1800s "Admiration". By Vittorio Reggianini. Oil on canvas. #Regency #Art
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Posted in 1800s, 1800s Mens Fashions, 1800s women's fashion, art, Customs & Manners, Dress Or Robe, fashion accessories, household, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, art, Customs and Traditions, Dress Or Gown, fashion accessories, household, Jane Austen, Regency Fashion, WikiMedia Commons | Leave a reply

Auld Lang Syne Traditionally Sung To Farewell the Old Year. #NewYear. #2025 #Scotland #BritishHistory

Suzi Love Posted on December 31, 2024 by Suzi LoveDecember 30, 2024

Auld Lang Syne is traditionally sung to farewell the old year at the stroke of midnight on New Year’s Eve. It’s a poem written by Robert Burns in 1788 in Scotland, but based on an older Scottish folk song. In 1799, it was set to the traditional tune.

The song begins by posing a rhetorical question: Is it right that old times be forgotten? The answer is generally interpreted as a call to remember long-standing friendships.[9] Alternatively, “Should” may be understood to mean “if” (expressing the conditional mood) referring to a possible event or situation.

George Thomson‘s Select Songs of Scotland was published in 1799 in which the second verse about greeting and toasting was moved to its present position at the end.[9]

Most common usage of the song involves only the first verse and the chorus. The last lines of both of these are often sung with the extra words “For the sake of” or “And days of”, rather than Burns’s simpler lines. This makes these lines strictly syllabic, with just one note per syllable.

Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne?


(Chorus)
For auld lang syne, my jo,
For auld lang syne,
We’ll tak a cup o’ kindness yet,
For auld lang syne.


And surely ye’ll be your pint-stowp!
And surely I’ll be mine!
And we’ll tak a cup o’ kindness yet,
For auld lang syne.


We twa hae run about the braes
And pu’d the gowans fine;
But we’ve wander’d mony a weary foot
Sin auld lang syne.


We twa hae paidl’d i’ the burn,
Frae mornin’ sun till dine;
But seas between us braid hae roar’d
Sin auld lang syne.


And there’s a hand, my trusty fiere!
And gie’s a hand o’ thine!
And we’ll tak a right guid willy waught,
For auld lang syne.

English version

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And old lang syne?


(Chorus)
For auld lang syne, my dear,
For auld lang syne,
We’ll take a cup of kindness yet,
For auld lang syne.


And surely you’ll buy your pint cup!
And surely I’ll buy mine!
And we’ll take a cup o’ kindness yet,
For auld lang syne.


We two have run about the slopes,
And picked the daisies fine;
But we’ve wandered many a weary foot,
Since auld lang syne.


We two have paddled in the stream,
From morning sun till dine;
But seas between us broad have roared
Since auld lang syne.


And there’s a hand my trusty friend!
And give me a hand o’ thine!
And we’ll take a right good-will draught,
For auld lang syne.

Robert Burns
Robert Burns Robert Burns, engraving from A Biographical Dictionary of Eminent Scotsmen, 1870.

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Posted in Christmas, Georgian Era, History Of Christmases Past, Music, Regency Era, Suzi Love Images | Tagged British history, Christmas, Customs and Traditions, music, New Year, Scotland

1826 Almack’s Revisited by Charles White.: ‘It was what most correct persons called ‘horrid bad Almack’s’. #RegencyEra #London #BritishHistory

Suzi Love Posted on September 12, 2024 by Suzi LoveAugust 31, 2024

1826 Almack’s Revisited by Charles White. The ball of this evening passed off as all other balls at the same place, creating envy, jealousy, and hatred in the minds of many of those who have been unsuccessful in procuring tickets; affording real amusement to few, and disappointing a greater portion of those who, by dint of manoeuvring, petitioning, parliamentary interest, or presents, have been enabled to obtain the desired vouchers; and as this was one of the last balls of the season, and a general election already talked of, the mixture of company and the number was much greater than usual; and, consequently, it was what the most correct persons called, “horrid bad Almack’s!”

Almack’s or Willis’s Rooms, King Street, St James, London, UK. Almack’s Assembly Rooms, founded by William Almack at No. 26-28, were on the site of the present Almack House. The club was originally a gaming establishment but moved from Pall Mall. The Assembly rooms were on the South side of King Street in St James’s and were opened on February 12, 1765. At the time the subscription was ten guineas for which there was a ball and supper each week for the twelve weeks of the season.

1826 Almack's Revisited by Charles White.: 'It was what most correct persons called 'horrid bad Almack's'. #RegencyEra #London #BritishHistory
1826 Almack’s Revisited by Charles White.: ‘It was what most correct persons called ‘horrid bad Almack’s’. #RegencyEra #London #BritishHistory
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Posted in 1800s, 1800s Mens Fashions, 1800s women's fashion, dancing, England, Google Books, History, London, Pastimes, Regency Era, Regency Fashion, Suzi Love Images | Tagged Almack's Assembly Rooms, Customs and Traditions, dancing, google books, Jane Austen, London, Regency Era, Regency London, Regency People | Leave a reply

Wedding ring customs that originated in long ago history. #weddings #Customs #history

Suzi Love Posted on June 2, 2022 by Suzi LoveMay 15, 2022

Wedding ring customs that originated in long ago history.

The first wedding rings can be traced back to the Ancient Egyptians when they exchanged rings made from braided reeds and hemp. The tradition of exchanging rings dates back 3,000 years. The first diamond wedding ring was recorded in the will of a widow who died in 1417. The ancient Egyptians believed in the vena amoris, literally the “vein of love” that runs directly from the heart to the fourth finger on the left hand. For the Ancient Greeks, the engagement ring was symbolized with a plain gold band worn on the left hand and at the marriage the same band was shifted to the right hand.

An engagement ring is given at a proposal or when a couple decides to get married whereas a wedding ring is exchanged at the wedding ceremony and represents the official bond of marriage and the binding pledge between spouses. Wedding rings symbolise eternal love and commitment within a relationship and are worn to show the world they are married. During the wedding service, the couple will say their vows to each other while exchanging rings.

Is a wedding ring biblical? : The use of wedding ring is not commanded in the Bible, and there is no indication that it was ever practised in the New Testament. The use of finger ring in the Bible was as a symbol of authority.

Betrothal ring: An old Roman custom confirming that the marriage contract would be carried out. It was the first part of a dowry given, and meant the woman was no longer for sale as the first part of the monetary settlement had been paid. The first betrothal, or engagement, rings were given because there was often a long time between betrothals and weddings. These were usually simple bands of gold, silver, or iron as on royalty or very wealthy people could afford gemstones and diamonds. In 1477, Archduke Maximillian of Austria commissioned the very first diamond engagement ring for his betrothed, Mary of Burgundy, and many of the European aristocracy and nobility followed his lead.

Wedding ring: Many primitive peoples who believed in magic used a rope around the waist or the hand and feet, and later  a ring, to symbolise that the bride was captured and spoken for, and also to ward off any evil spirits hovering around the bride and ensure marital bliss.

The ring hand: A symbol of the humiliating tradition of the man as the master – the right hand of the family –  and the woman being the slave .  The right hand stood for power and authority while the left hand expressed submission and serfdom.

The ring finger : Ancient Greek and Roman anatomists  believed a vein, the vena amoris or the “vein of love”, or a nerve led from the heart to the third finger, the healing finger , so they romantically linked this finger to the heart. Now we know that this is not true and there is no vein that runs from our ring fingers to our hearts. There are also some more practical reasons the third finger continues to be used. It’s the most prominent for displaying a ring and it cannot be extended to its full length on its own and usually remains slightly bent, preventing the ring slipping off.

The Wedding Ring: Also goes on the left ring finger because it is the only finger with a vein that connects to the heart although some countries, such as India, Germany, Spain, Norway, and Russia traditionally wear their wedding rings on their right hand.

Viking Wedding Rings: These were mostly made of silver and bronze and rarely of gold with the designs inspired by Norse Gods, geometric shapes, runes, and animal totems

Gimmel Rings: In the 16th and 17th centuries, European husbands gave their bride a gimmel ring with two interlocking bands. The bride and groom both wore one after their engagement and during the wedding ceremony the rings were joined and the wife wore the ring.

World Wars: During the first World War, many men on the front began wearing wedding rings as a remembrance of their wives and families at home. That custom carried through to World War Two so in the 1950s wedding rings for men became common practice.

Tri-Gold Rings: Gold is the traditional ring metal but some people prefer a mix of colors. Yellow gold represents fidelity, rose gold romantic love, and white gold friendship, so a tri-gold ring symbolizes your shared past, present, and future path. ding ring to symbolize all three, as well as your shared past, present, and future path.

Black Wedding Rings: Some couples choose black wedding bands because they represent everlasting commitment and the color can also mean power, strength and sophistication.

Anniversary or Push Ring: Given on the birth of a first child or an anniversary, usually an important one such as the first, five-year or 10-year anniversary.

Posted in 1700s, 1800s, 1900s, Australia, Canada, Customs & Manners, Decorative Item, Edwardian Era, England, Europe, Georgian Era, Regency Era, Romantic Era, South Pacific, Suzi Love Images, U.S.A, Victorian Era, weddings | Tagged British history, Customs and Traditions, Georgian era, Regency Era, Regency Life, Romantic Era, Suzi Love Research, Victorian Era, weddings | Leave a reply

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