19th Century Tantalus, or Drink Holder, With Hand-Painted Glasses and Bottles, as would have been used in the homes of Jane Austen and the Bridgertons. via 1st Dibs Auctions 1stdibs.com
Tantalus: A small wooden cabinet containing drink decanters. The box has a lock and key to keep unauthorised people from drinking the contents e.g. servants and younger sons, yet still allowing the decanters of drinks to be on show. The word, Tantalus, is a reference to the unsatisfied temptations of the Greek mythological character Tantalus. Patented in the UK in 1881 by George Betjemann, a cabinet maker from the Netherlands, whose workshop was on Pentonville Road, London from the 1830s.This type of small drinks cabinet would have been used in most households during the Bridgerton family’s and Jane Austen’s times, unless the householders were teetotalers. via 1st Dibs Auctions 1stdibs.com
19th Century Early Women’s Cotton Caps. Worn as morning caps, night caps, or under other hats. With lappets, hanging ties, or tails, which were also called ‘follow me lads’, or ‘flirtation ribbons’. via Museum of Fine Arts, Boston, U.S.A. mfa.org. via Museum of Fine Arts, Boston, U.S.A. mfa.org
Definition Caps: Worn as morning caps, night caps, or under other hats. Jane Austen and her family and female friends would have worn caps like these, sometimes during the morning at home, to bed to keep their long hair from becoming knotted, or under a bonnet to hold a hairstyle in place. Caps sometimes had hanging ties, or tails, were also called ‘follow me lads’, or ‘flirtation ribbons’.
Definition Lappets: Two long strips of material, often lace, hanging from top of head down back or over shoulders. Sometimes extensions of a headdress and a requirement for court dress.
19th Century Early Women’s Cotton Caps. Worn as morning caps, night caps, or under other hats. Hanging ties, or tails, also called ‘follow me lads’, or ‘flirtation ribbon’s. via Museum of Fine Arts, Boston, U.S.A. mfa.org
Are you a Bridgerton fan? Love Jane Austen? Love history? Take a look at a Young Gentleman’s Day in the early 1800s. Light-hearted look at a young man’s day in the early 1800s. Depicts the ups and downs of a young gentleman’s day in the Regency Era, or Jane Austen’s years. Through historic images, historical information, and funny anecdotes, it shows how a young man about town fills his day, where he goes, and who he spends time with. This light-hearted look at the longer Regency years is an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne. books2read.com/suziloveYGD
RL_2 Love the Bridgertons? Are you a fan of Jane Austen and her era? Easy to read view of what a young gentleman did and wore in the early 1800s. #RegencyEra #JaneAusten #amwriting books2read.com/suziloveYGD RL_2_D2D_RetailerBuyLink_RL_2
https://books2read.com/suziloveYGD
Box Set combining Corset books 14-21 to give a complete picture of the progression of corset styles from 1700 through to the 1900s, including Jane Austen’s lifetime. https://books2read.com/SuziLoveCorsetBook22
This Box Set combines corset books 14-21 to give a complete picture of the progression of corset styles from 1700 through to the 1900s, including Jane Austen’s lifetime and the Bridgerton years. These books show how body wraps, stays, and corsets were worn through the centuries to create a variety of fashionable silhouettes through various historical eras. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette.
1816 August Back view of a lady in Evening Dress, English. White, high-waisted, dress with short bodice, long sleeves, frilled hem plus decoration above the frill, high plumed headdress, and reading music sheets. “A gown of white soft satin, cut low all round the back and bosom.The skirt gored, and a good deal of fullness thrown behind. The body, which is disposed in small plaits, displays the shape, as our readers perceive by print, to very great advantage; it is trimmed round bosom with a wreath of small white net roses, with a little tuft of pearl in the heart of each. Long loose sleeve, composed of white lace, and finished a la Parisienne with a rich double frill at the wrists.
The skirt is ornamented, in an exquisitely tasteful style, with a broad flounce of rich blond, surmounted by a wreath of roses and deep scallops of white net, the points of which are finished by bows of white satin ribbon. The effect of this trimming is uncommonly beautiful. Hair, cropped and curled full in the back of the neck, and dressed light, and much parted on the forehead: it is ornamented With a superb white ostrich-plume, at the base of which is an aigrette of diamonds. Neck-lace, ear. rings, and bracelets also of diamond. White satin slippers, and white kid gloves. We have to thank the condescension of a lady of much celebrity in the fashionable world, to whom we are indebted for a sight of the very elegant and tasteful dress from which our present print is designed.” Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
In Jane Austen’s times craftsmen created boxes and containers of precious metals, leather, silks, and decorated them with jewels. Boxes, Cases, Etui, Necessaire and everything else that was used to carry essential items for travel, sewing, medicine, writing, and toiletries. Containers were engraved to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
19th Century Snuff Boxes. Not only were boxes made to serve a purpose, but decorative boxes of all types were prized, especially in the 18th-19th Centuries when everything decorative and extravagant was in vogue and taking a pinch of snuff was fashionable. Snuff is made from ground or pulverized tobacco leaves and is sniffed from a pinch of snuff placed on the back of the hand.Flavorings were added to the tobacco to give a fast hit of nicotine and a lasting scent. Snuff began in the Americas and was used in Europe by the 17th Century.
Snuff became popular from the mid 1600s to the mid 1800s and was more popular than smoking. Inhaling snuff, or snuffing, was first seen by a European missionary in 1493 in Christopher Columbus’s new world within Haiti’s indigenous Taino. Until then, tobacco had been unknown to Europeans, but its use spread quickly throughout Europe during the 1500s. By the second half of the 17th century, ornate boxes started being produced to keep the precious powder dry and an entire industry making accessories blossomed around the fashion of taking snuff. Noblemen, and some women, carried extravagantly decorated snuff boxes with them at all times and would offer a pinch of their own particular blend to friends and family. Therefore, these boxes were always on display and so it became a competition to see who could have the most bejeweled or expensive box possible. By the mid 1800s, snuff taking was no longer popular so these exquisite and expensive snuff boxes became decorative, rather than functional.
19th Century Shoe Snuffbox. via 1st Dibs Auctions 1stdibs.com19th Century Engraved Horn Snuffbox. Heart surrounded by flowers and leaves, sides with dove, symbol of purity and peace, brass hinge and setting. via 1st Dibs Auctions19th Century Carved Boxwood Snuffbox. Horse with saddle for a lid. via 1st Dibs Auctions
1804-1809 ca. Snuffbox in the Shape of A Lion, Moulinie, Bautte and Cie, Geneva, Switzerland.via Victoria and Albert Museum.1820 Snuffbox with scene of harvesting fruit. By Johann Wilhelm Keibel (master 1812; died 1862). via Metropolitan Museum New York City, U.S.A. metmuseum.org1810 ca. Jeweled Gold Snuff Box, Switzerland. Maker’s Mark Geneva. via Christie’s Auction Rooms. christies.com
1807-1817 ca. Man’s Leather Breeches, American. These are the sort of pants that the men Jane Austen knew would have worn for riding or in the country. Drop front buttoned flap at the waist, a drawstring at the back waist to adjust waist size, and drawstrings and buttons at the calves to keep the breeches secure when worn with high boots. via Metropolitan Museum New York City, U.S.A. metmuseum.org
19th Century Cross Letter or Cross Writing or Cross Hatching. The writer reached the bottom of the page, turned the paper sideways and adds a second layer of text. During the 19th century, paper was expensive and postal delivery was charged per page, or by the size of the paper. Cross-writing was a way to save paper and postage in Jane Austen and Bridgerton times, and many of Jane Austen’s letters were written this way. Once it becomes familiar, the mind adapts easily and cross-writing letters are surprisingly legible. Charles Darwin also favored this technique.
Rates of Postage of single Letters in Pence.
From any post-office in England or Wales, to any place not exceeding 15 miles from such office – – – 3
For any distance above 15, and not exceeding 30 miles — — 4
For any distance above 30, and not exceeding 50 miles — 5
For any distance above 50, and not exceeding 80 miles – 6
For any distance above 80, and not exceeding 12O miles — 7
For any distance above 120, and not exceeding 170 miles – 8
For any distance above 170, and not exceeding 230 miles — 9
For my distance above 230, and not exceeding 300 miles — — 10
For any distance above 300, and not exceeding 400 miles – 11
For any distance above 400, and nut exceeding 500 mites — 12
1802 Picture of London Printed for R. Phillips via Google Books (PD-180)
And so in proportion; the postage increasing progressively one penny for a single letter for every like excess ok distance of 100 miles. 1802 Picture of London Printed for R. Phillips via Google Books (PD-180)
The Twopenny Post- Office.
There are two principal offices, one in the General Post—office yard, Lombard—street and the other in Gerrard-street, Soho. There are also numerous receiving houses in both the town and country.
There are SI X collections and deliveries of letters in town daily, (Sundays excepted) and there are two dispatches from, and three deliveries at, most places in the country, within the limits of this office.
1802 Picture of London Printed for R. Phillips via Google Books (PD-180)
1819 White Percale Dress, French. Deep hem of bubbly muslin, matching Percale Spencer or jacket, pink parasol and flowered straw hat. Spencer has short puffed sleeves over long straight sleeves and military style trimmings. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Even though this a French fashion plate, this is typical of the outdoor outfit worn by Jane Austen and her contemporaries when going outside. An Empire style, or high-waisted white cotton dress worn under a Spencer, or jacket, for warmth and with a parasol to protect fair complexions from the sun.
Description Spencer: Short jackets worn for warmth over the high-waisted Empire style gowns that were popular after the French Revolution, where there was a shift away from opulence and decadence to simpler fashion. This jacket with very short bodice and long sleeves was known as a Spencer and was named after the male coat made famous by the Earl Spencer and said to have originated in accident to Lord Spencer in hunting when coat tails torn off and a cropped jacket was invented. The dresses in the early 1800s therefore became looser, lighter, and flowing and women became cold due to their very low cut and short bodices. Short fitted jackets that went easily over the dresses and provided extra modesty and some warmth. As Europe and many other parts of the world were deep in wars in the late 1700s and early 1800s, men in uniform were found everywhere. In support of these military men, fashions leaned towards military style shoulder paddings, shoulder embellishments, loops, buttons, and braids.
Definition Percale or Perkale: From the Persian word pargalah. Fine cotton fabric, or cambric muslin of good quality, originally from India, generally bleached, printed and finished without gloss. Contains more dressing than ordinary muslin, but without the glossy finish of cambric and is printed in fancy patterns on white and colored grounds. In May 1816, Percale was commented on in Rudolph Ackermann’ Repository Of Arts, “Perkale, as they call cambric muslin, is now almost the only thing worn in the morning costume: you must not, however, fancy that this proceeds from a wish to encourage English manufacture, but partly from a love for novelty, and partly because it is less expensive than cambric, and equally fashionable.”
