I'm an Australian author of contemporary and historical romances, plus history non-fiction. My books range from sexy to erotic, late 1700s to the mid 1800s, and with a dash of Australia thrown into the mix. My heroes and heroines challenge tradition and my stories often expose the seamier levels of life. I now live in a sunny part of Australia after spending many years in developing countries in the South Pacific. My greatest loves are traveling, anywhere and everywhere, meeting crazy characters, and visiting the Australian outback. I hope my books bring history alive and you have fun adventuring with my roguish heroes and feisty heroines.
Writing and Publishing? Tips and Tricks in Self Publishing: Absolute Beginner’s Guide. Information, contacts, and checklists steer you towards professionally produced books. Helps both fiction and non-fiction authors and available in digital and paperback. Co-Authored by two Australians: multi-published Imogene Nix and best-selling and award winning Suzi Love. books2read.com/selfpublishing
What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Wars were being fought so women adopted military looks in support of soldiers. https://books2read.com/SuziLoveFashion1810-1814
1812 Woman wearing an extraordinary hat, flounced dress and a cashmere shawl. 1801-1818 Le Bon Genre Fashion Series Plate 50. Published by: Pierre La Mésangère. Via British Museum, London, UK. britishmuseum.org (PD-Art)
Fashion Women 1810-1814 History Notes Book 27 This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Fashion Women 1810-1814 History Notes Book 27 This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
The Lady’s Magazine said of the basis of women’s fashion that was popular for the first twenty years of the 1800s, ‘White is still the prevailing color for robes. For morning dresses, linen gowns, in large diamonds or squares, are fashionable. Indian muslins, plain or embroidered, are preferred to Florence and satins. The designs of embroidery for shawls are of infinite variety. Long gloves, which reach above the elbow, are not yet laid aside. Medallions are hung around the neck from crossed chains and some of these medallions are shaped like the bags, called ridicules. These reticules are of the lozenge or hexagon shape, with a small tassel at each angle. Reticules, or ridicules, are in lozenge or hexagon shapes with a small tassel at each angle. In capotes, or hats, and ribbands, the violet and dark green prevail over jonquil. Bracelets in hair, pear-shaped ear-rings, medallions on square plates, saltiers of colored stones, are still in fashion.’
What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Wars were being fought so women adopted military looks in support of soldiers. https://books2read.com/SuziLoveFashion1810-1814 History Notes Book 27 Women’s Fashions 1810-1814.
What did Jane Austen and friends wear? Early 1800s fashions were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. History Notes Book 26 Fashion Women 1805-1809.
https://books2read.com/SuziLoveFashionWomen1805-1809
The Empire waist gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given in France to the period when Napoleon built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s. Jean-Jaques Rousseau advocated copying peasants and returning to a simpler life and more natural fashions. Unrestricting clothing was part of the new Democracy in France and these simpler and flowing fashions were adopted all over Europe, including Britain and despite the continual wars being fought against France during the early 1800s. Not even war stopped fashions from being copied everywhere.
1808 Two ladies in high-waisted dresses, French. White dress with blue paisley shawl, blue shoes and red and white bonnet, blue dress with elaborate yellow trims, yellow shoes and bonnet to match.Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
These are the types of general morning dress worn by Jane Austen and contemporaries in England, as French fashion plates were obsessively copied despite the two countries being at war for many years. English fashion magazines frequently published plates copied from French fashion magazines and both French and English magazines published the same design for both single women’s fashion and for two ladies together.
Ladies clothing in the early 1800’s featured a high waist line called an Empire Line, or Empire style dress, with a waistline just under the natural bust line and much higher than the natural waist. The high-waisted, or short-bodied, Regency styles shifted focus away from the natural waist and so left the natural waist unconstricted, in direct contrast to previous and future styles. Britain took these simple European styles and progressively made them more elaborate by adding complicated embroidery and colorful accessories.
1815 June White Carriage Dress, English. Lady reading a book in a high-waisted white satin Pelisse, or Walking Or Carriage dress in the relaxed Empire style as would have been worn at home in the early 1800s, or during Jane Austen’s time. Richly ornamented with clusters of leaves made in white twilled sarsnet, headed with tull. Open fronts, trimmed to the bottom of the waist with a superb shell trimming of white satin ribbon and tull, loose sleeves trimmed at the wrists. High hat of white satin and tull with a plume of feathers of the pomona green. Half-boots of similar color. Gloves en suite and a necklace. Lady is viewing paintings and the program in her hand says ‘British Institution’. In this issue of The Repository there is an article called ‘Exhibition of Paintings by the Flemish and Dutch Masters at the British Institution, Pall Mall.’ Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
1620-1635 ca. Pin For Fastening Clothing, Made In Gloucestershire, England, U.K. Pins were a necessity for the fastening of clothing and the arrangement of dress accessories in the 16th and 17th centuries. Their importance for women as a personal requirement and expense is reflected in the term pin-money, the sum originally allocated to meet this essential cost. Ordinary people would have a small number of pins, the wealthy thousands.Pins were carefully looked after and sharpened periodically. They were extracted after use so as not to tarnish the fabric and placed in a pincushion.
. Victoria and Albert Museum, London, U.K.
Places
Before the mid-16th century the finest pins were imported from France, but their manufacture in England was encouraged under Henry VIII, and an Act for the True Making of Pynnes was passed in 1543, controlling their quality and price. Gloucestershire and London became the main centres of the pin-making industry.
Materials & Making
As the industry developed in the 16th century the major advance in the manufacture of pins came with the use of a steel draw-plate with a graduated series of holes. Wire, which was usually brass, could be drawn through this to any gauge, permitting standardisation of the size of the pins. The heads were made from fine coils of wire that were soldered in place.
Enormous quantities of pins were used for the fastening of clothing. Elizabeth I was supplied with 24,000 ‘pynnes of diverse sorts’ just for her coronation. Pins secured the petticoat in a ruffle above the farthingale (hoops that supported a skirt), and held the curves of the ruff in place around the neck. Several dozen might be used for one ensemble. Such a quantity required large pincushions. These pins were found in written documents that were dated between 1620 and 1635.
